DOCSLIB.ORG

PDF Download Beowulf 1St Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Download Beowulf 1St Edition BEOWULF 1ST EDITION PDF, EPUB, EBOOK J R R Tolkien | 9780544442795 | | | | | Beowulf 1st edition PDF Book Heaney, Seamus Translator and John D. Earlier, after the award of treasure, The Geat had been given another lodging"; his assistance would be absent in this battle. Work also supported the Homeric influence, stating that encounter between Beowulf and Unferth was parallel to the encounter between Odysseus and Euryalus in Books 7—8 of the Odyssey, even to the point of both characters giving the hero the same gift of a sword upon being proven wrong in their initial assessment of the hero's prowess. More information about this seller Contact this seller 4. For first-time buyers, we prefer a credit card and we will only ship to the billing address on the card. More information about this seller Contact this seller 7. Beowulf survives in a single parchment manuscript dated on palaeographical grounds to the late 10th or early 11th century. Dust Jacket Condition: very good. Text is clean and tight. Soft cover. Yeager notes the facts that form the basis for these questions:. United Kingdom. He argues that the term "shoulder-companion" could refer to both a physical arm as well as a thane Aeschere who was very valuable to his lord Hrothgar. Used books don't have access codes, ships from U. Collins English Dictionary. University of Toronto Press. A Bilingual Edition. Heaney's clear and. Very Good Condition - May show some limited signs of wear and may have a remainder mark. First trade edition of Heaney's acclaimed translation of the Old English epic, winner of the Whitbread Award for Poetry, signed on the title page by Heaney. The middle barrow has not been excavated. Judith was written by the same scribe that completed Beowulf as evidenced through similar writing style. Tolkien , [] author and Merton professor of Anglo-Saxon at University of Oxford , who in his lecture to the British Academy criticised his contemporaries' excessive interest in its historical implications. The poem begins and ends with funerals: at the beginning of the poem for Scyld Scefing 26—45 and at the end for Beowulf — No flaws. Books Grendel Eaters of the Dead. Retrieved 2 October On this view, the pagan references would be a sort of decorative archaising. Beowulf 1st edition Writer Search Within These Results:. Published by Palgrave Macmillan Limited More information about this seller Contact this seller 5. Alliterative verse. Arizona Centre for Medieval and Renaissance Studies. Grendel's mother, angry that her son has been killed, sets out to get revenge. Condition: Acceptable. More information about this seller Contact this seller 3. This edition is a winner of the Whitbread Award. Used - Very Good. Seller Inventory Winner of the Whitebread Prize Large, squarish softcover with flaps, glossy black background with silver illustration of figure in mail, praise from Financial Times, pages. Contact me by fax. Purchase on BN. Seller Image. Anglo-Saxon poets typically used alliterative verse , a form of verse in which the first half of the line the a-verse is linked to the second half the b-verse through similarity in initial sound. Clean and unmarked. The two slay the dragon, but Beowulf is mortally wounded. In the letter to Wanley, Hickes responds to an apparent charge against Smith, made by Wanley, that Smith had failed to mention the Beowulf script when cataloguing Cotton MS. Hence a story about him and his followers may have developed as early as the 6th century. In fact, when we are told what anyone in the poem believes, we learn that they are pagans. History Today. Beowulf 1st edition Reviews Condition: New. United Kingdom. After Beowulf dies, Wiglaf remains by his side, grief-stricken. Printed Card Wrappers. Published by Signet Classics Hickes replies to Wanley "I can find nothing yet of Beowulph. For example, a poet might call the sea the "swan-road" or the "whale- road"; a king might be called a "ring-giver. This is a Fine copy of the first edition 6th printing. This Book has been Viewed 63 Time s. The first scribe made a point of carefully regularizing the spelling of the original document by using the common West Saxon language and by avoiding any archaic or dialectical features. Martin's Press This article is about the epic story. The middle barrow has not been excavated. Retrieved 13 February Continue shopping. Hard Cover. From: G. Cook suggested a Homeric connection due to equivalent formulas, metonymies , and analogous voyages. The poem is composed orally and extemporaneously, and the archive of tradition on which it draws is oral, pagan, Germanic, heroic, and tribal. Writing Help Get ready to write your paper on Beowulf with our suggested essay topics, sample essays, and more. Smith's catalogue appeared in , and Wanley's in Beowulf begins with the story of Hrothgar, who constructed the great hall Heorot for himself and his warriors. The poem begins and ends with funerals: at the beginning of the poem for Scyld Scefing 26—45 and at the end for Beowulf — Beowulf Judith. Harper Collins. Old English poetry. Mass Market Paperback. Beowulf 1st edition Read Online Dust Jacket Condition: Fine. Binding is straight and tight. Includes J. This article is about the epic story. Drout, Michael D. Seller Inventory New York: Doubleday. Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, fro. He offers eloquent prayers to a higher power, addressing himself to the "Father Almighty" or the "Wielder of All. The dating of Beowulf has attracted considerable scholarly attention and opinion differs as to whether it was first written in the 8th century or whether the composition of the poem was nearly contemporary with its eleventh century manuscript and whether a proto-version of the poem possibly a version of the Bear's Son Tale was orally transmitted before being transcribed in its present form. Robinson argue that the Beowulf poet tries to send a message to readers during the Anglo-Saxon time period regarding the state of Christianity in their own time. Crowne have proposed the idea that the poem was passed down from reciter to reciter under the theory of oral-formulaic composition , which hypothesises that epic poems were at least to some extent improvised by whoever was reciting them, and only much later written down. There are, in round numbers, three hundred and sixty uncompounded verbs in Beowulf , and forty of them are poetical words in the sense that they are unrecorded or rare in the existing prose writings. Create a Want Tell us what you're looking for and once a match is found, we'll inform you by e-mail. As new. U of Kentucky. First printing. About this Item: Penguin Publishing Group, About this Item: New York: Farrar. First Trade Paperback Printing. Beowulf survives in a single parchment manuscript dated on palaeographical grounds to the late 10th or early 11th century. A great number of translations and adaptations are available, in poetry and prose. The poet calls on Anglo-Saxon readers to recognize the imperfect aspects of their supposed Christian lifestyles. About this Item: St. About this Item: Signet. The protagonist Beowulf , a hero of the Geats, comes to the aid of Hrothgar, king of the Danes , whose great hall, Heorot , is plagued by the monster Grendel. Our BookSleuth is specially designed for you. One hundred and fifty more occur with the prefix ge - reckoning a few found only in the past-participle , but of these one hundred occur also as simple verbs, and the prefix is employed to render a shade of meaning which was perfectly known and thoroughly familiar except in the latest Anglo-Saxon period. Wrappers with french flaps. The Norton Anthology of English Literature vol. About this Item: Garland Publishing, Incorporated, The poem is composed orally and extemporaneously, and the archive of tradition on which it draws is oral, pagan, Germanic, heroic, and tribal. Work also supported the Homeric influence, stating that encounter between Beowulf and Unferth was parallel to the encounter between Odysseus and Euryalus in Books 7—8 of the Odyssey, even to the point of both characters giving the hero the same gift of a sword upon being proven wrong in their initial assessment of the hero's prowess. In , Francis Barton Gummere 's full translation in "English imitative meter" was published, [73] and was used as the text of Gareth Hinds's graphic novel based on Beowulf in https://files8.webydo.com/9583969/UploadedFiles/B723AACF-2577-13A9-0247-4A85E3BFFABE.pdf https://files8.webydo.com/9582982/UploadedFiles/B50E3A0D-72C6-AE00-AC83-36121E9771FF.pdf https://files8.webydo.com/9584020/UploadedFiles/1B4DA616-545B-3828-C85B-76302311AF2C.pdf https://files8.webydo.com/9583419/UploadedFiles/FE71C99D-C2F9-73B1-5D10-FFAF7B461469.pdf.
Load more

Recommended publications
  • Beowulf Themes
    Wednesday, November 12, 2014 • Do now: In your notebooks, answer the following prompt: –What is a hero? Explain your definition and give examples. Thursday, November 13, 2014 • Do now: In your notebooks, answer the following prompt: –What is courage? How would most people today define courage? Beowulf Themes • Good vs Evil • Violence • Identity • Courage • Strength and • Mortality Skill • The • Wealth Supernatural • Religion • Traditions & Customs Beowulf Motifs/Symbols • Motifs • Symbols –Monsters –The Golden –The Oral Torque Tradition (Rewards) –The Mead –The Banquet Hall (Celebration) Beowulf Author • Very little is known about the author –Male –Educated –Upper Class –Anglo-Saxon / Christian Beowulf Information • Poem was composed (created) in the 8th century – Although it is English in language and origin, the poem does not deal with Englishmen, but their Germanic ancestors (Danes & Geats) – The Danes are from Denmark & the Geats are from modern day Sweden Beowulf Info (cont’d) • Some of the original poem was destroyed in the Ashburnham House Fire, causing a number of lines to be lost forever (1731) • The poem is circular in that it starts out with a young warrior, he grows old, another young warrior saves the day, etc. (comes full circle) Beowulf Info (cont’d) • Beowulf’s people are the Geats • Hrothgar’s people are the Danes • Beowulf reigned as king for 50 years • According to legend, Beowulf died at the age of 90 years old • Beowulf takes place in Scandinavia Beowulf’s Origin So why wasn’t it written down in the first place? This story was probably passed down orally for centuries before it was first written down.
