P-Fall 04.Indd

Total Page:16

File Type:pdf, Size:1020Kb

P-Fall 04.Indd PROFILESmithsonian National Portrait Gallery News Fall 2004 From the DIRECTOR We won’t win any points for originality by making our fall issue of Profile mostly about the American presidency. But in this case, that’s a good thing. Appropri- ately in an election year, our society as a whole—and particularly those institu- tions devoted to education—should be focusing on an office that continues to grow in importance for our nation and for the world. We need to know as much as possible about what to expect from the individual who will occupy the Oval Office, and also how those expectations have changed over the years. I have written elsewhere in this issue about America’s Presidents, but here I’d like to make a special point about the visual record of the presidency that is the Portrait Gallery’s contribution to our national understanding. The Portrait Gallery has about 1,200 images that refer to the American presidency, and these paintings, sculptures, prints, drawings, and photographs are at the heart of our collection. In our Hall of Presidents, we literally look these Presidents in the eye and take their measure at moments when they had the greatest effect on our life as a people. But the Portrait Gallery’s curators and historians have also taken care to assemble images that make us aware of not only the process through which we choose Presidents—campaigns and elections—but also the pro- cess through which we evaluate them once in office. A President’s formal portrait tells us a great deal about the symbolic place the office holds, as well as something of the individual’s look and personality. Yet the repre- sentation of the political process is what really provides a picture of who we are as a democratic people: energetic, rambunctious, idealistic, suspi- cious, disappointed on occasion, but in the end hopeful, always hopeful, about the next candidate, the next election, the next change. These are the images provided us by the print-makers, the photographers, the caricatur- ists, the poster-makers, the masters of opinion and opinion-making. And this is why to the roll call of honor of the formal portraitists of the presi- dency—such as Gilbert Stuart, G.P.A. Healy, and Douglas Chandor—we add the vital, biting visual wit of Thomas Nast, Herblock, Edward Sorel, and Oliphant. The American presidency, like the nation it embodies, is both ideal and all too human. It is the artists who constantly remind us of this duality, and for that the National Portrait Gallery salutes them in this presidential season. 2 PROFILE Contents Vol. 5. No. 3. Fall 2004 4 13 Time Covers the Retratos Candidates 2,000 Years of Latin American Portraits 6 The Editorial Cartoon 14 as Portraiture Paul Peck Presidential Initiative 8 Cover: Presidential Campaigns New Acquisitions 15 by Edward Sorel, 1996, gift of NPG Schedules Alan Fern 10 The American 16 Presidents Portrait Puzzlers In the next issue 12 • The glamour and mystique of Garbo Gilbert Stuart See other The Exhibition exhibition-related web pages: • The Scottsboro boys www.npg.si.edu ! Marc Pachter Commission Director Daniel Okrent, Chair PROFILE Carolyn Carr Anthony C. Beilenson, Vice Chair Deputy Director and Chief Curator Sally G. Chubb Eloise Baden Jeannine Smith Clark Associate Director for Administration Joan Kent Dillon Ella Milbank Foshay Editor National Portrait Gallery Manuel L. Ibáñez Carol Wyrick Jill Krementz Smithsonian Institution Office of Education Jon B. Lovelace 750 Ninth Street, NW Associate Editor Joan A. Mondale P.O. Box 37012, MRC 973 Sidney Hart Robert B. Morgan Washington, DC 20013-7012 Department of History Roger Mudd Constance Berry Newman Phone: (202) 275-1738 Editorial Committee V. Thanh Nguyen Fax: (202) 275-1887 Dru Dowdy Barbara Novak E-mail: [email protected] Office of Publications R. Theodore Steinbock Website: www.npg.si.edu Pie Friendly Jack H. Watson Jr. Office of External Affairs Readers’ comments are welcome. Marianne Gurley Ex Officio Members Office of Photographic Services Earl A. Powell III Ellen G. Miles To receive Profile, please send your William H. Rehnquist Department of Painting and Sculpture Lawrence M. Small name, home address, and e-mail address Ann M. Shumard (if applicable) to [email protected] or Department of Photographs Honorary Commissioners the post office box listed above. Editorial Support Julie Harris Jessica Hoffman David Levering Lewis Unless otherwise noted, all images are from Program Assistant Bette Bao Lord the National Portrait Gallery collection. Fred W. Smith ©2004 Smithsonian Institution. Design All rights reserved. Leslie London, London Graphics 3 Time Covers the Candidates Sidney Hart Senior Historian and Editor of the Peale Family Papers At the start of the presidential race in 1952, pundits gave the