Curriculum Vitae 2003-2019

CURRICULUM VITAE 2003-2019

TIMOTHY NOHE

EDUCATION:

MFA 1996 University of California, San Diego, Visual Arts, terminal degree, studies with George Lewis, Jerome Rothenberg, Sheldon Brown, Phel Steinmetz BFA 1989 Maryland Institute, College of Art, Photography

CREATIVE WORKS:

MUSICAL COMPOSITIONS:

2019 Space Structure, Baltimore Dance Project, choreography by Carol Hess. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, live trombone by Sarah Manley. Presented at the SPARK Gallery at Light City, Columbus Center, Baltimore, November 10.

In To and Out Of, dance score, choreography by Ann Sofie Clemmensen, work selected as part of the 2019 Local Dance Commissioning Project, REACH expansion of the John F. Kennedy Center for the Performing Arts, performed October 18 and 19. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, reproduced on 4 Bluetooth speakers, in the round in the Welcome Pavilion. Tours to SPARK Gallery at Light City, Columbus Center, Baltimore, November 10.

Biosphere, LucidBeings Dance, choreography Jeanna Riscigno and Franki Graham, presented at Maryland Council for Dance Professional Artists' Concert, Kraushaar Auditoritum- Goucher College. Dance score performed by Nohe on percussion, modular synthesizer, guitar, mezzo soprano voice by Dharna Noor, October 12.

ART/SOUND/NOW, The Walters Art Museum, music commissioned by curator Alexander Jarman, electro-acoustic event for two sopranos and Bluetooth speakers. Physical modelling synthesis, percussion, ebow guitar performed and recorded by Nohe, August 22.

The Edge Effect, evening length work in 7 movements, LucidBeings Dance, UMBC Dance Cube, April 28. Choreographers Frank Graham and Jeanna Roscigno. Nohe sequencing, synthesizers, field recordings, Dharna Noor and Bonnie Lander, sopranos, and James David Young, bassoon.

The Edge Effect, excerpt Tundra, LucidBeings Dance, Howard County Community Dance Festival Gala Concert Saturday, February 9, Howard Community College. Choreographers Frank Graham and Jeanna Roscigno. Nohe sequencing, synthesizers, field recordings, Dharna Noor, soprano.

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Burnt, video projection with original score by Nohe, Baltimore Dance Project, Carol Hess, director and choreographer. February 7 – 9, at the Proscenium Theatre, UMBC. Composition, percussion, sequencing by Nohe, Jill Wardell, soprano.

2018 Permeating Presence, Lucid Beings dance company, electronic music score by Nohe. Debuts: 35th Annual Choreographers Showcase, Saturday, January 27, 3:00 PM and 5:00 PM, The Clarice, UMD, College Park, MD. Tours: Baltimore Dance Invitational, Thursday, February 15, 7:30 PM and 9:30 PM, Gordon Center for the Performing Arts, Owings Mills, MD; Drawing the Universal, Friday, March 23, 7:00 PM and 9:00 PM, Baltimore Theatre Project; No Trespassing: Equinox Dance Company, Friday, April 20, 7:00 PM and 9:00 PM, Jack B Kussmaul Theatre, Frederick, MD

Light Forest, Baltimore Dance Project, UMBC, February 8-10 (details, below)

2017 Light Forest, Baltimore Dance Project, Carol Hess, director and choreographer. Original 15-minute dance score composed by Nohe. Scored for 5 danced wireless Bluetooth speakers, for gamelan orchestra, analog modular synthesizer, e-bow acoustic guitar, and samples from the Cornell Ornithology Lab. Nohe: analog synthesizers, samples, e-bow guitar; Shelly Purdy: Gamelan. February 9, 10, 11 at the Proscenium Theatre, UMBC. Travels to Decker Theater, Washington College, Chestertown, MD for inclusion in Dancescapes, November 17 and 18.