    [Show full text]
  • 1 Social and Linguistic Setting of Alliterative Verse in Anglo-Saxon and Medieval England
    Cambridge University Press 0521573173 - Alliteration and Sound Change in Early English - Donka Minkova Excerpt More information 1 Social and linguistic setting of alliterative verse in Anglo-Saxon and Medieval England The primary goal of this study is to establish and analyze the linguistic prop- erties of early English verse. Verse is not created in a vacuum; a consideration of some non-structural factors that could influence the composition of poetry is important for our understanding of its linguistic dimensions. This chapter presents a brief overview of the social and cultural conditions under which alliterative verse was produced and enjoyed in Anglo-Saxon and Medieval England. 1.1 The Anglo-Saxon poetic scene Verse composition was a foremost outlet of creativity and a cherished form of entertainment, moral edification, and historical record keeping for the Anglo- Saxons. When the Northumbrian priest and chronicler Bede (b. 672/673– d. 735) wrote his Ecclesiastical History of the English People in Latin, the poetic rendition of important themes and events in the vernacular must have already been a highly prestigious undertaking. Bede tells us how Cadmon, an illiterate shepherd, found his inability to sing in company shameful. In a dream a stranger appeared urging him to sing the song of the Creation and he uttered “verses which he had never heard.” He was then taken to the monastery at Whitby where his divine poetic gift was tested and confirmed. He spent the rest of his life as a layman in the monastery, enjoying the fellowship of the abbess and the learned brethren, and composing more religious poetry.
    [Show full text]
  • Folklore Bigyan
    da< AoInaM IbocaUb siZh foKlor bigCyaN (AhaNb sruK) AhuMsub seMdoKlb Amdi caUHoKhLlb SuTnM 1 niMfoK monogCraf sirij - 2 foKlor bigCyaN (AhaNb sruK) 2 niMfoK monogCraf sirij - 2 foKlor bigCyaN (AhaNb sruK) AhuMsub seMdoKlb Amdi caUHoKhLlb SuTnM da< AoInaM IbocaUb siZh pCrofesr, mnipur yunivrsiti IMfaL nepeN INsBtitCyuT Aaf mnipuri foKlor 2010 3 lEbaKn ‘Aoja birhri’ haIn sKSxbiSib ISuT paIdun taKpirKSib pabuZd kTcri> 4 hirM lamaI wahE Srdx AhaNb pNduP foKlor foKlor foKlorgi miZgOroL foK AmsuZ lor foK lor foKlorgi mhOsa foKlorgi mzM foKlorgi mHO hraU-nuZzaIhNb naT sOgTp lOsiZ pib SuNnaIg cunhNb AhoZb purKp Anisub pNduP foKlor bigCyaN foKloristiKCs foKloristiKCski mhOsa foKloristiKCski mzM sosiyeL saINCski Am AoIn foKloristiKCski paNdM foKloristiKCski miTyeZ-fireP foKloristiKCski kaNnb 5 AhuMsub paNdM foKlor bigCyaN AMsuZ AtE bidCyasiZ foKlor bigCyaN AmsuZ AtE bidCyasiZ foKloristiKCs AmsuZ AeNHCropoloji foKloristiKCs AmsuZ histCri foKloristiKCs AmsuZ saIkoloji foKloristiKCs AmsuZ sosiAoloji foKloristiKCs AmsuZ liZguIstiKCs foKloristiKCs AmsuZ AarkiAoloji foKloristiKCs AmsuZ AtE sosiyeL saINCssiZ foKloristiKCs AmsuZ sahitCy foKloristiKCs AmsuZ INtrdisipClineri AoIb lMjx mrisub pNduP pCriHibid foKlor nEnbgi SoZHaZ pCriHibid foKlor nEnbgi SoZHaZ miHolojikeL sCkuL AmsuZ solr HiAori AeNHCropolojikeL sCkuL AmsuZ srbaIbeLCs HiAori beNfi sCkuL AmsuZ maIgCresneL HiAori fiNnis sCkuL AmsuZ histriK-jiAogCrafiK meHd saIkoAenalitikeL sCkuL AmsuZ saIkoAenalitiK HiAori sCtCrKcreL sCkuL AmsuZ sCtCrKcreL HiAori mzasub pNduP foKlorgi mSL SaIb mSL SaIbgi smsCyasiZ