soft-spoken man with a mild southern drawl and coonskin cap little chance to win for the Democrats in the New Hamp- shire primary. Estes Kefauver, the junior senator from Tennes- see, had become a household name the previous year during the televised hearings of his Estes Kefauver by Boris Chaliapin, special committee investigat- 1952, gift of Time magazine Thomas Eagleton and George ing organized crime. But Kefau- McGovern by Ken Regan, 1972, ver had entered the presidential gift of Time magazine primaries with no professional organization and little money. And if President Truman decided to again seek the cratic urban machines, southern delegates, Harry Democratic nomination, it was assumed to be his S. Truman, and even many party liberals denied for the asking. Nonetheless, Kefauver beat Truman him the nomination. decisively and won all twelve delegates. To New The Democratic presidential nominees for 1972, Hampshire voters, Kefauver was the anti-politi- George McGovern and Thomas Eagleton, sought cian, coming out of the Tennessee hills and prevail- to convey a sense of a new beginning to American ing over the state Democratic machine in his 1948 politics. After the party’s bitter divisiveness in the run for the Senate. When accused by the machine 1968 election, a reform commission under McGov- leader, Memphis mayor Edward H. Crump, of ern successfully took much of the power from the being a radical and as deceptive as a pet raccoon, Democrats’ “old guard” and gave it to younger Kefauver replied, “I might be a pet ’coon, but I members, women, and minorities. The number of ain’t Boss Crump’s pet ’coon.” The coonskin cap young voters had vastly increased the previous year with which Kefauver appeared on the Time cover with the passage of the Twenty-Sixth Amendment, of March 24, 1952, would become a fixture. which lowered the voting age to eighteen. McGov- In New Hampshire, Kefauver fully developed ern’s platform was aimed at those younger voters, his image of a nonprofessional politician. Report- and the candidate pledged an immediate end to ers noted that voters were disarmed by his earnest the Vietnam War, huge cuts in defense—with the demeanor as he shook their hands and introduced money going to social spending—and higher taxes himself, a plainspoken man of strong facial fea- for the wealthy. tures, with thin lips that broke “easily into a wide Running against a popular incumbent, McGov- grin.” He had few friends in the Senate and was ern contrasted himself with the politically savvy regarded as one of its dullest speakers, but voters Richard Nixon (branded “Tricky Dick” by Demo- saw those qualities as indicators of his sincerity and crats) as a man of moral conviction, honesty, and independence. Awkward episodes during the cam- integrity. Ten days after the Democratic conven- paign, such as wearing two right shoes and look- tion in Miami, these very qualities would be put ing, as his wife described it, as if he were walking to the test. Stories had begun to circulate that around the corner all the time, only reinforced this Eagleton had been hospitalized and had received popular perception. It did not matter that Kefauver electric-shock treatments for depression. At first, voted the straight Democratic line in the Senate; McGovern announced his strong support for the voters saw him as a maverick up against pro- Eagleton and promised to keep him on the ticket. fessionals. Shortly after, however, he bowed to political pres- Kefauver came to the convention with the larg- sure and replaced Eagleton with Sargent Shriver. est number of committed delegates and was the The character issue was gone, and the McGovern most popular Democrat in public opinion polls. campaign never achieved momentum. The Eagle- But the very independence he sought to convey to ton and McGovern Time cover of July 24, 1972, the public alienated the party regulars. The Demo- was as fleeting as their ticket. 4 Time Covers the Candidates was Reagan, and not the more experienced Bush, who could best manage himself and the country in times of peril. Even those who are not fans of President Bill Clinton would agree that he is a politi- cal figure of almost irresistible charm and magnetism. It is easy to forget, however, that this did not translate into big electoral victories; in both elections he won the presidency with less than 50 percent of the vote. During his reelection campaign Bill Clinton and Dick Morris by Ste- in September 1996, Clinton led Ronald Reagan by Burt Silverman, phen Kroninger, 1996, gift of Time in the polls by nearly as much 1980, gift of Time magazine magazine as Ronald Reagan did over Walter Mondale in 1984. But In early March 1980, Gordon Nelson, the chair- he aroused far less enthusiasm and won far less man of the Republican Party in Massachusetts, affection than either Reagan or Dwight D.