Matter, Energy, Human (repertory version), Deep Vision Dance Company, Nicole A. Martinell, director and choreographer. Commissioned original 20 minute dance score composed by Nohe, scored for friction percussion, boy soprano, analog and wavetable synthesizers, e-bow guitar, and samples. Nohe: analog and digital synthesizers, sample sequencing, shortwave, e-bow guitar; Shelly Purdy: friction percussion; Ruskin Nohe- Moren, boy soprano. Tour dates include: Community Education Center in Philadelphia, PA, February 18th and 19th; Atlas Performing Arts Center (Intersections Festival), Washington, DC, February 25th and 26th; Baltimore Theatre Project, Baltimore, MD, March 17th and 18th; Cultural Center at the Havre de Grace Opera House, October 22nd.

Learning Physics through Movement, arts integration program for K-12 school children. Created by Deep Vision Dance Company, Nicole A. Martinell, director, in collaboration with Towson University Physicist, Dr. Svetlana Gladycheva. Presented at Halstead Academy, Parkville, MD, May 31. Music credits: Matter Energy, Human.

2016 Learning Physics through Movement, arts integration program for K-12 school children in Baltimore. Created by Deep Vision Dance Company, Nicole A. Martinell, director, in collaboration with Towson University Physicist, Dr. Svetlana Gladycheva. Presented October 18: Immaculate Conception School; November 4: West Towson Elementary School; November 11: Seton Keough High School; February 16 - March 9, 2017: Jewish Community Center. Music credits: Matter Energy, Human.

Artscape, High Zero - Worlds in Collusion, Cosmonaut. Analog video synthesis projected with original musical score for analog synthesizer; shortwave, e-bow guitar, friction percussion. University of Baltimore, Baltimore, July 16. Invited by High Zero.

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Artscape, Matter Energy, Human choreographed by Nicole Martinell, Deep Vision Dance Company, danced in Miki Flroes-Amper’s Crater!, Charles Street, Baltimore, MD, July 17. Music credits, below.

Cosmonaut. Analog video synthesis projected with original musical score for analog synthesizer; shortwave, e-bow guitar, friction percussion. Screened at Vigil, Maryland Institute College of Art, Baltimore, April 30. Invited by Erik Spangler and Jason Sloan. 20 minutes, stereo (2016).

Matter, Energy, Human choreographed by Nicole Martinell, Deep Vision Dance Company, April 15 – 17, Theatre Project, commissioned original 40 minute dance score composed by Nohe, scored for friction percussion, boy soprano, analog and wavetable synthesizers, e-bow guitar, and samples. Nohe: analog and digital synthesizers, sample sequencing, shortwave, e-bow guitar; Shelly Purdy: friction percussion; Ruskin Nohe- Moren, boy soprano.

2015 An Evening of Artistic Excellence: featuring the performing artist recipients of the Baker Artist Awards. Baltimore Office of Promotion & The Arts, at the Baltimore Museum of Art, Wednesday, October 14. Dance score for Energy, Matter, Human, choreographed by Nicole Martinell, Deep Vision Dance Company. Credits, below.

Akimbo - Teaser August 28 in multiple street locations throughout Station North, Akimbo - Artwalk, September 12, choreographed by Carol Hess, Timothy Nohe dance score for 5 smartphones and Bluetooth speakers composed for clarinet, metal percussion and electronics. Nohe Electronics and metal percussion; Paula Hickey, clarinet.

Flux, dance score for Energy, Matter, Human, choreographed by Nicole Martinell, Deep Vision Dance Company, Theater Project Baltimore, April 24, 25, 26. Music in two movements composed and recorded by Timothy Nohe on analog modular synthesizer, bowed metals, samples. Shelly Purdy, friction percussion; Ruskin Nohe-Moren, boy soprano. https://youtu.be/-1dGrQ8Q8T0

Material Resonances, Baltimore Museum of Art, invited concert with dance improvisation by Renée Brozic in response to the Dario Robleto installation “Setlist for a Setting Sun”. Nohe: samples, percussion, toys, sound-producing motors, sequencing.

Dolled Up, choreographed by Carol Hess, Timothy Nohe dance score, February 5-7. Music in five movements composed and recorded by Timothy Nohe on analog modular synthesizer, bowed metals, samples. Shelly Purdy, bowed percussion.

Otter for Baltimore Dance Project, February 5-7, choreographer, Mariah Maloney, Proscenium Theatre, UMBC. Electro-acoustic composition by Nohe with field recording samples, Orff bells, friction percussion, guitar.

