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Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Cert No Name Doing Business As Address City Zip 1 Cust No
Cust No Cert No Name Doing Business As Address City Zip Alabama 17732 64-A-0118 Barking Acres Kennel 250 Naftel Ramer Road Ramer 36069 6181 64-A-0136 Brown Family Enterprises Llc Grandbabies Place 125 Aspen Lane Odenville 35120 22373 64-A-0146 Hayes, Freddy Kanine Konnection 6160 C R 19 Piedmont 36272 6394 64-A-0138 Huff, Shelia Blackjack Farm 630 Cr 1754 Holly Pond 35083 22343 64-A-0128 Kennedy, Terry Creeks Bend Farm 29874 Mckee Rd Toney 35773 21527 64-A-0127 Mcdonald, Johnny J M Farm 166 County Road 1073 Vinemont 35179 42800 64-A-0145 Miller, Shirley Valley Pets 2338 Cr 164 Moulton 35650 20878 64-A-0121 Mossy Oak Llc P O Box 310 Bessemer 35021 34248 64-A-0137 Moye, Anita Sunshine Kennels 1515 Crabtree Rd Brewton 36426 37802 64-A-0140 Portz, Stan Pineridge Kennels 445 County Rd 72 Ariton 36311 22398 64-A-0125 Rawls, Harvey 600 Hollingsworth Dr Gadsden 35905 31826 64-A-0134 Verstuyft, Inge Sweet As Sugar Gliders 4580 Copeland Island Road Mobile 36695 Arizona 3826 86-A-0076 Al-Saihati, Terrill 15672 South Avenue 1 E Yuma 85365 36807 86-A-0082 Johnson, Peggi Cactus Creek Design 5065 N. Main Drive Apache Junction 85220 23591 86-A-0080 Morley, Arden 860 Quail Crest Road Kingman 86401 Arkansas 20074 71-A-0870 & Ellen Davis, Stephanie Reynolds Wharton Creek Kennel 512 Madison 3373 Huntsville 72740 43224 71-A-1229 Aaron, Cheryl 118 Windspeak Ln. Yellville 72687 19128 71-A-1187 Adams, Jim 13034 Laure Rd Mountainburg 72946 14282 71-A-0871 Alexander, Marilyn & James B & M's Kennel 245 Mt. -
Search the List of Unclaimed Child Support
UNCLAIMED CHILD SUPPORT AS OF 02/08/2021 TO RECEIVE A PAPER CLAIM FORM, PLEASE CALL WI SCTF @ 1-800-991-5530. LAST NAME FIRST NAME MI ADDRESS CITY ABADIA CARMEN Y HOUSE A4 CEIBA ABARCA PAULA 7122 W OKANOGAN PLACE BLDG A KENNEWICK ABBOTT DONALD W 11600 ADENMOOR AVE DOWNEY ABERNATHY JACQUELINE 7722 W CONGRESS MILWAUKEE ABRAHAM PATRICIA 875 MILWAUKEE RD BELOIT ABREGO GERARDO A 1741 S 32ND ST MILWAUKEE ABUTIN MARY ANN P 1124 GRAND AVE WAUKEGAN ACATITLA JESUS 925 S 14TH ST SHEBOYGAN ACEVEDO ANIBAL 1409 POSEY AVE BESSEMER ACEVEDO MARIA G 1702 W FOREST HOME AVE MILWAUKEE ACEVEDO-VELAZQUEZ HUGO 119 S FRONT ST DORCHESTER ACKERMAN DIANE G 1939 N PORT WASHINGTON RD GRAFTON ACKERSON SHIRLEY K ADDRESS UNKNOWN MILWAUKEE ACOSTA CELIA C 5812 W MITCHELL ST MILWAUKEE ACOSTA CHRISTIAN 1842 ELDORADO DR APT 2 GREEN BAY ACOSTA JOE E 2820 W WELLS ST MILWAUKEE ACUNA ADRIAN R 2804 DUBARRY DR GAUTIER ADAMS ALIDA 4504 W 27TH AVE PINE BLUFF ADAMS EDIE 1915A N 21ST ST MILWAUKEE ADAMS EDWARD J 817 MELVIN AVE RACINE ADAMS GREGORY 7145 BENNETT AVE S CHICAGO ADAMS JAMES 3306 W WELLS ST MILWAUKEE ADAMS LINDA F 1945 LOCKPORT ST NIAGARA FALLS ADAMS MARNEAN 3641 N 3RD ST MILWAUKEE ADAMS NATHAN 323 LAWN ST HARTLAND ADAMS RUDOLPH PO BOX 200 FOX LAKE ADAMS TRACEY 104 WILDWOOD TER KOSCIUSKO ADAMS TRACEY 137 CONNER RD KOSCIUSKO ADAMS VIOLA K 2465 N 8TH ST LOWER MILWAUKEE ADCOCK MICHAEL D 1340 22ND AVE S #12 WIS RAPIDS ADKISSON PATRICIA L 1325 W WILSON AVE APT 1206 CHICAGO AGEE PHYLLIS N 2841 W HIGHLAND BLVD MILWAUKEE AGRON ANGEL M 3141 S 48TH ST MILWAUKEE AGUILAR GALINDO MAURICIO 110 A INDUSTRIAL DR BEAVER DAM AGUILAR SOLORZANO DARWIN A 113 MAIN ST CASCO AGUSTIN-LOPEZ LORENZO 1109A S 26TH ST MANITOWOC AKBAR THELMA M ADDRESS UNKNOWN JEFFERSON CITY ALANIS-LUNA MARIA M 2515 S 6TH STREET MILWAUKEE ALBAO LORALEI 11040 W WILDWOOD LN WEST ALLIS ALBERT (PAULIN) SHARON 5645 REGENCY HILLS DRIVE MOUNT PLEASANT ALBINO NORMA I 1710 S CHURCH ST #2 ALLENTOWN Page 1 of 138 UNCLAIMED CHILD SUPPORT AS OF 02/08/2021 TO RECEIVE A PAPER CLAIM FORM, PLEASE CALL WI SCTF @ 1-800-991-5530. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... ....... -
