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Community Profile for the Stavros Niarchos Foundation Parkway Theatre
Khamar Hopkins Sunday, February 24, 2019 AAD 612 - Marketing and the Arts Michael Crowley Community Profile for The Stavros Niarchos Foundation Parkway Theatre The Stavros Niarchos Foundation Parkway Theatre, or better known as the Parkway, is a historic theatre located in the heart of Baltimore’s Station North Arts and Entertainment District that recently reopened its doors in the spring of 2017. The Parkway first opened its doors on October 23rd, 1915, with the feature premiere of Zaza, directed by Hugh Ford and Edwin S. Porter, and starring Pauline Fredrick.i During its first decade the Parkway would screen Paramount movies, had an orchestra, an organ, a cameraman, and could seat up to 1100 patrons. In 1926 the theatre was purchased and remodeled by Loews Incorporated, also known as Loew’s Cineplex Entertainment Corporation (as of January 26, 2006, Loews was acquired by AMC Entertainment Inc.)ii and 2 years later it got rid of its orchestra for Vitaphone and Movietone sound systems, and could now only seat 950 customers. The theatre would continue to function as a Loews theatre until it closed during the summer of 1952. With its next owner, Morris Mechanic, the Parkway had a short-lived season as a live theatre before it closed again. On May 24th, 1956, the Parkway reopened under the new name, 5 West, with the premiere of Ladykillers, and started rebranding itself as an art-house cinema. The new 5 West cinema could only hold 435 guests and provided great entertainment to the local community along with its neighboring theatres, but it started to struggle in the late 1970’s and then closed its doors again in the winter of 1978. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Artists Are a Tool for Gentrification’: Maintaining Artists and Creative Production in Arts Districts
International Journal of Cultural Policy ISSN: 1028-6632 (Print) 1477-2833 (Online) Journal homepage: http://www.tandfonline.com/loi/gcul20 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich To cite this article: Meghan Ashlin Rich (2017): ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts, International Journal of Cultural Policy, DOI: 10.1080/10286632.2017.1372754 To link to this article: https://doi.org/10.1080/10286632.2017.1372754 Published online: 06 Sep 2017. Submit your article to this journal Article views: 263 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=gcul20 INTERNATIONAL JOURNAL OF CULTURAL POLICY, 2017 https://doi.org/10.1080/10286632.2017.1372754 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich Department of Sociology/Criminal Justice, University of Scranton, Scranton, PA, USA ABSTRACT ARTICLE HISTORY This study investigates the relationship between arts-themed development Received 7 June 2017 and the strategies used by neighborhood stakeholders, including artists Accepted 16 August 2017 and other marginalized populations, to maintain their place in gentrifying KEYWORDS arts and cultural districts. Using a case study of a state-sanctioned Arts & Artist communities; creative Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations placemaking; gentrification; that are ‘thoughtful’ in their development actively seek to maintain the urban planning and policy production of arts and the residency of artists in the neighborhood into perpetuity. -
Front and Center: a 5-Year Equity Plan for Central Baltimore
AUGUST 2017 A 5-year Equity Plan for Central Baltimore TABLE OF CONTENTS Executive Summary Chapter 1: Introduction A. Purpose of Plan B. Central Baltimore Partnership C. Homewood Community Partners Initiative D. Progress To Date E. Why a New Plan F. Making Equity Front and Center G. Planning Process: 1. Front and Center Plan Goal 2. Phase 1: Understanding Existing Conditions 3. Phase 2: Preliminary Recommendations 4. Phase 3: Finalizing the Front and Center Plan Chapter 2: Planning Context H. Central Baltimore History I. Existing Conditions Chapter 3: Recommendations and Implementation Plan J. Recommendations • Social Fabric: Youth and Families • Economic Mobility: Workforce Development and Opportunities • Community Health: Physical and Mental