Light Fields for Baltimore Dance Project, February 5-7, choreographer, Carol Hess, Proscenium Theatre, UMBC. Four movement electro-acoustic composition by Timothy Nohe with samples, e-bow guitar, bowed metals. Cello, soprano by Madeline Waters.

2014 SURRENT, choreographed by Renée Caroline Brozic, Timothy Nohe dance score, November 8. Music credits: composed by Timothy Nohe; Madeline Waters cello and voice; analog synthesis elements, resonating metals, and sequencing by Nohe.

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Otter for Baltimore Dance Project, February 6, 7 and 8, choreographer, Mariah Maloney, Proscenium Theatre, UMBC. Electro-acoustic composition by Nohe with field recording samples, Orff bells, friction percussion, guitar. Travels: 12th Annual Richmond Choreographers Showcase, Grace Street Theater, Richmond, VA, March 22 and 23

Light Fields for Baltimore Dance Project, February 6, 7 and 8, choreographer, Carol Hess, Proscenium Theatre, UMBC. Four movement electro-acoustic composition by Nohe with samples, e-bow guitar, bowed metals. Cello, soprano by Madeline Waters.

2013 Clifton Park Works, curated by Emily Clemens, Clifton ’68 was installed at Clifton Park, April 25 – May 25. Five original songs by Nohe: Penna Ave.; Silence; Burning; Guard; Gutter of Glass streamed to smartphones in the park through SoundCloud https://soundcloud.com/clifton68/ Credits: Timothy Nohe: composer, sequencing, guitar, organ, baritone voice, prepared e-bow guitar, samples; Christina Animashaun: alto; Daphne Benichot: viola; Justin Mann: trumpet, tenor; Jeffrey Mensah: tenor, counter tenor; Shelly Purdy: friction percussion; Diane Schaming: mezzo-soprano.

The Light Ekphrastic, August 2013, edited by Jenny O'Grady. Burning, music collaboration with poet Tim Galligan, and video created by Nohe, featuring actor Gina Braden and violist Daphne Benichou, titled swallowtail. http://thelightekphrastic.com/issues/august-2013-issue-15/nohe-galligan-august-2013/

Common Axis 13 for Baltimore Dance Project’s 30th Anniversary Concert, February 7, 8 and 9, choreographer, Carol Hess, Proscenium Theatre, UMBC. Performed live by Nohe with field recording samples, waterphone, friction percussion, and wavetable synthesis.

2012 At the Wall of the Anthropocene, animation sound score, 03:53, curated by Jan Hendrik Brüggemeier and Maria Miranda, included in Nature After Dark, The Centre for Creative Arts and Victorian National Parks Association screened at Fed Square, Melbourne, Victoria, Australia. November 21 – December 23, 2012.

Experimental Garment Performance, 10 costume specific works composed for a performance curated by Melissa Webb at the Baltimore Museum of Art. Composed with field recording samples, waterphone, friction percussion, and wavetable synthesis. Tracks varying from 1:30 – 4:30 in duration, November 18.

EVE, a contemporary concert work composed for Command Z, Center for Art, Design and Visual Culture, UMBC. EVE featured a score for Disklavier and mezzo-soprano Diane Schaming, singing a setting of lyrics drawn from secreted love letters sent between prisoners incarcerated at Eastern State Penitentiary, Philadelphia, in 1860. Thursday, April 12 at “Rush Hour” concert program.

2011 Candles for Faust and People as Verbs, HD videos with stereo sound-scores, at the in/flux gallery, 307 West Baltimore Street, from November 5 – 26

Ashes, Ashes, a contemporary concert work composed for The National Capital Area Chapter of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11 tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday, September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S. Charles

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Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzo-soprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe sequenced the score on computer for waterphone, bowed guitar, media samples, and synthesis, and performed waterphone and water instruments.

People Who Became Verbs, 38 minute stereo soundscore, Theatre Project, Baltimore, June 10 and 11. Reneé Brozic Barger choreographer. Composed and performed for sampled business machines, waterphone, e-bow electric guitar, bowed acoustic guitar, hand-made electronic circuits, wine glasses, friction percussion, and wavetable synthesis.

