CFC Campaign Begins by DOROTHY COLEY the 2006 Combined Federal Campaign (CFC) Will Begin with a Staff Rally at 10 A.M

Total Page:16

File Type:pdf, Size:1020Kb

CFC Campaign Begins by DOROTHY COLEY the 2006 Combined Federal Campaign (CFC) Will Begin with a Staff Rally at 10 A.M LIBRARY OF CONGRESS Volume 17, No. 43 A Weekly Newspaper for the Library Staff October 27, 2006 CFC Campaign Begins By DOROTHY COLEY The 2006 Combined Federal Campaign (CFC) will begin with a staff rally at 10 a.m. on Wednesday, Nov. 1, in the Mumford Room, LM 649. This year’s theme is “Be a Star in Someone’s Life.” The “Kick-Off” is the launching point of the campaign, designed to motivate staff members to begin thinking about contributing to their favorite organizations, or to consider new charities that reach out and help others. A Navy Color Guard will open the event with pomp and presentation of the colors in a glitzy Hollywood setting, in keeping with the “be-a-star” theme. The Library has invited as a motivational speaker Tom Morris Jr., a segment producer for “America’s Most Wanted,” a FOX television network crime show. With a bachelor’s degree in mass communications from Norfolk State University (1980), Morris has worked as a print and broadcast journalist, a communications strategist for the Prince Georges County Economic Development Corporation, and as an antiterrorist security specialist for an Embassy Task Group. The Librarian of Congress, who serves as the campaign chairman, has appointed Bill Ayers, special assistant to the Exhibition “Cartoon director of Human Resources Services, as this year’s vice- chairman and director of the overall campaign. America” Opens Nov. 2 Ayers expressed enthusiasm for the campaign and riginal drawings by some of America’s best-loved cartoon- the good works it supports: “CFC benefits everyone in ists will appear in a new exhibition, “Cartoon America: the community in which we live and work. This is a great OHighlights from the Art Wood Collection of Cartoon and opportunity for the Library’s employees to contribute to Caricature,” which will open on Thursday, Nov. 2, in the Great the scores of organizations that help make the lives they Hall of the Thomas Jefferson Building. touch so much better. I encourage every Library employee On view through Jan. 27, the exhibition is free and open to the to participate.” public from 10 a.m. to 5 p.m., Monday-Saturday. Other members of the management team include Reid The exhibition will feature 100 masterworks of such celebrated Graham, Agency Fair chairman; Robert Handloff, In-honor-of artists as political cartoonists Thomas Nast, Rube Goldberg, Bill Program chairman; Ricardo Grijalva, Talent Show chairman; Mauldin and Patrick Oliphant; comic strip creators Winsor McCay, Nila Iwaskiw, CFC webmaster for the Library; and Dorothy George Herriman, Chic Young, Milt Caniff, Charles Schulz and Lynn Coley, publicity. Johnston; humorous gag cartoonists Peter Arno and William Steig; The goal of this year’s campaign is to increase the overall caricaturists Al Hirschfeld and David Levine; animation drawings Library participation rate to at least 60 percent. The monetary and cels from Walt Disney Productions and Hanna-Barbera; and goal will be $600,000, which is about $60,000 more than last illustrations by Edwin A. Abbey, John Held and Michael Hague. year’s total intake of $538,000. Drawings selected for the exhibition reflect the primary col- The next big CFC event will be the annual Agency and lecting interests of J. Arthur Wood Jr., a connoisseur of popular Charities Fair on Nov. 7 in the Madison Hall. There, staff may graphic art. Wood’s collection of more than 36,000 original cartoon meet representatives of some of the agencies that benefit drawings — the Art Wood Collection of Cartoon and Caricature from CFC gifts. — is now housed in the Library’s Prints and Photographs Division. CFC, Continues on page 11 CARTOON, Continues on page 9 2 TH E G A Z ette OCTOBER 27, 2006 FORUM To the Staff: The Gazette I wanted to thank each and every staff member who contributed to the resound- A weekly newspaper for the Library of Congress staff ing success of this year’s National Book Festival. Although we began the day with GAIL FINEBERG some cool, damp weather, your dedication to this annual celebration of American Editor MICHAELA McNICHOL creativity and the joy of reading warmed the spirits of the authors and festivalgoers Visual Information Specialist alike. We started the day with packed author-and-activity pavilions and we ended Contributing Editors: Erin Allen, Calendar; Carlin “René” Sayles, Moving On and Length of Service; Runako Balondemu, the same way. Donated Leave Many of you were a part of the planning that permitted this complex public event Contributing Photographers: Francisco Apodaca, Erin Allen, to occur “without a hitch.” Those of you who were able to be there could see for T.J. Jeffers, Michaela McNichol, Charlynn Spencer Pyne yourselves that you made a difference. Those who worked behind the scenes