DOCSLIB.ORG

Look Around Because Fine Film Abou-Nds Baltimore's Diverse

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Look Around Because Fine Film Abou-Nds Baltimore's Diverse PAGE 18 THE RETRIEVER WEEKLY FOCUS APRIL 4, 2000 Baltimore's Diverse push some boundaries artisti­ memory lane. Remember cally; they aren't films manipu­ when you were a child and you lated by major motion picture Contribution to Cinema watched the Pee Wee Herman companies, and they're usual­ LEANNE CURTIN AND NICK BECKER naming February 7, 1985 John Waters Day. show, when you adored Pee ly created by unknowns. Retriever Weekly Staff Edith Massey, one of the regulars in Wee before he got caught These days, unknowns are Waters' early films, best know as the Egg playing with his pee wee? He being pushed to the forefront What do transvestites, UMBC, spiders Lady, owned a thrift store in Fells Point. ran a segment with a Word of of pop culture and becoming and Dom Delouise have in common? No, It's still open, now called Flashback, at 728 the Day theme. Well, today's "somebodys." This is valuable they're not from the lyrics of an Eddie S. Broadway, run by Bob Adams (Ernie word, kiddies, is "indie." lndie because it gives society Money song; they are all related to famous from Female Trouble). John Waters still seems to be the new catch access to new, creative ideas and not-so-famous local filmmakers. lives in Baltimore to this day; you can spot phrase to describe under­ and scripts. A lot of indie films First and most important of all, John him at local haunts such as the Ottobar and ground, edgy and cool. It's a out there are really horrid, but Waters hails from Baltimore, delights even attending UMBC drama productions. catch phrase for independent, there's a whole crop that are many and insults more with his controver­ Dubbed by William S. Burroughs as "the as in produced without the really touching, really valuable. sial cinema. Influenced by Russ Meyer, pope of trash," he put Baltimore on the financial backing of a major .Even here in Baltimore, there Andy Warhol and George and Mike map, and his new film Cecil B. DeMented production company. exists a fairly significant indie Kuchar, his claim to fame is Pink is scheduled for release in August. Go see Focus takes on indie film film scene. So take a seat and Flamingos and trash is the name of his it. this week. Usually these films The other celebrated director from Baltimore is award-winning filmmaker Barry Levinson. He directed such critical­ ly-acclaimed films as Good Morning, Vietnam, Rain Man, Wag the Dog and Sleepers. Early in his career he worked. Look Around Because I I with comedy legend Mel Brooks on anum­ j i ber of films including Silent Movie and I High Anxiety. Diner was his well-received Fine Film Abou-nds ! debut film about growing up Jewish in the I 1950s Baltimore. Levinson's latest film is LEANNE CURTIN University has a film festival coming up Liberty Heights, featuring his recurring Retriever Weekly Editorial Staff April 13-16. It's $3 a person and will themes of family ties, ethnic tension, Cold screen Sundance and Slamdance winners, War anxiety and dilemmas facing a chang­ If you are. tired of going to the same along with local and student films. The ing society. While he will never be as light­ club, seeing the same people, and having Microcinefest Film Festival of Baltimore hearted - or gross - as John Waters, the same jerk throw up on your shoes, con­ runs in October and November and fea­ obviously he has a lot of talent and univer­ sider altering your activities and participat­ tures low-budget, underground films from http://www.northcoast.com/ sal appeal and some statuettes to back that ing in something rewarding, like viewing a around the world. It's a large festival, -shojo/Waters/waters.html up. John Waters: Give him a camera, and film. Independent, local, underground - spanning about five days and has a screen­ A newly-famous director we should all he'll make you sick. no matter what you call it, it certainly ing average of well over a hundred films. · be proud of is William A. Whiteford, a won't make you throw up. Then again, For more information, the Web site is UMBC alum. He and his colleague Susan maybe it will. The Baltimore area is filled www.bcpl.lib.md.usl~bfinklmicrocinefest. Hannah Hadary won the Academy Award with places to go and events to attend, all In DC, the American Film Institute game. He shoots all his films in Baltimore; for best documentary short. King Gimp, in the name of film and art. (AFI) shows the nominees for the Rosebud originally with his Dreamlander cast of otherwise known as Dan Keplinger, is a Start off right here. The Underground Film Festival every year. The Rosebud is rapscallions. Divine, the most prominent of