Health, Safety, Public Space • Housing Access: Preserving Affordability, Improving Quality, Expanding Choices 2 CREDITS Planning Team: Keswick Multi-Care Center Joe McNeely, Planning Consultant Lovely Lane United Methodist Church Neighborhood Design Center, Design Consultant Maryland Bay Construction Maryland New Directions Planning Partners: Mosaic Community Services, Inc. 29th Street Community Center Open Works AHC, Inc. Greater Baltimore - Workforce Program People’s Homesteading Group Annie E. Casey Foundation Strong City Baltimore Association of Baltimore Area Grantmakers Telesis Baltimore Corporation (ABAG) Wells Fargo Regional Foundation Baltimore City Department of Housing and Community Development Data Work Group Members: Baltimore City Department of Planning Assistant Commissioner, Maryland -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Baltimore Region Rail System Plan Report
Baltimore Region Rail System Plan Report of the Advisory Committee August 2002 Advisory Committee Imagine the possibilities. In September 2001, Maryland Department of Transportation Secretary John D. Porcari appointed 23 a system of fast, convenient and elected, civic, business, transit and community leaders from throughout the Baltimore region to reliable rail lines running throughout serve on The Baltimore Region Rail System Plan Advisory Committee. He asked them to recommend the region, connecting all of life's a Regional Rail System long-term plan and to identify priority projects to begin the Plan's implemen- important activities. tation. This report summarizes the Advisory Committee's work. Imagine being able to go just about everywhere you really need to go…on the train. 21 colleges, 18 hospitals, Co-Chairs 16 museums, 13 malls, 8 theatres, 8 parks, 2 stadiums, and one fabulous Inner Harbor. You name it, you can get there. Fast. Just imagine the possibilities of Red, Mr. John A. Agro, Jr. Ms. Anne S. Perkins Green, Blue, Yellow, Purple, and Orange – six lines, 109 Senior Vice President Former Member We can get there. Together. miles, 122 stations. One great transit system. EarthTech, Inc. Maryland House of Delegates Building a system of rail lines for the Baltimore region will be a challenge; no doubt about it. But look at Members Atlanta, Boston, and just down the parkway in Washington, D.C. They did it. So can we. Mr. Mark Behm The Honorable Mr. Joseph H. Necker, Jr., P.E. Vice President for Finance & Dean L. Johnson Vice President and Director of It won't happen overnight. -
The Free Press Vol. 40, Issue No. 21, 04-27-2009
University of Southern Maine USM Digital Commons Free Press, The, 1971- Student Newspapers 4-27-2009 The Free Press Vol. 40, Issue No. 21, 04-27-2009 Matt Dodge University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/free_press Recommended Citation Dodge, Matt, "The Free Press Vol. 40, Issue No. 21, 04-27-2009" (2009). Free Press, The, 1971-. 51. https://digitalcommons.usm.maine.edu/free_press/51 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in Free Press, The, 1971- by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. the free pressVolume 40, Issue No. 21 April 27, 2009 U S M Botman begins Selma Botman becomes tenth president of USM in formal inaugural ceremony Daniel MacLeod history of the modern Middle News Editor East and more broadly, helped define social history in modern Last Saturday afternoon, Selma times,” she said. Botman marched down Bedford The investiture was replete Street in Portland to the tune of with musical performances by a bagpiper. USM students before, during and After nearly one year as presi- after the ceremony, as well as the dent of USM, Botman was sworn reading of a poem specially writ- in at a formal ceremony attended ten for the occasion by Dr. Annie Finch, the director of Stonecoast by about 300 people. The event B MK / P E began as a processional lead by MFA. bagpiper and music education UMaine System Chancellor Bagpiper Steven Lemiuex leads the processional along Bedford Street at last week’s inauguration. -
Matmos “Ultimate Care Ii” / Klara Lewis
