The U.S.S.F. Show: 'About Face'
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Peace in Vietnam! Beheiren: Transnational Activism and Gi Movement in Postwar Japan 1965-1974
PEACE IN VIETNAM! BEHEIREN: TRANSNATIONAL ACTIVISM AND GI MOVEMENT IN POSTWAR JAPAN 1965-1974 A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE AUGUST 2018 By Noriko Shiratori Dissertation Committee: Ehito Kimura, Chairperson James Dator Manfred Steger Maya Soetoro-Ng Patricia Steinhoff Keywords: Beheiren, transnational activism, anti-Vietnam War movement, deserter, GI movement, postwar Japan DEDICATION To my late father, Yasuo Shiratori Born and raised in Nihonbashi, the heart of Tokyo, I have unforgettable scenes that are deeply branded in my heart. In every alley of Ueno station, one of the main train stations in Tokyo, there were always groups of former war prisoners held in Siberia, still wearing their tattered uniforms and playing accordion, chanting, and panhandling. Many of them had lost their limbs and eyes and made a horrifying, yet curious, spectacle. As a little child, I could not help but ask my father “Who are they?” That was the beginning of a long dialogue about war between the two of us. That image has remained deep in my heart up to this day with the sorrowful sound of accordions. My father had just started work at an electrical laboratory at the University of Tokyo when he found he had been drafted into the imperial military and would be sent to China to work on electrical communications. He was 21 years old. His most trusted professor held a secret meeting in the basement of the university with the newest crop of drafted young men and told them, “Japan is engaging in an impossible war that we will never win. -
2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you. -
By Emma Stanton - |Directed by Tea Alagic
® ® , 2003 ć NO CANDY "Bosnian Girl" by Šejla Kameri by emma stanton - |Directed by Tea Alagic world Premiere January 16 - February 10, 2019 PORTLAND PLAYHOUSE PRESENTS PRESENTING SEASON SPONSORS NO CANDY Ronni Lacroute Carol Streeter & By Emma Stanton Harold Goldstein Directed by Tea Alagic SHOW SPONSORS Polly Grose CAST Judy and Greg Kafoury Zlata Mia Zara The National Endowment Uma Sharonlee McLean* for the Arts Olena Nikki Weaver* The Oregon Cultural Trust Fazila Val Landrum* Asja Agatha Olson SEASON SPONSORS Maja Jessica Hillenbrand Ellyn Bye Oric Ben Newman* Joyce Hart & Ken Lewis Understudies Abigail St. John+, Paul Harestad+ Philip Terranova CREATIVE TEAM OUR WORK IS MADE Director Tea Alagic POSSIBLE BY Stage Manager David Levine* The Sheri & Les Biller Family Foundation, Mary & Don Blair, Ellyn Bye, Colas Scenic Designer Peter Ksander Construction, JW & HM Goodman Lighting Designer Miranda K. Hardy Family Foundation, Hampton Family Costume Designer Emily Horton Foundation of The Oregon Community Co-Sound Designer Casi Pacilio Foundation, Greg Hinckley & Mary Chomenko, Juan Young Trust, The Jordan Co-Sound Designer/Composer Jena Crenshaw Brand, Marge & Stephen Kafoury, Ronni Projection Designer Rory Breshears Lacroute, B.P. Lester and Regina John Properties Designer Sara Ludeman Foundation, Joyce Hart & Ken Lewis, Assistant Directors Melanie Owen, Reina Solunaya Maybelle Clark Macdonald Fund, ME Fitness, James F. and Marion L. Miller Assistant StageManager Rachel Lee Millena+ Foundation, M. J. Murdock Charitable Technical Director Christian Andrews Trust, National Endowment for the Arts, Master Electrician Jeff Ruggiero OCF Joseph E. Weston Foundation, PGE Scenic Artist David Pritchard Foundation, Raffle Donors, Raymond Production/Design Apprentice Alex Meyer+ Family Foundation, Robert D. -
Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer -
Forum Gallery Opens a Group Exhibition of American Social Realism
The First Art Newspaper on the Net Established in 1996 Wednesday, May 26, 2021 Forum Gallery opens a group exhibition of American social realism Isabel Bishop, Manhattan Street, 1929. Oil on canvas, 10 x 12 1/4 inches. NEW YORK, NY.