John Waters (Writer/Director)
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Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Ludacris – Red Light District Brothers in Arms the Pacifier
Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ Ludacris – Red Light District Genre: Music Synopsis: Live concert from Amsterdam plus three music videos. Brothers In Arms Genre: Action Actors: David Carradine, Kenya Moore, Gabriel Casseus, Antwon Tanner, Raymond Cruz Director: Jean-Claude La Marre Synopsis: A crew of outlaws set out to rob the town boss who murdered one of their kinsmen. Driscoll is warned so his thugs surround the outlaws and soon there is a shootout. Set in the American West. The Pacifier Genre: Comedy Actors: Vin Diesel, Lauren Graham, Faith Ford, Brittany Snow, Max Theriot, Carol Kane, Brad Gardett Director: Adam Shankman Synopsis: The story of an undercover agent who, after failing to protect an important government scientist, learns the man's family is in danger. In an effort to redeem himself, he agrees to take care of the man's children only to discover that child care is his toughest mission yet. Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ The Killer Language: Japanese Genre: Action Actors: Chow Yun Fat Director: John Woo Synopsis: The story of an assassin, Jeffrey Chow (aka Mickey Mouse) who takes one last job so he can retire and care for his girlfriend Jenny. When his employers betray him, he reluctantly joins forces with Inspector Lee (aka Dumbo), the cop who is pursuing him. -
Session Yields Pay Raises, Additional Funds
Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 9-6-1990 The Parthenon, September 6, 1990 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, September 6, 1990" (1990). The Parthenon. 2819. https://mds.marshall.edu/parthenon/2819 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. ---------------- - M Or $h U II Univ e rsity .•~ ====r=-===--. -~~- Vol 9 1 No 1 Hut1 l1 ngt o n V/ Vo H1U rsdc1y , Sept .. 6 . 1990 - . - Session yields pay raises, additional funds By Susan Douglas Hahn · in addition to the September $1,000 increase. major portion of the funding will be allocated to programs The Legislature allocated approximately $ 3. 7 million to Senior Coffespondent in higher education that need additional funding for ac the Board of Trustees to fund the pay increases. creditation or certification and EPSCoR, a federal program Actions during the recent special session for education Marshall also will receive part of$2.9 million, which has that offers matching funds for research development. will provide funding for faculty salary increases, accredita been earmarked by the Legislature to be distributed by the Marshall, West Virginia University, and West Virginia tion and research development. Department ofEducation and the Arts for scholarships, in Institute of Technology are involved in EPSCoR (Experi Faculty members, who received pay raises in July and field master's programs, acc,-editation of existing pro mental Program to Stimulate Competitive Research). -
Mckinney Macartney ELIZABETH TAGG WOOSTER
McKinney Macartney Management Ltd ELIZABETH TAGG WOOSTER Make Up and Hair Designer FEATURE FILMS PENELOPE Director: Mark Palansky. Producers: Jennifer Simpson, Scott Steindorff, Dylan Russell, Chris Curling, Phil Robertson and Reese Witherspoon. Starring Christina Ricci, James McAvoy and Reese Witherspoon. Stern Village / Type A / Zephyr Films. Designer Make-Up / Hair. THE HITCHHIKER’S GUIDE TO THE GALAXY Director: Garth Jennings. Producers: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jon Glickman and Jay Roach. Starring Martin Freeman, Mos Def, Sam Rockwell, Zooey Deschanel, Warwick Davis, Bill Nighy and Anna Chancellor. Touchstone Pictures/ Spyglass Entertainment. Designer Make-Up / Hair. WIMBLEDON Director: Richard Loncraine. Producer: Mary Richards. Executive Producers: Eric Fellner and David Livingston. Starring Kirsten Dunst and Paul Bettany. Working Title Films / Universal. Designer Make-Up / Hair. THE GATHERING Director: Brian Gilbert. Producer: Mark Samuelson. Staring Christina Ricci, Ioan Gruffudd, Stephen Dillane & Kerry Fox. Samuelson Productions / Granada Films. Designer Make-Up / Hair. LONG TIME DEAD (Pick Ups) Director: Marcus Adams. Producer: James Gay Rees. Starring Alec Newman, Joe Absolom, Lukas Haas, James Hillier and Marsha Thomason. Working Title 2 / Universal Pictures / Lola Productions. Make-Up / Hair. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 ELIZABETH TAGG WOOSTER Contd … 2 PLANET OF THE APES (UK Re-Shoots) Director: Tim Burton. Producer: Richard D Zanuck. Starring Mark Wahlberg, Tim Roth and Helena Bonham Carter. 20th Century Fox. THE BOURNE IDENTITY (Pick Ups) Director: Doug Linam. Producer: Pat Crowley. Starring Matt Damon and Franke Potente. -
Tú a Harvard Y Yo a Princenton. De La Depresión a La Esquizofrenia = You