    [Show full text]
  • Eomer Gets Poetic: Tolkien's Alliterative Versecraft James Shelton East Tennessee State University, [email protected]
    Journal of Tolkien Research Volume 5 | Issue 1 Article 6 2018 Eomer Gets Poetic: Tolkien's Alliterative Versecraft James Shelton East Tennessee State University, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Shelton, James (2018) "Eomer Gets Poetic: Tolkien's Alliterative Versecraft," Journal of Tolkien Research: Vol. 5 : Iss. 1 , Article 6. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol5/iss1/6 This Conference Paper is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Shelton: Eomer Gets Poetic: Tolkien's Alliterative Versecraft The fact that Tolkien had an affinity for Old English and, therefore, Old English impacted his writing style are two contentions which are variously argued and proven throughout Tolkien scholarship. They are well supported enough that they need not be rehashed here, see Shippey, Flieger, Higgins, et passim. It is enough for this investigation into Tolkien's use of Old English alliterative verse to note his penchant for leaning heavily on such forms as he enjoyed, and had a professional interest in, is widely accepted in Tolkien scholarship. Additionally, it should be mentioned that Tolkien's use of Old English seems to be at its peak with the Riders of Rohan. In fact, to paraphrase Michael Drout, the Riders of Rohan are Anglo-Saxons except they have horses.1 Additionally, it has been stipulated that the Riders of Rohan use a specific dialect of Old English known as Mercian.
    [Show full text]
  • Haverford College Bulletin, New Series, 9-10, 1910-1912
    CLASS 3 (ffi Q_ BOOK \\ 2iO* V . Q - /O THE LIBRARY OF HAVERFORD COLLEGE (HAVERFORD, pa.) BOUGHT WITH THE LIBRARY FUND BOUND ^ MO. 3 19\ ia ACCESSION NO. 5^ (^ ^ ^ | Digitized by the Internet Archive in 2011 with funding from , LYRASIS Members and Sloan Foundation http://www.archive.org/details/haverfordcollege910have — Haverford College Bulletin Vol. IX Tenth Month, 1910 No. Issued eight times a year by Haverford College, Haverford, Pa. Entered December 10, 1902, at Haverford, Pa., as Second Class Matter under Act of Congress of July 16, 1894 This is the first number of Volume IX of the Haver- ford College Bulletin. Hitherto it has been issued four or five times a year and has included the regular publi- cations of the College. We shall add to this three or four leaflets, of which this is the first, alternating with the larger issues. These are intended to give from an official source the more important College news and ideas. All of these eight numbers will be sent free to all mem- bers of the Haverford Union. This organization it is hoped will accomplish the purpose of bringing into closer association the various elements of College life—faculty, alumni, undergraduates. The building, thanks to the gen- erosity of Alfred Percival Smith, '84, is now completed and by the aid of Frederic H. Strawbridge, '87, and other friends is largely furnished. Its public opening was on Commencement Day. on the tenth of last June, when the alumni meeting was held there. The membership now amounts to about 250, a satisfactory beginning. But it is believed that many others will soon be added.