get- Proofreader: George Thuronyi ting ready for the festival as well as those who worked that day should know that I PETER BRAESTRUP JAMES W. McCLUNG Founder Founding Publisher deeply appreciate their time and effort. It takes a team to make the National Book (1990 – 1997) (1990 – 1994) Festival the premier book festival of this country. The Gazette encourages LC staff to submit articles or photographs Once again, thank you! of general interest. Submissions will be edited to convey the most James H. Billington necessary information. The Librarian of Congress Deadline for submission is 5 p.m. Wednesday, one week prior to publication date. Please submit text in digital form via email * * * * * ([email protected]) preferably as an attached Microsoft Word file. An official publication of the Library of Congress, The Gazette is largely staffed by Library employees who have volunteered Dental, Vision Benefits Offered for part-time details. Persons interested in serving a detail as a page editor, writer, proofreader, photographer, reporter, or artist In an effort to give employees additional healthcare, the federal government is intro- may submit applications to the editor, LM 105, mail code 1620. Those persons interested in contributing to The Gazette as part of ducing a new dental and vision program — FEDVIP. a Library-wide network should first check with their supervisors. Back issues of The Gazette are available in the Public Affairs Office, For more information about health benefits plans, including the new dental and vision LM 105, and issues dating from 2000 through the current issue are plans, staff should attend a health benefits fair from 10 a.m. to 2 p.m. on Thursday, Nov. available online at www.loc.gov/staf/gazette. 2, in the Mumford Room, LM 649. Staff will have an opportunity to meet representatives Library of Congress for companies providing health, dental and vision plans. Washington, DC 20540-1620 Editor 707-9194, [email protected] Employees may elect to enroll for dental benefits, vision benefits or both, using pretax Production 707-0970, [email protected] dollars to pay for the premiums. However, there is no federal government contribution. ISSN 1049-8184 The plan takes effect on Dec. 31 for those who enroll now during open season. Employ- ees may enroll in a plan for self only, self plus one, or self and family coverage. Eligible Printed on paper that contains recycled paper by the family members include an enrollee’s spouse and unmarried dependent children younger Printing Management Section, Office Systems Services than 22, or if they are incapable of self-support, or age 22 or older. The rules for family members’ eligibility are the same as they are for the Federal Employees Health Benefits Gazette Welcomes Letters from Staff The staff is invited to use the Forum pages for lively and (FEHB) Program. thoughtful debate relevant to Library issues. However, just Employees do not have to be enrolled in a FEHB plan, but they must meet FEHB eligibility as other newspaper editors exercise discretion over which letters to publish and how to edit them, so do we. In decid- requirements to qualify for the dental and vision plan. For additional information visit the ing whether or how much to publish, we consider content (including misstatements of fact, libel, innuendo, ridicule of OPM Web site at www.opm.gov/insure/DentalVision to see vendor and rate information. individuals or the institution, personal attacks, and redun- dancy) and length (the limit is 600 words). Eligible LC employees may initiate or change their enrollment in the Federal Employees Letters must be signed by the author, whose place of work Health Benefits (FEHB) program during Open Season, which runs from Monday, Nov. 13 and telephone extension should be included so we can verify authorship. Letter writers should understand that when through Monday, Dec. 11. During Open Season, employees may enroll in a plan, if not already they sign their letters and release them to us for publication they are relinquishing privacy. If a letter calls for manage- enrolled, change from one plan to another, change from one option to another in the same ment response, for example, an explanation of a policy or actions or clarification of fact, we will ask for management plan or in a different plan, or change enrollment from “self only” to “self and family.” response.—Ed. Temporary employees may elect health insurance coverage after 13 months of continu- ous LC employment, but they must pay the full premium amount. Deadline and Calendar The FEHB Open Season coincides with an open season for Flexible Spending Accounts Submission Information (FSA). Employees may also enroll in or renew their enrollment in the Flexible Spending Deadline for copy for Nov. 10 issue is Wednesday, Nov. 1. Accounts Program (FSA) for 2007. If you wish to learn more about the FSA program, contact To promote events through the Library’s online the vendor at 1-877-372-3337 or access the vendor’s Web site at www.fsafeds.com.