Children of the Atom Is the First Guidebook Star-Faring Aliens—Visited Earth Over a Million Alike")
CONTENTS Section 1: Background............................... 1 Gladiators............................................... 45 Section 2: Mutant Teams ........................... 4 Alliance of Evil ....................................... 47 X-Men...................................... 4 Mutant Force ......................................... 49 X-Factor .................................. 13 Section 3: Miscellaneous Mutants ........................ 51 New Mutants .......................... 17 Section 4: Very Important People (VIP) ................. 62 Hellfire Club ............................. 21 Villains .................................................. 62 Hellions ................................. 27 Supporting Characters ............................ 69 Brotherhood of Evil Mutants ... 30 Aliens..................................................... 72 Freedom Force ........................ 32 Section 5: The Mutant Menace ................................79 Fallen Angels ........................... 36 Section 6: Locations and Items................................83 Morlocks.................................. 39 Section 7: Dreamchild ...........................................88 Soviet Super-Soldiers ............ 43 Maps ......................................................96 Credits: Dinosaur, Diamond Lil, Electronic Mass Tarbaby, Tarot, Taskmaster, Tattletale, Designed by Colossal Kim Eastland Converter, Empath, Equilibrius, Erg, Willie Tessa, Thunderbird, Time Bomb. Edited by Scintilatin' Steve Winter Evans, Jr., Amahl Farouk, Fenris, Firestar, -
Marvel-Phile
by Steven E. Schend and Dale A. Donovan Lesser Lights II: Long-lost heroes This past summer has seen the reemer- 3-D MAN gence of some Marvel characters who Gestalt being havent been seen in action since the early 1980s. Of course, Im speaking of Adam POWERS: Warlock and Thanos, the major players in Alter ego: Hal Chandler owns a pair of the cosmic epic Infinity Gauntlet mini- special glasses that have identical red and series. Its great to see these old characters green images of a human figure on each back in their four-color glory, and Im sure lens. When Hal dons the glasses and focus- there are some great plans with these es on merging the two figures, he triggers characters forthcoming. a dimensional transfer that places him in a Nostalgia, the lowly terror of nigh- trancelike state. His mind and the two forgotten days, is alive still in The images from his glasses of his elder broth- MARVEL®-Phile in this, the second half of er, Chuck, merge into a gestalt being our quest to bring you characters from known as 3-D Man. the dusty pages of Marvel Comics past. As 3-D Man can remain active for only the aforementioned miniseries is showing three hours at a time, after which he must readers new and old, just because a char- split into his composite images and return acter hasnt been seen in a while certainly Hals mind to his body. While active, 3-D doesnt mean he lacks potential. This is the Mans brain is a composite of the minds of case with our two intrepid heroes for this both Hal and Chuck Chandler, with Chuck month, 3-D Man and the Blue Shield. -
Dragon Magazine #132