    [Show full text]
  • English Alliterative Verse: Poetic Tradition and Literary History
    ENGLISH ALLITERATIVE VERSE English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into ‘Old English’ and ‘Middle English’ periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls ‘verse history,’ Weiskott reimagines the historical study of poetics. eric weiskott is Assistant Professor of English at Boston College. In addition to publishing widely on alliterative verse and early English literary history in journals such as Anglo-Saxon England, ELH, Modern Language Quarterly, Modern Philology, Review of English Studies, and Yearbook of Langland Studies, Weiskott is also a practicing poet. Most recently, his poems have appeared in burnt- district, Cricket Online Review, and paper nautilus. His first poetry chapbook was Sharp Fish (2008). With Irina Dumitrescu, he has co- edited a volume of essays with the working title Early English Poetics and the History of Style. cambridge studies
    [Show full text]
  • Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree
    [Show full text]
  • Skaldic Slam: Performance Poetry in the Norwegian Royal Court
    Lokaverkefni til MA–gráðu í Norrænni trú Félagsvísindasvið Skaldic Slam: Performance Poetry in the Norwegian Royal Court Anna Millward Leiðbeinandi: Terry Gunnell Félags- og mannvísindadeild Félagsvísindasvið Háskóla Íslands December 2014 Norrænn trú Félags- og mannvísindadeild 1 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 DEDICATION AND DISCLAIMER I owe special thanks to Prof. Terry Gunnell for his continued encouragement, help and enthusiasm throughout the process of researching and writing this dissertation. Many of the ideas put forward in this dissertation are borne out of interesting conversations and discussions with Prof. Gunnell, whose own work inspired me to take up this subject in the first place. It is through Prof. Gunnell’s unwavering support that this thesis came into being and, needless to say, any mistakes or errors are mine entirely. Ritgerð þessi er lokaverkefni til MA–gráðu í Norrænni Trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Anna Millward, 2014 Reykjavík, Ísland 2014 2 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 CONTENTS Introduction pp. 5-13 Chapter 1. Skálds, Scholar, and the Problem of the Pen 1.1. What is Skaldic Poetry? pp. 14-15 1.2. Form and Function pp. 15-22 1.3. Preservation Context pp. 22-24 1.4. Scholarly Approaches to Skaldic Verse p. 25 1.5. Skaldic Scholarship: post-1970s pp. 26-31 1.6. Early Skaldic Scholarship: pre-1970s pp. 31-36 1.7. Skaldic as Oral Poetry, Oral Poetry as Performance pp. 36-43 1.8.
    [Show full text]
  • Runes and Verse: the Medialities of Early Scandinavian Poetry
    Runes and Verse: The Medialities of Early Scandinavian Poetry Judith Jesch Introduction: Runic and Roman in Old English and Old Norse Poetry It has long been recognised that there are many similarities between Old English and Old Norse literary culture and especially poetry, despite their chronological disparities. While many scholars nowadays prefer to stress these chronological and other disparities, or simply to ignore the similarities and concentrate on just the one tradition, there is still room for a nuanced comparison of the two bodies of poetry, as in for example recent work by Matthew Townend. Having examined some similarities in poetic diction he argues that these derive in part from the common roots of Old English and Old Norse. Such a shared specialised poetic diction suggests to him “that there existed a well-developed North-West Germanic poetic culture ... the reflexes of which can be observed in our extant Old English and Old Norse verse” (Townend 2015, 18). As well as this similarity of poetic vocabulary, and of course their well-known common metrical structures, these two corpora also share certain structural similarities which relate not only to patterns of transmission but also to the wider role of verse in their respective cultures. Thus, it is worthy of note that both corpora include anonymous as well as non-anonymous verse, and both include verse that is transmitted in runic inscriptions as well as in manuscripts in the roman alphabet. But despite these similarities, the poetical cultures of Anglo-Saxon England and early Scandinavia display significant differences, in particular when these medialities of roman and runic are considered more closely.
    [Show full text]
  • Eckert Ken.Pdf
    KINGSHIP AND THE CHARACTERIN ACONTEMPORARY BfOWllL.E by CIKen Eckert A thesis submitted to the School of Graduale Studies in partial fulfilmenlof the requirements for thedegree of Master of Arts Department of English Language and Literature Memorial UniversityofNewfoundJand May 2001 SI. John's Se...;foundland Coatratl Introduction 18 44 rme andthcHeroin~from. 8akhl:inian PerspectM: 61 Conclusions 89 Bibliography 91 AckDowledgemcats I wouldliketo thank my advisor. Dr. WlIliam Sc hipper. '" hiskindassistaru in aUthings over the lastthree years. In addition. acknowledgement must go 10 the English dtpartment at MUNfortheirsuppon. Lasely. I wouldlike to thank Metrnrial ' s Harbw c:aqJUS It\IsItc$ br their award in 1991 ofa Bo~·Hariow 3Cho1arsftip. which permittedme to cond uct direct researc h in England ofall matters Bcowulfian. fo r Caroline Eckert. 1903· 1998 Who never 1eamcd to click . computer mouse, but could recite to me the Chaucershe learned during World WarI. M"l'S God hira r/Zste • May God rest her Chapter 1 latroduc:tioD ~occ upies a unique posa ion in Englishliterat ure, not only becauseso little is known of its pro veoat'lte, but also becauseit is a poem with no documentedaudimce unlilweDafter the:renaissarx:e. WhereasChaucer's workshave beencopiedandenjoyed sincetheir writing, there is DO evidm;e lhat ~did IOO~ thanlie forgotten on a roonastery sbeU' for some livebw.hed years. From RichardHarvey's opinionon Anglo­ Saxon manuscripts in 1597, '1..d thcm lye: in dead forgetfulnesselikestones..l toQuiller- Coue:h's statement at Cambridge that Chaucer "inheriled nothingfrom Caedmon and Cynewulfbut only from italy and Pro'm'ICC,..J: poems such as ~ha ,-e badgreat difficuttybeingeceepeedas WOI1hwtWe piecesofliterat ure.