Press release Berlin, 19. April 2016 CTM Festival & Berghain present MATMOS “ULTIMATE CARE II” / KLARA LEWIS 1 JUNE 2016 | BERGHAIN | DOORS 20:00 | START 21:00 ADDRESS: AM WRIEZENER BAHNHOF, 10243 BERLIN TICKETS: 20 € advance: EVENTBRITE More Information: Berghain.de | ctm-festival.de | Facebook event page Presented by HHV Magazin A division of DISK / CTM – Baurhenn, Rohlf, Schuurbiers GbR • Veteranenstraße 21, 10119 Berlin, Germany | PAGE Tax Number 34/496/01492 • International VAT Number DE813561158 \* Bank Account: Berliner Sparkasse • BLZ: 10050000 • KTO: 636 24 508 • IBAN: De42 1005 0000 0063 6245 08 • BIC: BE LA DE BE MERGE The idea to make an album entirely out of the sounds of a washing machine came to Matmos’ Martin Schmidt as he drummed his fingers on the Whirlpool Ultimate Care II in his home studio, lost in abstracted contemplation of its cyclical rhythms. What began as a lark turned into a profound investigation into the creative process itself. “It started with just the sound of the washing machine itself” says Drew Daniel, the Baltimore-based duo’s other half. “We made a recording of its full cycle, but we were really disappointed.” Matmos then began experimenting, so that the album’s arc became “more and more elaborately involved in the question of: How do we turn this into an instrument?” Many experimental laundry sessions later, and with guest appearances by Dan Deacon, Max Eilbacher and Sam Haberman (Horse Lords), Jason Willett (Half Japanese) and Duncan Moore (Needle Gun), the album was released by Thrill Jockey in February 2016. Presented as one continuous track, the album is 38 minutes long, exactly the length of one wash cycle, and is titled Ultimate Care II, after its star. -
The Guy's Guide to Baltimore
The Guy's Guide to Baltimore 101 Ways To Be A True Baltimorean! By Christina Breda Antoniades. Edited by Ken Iglehart. Let’s assume, for argument’s sake, that you’ve mastered the Baltimore lexicon. You know that “far trucks” put out “fars” and that a “bulled aig” is something you eat. You know the best places to park for O’s games, where the speed traps are on I-83, and which streets have synchronized traffic lights. You know how to shell a steamed crab. You never, EVER attempt to go downy ocean on a Friday evening in the dead of summer. And, let’s face it, you get a little upset when your friends from D.C. call you a Baltimoro… well, you know. But that’s just the tip of the iceberg. Do you really know all it takes to be a true Baltimorean? ¶ Here, we’ve compiled a list of the 101 activities, quirky habits, and oddball pastimes, that, even if you only did half of them, would earn you certification as a true Baltimorean. Some have stood the test of time, some are new favorites, but all are unique to Charm City. If you’re a grizzled native, you’ll probably find our list a fun test that takes you down memory lane. And if you’re new in town, the guide below will definitely help you to pass yourself off as a local. ¶ So, whether you’ve been here 60 days or 60 years, we’re sure you’ll find something new (or long forgotten) in the pages that follow. -
B E C K E R B R O T H E
11 E. Mt. Royal Ave and 7 E. Preston St, Baltimore, MD 21201 EXECUTIVE SUMMARY SALE OPPORTUNITY 11 E. MT. ROYAL AVE AND 7 E. PRESTON ST BALTIMORE, MD 21201 36,500+/- GROSS SQUARE FOOT RECENTLY REDEVELOPED OFFICE AND RETAIL BUILDING WITH ELEVATOR AND 37 PARKING SPACES BYRNES & ASSOCIATES, INC. 11 E. Mt. Royal Ave and 7 E. Preston St, Baltimore, MD 21201 EXECUTIVE SUMMARY INVESTMENT OPPORTUNITY: Built in 1920, 11 E Mount Royal Avenue previously served as a Zell Motor Car Company showroom and dealership. Today, the building is being Redeveloped and is offering ground level Retail units, traditional Office suites, 22 Coworking office suites, and a Penthouse office suite with a rooftop deck that offers sweeping city views. Modern renovations will showcase the elegant historic features of this downtown Baltimore landmark. 11 E Mount Royal is located on the bustling Mount Royal Ave just minutes from Penn Station, The University of Baltimore and across the street from The John and Frances Angelos Law Center. The building is situated in the Mt. Vernon Cultural District, a neighborhood widely considered as the Cultural and Arts epicenter in Baltimore City. Mt. Vernon is one of Baltimore's oldest and well-preserved neighborhoods and is designated as a National Historic Landmark District. Major employers in the neighborhood include: Chase Brexton Health Services, the University of Baltimore, and Agora Inc. Mt. Vernon’s central location in Baltimore City, as well as accessibility to public transportation and main city thoroughfares, makes it easily accessible to Downtown Baltimore, Johns Hopkins University, Johns Hopkins Hospital, and the suburbs of Baltimore City. -