CONTENTS Issue # 132 Vol. XII, No. 11 April 1988 SPECIAL ATTRACTION 49 ORCWARS! Bruce A. Heard A game of looting and world conquest, for the orc in all of us. OTHER FEATURES 6 Bazaar of the Bizarre Stewart Wieck At last, the ultimate hack-n-slash weapon: the one-and-only chainsword. Publisher 8 Role-playing Reviews Jim Bambra Mike Cook Bust ghosts. Party with aliens. Serve The Computer. But most of all, have fun. 16 Beyond the Gate of Dreams John Nephew Editor There are some adventurers for whom dreams come true always. Roger E. Moore 24 Resourceful Sorcery Michael DeWolfe Some RUNEQUEST® game advice: First, you catch a spirit. Assistant editor Fiction editor Robin Jenkins Patrick L. Price 28 With All the Trappings Gregg Sharp If you care enough to give the very best, give em green slime in a spiked pit. Editorial assistants 38 Let the Good Dice Roll Scott David Gray Eileen Lucas Barbara G. Young Probability tables can bring out the hero in your hero. Art director 40 Out of Hand fiction by Nina Kiriki Hoffman Roger Raupp Her drawings were real enough to leap from the page and they did. 46 The Ecology of the Aurumvorax Mark Feil Production Staff Lovely to look at, delightful to hold but if you annoy it. Marilyn Favaro Lori Svikel 58 Arcane Lore Mike Rodgers and Tom Hazel A few spells designed to bring out the animal in any druid. Subscriptions Advertising Pat Schulz Sheila Meehan 60 The King of Conventions Keith Polster and Robert M. Bigelow The 1988 GEN CON®/ORIGINS Game Fair, from both sides now. -
Uncarded Figure Keyword List
Uncarded Figure Keyword List Infinity Challenge ............................................................................................................... 2 Hypertime ........................................................................................................................... 4 Clobberin' Time .................................................................................................................. 5 Xplosion ............................................................................................................................. 7 Indy..................................................................................................................................... 8 Cosmic Justice .................................................................................................................. 10 Critical Mass..................................................................................................................... 11 Universe ........................................................................................................................... 13 Unleashed ......................................................................................................................... 14 Ultimates .......................................................................................................................... 16 Mutant Mayhem ............................................................................................................... 17 City of Heroes ................................................................................................................. -
Reading the Uncanny Xmen: Gender, Race, and The
READING THE UNCANNY XMEN: GENDER, RACE, AND THE MUTANT METAPHOR IN A POPULAR NARRATIVE By Joseph James Darowski A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2011 ABSTRACT READING THE UNCANNY XMEN: GENDER RACE AND THE MUTANT METAPHOR IN A POPULAR NARRATIVE By Joseph James Darowski The first superhero comic book was published in 1938 and since that time the genre has become a staple of American popular culture. While superhero stories have been adapted into every popular storytelling medium, the genre is most closely associated with the comic book industry. This dissertation examines the first 500 issues of The Uncanny XMen, one of the most popular series to be published in America. In particular, the portrayals of race and gender will be analyzed by performing a close reading of the stories published as well as a numerical analysis of the ethnicity, nationality, and gender of the heroes, villains, and guest stars who appear in the series. The X‐Men comic book franchise has a reputation among fans, creators, and scholars as one of the most diverse and progressive superhero comic book titles. The core conceit of the series, that there are people called mutants who are born with powers and abilities that separate them from normal humans, has allowed the themes of societal prejudice and hatred to be explored in a metaphorical fashion, though looking closely at the race and gender of the characters in the series reveals a different reality than the common perception of the series. -