ISSN electrónico: 1885-5210 DOI: https://doi.org/10.14201/rmc2020161715 TÚ A HARVARD Y YO A PRINCENTON. DE LA DEPRESIÓN A LA ESQUIZOFRENIA You to Harvard and I to Princeton. From depression to schizophrenia Mª Adolfina RUÍZ MARTÍNEZ; Sebastián PERALTA GALISTEO; Herminia CASTÁN URBANO Departamento de Farmacia y Tecnología Farmacéutica. Facultad de Farmacia. Universidad de Granada (España). e-mail: [email protected] Fecha de recepción: 5 de abril de 2019 Fecha de aceptación: 23 de mayo de 2019 Fecha de publicación: 15 de marzo de 2020 Resumen Hasta hace poco tiempo las enfermedades mentales eran tratadas como un todo, sin diferenciación alguna; las investigaciones realizadas en estos últimos años han resaltado las diferencias existentes entre algunas de ellas, de tal forma que hoy en día existen tratamientos específicos para las patologías descritas. El objetivo principal de este trabajo, es el de mostrar dos enfermedades diferentes pero que en muchos casos se confunden, depresión y esquizofrenia. Patologías que pueden tener como desencadenantes, situaciones muy diversas y que requie- ren un tratamiento farmacológico diferente. Para ello, se realizará un análisis de dos películas, Prozac Nation (2001) de Erik Skjoldbjaerg y Una mente maravillosa (2001) de Ron Howard que reflejan las vivencias reales de dos personajes; se analizará la sociedad en la que conviven y el entorno que les rodea, pero resaltando muy especialmente el apartado de la farmacoterapia, que medicamentos se utilizan, si es correcto su uso, los efectos adversos que presentan…para de esta forma poder prever si la visión de la película tiene carácter formativo en este tipo de temática. -
Post-Queer Desires
Post-Queer Desires: A Contemporary Queer Discourse in Pink Flamingos MA Thesis Media Studies: Film Studies Department of Humanities Author: Sidney Adelaar Supervisor: Abe Geil June 26, 2017 Word count: 13566 1 2 Contents Introduction……………………………………………………………………………. p. 5 1. The Anti-Social Queer Desiring-Machine: Going Beyond Queer………... p. 11 1.1 Antisocial Filth……………………………………………………………... p. 12 1.2 The Queer Desiring-Machine…………………………………………… p. 15 1.3 Desiring...Poop?…………………………………………………………... p. 19 2. Celebrating a Post-Queer Utopia or Dystopia?……………………………… p. 24 2.1 A Mudgey Dystopia……………………………………………………… p. 24 2.2 A Divine Utopia……………………………………………………………. p. 27 2.3 A Happy Post-Queer Birthday, Divine!………………………………... p. 30 Conclusion……………………………………………………………………………… p. 37 Acknowledgements………………………………………………………………….. p. 40 Appendix……………………………………………………………………………….. p. 41 Bibliography……………………………………………………………………………. p. 44 Films Cited……………………………………………………………………………… p. 45 3 4 Introduction Queer cinema is a fairly recent category in cinema history. Starting around 30 years ago, during the same time in the 1980’s that queer theory became a prominent academic discipline, queer cinema seems to encompass all films that deal with gay and lesbian themes, or ‘LGBT’ to use a recent term. As these themes focus mainly on the sexuality of the characters and their struggles in a ‘straight’ world because of it, there appears to be a major centring around desires, be it sexual or something else. If a desire is not desirable in heteronormative society, ‘queer’ is the right word for it. This thesis’ main focus is this notion of queer desires. By focusing on this aspect of the queer, I will show just how these desires can shape queer cinema and provide a unique framework for the analysis of the modern queer film. -
September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND
OUT September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND... The Most Beautiful Woman in the World B y chucK Duncan If you’re a native of Baltimore (and even if you’re not), you certainly know John Waters and Divine. From John’s ear- ly short films from the late 60s to his 1972 calling card, Emmett C. Burns, Pink Flamingos, through 1988’s Hairspray, Waters and his Jr., Announces PAC muse Divine showed the rest of the world what the “reel” to Oppose Marriage Baltimore was like (and there was more than a little of the “real” in those films too). Equality Unfortunately, shortly after the release of Hairspray, Divine passed away suddenly at the true By Dana LaRocca height of his career (he was in Hollywood On September 9, Delegate Emmett C. Susan Lowe, preparing to tape an episode of Married Burns, Jr. (D-Baltimore County) met Mink Stole and Jeffrey … with Children at the time of his death), with eight other clergy at a church in Schwarz depriving the world of his talent and what west Baltimore to announce the for- during their might have come from his true “overnight” mation of “Progressive Clergy in interview stardom. Action” a political action committee. sessions in Today, Divine is a cult figure to many, The group is working with the help of Baltimore his legion of fans from around the world the Maryland Family Alliance, an af- photo: courtesy of Jeffrey Schwarz —continued on page 16 filiate of the Family Research Council (FRC). Delegate Burns has long been and Developed by a Combined Arms Center- an opponent of marriage equality. -
The Evolution of Fat Female Characters in Contemporary American Film a Thesis Presented to the Faculty Of
Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Laura E. Pohlman April 2016 © 2016 Laura E. Pohlman. All Rights Reserved. 2 This thesis titled Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film by LAURA E. POHLMAN has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract LAURA E. POHLMAN, M.A., April 2016, Film Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film Director of Thesis: Ofer Eliaz The purpose of this thesis is to elucidate the fluid conception of fat women within contemporary American culture from the early 1970s to the present. Due to their non- normative embodiment, fat women typically face denigration and marginalization. Most mainstream film narratives reify the negative social positioning of fat women, often through assimilationist characters that resign themselves to fatphobia or otherwise compensate for their fatness. On the flipside, carnival and camp narratives foster liberatory fat characterization, as exemplified by the figure of “the unruly woman.” In his portrayal of both assimilationist and liberationist women, Divine functions as a barometer for subsequent fat characterization. Overall, this thesis critiques fat assimilation, argues for the importance of fat liberation, and projects a future where fat acceptance becomes the norm. 4 Table of Contents Page Abstract .............................................................................................................................. -
Weekend Planner: 25 Things to Do in Los Angeles
Weekend Planner: 25 Things To Do In Los Angeles http://laist.com/2014/12/04/weekend_planner_25_things_to_do_in_5.php LAist Says: Gallery1988 (East) opens the show 'Thirty Three and a Third and a Third' on Friday. (Image: 'The Cure: Disintegration' by Dave Quiggle) LAist gets a lot of event announcements, and we comB through them all to bring you a curated list of what’s happening in LA this weeKend, including these 25 events. Don’t forget to check the DecemBer Guide, too, as it has other options, if none of these worK for you. We'll be bacK on Monday to help you plan the weeK ahead. FRIDAY, DEC. 5 ART: Gallery1988 (East) opens the show, Thirty Three and a Third and a Third, on Friday night with a reception from 7-10 pm. Curated by artist Dana Lechtenberg, the exhibition features more than 100 illustrators and designers reinterpreting classic album covers in their own styles. Bonus: Donut Friend provides treats at the reception. COMEDY: Filmmaker John Waters (PinK Flamingos, Hairspray, A Dirty Shame) is scheduled to perform his one-man show, A John Waters Christmas on Friday, Dec. 5, at The Comedy Store in Hollywood. Filled with adult humor and off-centered jokes, Waters is sure put the X in X-mas for the audience. Tickets: $50-$60; $100 for the Gold Circle Meet & Greet ticket. DRINKS: It’s Repeal Day, the day that ended Prohibition [of alcohol! the horror!] in the U.S. through the passage of the 21st amendment to the United States Constitution on December 5, 1933. -
The Gay Revolution and the Pink Flamingos Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jiří Vrbas The Gay Revolution and the Pink Flamingos Bachelor’s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, PhD. 2016 1 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ………………………………………………. 2 “I thank God I was raised Catholic, so sex will always be dirty.” (John Waters) Acknowledgement I would like to thank my supervisor doc. Michael Matthew Kaylor, PhD, for his help and for making me believe in this topic. I would also like to thank him and Jeffrey Alan Vanderziel, BA, alike for their Gay Studies course. Knowledge acquired in their class provided the necessary background for this analysis. 3 Table of Contents Introduction ..................................................................................................................... 5 I. Being Gay in the Past .................................................................................................. 7 I.1. 18th Century Europe ................................................................................................ 7 I.2. The Early 20th Century USA .................................................................................. 9 I.3. The 1950s USA .................................................................................................... 14 II. Early Gay Rights Activism .................................................................................... -
Thesis John Waters
john waters: subversive success interview with wall street journal By John Jurgensen John Waters, the writer and director who emerged from the midnight movie circuit of the 1970s, has earned his status as a social critic. In 13 feature films, including Pink Flamingos and Hairspray, he gleefully presents depraved characters undermining a society of squares. In the seven years since he made his last film, the director has written Role Models, a collection of essays about his idols who hurdled over adversity, including Johnny Mathis, Little Richard and a seedy pornographer. He’s also hunting down funding for his next script, Fruitcake, a Christmas movie for kids. He lives in Baltimore, his native city and the setting for his films, in a house purchased in 1990. At age 65, Waters remains a celebrated figure for counterculturists but accepts that his time as a revolutionary has passed. Earlier this year, protestors at Occupy Baltimore built an encampment they called Mortville, a tribute to the criminal enclave depicted in Waters’s film Desperate Living. Waters supports them but declined to join. “I have three homes and a summer rental, and some of my money is in Wall Street,” he explained. He champions younger filmmakers whom he says succeed in subversion, including Johnny Knoxville and Todd Phillips. At the same time, he reviles “the new bad taste,” which he defines as entertainment that tries too hard to shock and lacks inventiveness and wit. When I was a kid, my parents were a little uptight because the things I was interested in weren’t the proper things for a six-year-old.