DAN DEACON (USA) Album / Single: Well Groomed
DAN DEACON (USA) Album / Single: Well Groomed Label: Domino Records Release Date: 18.08.2020 Web: https://dandeacon.com EPK: irascible.ch/dan-deacon/well-groomed On the heels of his fifth studio album Mystic Familiar, electronic musician Dan Deacon re- turns with the original soundtrack to Rebecca Stern’s HBO documentary about the world of competitive creative dog grooming, Well Groomed. Immersing our ears in a subculture burs- ting with vivid colors and surreal imagination, Deacon’s score ranges from Vangelis-inspired soundscapes (“Creative Sunday”) to Krautrock-influenced anthems (“Adriane in Wonder- land”), in the process channeling the joyful energy of his legendary live shows more than any of his film work to date. Both of Deacon’s prior soundtrack albums, Rat Film (2017) and Time Trial (2018), crafted sonic landscapes to match those films’ challenging experimental forms and narrative intensity. Stern’s documentary strikes a lighter tone, welcoming viewers into a world where prizes are awarded not for shearing dogs to meet conventional beauty standards, but rather for transforming them into flam- boyant living art objects. This often funny and largely upbeat subject matter offered Deacon an opportunity to compose with more playful tones and organic instrumentation. In finding his way into a documentary where dog owners mold their canine companions into everything from giant roosters to Alice in Wonderland characters by way of Tim Burton, Deacon developed an affinity for its creative groomers—or folk artists, as he sees them. He related to developing a creative outlet that reflects their unique setting, skill set, and materials at hand; their consuming need to compete; and their self-identification within a community that may baffle outsiders and even at times face harsh critiques. -
Second Place 2010 Abell Award in Urban Policy
Second Place 2010 Abell Award in Urban Policy MARYLAND ARTS AND ENTERTAINMENT DISTRICTS: A PROCESS EVALUATION AND CASE STUDY OF BALTIMORE Cailin McGough Paul Messino Johns Hopkins University Institute for Policy Studies Masters in Public Policy Program The Abell Award in Urban Policy is presented annually to the student who writes the most compelling paper on a pressing problem facing the City of Baltimore and feasible strategies for addressing it. This award is co-sponsored by The Abell Foundation and the Johns Hopkins Institute for Policy Studies. Acknowledgments This research grew from the prior analysis we conducted as part of the 2008 Fall Baltimore Policy Project at John Hopkins University’s Institute for Policy Studies. We gathered subsequent interviews, observation and research for this paper through May 2010. We would like to thank Dr. Sandra Newman for the impetus to investigate the revitalization taking place in Station North and for her continued support. In addition, Dr. Curtis Ventriss provided insight that guided our research and Bonnie Wittstadt of John Hopkins University’s Milton S. Eisenhower Library aided us in the creation of A&E district maps. We would also like to thank David Bielenberg of Station North Arts and Entertainment Inc., Chris Ryer and Hillary Chester of Southeast Community Development Corporation, and all of the artists, residents, business owners and other stakeholders in Baltimore’s A&E districts who contributed to this report. Pamela Dunne of the Maryland State Arts Council and Jesse Rye of the National Assembly of State Arts Agencies provided valuable background information. We want to emphasize that this analysis is not meant to evaluate the program's impact or assess district "success." Rather, our scope is limited to the design of tax credits and the extent to which they are being used, with findings based on available data and interviews focusing on Baltimore's districts.