Recommended publications
  • VINTAGE POSTERS FEBRUARY 25 Our Annual Winter Auction of Vintage Posters Features an Exceptional Selection of Rare and Important Art Nouveau Posters
    SCALING NEW HEIGHTS There is much to report from the Swann offices these days as new benchmarks are set and we continue to pioneer new markets. Our fall 2013 season saw some remarkable sales results, including our top-grossing Autographs auction to date—led by a handwritten Mozart score and a collection of Einstein letters discussing his general theory of relativity, which brought $161,000 each. Check page 7 for more post-sale highlights from the past season. On page 7 you’ll also find a brief tribute to our beloved Maps specialist Gary Garland, who is retiring after nearly 30 years with Swann, and the scoop on his replacement, Alex Clausen. Several special events are in the works for our winter and spring sales, including a talk on the roots of African-American Fine Art that coincides with our February auction, a partnership with the Library Company of Philadelphia and a discussion of the growing collecting field of vernacular photography. Make sure we have your e-mail address so you’ll receive our invites. THE TRUMPET • WINTER / SPRING 2014 • VOLUME 28, NUMBER 2 20TH CENTURY ILLUSTRATION JANUARY 23 Following the success of Swann’s first dedicated sale in this category, our 2014 auction features more excellent examples by famous names. There are magazine and newspaper covers and cartoons by R.O. Blechman, Jules Feiffer, David Levine, Ronald Searle, Edward Sorel, Richard Taylor and James Thurber, as well as works by turn-of-the-20th-century magazine and book illustrators such as Howard Chandler Christy and E.W. Kemble. Beloved children’s book artists include Ludwig Bemelmans, W.W.
    [Show full text]
  • Pascal Girard's Petty Theft
    Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Book Review -- “Pascal Girard’s Petty Theft.” By: Craig Fischer Abstract A key to unlocking Pascal Girard’s Petty Theft is the book’s French title, La Collectionneuse (“The Collector”), a title shared with a 1967 film by New Wave auteur Eric Rohmer. Girard may have borrowed this title as a way of announcing a creative debt to Rohmer: both Rohmer and Girard are low-key, naturalistic artists who specialize in stories about self-conscious male protagonists navigating thorny romantic relationships. Rohmer’s La Collectionneuse is an entry in his “Moral Tales” cycle of films—called “moral” not for ethical reasons, but because the term moraliste in the Gallic cultural context refers to those writers (such as Stendahl) who take the interior lives of men and women as their primary subject. Rohmer himself described his characters as people who like to bring their motives, the reasons for their actions, into the open. They try to analyze; they are not people who act without thinking about what they are doing. What matters is what they think about their behavior, rather than their behavior itself. Fischer, C. (2014). “Pascal Girard’s Petty Theft.” The Comics Journal, June 5, 2014. Version of record available at: http://www.tcj.com/reviews/petty-theft/ Petty Theft | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Genius, Animated: The Cartoon Art of Alex Toth Sex Criminals, Vol. 1: One Weird Trick → The Spain Interview In this two-part interview, Gary Groth Petty Theft talks to Spain about Catholicism, Pascal Girard working in a factory, rebelling against Drawn & Quarterly authority, teaching, the underground $20, 104 pages comix movement and Zap, and Nightmare Alley.