talented artist from Towson who paints Film Coalition offers free screenings of comprised of filmmakers from Maryland, this group, was a full-figured transvestite with a brush attached to a helmet because high-quality independent films regularly. DC and Virginia and the types of film who specialized in hideous makeup and of his crippling cerebral palsy. Whitford They show films that aren't well represent­ range from claymation to documentary. would do anything for her devotion to and Hadary spent 14 years watching him ed and don't get the viewing they deserve. This year offered eight hours of film for Waters' films - even when it required grow into a man and captured his young In fact, the next screening is Aprill3, right eight bucks. Not bad for a whole day's consuming animal feces. life and varying emotions in 39 minutes. here on campus. Filmmakers Anonymous worth of activities. Earlier works included such exercises in This certainly deserves an Oscar. is another group comprised of film majors Obviously the Charles theatre is one of debauchery as Multiple Maniacs, which While shooting footage for King Gimp and film enthusiasts on campus who offer the main places to find some new main­ features Divine being raped by a giant lob­ and building a close relationship with free screenings to students. Just look stream releases, as well as independently ster, and the silent picture Mondo Trasho. Keplinger, the duo made health and med­ around for the flyers for details about distributed and created films. The Charles Later, he cleaned up his act a bit and ical video's for distribution. King Gimp upcoming events. will also resurrect the old Hitchcock films appealed to a more mainstream audience will be shown at the Charles theatre during Festivals are great if you want to watch every once in a while or show many films with Cry Baby, Hairspray, Serial Mom and the Maryland Film Festival, April 28-29. films all day. And if that's not your thing, of a certain artist all at the same time. It Peeker. He is known for using ballyhoo The pair also has two films in the works: many film fests are set up differently; some has variety like that, so che~k it out at 1711 like Odorama, the feature of Polyester, one about schizophrenia, the other about you can pay for the showiqgs you want, N. Charles St. It still offers double features where audience members are given death and dying. Keep an eye out for these some you pay for the festival and watch for every Thursday night, which should be scratch-n-sniff cards and prompted by on­ promising documentary filmmakers in the hours on end. attractive to college students with a lack of screen instruction to participate and smell near future. Last year, Baltimore held a gay and les­ the love. Baltimore adores its resident bian film fe_stival. Johns Hopkins see UNDERGROUND page 20 celebrity filmmaker, even to the extent of see BALTIMORE, page 20 .
Load more

Recommended publications
  • Manufacturing Realisms
    Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions.
    [Show full text]
  • Community Profile for the Stavros Niarchos Foundation Parkway Theatre
    Khamar Hopkins Sunday, February 24, 2019 AAD 612 - Marketing and the Arts Michael Crowley Community Profile for The Stavros Niarchos Foundation Parkway Theatre The Stavros Niarchos Foundation Parkway Theatre, or better known as the Parkway, is a historic theatre located in the heart of Baltimore’s Station North Arts and Entertainment District that recently reopened its doors in the spring of 2017. The Parkway first opened its doors on October 23rd, 1915, with the feature premiere of Zaza, directed by Hugh Ford and Edwin S. Porter, and starring Pauline Fredrick.i During its first decade the Parkway would screen Paramount movies, had an orchestra, an organ, a cameraman, and could seat up to 1100 patrons. In 1926 the theatre was purchased and remodeled by Loews Incorporated, also known as Loew’s Cineplex Entertainment Corporation (as of January 26, 2006, Loews was acquired by AMC Entertainment Inc.)ii and 2 years later it got rid of its orchestra for Vitaphone and Movietone sound systems, and could now only seat 950 customers. The theatre would continue to function as a Loews theatre until it closed during the summer of 1952. With its next owner, Morris Mechanic, the Parkway had a short-lived season as a live theatre before it closed again. On May 24th, 1956, the Parkway reopened under the new name, 5 West, with the premiere of Ladykillers, and started rebranding itself as an art-house cinema. The new 5 West cinema could only hold 435 guests and provided great entertainment to the local community along with its neighboring theatres, but it started to struggle in the late 1970’s and then closed its doors again in the winter of 1978.
