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Mundos Imaginarios En La Literatura Argentina (1875- 2006)

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Mundos Imaginarios En La Literatura Argentina (1875- 2006) Biblioteca Central "Vicerrector Ricardo A. Podestá" Repositorio Institucional Mundos imaginarios en la literatura argentina (1875- 2006) Año 2016 Autor García-Romeu, José Este documento está disponible para su consulta y descarga en el portal on line de la Biblioteca Central "Vicerrector Ricardo Alberto Podestá", en el Repositorio Institucional de la Universidad Nacional de Villa María. CITA SUGERIDA García-Romeu, J. (2016). Mundos imaginarios en la literatura argentina (1875-2006). Villa María: EDUVIM El siguiente texto ha sido leído y recomendado por el Comité de Evaluación de la Editorial Universitaria de Villa Maria (EDUVIM) Esta obra está bajo una Licencia Creative Commons Atribución 4.0 Internacional José García-Romeu Mundos imaginarios en la literatura argentina (1875-2006) 2016 Índice Agradecimientos .................................................................................................. 5 Introducción ........................................................................................................ 9 1. Nociones por aclarar ......................................................................................................... 11 2. Amplitud del cerco temático ............................................................................................. 14 3. Contexto nacional, político y cultural ............................................................................... 14 4. Corpus .............................................................................................................................. 16 Primera parte: Formas ..................................................................................... 18 I. Géneros y modos de la invención de mundos ................................................... 18 A. Los géneros: del mito al relato moderno ................................................................... 19 1. Primero, el mito ................................................................................................................ 20 2. Entre mito y cuento tradicional ......................................................................................... 22 3. Hacia el relato moderno .................................................................................................... 23 B. Los modos ................................................................................................................. 27 1. Lo maravilloso y sus fronteras .......................................................................................... 27 2. Lo prospectivo .................................................................................................................. 33 3. Lo exótico ......................................................................................................................... 34 II. Divergencia entre ficción y realidad ................................................................ 38 A. Elementos básicos de la ficcionalización .................................................................. 45 1. Limitación ......................................................................................................................... 46 2. Distancia ........................................................................................................................... 47 3. Heterogeneidad ................................................................................................................. 50 B. Coordenadas de la divergencia .................................................................................. 52 1. Eje de veracidad ................................................................................................................ 53 2. Eje espacio-temporal ......................................................................................................... 58 3. Eje axiológico ................................................................................................................... 64 Segunda parte: Historia .................................................................................... 75 III. Rupturas ........................................................................................................... 75 A. Periodización histórica de las ideas ........................................................................... 76 1. Paradigma religioso .......................................................................................................... 76 2. Paradigma empírico .......................................................................................................... 77 3. Paradigma determinista ..................................................................................................... 78 4. Paradigma absurdo ............................................................................................................ 79 5. Hacia el paradigma digital, transiciones e hibridaciones................................................... 81 6. Influencia de los paradigmas en la recepción de las obras ................................................ 86 B. Discusión del modelo occidental ............................................................................... 89 1. Primera discusión: indigenismo y mestizaje ..................................................................... 89 2. Segunda discusión: postcientificismo y postcolonialismo .............................................. 102 3. Nostalgia ucrónica .......................................................................................................... 106 IV. Tres invenciones contemporáneas de mundos ............................................. 109 A. La invención retrógrada .......................................................................................... 113 1. Fenómenos de edición y de recepción ............................................................................. 115 2. Innovación o regresión .................................................................................................... 117 3. Sistema actancial y maniqueísmo ................................................................................... 119 4. Usos ambiguos del mito .................................................................................................. 122 B. La invención problemática ...................................................................................... 125 1. Posmodernismo y desencanto ......................................................................................... 127 2. Descomposición orgánica, recomposición electrónica .................................................... 130 C. La invención autorreferencial .................................................................................. 139 1. Parodia ............................................................................................................................ 139 2. Heterogeneidad ............................................................................................................... 140 Tercera parte: Textos ..................................................................................... 143 V. Espiritistas (1875-1906) ................................................................................... 144 3 A. Eduardo Holmberg: espiritismo positivo ................................................................ 145 B. Leopoldo Lugones: espiritismo idealista ................................................................. 153 VI. Autorreferenciales (1940-2003) ..................................................................... 158 A. Jorge Luis Borges: invención antirrealista .............................................................. 164 B. Ricardo Piglia: invención seria ................................................................................ 176 C. César Aira: invención bufa ...................................................................................... 183 VII. Enciclopédicos (1983-2006) .......................................................................... 189 A. Angélica Gorodischer: parodia ambigua ................................................................. 190 B. Alberto Laiseca: fantasía sádica y populachera ....................................................... 198 C. Liliana Bodoc: fantasía new age ............................................................................. 215 D. Marcelo Cohen: ciencia ficción verosímil .............................................................. 222 Conclusión ........................................................................................................ 235 Bibliografía ...................................................................................................... 241 I. Obras del corpus ....................................................................................................... 241 II. Otras obras de invención y misceláneas (crítica con ficción) .................................. 241 III. Películas ................................................................................................................. 244 IV. Estudios críticos y entrevistas ................................................................................ 244 4 Agradecimientos Quiero agradecer por el diálogo permanente que estableció conmigo, por sus consejos muy oportunos y su paciencia ante mis angustiadas solicitaciones, a Julio Premat. Quiero agradecer también: a Milagros Ezquerro por haberme animado a iniciar este trabajo y haberme orientado durante tantos años en el desenvolvimiento de mi carrera; a
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