    [Show full text]
  • THE CONCEPTUAL IMAGE CONCEPT: the Strength of a Tire Is Conveyed by the Surreal Juxtaposition of a Tire and a Bull Elephant
    THE CONCEPTUAL IMAGE CONCEPT: The strength of a tire is conveyed by the surreal juxtaposition of a tire and a bull elephant. Armando Testa Poster for Pirelli, 1954 CONCEPT: A synthetic hand holding a rubber ball makes an appropriate image for a trade exhibition on plastics. Armando Testa Poster for plastics exhibition, 1972 CONCEPT: One word: No! alongside an image of a bomb’s destructive forces. Tadeus Trepkowski Anti war poster, 1953 Henry Tomaszewski, 1948 Roman Cieslewicz, 1962 Jan Lenica, 1964 The Polish Poster, 1950s Poster designs opted for an aesthetically pleasing approach, escaping from the somber world of tragedy and remembrance. Roman Cieslewicz, 1963 Roman Cieslewicz, 1964 Franiszek Starowiejski, 1973 The Polish Poster, 1960s – ‘70s A darker mood prevailed, partly owing to social restraints of a dictatorial regime, or simply despair and yearning for autonomy so often denied to Poland. Jerzy Janiszewski, 1980 Solidarnosc (Solidarity) In 1980, shortages of basic living needs led to the formation of the Solidarity labor union. The logo was an internationally known symbol of their struggle. In 1989, elections ended one-party communist rule. Milton Glaser, c. 1977 American conceptual images In the 1950s, photography had taken over the role of illustration through better lighting and image quality. Illustration took a more conceptual approach, putting art and words together to form a visual concept. Milton Glaser, 1976 American conceptual images The original concept sketch for the I-heart-New- York logo, Museum of Modern Art. Milton Glaser, 1967 Seymour Chwast, 1968 Edward Sorel, 1966 Push Pin Studio Reynolds Conceptual illustration began with a group of Ruffins, 1983 young artists from New York who sought to market their styles to advertising agencies .
    [Show full text]
  • Broadcasting Ii Mar 7
    The Fifth Estate Broadcasting ii Mar 7 r 1 # 1 NOVEMBER '81 Í ^ 7 FEBRUARY '82 # 1 MAY '82 # 1 NOVEMBER '82 The #1 first -run strip has just been renewed by the NBC O& Os for the new'83 -'84 season. FAMILY EUD by Richard Dawson SOURCE' Nielsen ROSP. November 1981, 1982; February 1982. May 1982. Audience estimates subject to qua/Notations available On request. LIONHEART present: NATpE /#i15 FLOOR CASINO EENTBRAINCE - VEGAS HILTON , e0ps`O° SCI-FI HALF-HOURS``"A, ` ° PQ`% FEATURE-LENGTH vol 41 MOVIES RS /P . TOM BAKER / 900TV PRODUCT Ig.I GREAT ANIMAL LIFE ADVENTURES INCLUDING: RHINO RESCUE GENTLY SMILING JAWS FOXWATCH SCORPION WILD OTTER WHALE OF A TANGLE ZEN, THE PIGTAIL MONKEY SOME OF MY BEST FRIENDS ARE VULTURES ...in all, 43 different, amazing close -ups of the animal kingdom! THE THE FIGHT COMMANDERS AGAINST SLAVERY -l. Me I nas xen aa!iea Inr PP.rlet oimP in -AwwlirF...lorv.ruM .M .4 o.yon-:iix.a. l;M:.lo_ m-. n. ana :Tw BBCTV/TIMELIFE CO-PRODUCTIONS , THE COMMANDERS and THE IGHT AGAINST SLAVERY -among Ielevlslon s most important sexes -are two of 33 BBC-TV -Time-Lite co-pwductlons now available exclusively nom Lion earl From THE ASCENT OF MAN AMERICA and THE SEARCH FOR THE NILE to TEN WHO DARED and WAR AND PEACE -an incomparable FOLD selection of CnLcally-acclaimed award-winning programming 29 SWASHBUCKLING ONE -H Timely and Timeless Wouldn t you love to see Inem again' A BBC- TV PRODUCTION. LONDON FILM PRODUCTIONS LTD. `4.ßr AT NATPE a DON'T bIONHE4RT TELEVISION INTERNATIONAL MISS THE 40 WEST 57 STREET NEW YORK, N.Y.