- Forum Gallery is presenting a group exhibition of American social realism featuring paintings, drawings, and sculpture dating from the first half of the Twentieth Century to today. Artists working in the years between the world wars and well known for their contributions are shown side by side with contemporary American Artists whose work continues the humanist legacy of social realism. American social realism took shape in the 1920s in the centers of commerce also home to artistic communities, like New York and Chicago. The cultural shift in the United States seen in the art of the social realists bridges the high modernist ideals of Europe and the struggle and very human drama evoked by the Great Depression and the political upheavals of the 1920s and 30s. Works in the current exhibition reflect and record the Nation’s fragile optimism of this time period. Highly emotional figuration, strong political content, and frank depiction of the common activities of daily life characterize the art of the social realists, demonstrated in this exhibition by masterworks in oil by Raphael Soyer, In The City Park, c. 1934, and Jack Levine, 1932 (In Memory of George Grosz), painted in 1959. The earliest paintings on view, dating from the 1920s, by Isabel Bishop and James H. Daugherty are joined by evocative works in oil by Philip Evergood, Wood Gaylor, William Gropper, Robert Gwathmey, Joseph Hirsch, Reginald Marsh, and Ben Shahn. -
Conscientiously Objecting to War James M
1 Conscientiously Objecting to War James M. Skelly lthough I will talk tonight about my own experience of conscientiously objecting to war, I want to try to put it into a larger context by first talking about the experiences of other sol- Adiers. What I hope I can accomplish by doing this is to demonstrate that we must allow for objection to war regardless of whether it is conscientious or not. The structure of war has changed profoundly in the last century. The tactics of Al Qaeda are just a further mani- festation of that transformation. War is no longer fought between armies where soldiers suffer the overwhelming number of casual- ties. Although civilians died in pre-20th century wars, soldiers made up 90% of the casualties. Now the ratio is reversed – 90% of the casualties are civilian – a ratio that the war in Iraq continued despite all the talk of so-called “precision” weapons. Some of you may have seen CNN’s recent documentary called “Fit to Kill,” which explored the psychological consequences of the training and experiences of soldiers who had killed in combat. One of the former soldiers interviewed, Charles Sheehan Miles, was a veteran of the first Gulf War in 1991. During operations in Iraq he and his colleagues had engaged two Iraqi trucks that subsequently caught fire. As one of the occupants ran ablaze from the truck, Miles fired his machine gun and immediately killed him. ______________ Presented on November 18, 2003, as part of the Baker Institute World Affairs Lectures 2004 25 His immediate emotional response was a “sense of exhilara- tion, of joy.” These emotions were followed in a split-second by what he characterized as “a tremendous feeling of guilt and remorse.” The image of the man on fire, running, as our young sol- dier killed him, stayed with him “for years and years and years,” he said. -
Testimony of Lori Wallach Director, Public Citizen's Global Trade Watch
Testimony of Lori Wallach Director, Public Citizen’s Global Trade Watch before U.S. International Trade Commission on “Economic Impact of Trade Agreements Implemented Under Trade Authorities Procedures, 2021 Report” October 2, 2020 Lori Wallach, Director Public Citizen’s Global Trade Watch 215 Pennsylvania Ave. SE Washington, D.C. 20003 [email protected] 202-546-4996 Mister Chairman and members of the Commission, thank you for the opportunity to testify today on the economic impact of trade agreements implemented since 1985 under trade authorities procedures so as to contribute to the Section 105(f)(2) report required by the Bipartisan Congressional Trade Priorities and Accountability Act of 2015. I am Lori Wallach, director of Public Citizen’s Global Trade Watch. Public Citizen is a national public interest organization with more than 500,000 members and supporters. For more than 45 years, we have advocated with some considerable success for consumer protections and more generally for government and corporate accountability. It is critical that the Commission’s evaluation of the economic impacts of the Free Trade Agreements (FTAs) negotiated by the U.S. government under trade authorities procedures (Fast Track) provides accurate and trustworthy information to policymakers and the general public about the agreements’ actual outcomes. In many communities nationwide, decades of trade agreements negotiated on a model established with the North American Free Trade Agreement (NAFTA) have caused economic damage to many and fueled anger and despair. The dwindling ranks of defenders of that model argue that it was not trade, but other policies and trends that have caused the problems people “blame” on trade pacts. -
