A Holmes and Doyle Bibliography
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London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Supernatural Elements in Selected Stories of Arthur Machen and Algernon Blackwood
MASARYK UNIVERSITY FACULTY OF EDUCATION DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE Supernatural elements in selected stories of Arthur Machen and Algernon Blackwood Bachelor Thesis Brno 2013 Supervisor: Author: Ing. Mgr. Věra Eliášová, Ph.D. Michal Břenek 1 Annotation This bachelor thesis focuses on the analysis of supernatural elements in the stories The White People and The Great God Pan by Arthur Machen and The Willows by Algernon Blackwood used by authors to achieve psychological impacts on readers and closely examining the origin of these elements taking into consideration authors' background and attitudes. In the first part I briefly introduce the authors as well as their opinions and background that influenced their writing while the second part is dedicated to explanations of plots and analyses of the elements in detail. Anotace Tato bakalářská práce se zaměřuje na rozbor nadpřirozených prvků v povídkách Bílí lidé a Velký Bůh Pan Arthura Machena a v povídce Vrby Algernona Blackwooda, které autoři použili pro dosažení psychologického dopadu na čtenáře a také na původ těchto prvků s ohledem na postoje a minulost obou autorů. V první části krátce představuji jednotlivé autory, jejich názory a minulost, které ovlivnily jejich literární styl a v druhé části se věnuji vysvětlení zápletek a podrobnému rozboru prvků. 2 Bibliographical description BŘENEK, Michal. Supernatural elements in selected stories of Arthur Machen and Algernon Blackwood : bachelor thesis. Brno : Masaryk University, Faculty of Education, Department of English -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
2010 Census: Never More Important
February 2010 A Quarterly Publication of the City of Fairfield, Ohio 2010 Census: never more important t happens every ten years. America takes information is also utilized by businesses names, genders, ages and races of others Ian inventory of every person living in the which make decisions on locating retail living in the household. nation, along with some very basic stores, schools, hospitals, child-care centers, information to help broadly describe those facilities for people with disabilities, Every citizen is compelled by federal law to living in each governmental transportation services and participate. Citizens and non-citizens are jurisdiction. community-based health care included in the Census. That same law also initiatives and programs. protects individualized responses from being The Census is an important shared with any other governmental entity, task since the results help April 1 is the official including other federal agencies, law determine how $400 billion Census date for the enforcement and immigration services. Every in federal funds are national count. Census response is held in strict confidence, with distributed each year... forms will be distributed only the generalized data distributed, none of that’s $4 trillion over the during March, the vast which has personal information gathered next decade. One study majority arriving by mail. about any one household. concluded that each person Some may be hand delivered counted on this year’s Census in person by a census worker. The information sought is so important that could be worth about $2,000 per Forms not returned by April 1 will Questionnaire Assistance Centers have been year in federal funding to states, counties and likely result in a personal visit by a census established to assist those unable to read or local governments. -
Latin American Book Store
Latin American P.O. Box 7328 Redlands CA 92375 Book Store Tel: 800-645-4276 Fax: 909-335-9945 www.latinamericanbooks.com [email protected] Argentina Titles -- July 2019 History 1. Abós, Álvaro. EICHMANN EN ARGENTINA. Buenos Aires: Edhasa, 2018. 354p. 356p., wrps. new. Paperback. ISBN: 9789876285063. "Eichmann en Argentina" is a biography of Adolf Eichmann, a German-Austrian Nazi Senior Assault Unit Leader, and one of the major organizers of the Holocaust. The work also explains the origin and trajectory of the criminal movement, and narrates the final days of World War II, the fall of Nazism, and the diaspora of their murderous leaders. Author Álvaro Abós studies how Eichmann, who fled to Argentina, was able to enter the country, the role of Peronism, and the circle of German Nazis in Buenos Aires. (68715) $.0 2. Águila, Gabriela; Laura Lucianai, Luciana Seminara, and Cristina Viano (Comps.). LA HISTORIA RECIENTE EN ARGENTINA. BALANCES DE UNA HISTORIOGRAFÍA PIONERA EN AMÉRICA LATINA. Buenos Aires: Ediciones Imago Mundi (Colección Bitácora Argentina) , 2018. 289p., index, bibl., wrps. New . Paperback. ISBN: 9789507933073. "La historia reciente en Argentina" is a study on the recent history of Argentina, within the context of the emergence and development of the historiography in Latin America. Contents include: "Las organizaciones armadas en la historia reciente argentina. Alcances y proyecciones de un recorrido historiográfico", "A propósito de la historia reciente, la historia de las mujeres y los estudios de género: intersecciones y desafíos", "Debates y perspectivas en torno a la historia reciente de los trabajadores en Argentina", "La represión en la historia reciente como objeto de estudio: problemas, novedades y derivas historiográficas", "Actitudes sociales bajo la última dictadura militar: un análisis crítico de la producción historiográfica", and "La historiografía del último exilio político argentino. -
"You Remind Me of the Babe with the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth
First Class: A Journal of First-Year Composition Volume 2015 Article 7 Spring 2015 "You Remind Me of the Babe With the Power": How Jim Henson Redefined the orP trayal of Young Girls in Fanastial Movies in His Film, Labyrinth Casey Reiland Follow this and additional works at: https://dsc.duq.edu/first-class Recommended Citation Reiland, C. (2015). "You Remind Me of the Babe With the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth. First Class: A Journal of First-Year Composition, 2015 (1). Retrieved from https://dsc.duq.edu/ first-class/vol2015/iss1/7 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in First Class: A Journal of First-Year Composition by an authorized editor of Duquesne Scholarship Collection. “YOU REMIND ME OF THE BABE WITH THE POWER”: HOW JIM HENSON REDEFINED THE PORTRAYAL OF YOUNG GIRLS IN FANTASTICAL MOVIES IN HIS FILM, LABYRINTH By Casey Reiland, McAnulty College of Liberal Arts Instructor: Dr. Jessica McCort When I was fourteen, I was very surprised when one day my mom picked me up from school and plopped a DVD of David Bowie in tights posing with a Muppet into my hands. “Remember this?!” She asked excitedly. I stared quizzically at the cover and noticed it was titled, Labyrinth. For a moment I was confused as to why my mother would bother buying me some strange, fantasy movie from the eighties, but suddenly, it clicked. I had grown up watching this film; in fact I had been so obsessed with it that every time we went to our local movie rental store I would beg my mom to rent it for a couple of nights. -
50% Off List Copy
! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson. -
The Hand-Book to Boxing;
FACSIMILE REPRODUCTION NOTES: This document is an attempt at a faithful transcription of the original document. Special effort has been made to ensure that original spelling (this includes what may be typographical errors such as the 1776 reference on pp29 which should, apparently, be 1766 or pp39 where June 10 appears twice and should, at a guess, be July 10 in the second appearance, and, my favorite, July 40, on pp46), line-breaks, and vocabulary are left intact, and when possible, similar fonts have been used. However, it contains original formatting and image scans. All rights are reserved except those specifically granted herein. Of particular note in this reproduction is the unusual (by today’s standards) selection of page and font size. The page size is, in the original 6” x 10” with a font approximately 9 point for large portions of the book. Reproducing it in 6x9 with smaller top and bottom margins with hand tweaked font, paragraph, and line spacings, I have tried to recaptured the original personality of the book. However, this can make it difficult to read. Be assured that this was maintained in order to keep the “flavor” of the original text but it can be taxing on the eyes. LICENSE: You may distribute this document in whole, provided that you distribute the entire document including this disclaimer, attributions, transcriber forewords, etc., and also provided that you charge no money for the work excepting a nominal fee to cover the costs of the media on or in which it is distributed. You may not distribute this document in any for-pay or price- metered medium without permission. -
Arts & Culture
B2 September 9, 2013 Arts & Culture www.TheEpochTimes.com/Arts SAMIRA BOUAOU/EPOCH TIMES Jesse Barnick (L) Brad Gibson (R) combating in Bartitsu on 18th Street, New York City, Aug. 18. Reviving Bartitsu, the Way English Gentlemen Fight SAMIRA BOUAOU/EPOCH TIMES BY AMELIA PANG Pennsylvania to New York City society is in Chicago, while who founded the Bartitsu Club EPOCH TIMES STAFF every month to train in Bar- a few others are scattered in of New York City in August 2011. titsu. It is a 19th century form remote places such as New Zea- “But once I knew enough people of martial arts that English gen- land. Many believe it is worth who wanted to learn, I hired an NEW YORK—They are lone war- tlemen and ladies learned to the long distance travel. instructor and brought him to riors forging a path for the revi- defend themselves with walk- “It’s never going to be like the New York.” talization of a lost art of combat. ing sticks and umbrellas. millions of people who practice It began as a modest group Some travel from as far away as The second closest Bartitsu karate,” said Rachel Klingberg, of dojo-less students, with var- ied martial arts experience, training in Central Park once a month. But as winter threatened to disperse the group, The Soci- ety for Martial Arts Instruction took the group in and offered them a dojo. Advertise in one of the city’s Today, New York’s Bartitsu club has taught around 150 highest quality arts sections students, with generally 12 stu- Jesse Barnick (L) and Rachel Klingberg (R) combating in Bartitsu dents per class. -
ENC 1145 3309 Chalifour
ENC 1145: Writing About Weird Fiction Section: 3309 Time: MWF Period 8 (3:00-3:50 pm) Room: Turlington 2349 Instructor: Spencer Chalifour Email: [email protected] Office: Turlington 4315 Office Hours: W Period 7 and by appointment Course Description: In his essay “Supernatural Horror in Fiction,” H.P. Lovecraft defines the weird tale as having to incorporate “a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” This course will focus on “weird fiction,” a genre originating in the late 19th century and containing elements of horror, fantasy, science fiction, and the macabre. In our examination of weird authors spanning its history, we will attempt to discover what differentiates weird fiction from similar genres and will use several theoretical and historical lenses to examine questions regarding what constitutes “The Weird.” What was the cultural and historical context for the inception of weird fiction? Why did British weird authors receive greater literary recognition than their American counterparts? Why since the 1980s are we experiencing a resurgence of weird fiction through the New Weird movement, and how do these authors continue the themes of their predecessors into the 21st century? Readings for this class will span from early authors who had a strong influence over later weird writers (like E.T.A. Hoffman and Robert Chambers) to the weird writers of the early 20th century (like Lovecraft, Robert Howard, Clark Ashton Smith, Lord Dunsany, and Algernon Blackwood) to New Weird authors (including China Miéville, Thomas Ligotti, and Laird Barron).