2011 30 Oaks, Joseph Beuys Sculpture Garden, UMBC, Baltimore. Choreographed by /10 Meghan Flanigan. Nohe: musical direction for baritone saxophone, tenor saxophone, percussion. Nohe made percussion instruments fashioned from recycled university rubbish. Performed April 28, 2011 and October 21, 2010

Bend, Oxfringe Festival, Burton Taylor Theatre, Oxford, Oxfordshire, UK. Choreographed by Renée Brozic-Barger. Electro-acoustic sound composition, Nohe. Performed March 31 – April 4, 2010

2009 The Crystal Egg, December 2-5, 10-13, electro-acoustic sound score for an adaptation of H.G. Wells’ “The Crystal Egg,” directed by Colette Searls. The Crystal Egg featured 3 computer graphic creatures designed at UMBC’s Imaging Research Center that came to life and engaged puppets in real time. Nohe: CGI director and composer, sequencing, and performance on wavetable synthesizer, organ pipes, wine glasses, e- bowed guitar, waterphone, granular synthesis processing, field recordings. Presented at the UMBC Theater

AREA 405 Circuit, June 26 & 27, AREA 405, Quad Ruled, debut, choreographed by Renée Brozic Barger. Nohe: prepared electric bass, prepared acoustic guitar, e-bow, waterphone, percussion. Liquid Measure, debut, choreographed by Carol Hess. Nohe: Sequencing and variations on music by J.S. Bach. Rd E3, choreographed by Lauren Withhart. Nohe: ebowed electric guitar, samples, AM radio, waterphone, Nick Prevas: percussion, guitar, and toys

2008 Baltimore Dance Project, February 7, 8 and 9, Echoes, electro-acoustic dance score for Doug Hamby's work of choreography. Nohe: computer granular synthesis, acoustic instruments, samples

2007 Sounding Botany Bay an electro-acoustic score interweaving documentary elements and live instruments was curated by Jamie Allen, and presented at "Tranzducer," LEMURplex, Brooklyn, July 27

Incised Lines, a visual score for Percy Grainger's "Electric Eye Tone Tool" live concert recording broadcast Saturday June 23, 2007, Australian Broadcast Corporation, ABC Classics, “New Music Up Late with Julian Day.” Concert: June 4, Tim Nohe, presented two new works, Incised Lines and Ama :Story : Time at a concert organized by composer Warren Burt, Illawarra Institute of Technology

2005 Common Axis IV, Nohe: video, Baltimore Museum of Art, March 3

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Common Axis III, Phoenix Dance Company, February 9 -12, at UMBC

*blink*, and skip|stop, Nohe directed the IRC Fellows in collaboration with movement/addiction, a modern dance company based in New York City and Baltimore, The Patterson Theater, Creative Alliance, February 4 and 5, Nohe performed Moog synthesizer, percussion, water filled vessels, organ pipes, voice; Amanda Massey clarinet and percussion; Chad Eby, Nicole Shiflet; Anna Hansen: laptops, Aaron Basch, guitar

2004 *blink*, and body.text, debut. Nohe directed the IRC Fellows in collaboration with movement/addiction, The Imaging Research Center, UMBC, December 17, Nohe performed percussion, water filled vessels, voice; Amanda Massey clarinet and percussion; Chad Eby, Nicole Shiflet; Anna Hansen, Matthias Kaelcke: laptops, Aaron Basch, guitar

Site Visits, Phoenix Dance Company, February 11 – 14, Carol Hess choreography, videography, editing, Nohe: synthesis, organ pipes, found percussion. Travels: Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, May 7. Il Coreografo Electronico, Naples, Italy, May 10—12

Edgewater Park, Phoenix Dance Company, February 11 – 14, Doug Hamby choreographer; Nick Prevas VJ; Nohe: voice with granular synthesis processing

2003 Edgewater Park, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance, Doug Hamby choreographer, Nick Prevas VJ, Nohe: voice, granular synthesis

Vial, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance, Doug Hamby choreographer, Nohe: video, set design, electro-acoustic sound score

PERFORMANCE:

2018 SPARK II, Light City Baltimore, selections from Light Fields and improvisational music with Jason Charney and Shelly Purdy. Nohe performs apps, organ pipes, pedals, April 19.

