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Curriculum Vitae 2003-2019

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CURRICULUM VITAE 2003-2019 TIMOTHY NOHE EDUCATION: MFA 1996 University of California, San Diego, Visual Arts, terminal degree, studies with George Lewis, Jerome Rothenberg, Sheldon Brown, Phel Steinmetz BFA 1989 Maryland Institute, College of Art, Photography CREATIVE WORKS: MUSICAL COMPOSITIONS: 2019 Space Structure, Baltimore Dance Project, choreography by Carol Hess. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, live trombone by Sarah Manley. Presented at the SPARK Gallery at Light City, Columbus Center, Baltimore, November 10. In To and Out Of, dance score, choreography by Ann Sofie Clemmensen, work selected as part of the 2019 Local Dance Commissioning Project, REACH expansion of the John F. Kennedy Center for the Performing Arts, performed October 18 and 19. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, reproduced on 4 Bluetooth speakers, in the round in the Welcome Pavilion. Tours to SPARK Gallery at Light City, Columbus Center, Baltimore, November 10. Biosphere, LucidBeings Dance, choreography Jeanna Riscigno and Franki Graham, presented at Maryland Council for Dance Professional Artists' Concert, Kraushaar Auditoritum- Goucher College. Dance score performed by Nohe on percussion, modular synthesizer, guitar, mezzo soprano voice by Dharna Noor, October 12. ART/SOUND/NOW, The Walters Art Museum, music commissioned by curator Alexander Jarman, electro-acoustic event for two sopranos and Bluetooth speakers. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, August 22. The Edge Effect, evening length work in 7 movements, LucidBeings Dance, UMBC Dance Cube, April 28. Choreographers Frank Graham and Jeanna Roscigno. Nohe sequencing, synthesizers, field recordings, Dharna Noor and Bonnie Lander, sopranos, and James David Young, bassoon. The Edge Effect, excerpt Tundra, LucidBeings Dance, Howard County Community Dance Festival Gala Concert Saturday, February 9, Howard Community College. Choreographers Frank Graham and Jeanna Roscigno. Nohe sequencing, synthesizers, field recordings, Dharna Noor, soprano. Timothy Nohe CV, Page 1 December 2019 Burnt, video projection with original score by Nohe, Baltimore Dance Project, Carol Hess, director and choreographer. February 7 – 9, at the Proscenium Theatre, UMBC. Composition, percussion, sequencing by Nohe, Jill Wardell, soprano. 2018 Permeating Presence, Lucid Beings dance company, electronic music score by Nohe. Debuts: 35th Annual Choreographers Showcase, Saturday, January 27, 3:00 PM and 5:00 PM, The Clarice, UMD, College Park, MD. Tours: Baltimore Dance Invitational, Thursday, February 15, 7:30 PM and 9:30 PM, Gordon Center for the Performing Arts, Owings Mills, MD; Drawing the Universal, Friday, March 23, 7:00 PM and 9:00 PM, Baltimore Theatre Project; No Trespassing: Equinox Dance Company, Friday, April 20, 7:00 PM and 9:00 PM, Jack B Kussmaul Theatre, Frederick, MD Light Forest, Baltimore Dance Project, UMBC, February 8-10 (details, below) 2017 Light Forest, Baltimore Dance Project, Carol Hess, director and choreographer. Original 15-minute dance score composed by Nohe. Scored for 5 danced wireless Bluetooth speakers, for gamelan orchestra, analog modular synthesizer, e-bow acoustic guitar, and samples from the Cornell Ornithology Lab. Nohe: analog synthesizers, samples, e-bow guitar; Shelly Purdy: Gamelan. February 9, 10, 11 at the Proscenium Theatre, UMBC. Travels to Decker Theater, Washington College, Chestertown, MD for inclusion in Dancescapes, November 17 and 18. Matter, Energy, Human (repertory version), Deep Vision Dance Company, Nicole A. Martinell, director and choreographer. Commissioned original 20 minute dance score composed by Nohe, scored for friction percussion, boy soprano, analog and wavetable synthesizers, e-bow guitar, and samples. Nohe: analog and digital synthesizers, sample sequencing, shortwave, e-bow guitar; Shelly Purdy: friction percussion; Ruskin Nohe- Moren, boy soprano. Tour dates include: Community Education Center in Philadelphia, PA, February 18th and 19th; Atlas Performing Arts Center (Intersections Festival), Washington, DC, February 25th and 26th; Baltimore Theatre Project, Baltimore, MD, March 17th and 18th; Cultural Center at the Havre de Grace Opera House, October 22nd. Learning Physics through Movement, arts integration program for K-12 school children. Created by Deep Vision Dance Company, Nicole A. Martinell, director, in collaboration with Towson University Physicist, Dr. Svetlana Gladycheva. Presented at Halstead Academy, Parkville, MD, May 31. Music credits: Matter Energy, Human. 