Recommended publications
  • The Complete Peanuts Volume I by Charles M. Schulz
    NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class.
    [Show full text]
  • Want to Have Some Fun with Tech and Pol Cart
    Want To Have Some Fun With Technology and Political Cartoons? Dr. Susan A. Lancaster Florida Educational Technology Conference FETC Political and Editorial Cartoons In U.S. History http://dewey.chs.chico.k12.ca.us/edpolcart.html • Political cartoons are for the most part composed of two elements: caricature, which parodies the individual, and allusion, which creates the situation or context into which the individual is placed. • Caricature as a Western discipline goes back to Leonardo da Vinci's artistic explorations of "the ideal type of deformity"-- the grotesque-- which he used to better understand the concept of ideal beauty 2 • Develop Cognitive • Historical and Thinking and Higher Government Events Levels of Evaluation, • Group Work Analysis and Synthesis • Individual Work • Create Student • Current Events Drawings and Interpretations • Sports Events • Express Personal • Editorial Issues Opinions • Foreign Language and • Real World Issues Foreign Events • Visual Literacy and • Authentic Learning Interpretation • Critical Observation and Interpretation • Warm-up Activities • Writing Prompts 3 • Perspective A good editorial cartoonist can produce smiles at the nation's breakfast tables and, at the same time, screams around the White House. That's the point of cartooning: to tickle those who agree with you, torture those who don't, and maybe sway the remainder. 4 http://www.newseum.org/horsey/ Why include Political Cartoons in your curriculum? My goal was to somehow get the students to think in a more advanced way about current events and to make connections to both past and present Tammy Sulsona http://nieonline.com/detroit/cftc.cfm?cftcfeature=tammy 5 Cartoon Analysis Level 1 Visuals Words (not all cartoons include words) List the objects or people you see in the cartoon.
    [Show full text]
  • 2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
    Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you.
    [Show full text]
  • American Masters 200 List Finaljan2014
    Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON:
    [Show full text]
  • Missouri Historical Review
    Historiostl ZR,evie*w BOYS and GIRLS! Tlbu can helpyour Uncle Sam Win the War Save jyour Quarters Buy War Savings Stamps The State Historical Society of Missouri COLUMBIA, MISSOURI HgisiSllill^ The front cover illustration is one of artist-author M James Montgomery Flagg's World War I patriotic posters, g] Flagg, born in 1877, studied at the Art Students League M in New York and at Herkomer's Art School in Bushey, M England; he later studied with Victor Marec of Paris. An illustrator for various magazines including St. Nicholas Magazine, Judge and Life, Flagg's portrait paintings were exhibited at the Paris Salon and the National Academy of Design. He prepared patriotic posters during both World Wars. His writings include the books: Yankee Girls Abroad, Why They Married, City People and the autobiographical H Roses and Buckshot. Flagg died on May 27, 1960. || Flagg's poster is one of many varied items in the So- M ciety's latest gallery and corridor exhibition entitled, "Con- [§] flict: Men, Events and Artists." Among the artists and || lithographers included in the exhibition are: George Caleb jS Bingham, Thomas Hart Benton, Daniel R. Fitzpatrick, S. J. H Ray, George Wilhelm Fasel, Louis Kurz, Alexander Allison, g| Gladys Wheat and William Knox. Paintings, lithographs, B posters and drawings are some of the items constituting SI the exhibit. "Conflict: Men, Events and Artists" can be n viewed Monday through Friday, 8:00 a.m.-4:30 p.m. M m MISSOURI HISTORICAL REVIEW Published Quarterly by THE STATE HISTORICAL SOCIETY OF MISSOURI COLUMBIA, MISSOURI RICHARD S.