    [Show full text]
  • SG the Fitzgerald Brochure New.Indd
    FOR LEASE Maryland DC • Virginia Online 605 South Eden Street, Ste 200 1600 Wilson Boulevard, Ste 930 www.segallgroup.com Baltimore, MD 21231 Arlington, VA 22209 Member of 410.753.3000 202.833.3830 Where the Midtown neighborhoods of Mt Vernon, Station North and Bolton The Opportunity Hill meet, you will fi nd The Fitzgerald. Inspired by F. Scott Fitzgerald and Approximately 19,000 square feet of prime space is available on the energy of his era, this Baltimore development offers more than just two levels – 14,359 on the ground fl oor and 5,069 square feet on a somewhere to hang your hat. The developer, Bozzuto Group, blended Mezzanine level open to the fl oor below. These two areas are currently connected by elevator and escalator and, due to Oliver Street’s rising stunning features with fantastic amenities in a culturally rich environment. slope, both at street grade. Entertainment, grocery or fi tness uses are Sandwiched between the Maryland Institute College of Art (MICA) and the sought for the larger portion or the entirety, while the smaller area can University of Baltimore, The Fitzgerald is a mixed use project consisting of be demised for a café that caters to this culturally rich party of the City. almost 25,000 square feet of dynamic urban retail space, 275 residential units and a 1,250 space parking garage that serves University of Baltimore Quick Facts students as well as area visitors. The project’s retail component is ideal for LLocationocation Retail space in Luxury Apartment Building entertainment, service, retail and restaurant uses to serve students and faculty, 19,428 square feet SSizeize neighborhood residents, out of town visitors, local offi ce workers and patrons (14,359 lower level and 5,069 Mezzanine) of the great local entertainment and cultural venues including the Lyric Opera DDeliveryelivery Immediate House & Theater, The Meyerhoff Symphony Hall, and the Parkway, Centre and RRentalental RRateate Negotiable Charles Theatres in the nearby “Station North” Arts District.
    [Show full text]
  • Fais-Moi Mal, Johnyy, Johnny, Johnny / Serial Mom De John Waters]
    Document généré le 25 sept. 2021 03:29 24 images Fais-moi mal, Johnyy, Johnny, Johnny Serial Mom de John Waters Marcel Jean Numéro 73-74, septembre–octobre 1994 URI : https://id.erudit.org/iderudit/23262ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer ce compte rendu Jean, M. (1994). Compte rendu de [Fais-moi mal, Johnyy, Johnny, Johnny / Serial Mom de John Waters]. 24 images, (73-74), 98–98. Tous droits réservés © 24 images inc., 1994 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ SERIAL MOM DE JOHN WATERS FAIS-MOI MAL, JOHNNY, JOHNNY, JOHNNY par Marcel Jean n peut désormais affirmer O qu'il y a deux périodes dans la carrière de John Waters. D'abord la période underground, dominée par des films comme Female Trouble et Pink Flamingoes, puis la période industrielle, qui compte maintenant trois films: Hairspray, Cry-Baby et le récent Serial Mom. Entre ces deux pôles, Polyester, curieux film en Odorama, vient tracer une frontière mal gardée qui permet aux dernières réalisations du cinéaste de jouir de l'énergie délinquante de ses premiers films.
    [Show full text]
  • Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
    Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009).