    [Show full text]
  • Ralph Steadman a Comprehensive Guide for Collectors
    Ralph Steadman A Comprehensive Guide for Collectors [Second Edition, May 2019] Compiled by Scott M. Burns Armadillo & Dicker Books www.burnsbizarre.com “When you try to say something in pictures, it gains a dimension that language can’t match. I like that.” --Ralph Steadman, 2013 This guide assembles information from more than 30 years of dealer catalogs, auction records, other published checklists and bibliographies, and online marketplaces such as EBay, AbeBooks.com, and ViaLibri.net. The first two sections – books that Ralph wrote or illustrated -- are complete, including all foreign editions. The remaining sections are representative selections -- though still quite comprehensive. I have omitted commercial products unless they were "done to spec." That is, if Ralph designed a mug, t-shirt, or other object for a specific client or to commemorate a special event it may be here. Commercial products that simply use or appropriate one of Ralph's images, whether officially licensed or not, are omitted. If you discover any errors, or think I have omitted something that should be here, please drop me a line at [email protected]. Several fellow collectors and dealers did so after the first iteration of this list and I trust they will do so again. Special thanks to Wade Hughan, Daniel Wirt, Ed Smith, David Smith, and Richard Ford . All measurements are approximate; last updated May 20, 2019. Index 1. Books Written and illustrated by Ralph Steadman 3 2. Other books illustrated by RS 11 3. Contributions to anthologies and other collected works 19 4. Book Covers and Dust jackets 24 5.
    [Show full text]
  • Our Member Nancy Caldwell Sorel Died on February 5, 2015 at the Age of 80 from Lewy Body Dementia
    Our member Nancy Caldwell Sorel died on February 5, 2015 at the age of 80 from Lewy Body Dementia. Nancy had been a long time member of Bulls Head-Oswego Meeting, along with her husband Edward Sorel and their daughters Jenny and Katherine, who attended First Day School at the Bentley Farm space in the 1970s. Towards the end of Nancy’s life we saw her with her daughters and grandchildren. From first to last she had a generous, kind and loving spirit. Nancy was a noted historian and author. Her body of work included the books “The Women Who Wrote the War” and “All about Eve: Personal Reflections of Childbirth” and essays that appeared in Esquire, The Atlantic, and the New York Times Book Review. She collaborated with her husband, the artist Edward Sorel, on two books: "Word People” and “First Encounters." She also used her interest in history as a contributor and editor of “Quaker Crosscurrents” a history of Quakers in New York State, especially on the sections on Peace and Social Justice. Nancy Caldwell graduated from Ohio Wesleyan in 1956 where she majored in English Literature. She continued to pursue her study of literature at the University of Edinburgh and later NYU. Nancy lived briefly in London where she was introduced to the Religious Society of Friends. In 1961 she volunteered for the United Nations Association International Service in Linz, Austria, building homes for World War II refugees who were still stateless sixteen years after the end of war. Nancy and Ed met in 1963 at Morningside Friends Meeting, which they later joined and where they were married in 1965.