2017 Cable Salad 3, The Crown, improvised analog modular synthesis triggered by iPad apps with live Vectrex electronic projections, accompanied by percussionst Shelly Purdy. Invited by Alex Silva, June 1, Baltimore.

2016 Work Force, Akimbo Dance Festival, Baltimore Dance Project, Carol Hess, Choreographer, September 10, AREA 405 Gallery, Baltimore. Music improvisation by Anna RG (Roberts-Gevalt): Viola, banjo, electric guitar, soprano; Shelly Purdy: percussion; Nohe: analog modular synthesizer, samples, microtonal apps, Buddha box and electronics.

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Screened at Vigil, Maryland Institute College of Art, Baltimore, April 30. Invited by Erik Spangler and Jason Sloan. 20 minutes, stereo (2016).

2015 Material Resonances, Baltimore Museum of Art, invited concert with dance improvisation by Renée Brozic in response to the Dario Robleto installation “Setlist for a Setting Sun”. Nohe: samples, percussion, toys, sound-producing motors. Nohe conducted a 40-minute public interview with artist Dario Robleto as part of this program, March 7.

2014 Federal and Guilford for Baltimore Dance Project, Akimbo Dance Festival, choreographer, Carol Hess, Cork Factory, Baltimore. 10-movement electro-acoustic sequences, percussion and electric guitar by Nohe; Suzie Doogan, guitar, September 13

Arts Collective Dance Company, September 12 and 13, 3-channel video-mapped projection by Timothy Nohe. Large-scale video images of Genevieve Simard, Jennifer Stapleton, and Desiree Koontz-Nachtrieb were performed through VPT video-mapping software to interact with on-stage dance performance for Renée Brozic’s dance Maybe, Smith Theater, Columbia, MD.

Clouds - Dust for Baltimore Dance Project, February 6, 7 and 8, choreographer, Carol Hess, Proscenium Theatre, UMBC. Four-movement electro-acoustic improvised composition by Nohe with samples, cello, soprano Madeline Waters.

Music in the Schaefer Court, an electro-acoustic solo concert invited by Sharon Funicello Baron, the Baltimore Museum of Art, January 16. Nohe: sequenced score on computer for smartphone, bowed bass and guitar, samples, wavetable synthesis, and voice.

2013 Akimbo Artwalk, AREA 405, Baltimore Dance Project, Carol Hess choreographer, mixes and matches 4 dancers with the history and art of AREA 405. Interactive sound by Nohe: sequenced score on laptop for smartphone, bowed bass and guitar, samples, electronics, and alto Amber Liskey, September 15, 2013

Undue Noise, an electro-acoustic mix invited by the Jacques Soddell, Punctum, Castelmaine, Victoria, Australia, August 17. Nohe: sequenced score on computer for electronics, smartphone, bowed bass and guitar, samples, wavetable synthesis, and voice.

2012 Late Night, an electro-acoustic solo concert invited by the Baltimore Museum of Art on the occasion of the reopening of the Contemporary Art wing, November 17. Nohe: sequenced score on computer for waterphone, bowed bass and guitar, samples, wavetable synthesis, and voice.

2011 Ashes, Ashes, a classical concert work composed for The National Capital Area Chapter of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11 tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday, September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S. Charles Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzo-soprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe sequenced the score

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on computer for waterphone, bowed guitar, media samples, and synthesis, and performed waterphone and water instruments.

2010 2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia dance event, featuring electro-acoustic music, video, animation, and mixed media. Reneé Brozic-Barger, Meghan Flanigan and Clarinda Mac Low, Carol Hess, Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen (cello and voice), Tiffany DeFoe (tenor saxophone), Luca Marini (percussion), Timothy Nohe (programming, e-bow guitar, percussion), Catherine Pancake (dry ice, percussion), and Shelly Purdy (percussion). Nicole Shiflet (animation, video)