    [Show full text]
  • Artists Are a Tool for Gentrification’: Maintaining Artists and Creative Production in Arts Districts
    International Journal of Cultural Policy ISSN: 1028-6632 (Print) 1477-2833 (Online) Journal homepage: http://www.tandfonline.com/loi/gcul20 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich To cite this article: Meghan Ashlin Rich (2017): ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts, International Journal of Cultural Policy, DOI: 10.1080/10286632.2017.1372754 To link to this article: https://doi.org/10.1080/10286632.2017.1372754 Published online: 06 Sep 2017. Submit your article to this journal Article views: 263 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=gcul20 INTERNATIONAL JOURNAL OF CULTURAL POLICY, 2017 https://doi.org/10.1080/10286632.2017.1372754 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich Department of Sociology/Criminal Justice, University of Scranton, Scranton, PA, USA ABSTRACT ARTICLE HISTORY This study investigates the relationship between arts-themed development Received 7 June 2017 and the strategies used by neighborhood stakeholders, including artists Accepted 16 August 2017 and other marginalized populations, to maintain their place in gentrifying KEYWORDS arts and cultural districts. Using a case study of a state-sanctioned Arts & Artist communities; creative Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations placemaking; gentrification; that are ‘thoughtful’ in their development actively seek to maintain the urban planning and policy production of arts and the residency of artists in the neighborhood into perpetuity.
    [Show full text]
  • Field+Perspectives+2017.Pdf
    Field Perspectives is an arts writing project organized by Common Field in collaboration with nine arts publishing organizations around the US. Field Perspectives publishes writing that considers the state of the artist organization field and the key ideas explored in the Common Field 2017 Los Angeles Convening. The nine 2017 Field Perspectives partners are Los Angeles publications Contemporary Art Review Los Angeles (CARLA), contemptorary, X-TRA; and national publications ARTS. BLACK (Detroit/New York), Art Practical (Bay Area), The Chart (Portland, ME), DIRT (DC, Maryland, Virginia (DMV) Area), Pelican Bomb (New Orleans), and Temporary Art Review (St. Loius). Commissioned writers include Chloë Bass, Dan Bustillo, Travis Diehl, Lucy Lopez, Lindsay Preston Zappas, Ellen Tani, Anuradha Vikram; Andrea Andersson, Imani Jacqueline Brown, L. Kasimu Harris, and Charlie Tatum; and a collaborative essay by Ani Bradberry, Martina Dodd, Andy Johnson, Jordan Martin & Ikram Lakhdhar, Georgie Payne, and Valerie Wiseman. Thanks to the organizing and editing efforts of the people behind our nine partner organizations — Taylor Renee Aldridge, Anahita Bradberry, Michele Carlson, Poppy Coles, Jenna Crowder, Martina Dodd, Andy Johnson, Gelare Khoshgozaran, Eunsong Kim, Ikram Lakhdhar, Jessica Lynne, Shana Lutker, Jordan Martin, James McAnally, Georgie Payne, Lindsay Preston Zappas, Cameron Shaw, Vivian Sming, Charlie Tatum, and Valerie Wiseman. Each publication commissioned writing published weekly throughout October 2017, with goals of catalyzing discussion, dialog, and debate before, during and after the Los Angeles Convening. To see the 2016 Field Perspectives project, you can download a PDF of the essays from Common Field or read on websites of 2016 partners Miami Rail and Temporary Art Review.