    [Show full text]
  • November 2, 2011 Regular
    RECORD OF PROCEEDINGS 427 Minutes of REGULAR Meeting November 02, 2011 The Twinsburg City School District Board of Education met in REGULAR session on the above date at the Twinsburg Government Center in Council Chambers at 7:00 p.m. The following board members were present: Mr. Andrews, Mrs. Cain-Criswell, Mr. Crosby, Mr. Shebeck, and Mr. Stuver. Recordings of the Board of Education meeting are made and kept at the Board Office. Video recordings and Board approved Minutes are available on the District’s web site. Mr. Stuver moved and Mrs. Cain-Criswell seconded that the Twinsburg Board of Education adopt resolutions 11-346 to 11-348. 11-346 Employment That that the Twinsburg Board of Education approves the Certificated/Licensed personnel and/or contract recommendations detailed in the attached Exhibit as per the dates, terms, and other applicable conditions specified, pending satisfactory ORC background check: Certificated/Licensed Staff Recommendation November 2, 2011 CONTRACTS Last First Position Bldg. Hrs. Effective Rate Note(s) Krupinski Kristin Game Club Facilitator Dodge 10 sessions 10/27/11 $23/hr Total $920.00 Wall Gayle Game Club Facilitator Dodge 10 sessions 10/27/11 $23/hr Total $920.00 To provide coverage if Washington Barbara Game Club Facilitator Dodge 10 sessions 10/27/11 $23/hr needed due to absence 11-347 Employment That the Twinsburg Board of Education approves the Classified Personnel and/or contract recommendations detailed in the Exhibit as per the dates, terms, and other applicable conditions specified, pending satisfactory ORC background check : Classified Staff Recommendation November 2, 2011 CONTRACTS Last First Position Bldg Hours Effective Note(s) Game Club Instructional 2 hrs.
    [Show full text]
  • Academics Versus Arts the Scholarly and Popular Reception of Beowulf's
    Grendles Mōdor: Academics versus Arts The Scholarly and Popular Reception of Beowulf’s Grendel’s Mother MA Thesis Philology Student name: Jolene Witkam Student number: S1140892 Date: 01-07-2019 First reader: Dr. M. H. Porck Second reader: Dr. K. A. Murchison Leiden University, Department of English Language and Culture Cover image: The Pietà of Grendelangelo Illustration copyright © Jolene Witkam 2018 All Rights Reserved TABLE OF CONTENTS Introduction…………………………………………………………………………….. 1 Chapter 1 – Scholarly Perception from 1815 to 1936...………………………………... 6 Chapter 2 – Scholarly Reception after Tolkien……………………………………….. 18 Chapter 3 – Grendel’s Mother in Popular Adaptations….……………………………. 38 Conclusion…………………………………………………………………………….. 56 Bibliography…………………………………………………………………………... 61 INTRODUCTION In the opening words to the first chapter of his book-length study on the monsters of the Beowulf-manuscript, Andy Orchard wrote: “It was Kenneth Sisam who first considered that the Beowulf-manuscript may have been compiled on the basis of an interest in monsters which is exhibited by at least four of the five texts it contains; he mused that a medieval cataloguer, seeking to sum up the contents of the manuscript, might well have described it as a ‘book of various monsters, written in English’ (Liber de diversis monstris, angelice).”1 Although terrifying, wondrous, and marvellous, the unnatural and the monsters fashioned by societies seem to have always intrigued both the general public and the critics. There is some appeal to that which we do not understand. Monsters are veiled in the unknown, seemingly far away yet always standing closer to humankind and civilisation than one might think initially. This mysterious allure is perhaps also the reason why both the monstrous and the unnatural feature so heavily in literature, both oral and written.
    [Show full text]