2016 Learning Physics through Movement, arts integration program for K-12 school children in Baltimore. Created by Deep Vision Dance Company, Nicole A. Martinell, director, in collaboration with Towson University Physicist, Dr. Svetlana Gladycheva. Presented October 18: Immaculate Conception School; November 4: West Towson Elementary School; November 11: Seton Keough High School; February 16 - March 9, 2017: Jewish Community Center. Music credits: Matter Energy, Human. Artscape, High Zero - Worlds in Collusion, Cosmonaut. Analog video synthesis projected with original musical score for analog synthesizer; shortwave, e-bow guitar, friction percussion. University of Baltimore, Baltimore, July 16. Invited by High Zero. Timothy Nohe CV, Page 2 December 2019 Artscape, Matter Energy, Human choreographed by Nicole Martinell, Deep Vision Dance Company, danced in Miki Flroes-Amper’s Crater!, Charles Street, Baltimore, MD, July 17. Music credits, below. Cosmonaut. Analog video synthesis projected with original musical score for analog synthesizer; shortwave, e-bow guitar, friction percussion. Screened at Vigil, Maryland Institute College of Art, Baltimore, April 30. Invited by Erik Spangler and Jason Sloan. 20 minutes, stereo (2016). Matter, Energy, Human choreographed by Nicole Martinell, Deep Vision Dance Company, April 15 – 17, Theatre Project, commissioned original 40 minute dance score composed by Nohe, scored for friction percussion, boy soprano, analog and wavetable synthesizers, e-bow guitar, and samples. Nohe: analog and digital synthesizers, sample sequencing, shortwave, e-bow guitar; Shelly Purdy: friction percussion; Ruskin Nohe- Moren, boy soprano. 2015 An Evening of Artistic Excellence: featuring the performing artist recipients of the Baker Artist Awards. Baltimore Office of Promotion & The Arts, at the Baltimore Museum of Art, Wednesday, October 14. Dance score for Energy, Matter, Human, choreographed by Nicole Martinell, Deep Vision Dance Company. Credits, below. Akimbo - Teaser August 28 in multiple street locations throughout Station North, Akimbo - Artwalk, September 12, choreographed by Carol Hess, Timothy Nohe dance score for 5 smartphones and Bluetooth speakers composed for clarinet, metal percussion and electronics. Nohe Electronics and metal percussion; Paula Hickey, clarinet. Flux, dance score for Energy, Matter, Human, choreographed by Nicole Martinell, Deep Vision Dance Company, Theater Project Baltimore, April 24, 25, 26. Music in two movements composed and recorded by Timothy Nohe on analog modular synthesizer, bowed metals, samples. Shelly Purdy, friction percussion; Ruskin Nohe-Moren, boy soprano. https://youtu.be/-1dGrQ8Q8T0 Material Resonances, Baltimore Museum of Art, invited concert with dance improvisation by Renée Brozic in response to the Dario Robleto installation “Setlist for a Setting Sun”. Nohe: samples, percussion, toys, sound-producing motors, sequencing. Dolled Up, choreographed by Carol Hess, Timothy Nohe dance score, February 5-7. Music in five movements composed and recorded by Timothy Nohe on analog modular synthesizer, bowed metals, samples. Shelly Purdy, bowed percussion. Otter for Baltimore Dance Project, February 5-7, choreographer, Mariah Maloney, Proscenium Theatre, UMBC. Electro-acoustic composition by Nohe with field recording samples, Orff bells, friction percussion, guitar. Light Fields for Baltimore Dance Project, February 5-7, choreographer, Carol Hess, Proscenium Theatre, UMBC. Four movement electro-acoustic composition by Timothy Nohe with samples, e-bow guitar, bowed metals. Cello, soprano by Madeline Waters. 2014 SURRENT, choreographed by Renée Caroline Brozic, Timothy Nohe dance score, November 8. Music credits: composed by Timothy Nohe; Madeline Waters cello and voice; analog synthesis elements, resonating metals, and sequencing by Nohe. Timothy Nohe CV, Page 3 December 2019 Otter for Baltimore Dance Project, February 6, 7 and 8, choreographer, Mariah Maloney, Proscenium Theatre, UMBC. Electro-acoustic composition by Nohe with field recording samples, Orff bells, friction percussion, guitar. Travels: 12th Annual Richmond Choreographers Showcase, Grace Street Theater, Richmond, VA, March 22 and 23 Light Fields for Baltimore Dance Project, February 6, 7 and 8, choreographer, Carol Hess, Proscenium Theatre, UMBC. Four movement electro-acoustic composition by Nohe with samples, e-bow guitar, bowed metals. Cello, soprano by Madeline Waters. 2013 Clifton Park Works, curated by Emily Clemens, Clifton ’68 was installed at Clifton Park, April 25 – May 25. Five original songs by Nohe: Penna Ave.; Silence; Burning; Guard; Gutter of Glass streamed to smartphones in the park through SoundCloud https://soundcloud.com/clifton68/ Credits: Timothy Nohe: composer, sequencing, guitar, organ, baritone voice, prepared e-bow guitar, samples; Christina Animashaun: alto; Daphne Benichot: viola; Justin
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