    [Show full text]
  • FAULT LINES Ridgites: Sidewalks Are City’S Newest Cash Cow by Jotham Sederstrom the Past Two Months; 30 Since the Beginning of the Brooklyn Papers the Year
    I N S BROOKLYN’S ONLY COMPLETE U W L • ‘Bollywood’ comes to BAM O P N • Reviewer gives Park Slope’s new Red Cafe the green light Nightlife Guide • Brooklyn’s essential gift guide CHOOSE FROM 40 VENUES — MORE THAN 140 EVENTS! 2003 NATIONAL AWARD WINNER Including The Bensonhurst Paper Published weekly by Brooklyn Paper Publications at 26 Court St., Brooklyn, NY 11242 Phone 718-834-9350 © Brooklyn Paper Publications • 14 pages including GO BROOKLYN • Vol.26, No. 49 BRZ • December 8, 2003 • FREE FAULT LINES Ridgites: Sidewalks are city’s newest cash cow By Jotham Sederstrom the past two months; 30 since the beginning of The Brooklyn Papers the year. If you didn’t know better, you’d think “To me, it seems like an extortion plot,” said that some of the homeowners along a par- Tom Healy, who lives on the block with his ticular stretch of 88th Street were a little wife, Antoinette. Healy received a notice of vio- strange. lation on Oct. 24. / Ramin Talaie “It’s like if I walked up to your house and For one, they don’t walk the sidewalks so said, ‘Hey, you got a crack, and if you don’t fix much as inspect them, as if each concrete slab between Third Avenue and Ridge Boulevard it were gonna do it ourselves, and we’re gonna bring our men over and charge you.’ If it was were a television screen broadcasting a particu- Associated Press larly puzzling rerun of “Unsolved Mysteries.” sent by anyone other than the city, it would’ve But the mystery they’re trying to solve isn’t been extortion,” he said.
    [Show full text]
  • Front and Center: a 5-Year Equity Plan for Central Baltimore
    AUGUST 2017 A 5-year Equity Plan for Central Baltimore TABLE OF CONTENTS Executive Summary Chapter 1: Introduction A. Purpose of Plan B. Central Baltimore Partnership C. Homewood Community Partners Initiative D. Progress To Date E. Why a New Plan F. Making Equity Front and Center G. Planning Process: 1. Front and Center Plan Goal 2. Phase 1: Understanding Existing Conditions 3. Phase 2: Preliminary Recommendations 4. Phase 3: Finalizing the Front and Center Plan Chapter 2: Planning Context H. Central Baltimore History I. Existing Conditions Chapter 3: Recommendations and Implementation Plan J. Recommendations • Social Fabric: Youth and Families • Economic Mobility: Workforce Development and Opportunities • Community Health: Physical and Mental Health, Safety, Public Space • Housing Access: Preserving Affordability, Improving Quality, Expanding Choices 2 CREDITS Planning Team: Keswick Multi-Care Center Joe McNeely, Planning Consultant Lovely Lane United Methodist Church Neighborhood Design Center, Design Consultant Maryland Bay Construction Maryland New Directions Planning Partners: Mosaic Community Services, Inc. 29th Street Community Center Open Works AHC, Inc. Greater Baltimore - Workforce Program People’s Homesteading Group Annie E. Casey Foundation Strong City Baltimore Association of Baltimore Area Grantmakers Telesis Baltimore Corporation (ABAG) Wells Fargo Regional Foundation Baltimore City Department of Housing and Community Development Data Work Group Members: Baltimore City Department of Planning Assistant Commissioner, Maryland
    [Show full text]
  • Noah Cappe and 22-23 Our Top Suggested Programs Bids Farewell His Cast-Iron Stomach to Watch This Week!
    DVD TOP PICKS FEUD: BETTE HERE COME AND JOAN THE BOSTON Susan Sarandon and Jessica Lange play other CELTICS! top actresses PLUS! TIME AFTER TIME SHADES OF BLUE MAKING HISTORY The chase across eras is continues to offer What two guys and on again as ‘Time After Jennifer Lopez new a duffel bag can Time’ becomes an ABC shades of acting accomplish series VAMPIRE DIARIES FOLIO SPECIAL INSERT Courtesy of Gracenote March 5 - 11, 2017 C What’s HOT this contents Week! YOURTVLINK STAFF PICK TOP STORIES 12-13 A movie with an enduring following becomes a series as H.G. Wells pursues Jack the Ripper to modern New York in “Time After Time,” premiering Sunday on ABC. Stars Freddie Stroma and Josh Bowman and executive producer Kevin Williamson tell Jay Bobbin about keeping certain aspects of the film while making the show its own project. 14-15 New police intrigue greets Jennifer Lopez as her NBC drama series “Shades of Blue” begins its second season Sunday. The actress-producer-singer and fellow star Ray Liotta tell Jay Bobbin about the fresh twists and turns 3 awaiting their characters in the show’s sophomore round. 17 In Fox’s “Making History,” Adam Pally stars as a professor The rivalry between two screen legends is dramatized by Susan who invents a device that allow him and his colleague to Sarandon and Jessica Lange in “Feud: Bette and Joan,” premiering go back in time and alter historical events – presumably to Sunday on FX. The Oscar winners and executive producer Ryan improve the present.