Commencement Friday, June 1, 2018
THE CITY COLLEGE OF NEW YORK COMMENCEMENT FRIDAY, JUNE 1, 2018 THE CITY UNIVERSITY OF NEW YORK Commencement Friday, June 1, 2018, 9:30 a.m. South Campus Great Lawn Presiding Vince Boudreau President, The City College of New York Academic Procession Interim Provost Tony Liss Taimoor Arif President, Undergraduate Student Government Cyrille Njikeng Executive Chair, Graduate Student Council Associate Dean Ardie Walser The Grove School of Engineering Ph.D Graduates Interim Dean Kevin Foster Colin Powell School for Civic and Global Leadership Faria Tasnim and Tyler Walls Dean Erec Koch The Division of Humanities and the Arts Sophie Ziner and Lucius Seo Dean Maurizio Trevisan The Sophie Davis Program in Biomedical Education in the CUNY School of Medicine Samantha Lau and Gabriella Schmuter Acting Dean V. Parameswaran Nair The Division of Science Lisa Lopez and Lucy Lopez Acting Dean Gordon Gebert The Bernard and Anne Spitzer School of Architecture Jun Nam and Gabriel Morales Director Hillary Brown Sustainability in the Urban Environment Michael Duffy, Evelyn Levine and Robin Perl Dean Mary Erina Driscoll The School of Education Massiel A. De León de la Serna and Samson Baker Dean Juan Carlos Mercado The Division of Interdisciplinary Studies at the Center for Worker Education Gabrielle Gallo and Jose Miranda Dean Gilda Barabino The Grove School of Engineering Vivakeanand “Vishal” Boodhan and Joseph Rettberg Academic Procession Faculty (continued) Reunion Classes 1978, 1968, 1958 and 1948 President’s Platform Party Deans and Vice Presidents of the College Student Government Leaders Valedictorian Salutatorian Honored Guests Interim Provost Tony Liss Chief Marshal Janet Steele President Vince Boudreau The Color Guard of the CUNY Army ROTC Program presents the National Colors The National Anthem Megumi Toyama BFA in Jazz Vocal Studies Greetings Fernando Ferrer The Board of Trustees The City University of New York Chancellor James B. -
Prosperity Undermined
Prosperity Undermined The Status Quo Trade Model’s 21-Year Record of Massive U.S. Trade Deficits, Job Loss and Wage Suppression www.tradewatch.org August 2015 Public Citizen’s Global Trade Watch Published August 2015 by Public Citizen’s Global Trade Watch Public Citizen is a national, nonprofit consumer advocacy organization that serves as the people's voice in the nation's capital. Since our founding in 1971, we have delved into an array of areas, but our work on each issue shares an overarching goal: To ensure that all citizens are represented in the halls of power. For four decades, we have proudly championed citizen interests before Congress, the executive branch agencies and the courts. We have successfully challenged the abusive practices of the pharmaceutical, nuclear and automobile industries, and many others. We are leading the charge against undemocratic trade agreements that advance the interests of mega- corporations at the expense of citizens worldwide. As the federal government wrestles with critical issues – fallout from the global economic crisis, health care reform, climate change and so much more – Public Citizen is needed now more than ever. We are the countervailing force to corporate power. We fight on behalf of all Americans – to make sure your government works for you. We have five policy groups: our Congress Watch division, the Energy Program, Global Trade Watch, the Health Research Group and our Litigation Group. Public Citizen is a nonprofit organization that does not participate in partisan political activities or endorse any candidates for elected office. We accept no government or corporate money – we rely solely on foundation grants, publication sales and support from our 300,000 members. -
CFC Campaign Begins by DOROTHY COLEY the 2006 Combined Federal Campaign (CFC) Will Begin with a Staff Rally at 10 A.M