    [Show full text]
  • The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
    DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons.
    [Show full text]
  • Rube Goldberg Machines
    Rube Goldberg Machines Submitted by: Edward Gunkle, 8th Grade Science Miff-West High School, Middleburg, PA Target Grade: 8th Grade, Science Time Required: 6 days, 40-50 minute lessons Standards Next Generation Science Standards (NGSS): • MS-ETS1-2. Evaluate competing design solutions using a systematic process to determine how well they meet the criteria and constraints of the problem. • MS-PS3-5: Construct, use, and present arguments to support the claim that when the kinetic energy of an object changes, energy is transferred to or from the object. Lesson Objectives Students will be able to: • Identify and describe the 6 basic simple machines. • Explain the mechanical advantage of simple machines. • Analyze and explain the relationship between potential, kinetic, and mechanical energy present in a compound machine. • Apply understanding of simple machines and energy transfer to design and build a compound machine to complete a predetermined task. • Write a Rube Goldberg machine explanation to describe the machine's actions. Central Focus This lesson can be used as hands-on practice with simple machines and the concepts of energy transfers. Students will be collaborating together to design a working Rube Goldberg machine to complete the simple tasks of popping a balloon or stapling papers together. In the project, they will use their knowledge of different types of energy, how energy is transferred, and simple machines to design their multi-step machine. Key Words: physics, create, makerspace, blueprints, engineering design process, potential energy, kinetic energy, mechanical energy Background Information A Rube Goldberg (RG) machine is a machine intentionally designed to perform a simple task in an indirect and overly complicated way, relying on chain reactions.
    [Show full text]
  • Get This Week's Gazette
    LIBRARY OF CONGRESS Volume 14, No. 30 A Weekly Newspaper for the Library Staff September 5, 2003 Librarian Names Louise Glück 12th Poet Laureate ouise Glück, an award-winning laureate’s offi ce during the next year.” author of nine books of poetry, is Glück succeeds Poets Laureate Billy Lthe 12th poet to be named to the Collins, Robert Pinsky, Robert Hass, Stan- Library’s offi ce of Poet Laureate Consul- ley Kunitz, Rita Dove, Mona Van Duyn, tant in Poetry. She will open the Library’s Joseph Brodsky, Mark Strand, Howard annual literary series on Tuesday, Oct. Nemerov, Richard Wilbur and Robert 21, with a reading of her work. Penn Warren. On Wednesday, Oct. 22, she will host Her nine books of poetry include a Favorite Poem reading with Frank “The Seven Ages” (Ecco Press, 2001); Bidart and former Poet Laureate Robert “Vita Nova” (1999), which was awarded Pinsky. In addition to programming a The New Yorker magazine’s Book Award new reading series for younger poets, in Poetry; “Meadowlands” (1996); “The Glück will participate in Library events Wild Iris” (1992), which received the in February and again in May. Pulitzer Prize and the Poetry Society Louise Glück In announcing the appointment, of America’s William Carlos Williams Librarian of Congress James H. Bill- Award; “Ararat” (1990), which received ington said, “Louise Glück will bring to series of book-length poetic cycles. Her the Library’s Rebekah Johnson Bobbitt the Library of Congress a strong, vivid, prize-winning poetry and her great inter- National Prize for Poetry; and “The Tri- deep poetic voice, accomplished in a est in young poets will enliven the poet GLÜCK, Continues on page 12 Surgeon General Opens Hispanic Month Events ice Admiral Richard H.