    [Show full text]
  • Baltimore Region Rail System Plan Report
    Baltimore Region Rail System Plan Report of the Advisory Committee August 2002 Advisory Committee Imagine the possibilities. In September 2001, Maryland Department of Transportation Secretary John D. Porcari appointed 23 a system of fast, convenient and elected, civic, business, transit and community leaders from throughout the Baltimore region to reliable rail lines running throughout serve on The Baltimore Region Rail System Plan Advisory Committee. He asked them to recommend the region, connecting all of life's a Regional Rail System long-term plan and to identify priority projects to begin the Plan's implemen- important activities. tation. This report summarizes the Advisory Committee's work. Imagine being able to go just about everywhere you really need to go…on the train. 21 colleges, 18 hospitals, Co-Chairs 16 museums, 13 malls, 8 theatres, 8 parks, 2 stadiums, and one fabulous Inner Harbor. You name it, you can get there. Fast. Just imagine the possibilities of Red, Mr. John A. Agro, Jr. Ms. Anne S. Perkins Green, Blue, Yellow, Purple, and Orange – six lines, 109 Senior Vice President Former Member We can get there. Together. miles, 122 stations. One great transit system. EarthTech, Inc. Maryland House of Delegates Building a system of rail lines for the Baltimore region will be a challenge; no doubt about it. But look at Members Atlanta, Boston, and just down the parkway in Washington, D.C. They did it. So can we. Mr. Mark Behm The Honorable Mr. Joseph H. Necker, Jr., P.E. Vice President for Finance & Dean L. Johnson Vice President and Director of It won't happen overnight.
    [Show full text]
  • Maryland Film Festival Director of Development the Maryland Film Festival (Mdff) Seeks a Seasoned Director of Development To
    Maryland Film Festival Director of Development The Maryland Film Festival (MdFF) seeks a seasoned Director of Development to create and implement the fund development strategy and plans to maximize contributed revenue from individuals, corporations, foundations and government sources. The mission of the Maryland Film Festival (MdFF) is to bring films, filmmakers, and audiences together in a friendly, inclusive atmosphere that reflects the unique aspects of our community, while participating in and adding to the larger film dialogue across the country and across the world. Film for Everyone. In the fall of 2018 MdFF adopted a five-year plan to fully realize its role in Baltimore and the field as a respite for filmmakers, a world-class destination for cinema, and a stalwart advocate for the democratizing the power of story, as told through film, and expressed through each individual storyteller’s voice. The SNF Parkway functions as a multi-disciplinary film, community, and education hub serving a broad cross- section of the Baltimore public and beyond. MdFF leverages the powerful assets of the Johns Hopkins University, Maryland Institute College of Art and surrounding campus communities to function as a vibrant, regional nerve center for dialogue, discussion, and debate on the key issues of the day, with film as the central axis in broad public discussions. Through programming, education and community ventures, MdFF is establishing a year-round a platform for all voices that are reflective of the diverse population of greater Baltimore and the nation. The five-year strategic plan has recently been extended through 2025 with a revised model season to account for online screenings, hybrid programming, and the return of in-person movie-watching at the SNF Parkway.
    [Show full text]