    [Show full text]
  • Dsgn Malla Manual História Do Design 001.1.8 Texto Justificado.Cdr
    A HISTÓRIA DO DESIGN GRÁFICO A HISTÓRIA DO DESIGN GRÁFICO Anderson Rangel RA20172164 Adriano Silva RA20172165 Joyce Ferreira RA20172438 Mario Vinicius RA20161872 Cleber Henrique RA20172179 Wesley Delaneza RA20172185 Kevin Fagundes RA20172138 Gilmara Claudia RA20152534 Efraim Gustavo RA20151129 UM BREVE RESUMO A HISTÓRIA DO DESIGN GRÁFICO - RESUMO Uma breve história da sua origem O homem sempre precisou comunicar-se com seus semelhantes e as primeiras formas de diálogo foram através de elementos visuais. Antes de desenvolverem capacidades de expressão mediante a linguagem falada, utilizaram partes de seu corpo para expor seus estados de ânimos, desejos e inquietudes que, com o tempo, converteram-na em modelos de comunicação – a raiz do design gráfico. Mesmo que a linguagem falada tenha predominado como meio de comunicação, a linguagem visual continuou tendo um importante papel nas relações sociais, principalmente pela utilização de materiais como métodos para “modelar” mensagens visuais, como mostram diversos desenhos em pedras e pinturas rupestres que estudamos, nas quais expõem elementos naturais, atividades do cotidiano e diferentes signos. A expressão de ideias através de formas gráficas se deu por conta do aparecimento da linguagem escrita, que permitia representações de pensamentos mediante um conjunto de elementos gráficos que ordenados, eram capazes de transmitir mensagens que seriam entendidas pela comunidade. Estas linguagens baseavam-se na exposição de símbolos: os alfabetos. Cada um desses símbolos, quando isolados, possuíam um significado incompreensível, entretanto, unidos um ao outro, representavam graficamente a linguagem falada por cada povo ou cultura. Inicialmente a pedra era utilizada como instrumento portador de mensagem, todavia, foram buscados outros materiais que eram mais acessíveis e possuíam maior portabilidade, como os papiros, peles ou pergaminhos.
    [Show full text]
  • Norman Rockwell Museum Featured Illustrators, 1993–2008
    Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T.
    [Show full text]
  • On Al Feldstein | the Comics Journal
    Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ “A Mad Look At Toes: A Tribute To Al Feldstein.” (Part Of A Celebration Of Mad Editor Feldstein) By: Craig Fischer Abstract I’m bugged by much of the mainstream media attention given to Al Feldstein’s passing, because it feels less about the editor himself than about websites providing Boomers with yet another opportunity to wax nostalgic: “Mad’s editor died? Too bad. Hey, do you remember ‘2001: A Space Idiocy’?” For me, Feldstein’s 28-year editorial run shouldn’t be simplified to clichés about Mad’s irreverence. Feldstein’ achievement is more ambivalent than that, as much about Fordist efficiency and lost opportunities as about the supposed cultural subversions of the “usual gang of idiots.” Fischer, C. (2014). “A Mad Look at Toes: A Tribute to Al Feldstein.” The Comics Journal, May 5, 2014. (Part of a celebration of Mad editor Feldstein). Version of record available at: http://www.tcj.com/one-al-feldstein/ On Al Feldstein | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← The Al Feldstein Interview Time for Time → The Spain Interview In this two-part interview, Gary Groth On Al Feldstein talks to Spain about Catholicism, BY THE EDITORS MAY 5, 2014 working in a factory, rebelling against authority, teaching, the underground A Mad Look at Toes by Craig Fischer comix movement and Zap, and Nightmare Alley. Continue reading → I’m bugged by much of the mainstream media attention given to Al Feldstein’s passing, because it feels less about the editor himself than about websites providing Boomers with yet another opportunity to wax nostalgic: “Mad’s editor died? Too bad.