Flames of Doom Is the Fourth Mod Futures
I I , , , , , , , , Athabasca , , Great Slave , Primrose , , , , , , , I�-----I Official Game Adventure Contents The Cruelest of Dreams ....•.....•....•.........2 The Te leporters' Railroad ...•.....•....•...... 18 Choices, Choices .........•..........•.........5 Salvation ....................•.............22 Loose Ends Encounters .........•.....•......... 7 The Arm of the State ..............•....•.......25 How the Worlds End ............•....••........ 12 Non-Player Characters ......•.....•.....•......27 The Peoples' Revolution .......•.....•........ 12 The Great Debate Cards ..........•••..••.......32 Written by David "Zeb" Cook Interior Illustrations by the Marvel Bullpen Edited by Bill Siavicsek Typography by Kim Janke Cover by Statema & Ordway Cartographyby Dennis Kauth 'M TSR, lnc. P.O.Box 756 � Lake Geneva, WI TSA, 'nc. �"ODUCTS0' TOU" ".. QUu.nON'" 53147 This bookis protected under the copyright laws of the United Stales of America. Any reproduction or unauthorized use of thematerial or artworkcontained herein is prohibited without the express written consent of TSR. Inc. and t-.tarvel Entertainment Group_ Distrif>. uted to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada. Ltd. Distributed 10 the toy and hobby trade by regional distributors. The names of characters used herein are fictitious and do not reler to any persons living or dead. Any descriptions including similarities to persons living or dead are merely coincidental. Atl Marvel characters and the distinctive likenesses -
MARVEL POP ART PRODUCTIONS the Classic Marvel Comics Group—Set in the Modern Day
MARVEL POP ART PRODUCTIONS The Classic Marvel Comics Group—Set in the Modern Day A Proposal by Carlton J Donaghe This is a proposal for a line of giant, magazine-sized Marvel Comics, published for an all-ages, general market under the banner ‘Marvel Pop Art Productions.’ This line doesn’t replace any imprint currently published by Marvel. Instead, this self- contained set of 12 monthly titles will present a modernized version of the original Marvel Comics Group (with some later characters thrown in) packaged into an easily- accessible product designed for the general distribution market. The depiction of Marvel’s most recognizable characters in their well-known original costumes and settings will both benefit from and promote the continued use of the classic comics in merchandise and licensing. Format Each issue of every title will contain three 20-page comics, each comic with its own interior cover page and two-page spread of introductions and recaps using art from previous issues. In addition, every issue will contain a set of features, called the FOOM (Friends Of Ol’ Marvel) Pages—all in a single format, pulling the entire line together, making every one of the twelve titles an individual part of a single, sprawling epic. The front cover of each title will be a modernized version of the classic Marvel Comics Group format from the mid-1960’s, decorated with captions and blurbs in boxes, circles and arrows, and an action-oriented cover, drawn by a regular rotation of the three interior artists, depicting an exciting scene from their own story in the moment it is happening.