    [Show full text]
  • By Emma Stanton - |Directed by Tea Alagic
    ® ® , 2003 ć NO CANDY "Bosnian Girl" by Šejla Kameri by emma stanton - |Directed by Tea Alagic world Premiere January 16 - February 10, 2019 PORTLAND PLAYHOUSE PRESENTS PRESENTING SEASON SPONSORS NO CANDY Ronni Lacroute Carol Streeter & By Emma Stanton Harold Goldstein Directed by Tea Alagic SHOW SPONSORS Polly Grose CAST Judy and Greg Kafoury Zlata Mia Zara The National Endowment Uma Sharonlee McLean* for the Arts Olena Nikki Weaver* The Oregon Cultural Trust Fazila Val Landrum* Asja Agatha Olson SEASON SPONSORS Maja Jessica Hillenbrand Ellyn Bye Oric Ben Newman* Joyce Hart & Ken Lewis Understudies Abigail St. John+, Paul Harestad+ Philip Terranova CREATIVE TEAM OUR WORK IS MADE Director Tea Alagic POSSIBLE BY Stage Manager David Levine* The Sheri & Les Biller Family Foundation, Mary & Don Blair, Ellyn Bye, Colas Scenic Designer Peter Ksander Construction, JW & HM Goodman Lighting Designer Miranda K. Hardy Family Foundation, Hampton Family Costume Designer Emily Horton Foundation of The Oregon Community Co-Sound Designer Casi Pacilio Foundation, Greg Hinckley & Mary Chomenko, Juan Young Trust, The Jordan Co-Sound Designer/Composer Jena Crenshaw Brand, Marge & Stephen Kafoury, Ronni Projection Designer Rory Breshears Lacroute, B.P. Lester and Regina John Properties Designer Sara Ludeman Foundation, Joyce Hart & Ken Lewis, Assistant Directors Melanie Owen, Reina Solunaya Maybelle Clark Macdonald Fund, ME Fitness, James F. and Marion L. Miller Assistant StageManager Rachel Lee Millena+ Foundation, M. J. Murdock Charitable Technical Director Christian Andrews Trust, National Endowment for the Arts, Master Electrician Jeff Ruggiero OCF Joseph E. Weston Foundation, PGE Scenic Artist David Pritchard Foundation, Raffle Donors, Raymond Production/Design Apprentice Alex Meyer+ Family Foundation, Robert D.
    [Show full text]
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
    [Show full text]
  • New Exhibition the American Muse Debuts at the Nmai
    FOR IMMEDIATE RELEASE May 2, 2013 Contact: Eric Brocklehurst Tel: (401) 851-8949 ext. 18 Email: [email protected] Website: www.americanillustration.org NEW EXHIBITION ‘THE AMERICAN MUSE’ DEBUTS AT THE NMAI NEWPORT, RI- Friday, May 24, the NMAI officially debuts its new exhibition, The American Muse. The exhibition is in homage to American women of the late 19th and early 20th centuries, and the illustrators who accurately portrayed the quintessential yet distinctly American feminine beauty that these women embodied. The American illustrators highlighted include Charles Dana Gibson, Harrison Fisher, and others of the greatest illustrators of the period, such as: Philip Boileau, MacClelland Barclay, Howard Chandler Christy, James Montgomery Flagg, Henry Hutt, Walter Granville Smith, Paul Stahr, and Albert Beck Wenzell. Each of these illustrators created their own prototypical image of ‘The American Woman.’ The public gave these illustrators’ artworks generic names as part of their respective oeuvre; The Gibson Girl and The Fisher Girl stand out as the most popular of all. These renditions of the illustrators’ ideal woman captured the increasingly independent spirit of American women. The illustrations both shaped and reflected American society and its notions of female beauty. Compared to women of previous eras, these women relished more freedoms, enjoyed greater opportunities in sports and education, and were at the vanguard of a time when women effected change through social and political movements on an unprecedented scale in Western culture. Also showing at the NMAI are Maxfield Parrish: The Retrospective, which has been extended due to popular demand through Fall 2013, and Howard Pyle & His Brandywine Students, showcasing the works of Howard Pyle, N.C.
    [Show full text]
  • SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
    SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place.
    [Show full text]