    [Show full text]
  • Macaulay Author Series Presents American Nerd's Benjamin Nugent with His Debut Novel on February 25, 2013
    Press Office Press Contacts: Macaulay Honors College Grace Rapkin The City University of New York 212 729 2913 or [email protected] 35 West 67th Street New York, NY 10023 Lisa Dierbeck 917 364-0755 or [email protected] PRESS ANNOUNCEMENT @MACAULAY AUTHOR SERIES PRESENTS AMERICAN NERD'S BENJAMIN NUGENT WITH HIS DEBUT NOVEL ON FEBRUARY 25, 2013 Noted writers Patricia Volk, Ann Kirschner, Victor Navasky and Benjamin Nugent will appear in the spring 2013 edition of the @Macaulay Author Series, the popular new Upper West Side literary series held in the landmark 1904 building of CUNY's Macaulay Honors College. Steps from Lincoln Center, @Macaulay was designed to bring booklovers in contact with acclaimed writers and spark lively conversations in a neighborhood that has itself nurtured countless authors. The monthly programs, dedicated to outstanding writing and spirited intellectual exchange, are free and open to the public. All events are held at Macaulay, 35 West 67th Street between Central Park West and Columbus. Reservations are required: 212-729-2910 or online at: http://macaulay.cuny.edu/rsvp Benjamin Nugent, Good Kids February 25, 2013 7:00 to 9:00 p.m. "Benjamin Nugent's writing is alive with intelligence, authenticity and angst. Fans of Jonathan Franzen, you just may have found your new favorite writer." -- CURTIS SITTENFELD, author of Prep Already acclaimed for his smart and frighteningly thorough American Nerd: A History of My People ("entertaining and intelligent," A.J. Jacobs), Benjamin Nugent gets the spring series underway with a selection from his new novel, Good Kids, his first.
    [Show full text]
  • JAMES MCMULLAN & EDWARD SOREL Wednesday, February 26
    SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. DAKIN MATTHEWS ♦ Monday, January 27 We look forward to another evening with DAKIN MATTHEWS, who is now portraying Judge Taylor in Aaron Sorkin and Bartlett Sher’s acclaimed Broadway dramatization of o Kill a Mockingbird. In 2015 he played Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the Broadway transfer of The Audience.
    [Show full text]
  • 14 Viewpoints : PCA Illustration 1970-1980
    14 VIEWPOINTS PCA Illustration 1970—1980 T/^i"niTi2T* ifiSfeS »»5ffi jiS^T *iaRaa**cw.*<«it'»ST ^-'-r^.^-* Copyright 1985 Philadelphia College of Art Library of Congress Catalog Card Number 85-60435 14 VIEWPOINTS PCA Illustration 1970 — 1980 March 29— April 27, 1985 Philadelphia College of Art Howard A. Wolf Gallery Philadelphia, Pennsylvania This exhibition has been made pos- sible in part with contributions from The Philadelphia Inquirer and The Strathmore Press. Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/14viewpointspcai00phil ACKNOWLEDGMENTS 14 Viewpoints presents approximately 100 Broom, Director of Communications Jake recently commissioned illustrations, in Weiner, and The Philadelphia Newspapers original and published formats, produced Job Printing Shop for their splendid by 14 artists who studied illustration at the cooperation and quality productions. The Philadelphia College of Art from 1970 to college also appreciates the generous con- 1980. tribution of the color poster produced for 14 Viewpoints by The Strathmore Press of Along with a common educational back- Cherry Hill, New Jersey. Phil Kelly and ground, all of the artists in this exhibition William Moreton are thanked for the care practice illustration on a free-lance basis. they applied to the production of this piece. Many work with the same clients. They are contemporaries, and most live and work on Important contributions to these publica- the east coast. But it is here that their tions were also made by Steven Heller, similarities begin to end. The biographies Robert Stein and Stephen Tarantal. Stein, of the 14 in this catalog hint at professional an associate professor in PCA's Illustration varieties and differences developed since Department, designed all of the fine the group's PCA experience.
    [Show full text]