LIBRARY OF CONGRESS Volume 17, No. 43 A Weekly Newspaper for the Library Staff October 27, 2006 CFC Campaign Begins By DOROTHY COLEY The 2006 Combined Federal Campaign (CFC) will begin with a staff rally at 10 a.m. on Wednesday, Nov. 1, in the Mumford Room, LM 649. This year’s theme is “Be a Star in Someone’s Life.” The “Kick-Off” is the launching point of the campaign, designed to motivate staff members to begin thinking about contributing to their favorite organizations, or to consider new charities that reach out and help others. A Navy Color Guard will open the event with pomp and presentation of the colors in a glitzy Hollywood setting, in keeping with the “be-a-star” theme. The Library has invited as a motivational speaker Tom Morris Jr., a segment producer for “America’s Most Wanted,” a FOX television network crime show. With a bachelor’s degree in mass communications from Norfolk State University (1980), Morris has worked as a print and broadcast journalist, a communications strategist for the Prince Georges County Economic Development Corporation, and as an antiterrorist security specialist for an Embassy Task Group. The Librarian of Congress, who serves as the campaign chairman, has appointed Bill Ayers, special assistant to the Exhibition “Cartoon director of Human Resources Services, as this year’s vice- chairman and director of the overall campaign. America” Opens Nov. 2 Ayers expressed enthusiasm for the campaign and riginal drawings by some of America’s best-loved cartoon- the good works it supports: “CFC benefits everyone in ists will appear in a new exhibition, “Cartoon America: the community in which we live and work. -
Ralph Steadman a Comprehensive Guide for Collectors
Ralph Steadman A Comprehensive Guide for Collectors [Second Edition, May 2019] Compiled by Scott M. Burns Armadillo & Dicker Books www.burnsbizarre.com “When you try to say something in pictures, it gains a dimension that language can’t match. I like that.” --Ralph Steadman, 2013 This guide assembles information from more than 30 years of dealer catalogs, auction records, other published checklists and bibliographies, and online marketplaces such as EBay, AbeBooks.com, and ViaLibri.net. The first two sections – books that Ralph wrote or illustrated -- are complete, including all foreign editions. The remaining sections are representative selections -- though still quite comprehensive. I have omitted commercial products unless they were "done to spec." That is, if Ralph designed a mug, t-shirt, or other object for a specific client or to commemorate a special event it may be here. Commercial products that simply use or appropriate one of Ralph's images, whether officially licensed or not, are omitted. If you discover any errors, or think I have omitted something that should be here, please drop me a line at [email protected]. Several fellow collectors and dealers did so after the first iteration of this list and I trust they will do so again. Special thanks to Wade Hughan, Daniel Wirt, Ed Smith, David Smith, and Richard Ford . All measurements are approximate; last updated May 20, 2019. Index 1. Books Written and illustrated by Ralph Steadman 3 2. Other books illustrated by RS 11 3. Contributions to anthologies and other collected works 19 4. Book Covers and Dust jackets 24 5. -
For Immediate Release "Fta"
AMERICAN INTERNATIONAL PICTURES SPECIAL FEATURE July 10, 107;! UNDERGROUND "F.T.A." FOR IMMEDIATE RELEASE BY STEVE JAFFE "F.T.A.": THE SHOW THE PENTAGON COULDN'T STOP t The "F.T.A." Show was a problem to the Brass in the Pentagon. In all it's wit and anger, it's explosive satire, and powerful attack on racism, and all the other ills of the military, the show was something that had to be dealt with.. So the Pentagon said, "No." No, they couldn't perform on base. No,GI's couldn't go off base; to see it. No, ships could not go into port if the show was playing there. No, the troupe would not be permitted in Vietnam. NO, NO, NO, NO. Inequities aside (considering the hospitality shown the USO shows by the Pentagon,) "F.T.A." would not let that stop them. "F.T.A. is one of the most relevant kind of theater in existence today," says Jane Fonda, who, with actor Donald Sutherland and director Francine Parker produced the successful show which performed for thousands of GI's, servicewomen and men, near bases in the Pacific Rim (Hawaii, the Philippines, Japan and Okinawa.) "The Material for the show was taken from the more than 75 GI newspapers published by GI projects outside of U.S. Military bases all over America and around the world," Ms. Fonda continued. "We felt a film was the only way to bring tho show back to the American people but more importantly, to bring back the true feelings expressed by the GI's themselves." "What the soldiers wanted to communicate to the American people -continued- UNDERGROUND FEATURE - "F.T.A." - PAGE 2 is a .1.1 there in the film," Ms.