2009 Sounding Botany Bay, Sounding Gamay, invited performance, Fulbright 32nd Annual Conference, East Gallery, U.S. Botanic Gardens, Washington, DC, October 31. Sequenced field recordings and interviews, with improvised prepared electric bass, percussion, and waterphone

small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January 22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy Hayleck, Bonnie Jones and Timothy Nohe. Nohe: e-bow electric guitar, analog and digital effects, percussion, transduced objects, signal generator

2008 Into the Light/Into the Dark, School 33 Art Center, Baltimore, MD, curated by Timothy Nohe, Saturday, November 1. Live improvisational music by Steve Bradley, Andy Hayleck, Devin Hurd and Timothy Nohe. Nohe: e-bow electric guitar, analog and digital effects, percussion, transduced objects, signal generator, analog synthesizers

Avant Audio Answers, Creative Alliance, Baltimore, MD, organized by clarinetist Leon Josowitz, Friday, September 19. Live improvisational music by Andy Hayleck and Timothy Nohe. Nohe: Ama : Story : Time. Nohe: e-bow electric guitar, analog and digital effects, water, contact microphones, acoustic recording of daughter’s sleep routine

2007 Illawarra Institute of Technology Concert, organized by the composer Warren Burt, debut of Incised Lines and Ama : Story : Time, June 3. Incised Lines visual score – graphite rubbing on vellum, performed by Nohe and Burt using Percy Granger’s “Electric Eye Tone Tool,” and Ama : Story : Time, Nohe water vortex, sparklers with contact microphones, tea kettle, MD recording of daughter’s sleep routine, Burt: laptop and physical interface

2006 Fanfare for Alison Knowles and Pathetic Science, “1/4 Festival” Solo: Nohe laptop, video projection, candle, water state experiments, contact microphones; University of Wollongong, Wollongong NSW, Australia, October 4

Beroun, Nohe: laptop and synthesis, Klára Dolezálková, Ales Cermák, Pavel Sterec: circuit bent instruments; Filmová a Televini Fakulta Akadamie Muzich Umeni V Praze, February 25; Skolská 28, Prague, February 26

2004 Crawl/Knot, Kunstradio / art@radio : “jamming radiophonic space,” September 3, with John Sturgeon. Nohe: voice, laptop, AM/FM radios, samples. Live stream: 17:30 – 01:00 GMT, Baltimore, MD, http://art-radio.net/kunstradio/ Kunstradio Stream http://stream.sil.at:7562

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Common Axis II, Smithsonian Institution Resident Associate Program/Washington Center for Complexity and Public Policy, collaborative improvisational sound performance with Phoenix Dance Company, with Steve Bradley, sound and Nick Prevas, VJ. Nohe: trautonium and Caldera digital video Washington, DC, May 15

Common Axis I, Dance Baltimore, Baltimore Museum of Art, Baltimore, MD, Collaborative improvisational sound performance with Phoenix Dance Company, with Steve Bradley and Joe Reinsel, electro-acoustic sound. Nohe: voice, organ pipes, laptop, percussion and Baltimore digital video, March 28

2003 I Walk the Line, “Sonic Circuits,” collaborative improvisational sound performance, with Steve Bradley, Nohe: voice, oscillator, signal processing, banjo, samples. IX International Festival of Electronic Music, American Composers Forum, Washington, DC Chapter, Fine Arts Recital Hall, UMBC, September 13. Anna Rubin, curator

SOLO EXHIBITIONS:

2018 Van Every/Smith Galleries inaugural E. Craig Wall Jr. Academic Center Video Exhibition Project, Davidson College, Davidson, NC. Solo screening of CosmonautOp (2018 edit), analog modular video synthesis with digital compositing, November 15, 2018 to January 30, 2019.

Voltage is Signal, Video Works by Timothy Nohe Electronic Gallery, Salisbury University, Salisbury, MD July 16 – October 25, 2018, curated by Tara Gladden. Included works: Six Electron Drawings (2017), permanent pigment prints, 16” x 20”; Subtle Oscillations (2018), permanent pigment prints, 12” x 12”; Video Program 1: Light Works, (2018), 34:07 analog modular video synthesis works, Video Program 2: XX-1966 (2018) 05:05, X Run Seattle (2018) 05:05, Bell Labs Mosh (2018) 05:12, Random Access (2018), 05:50 data moshed videos; Video Program 3: CosmonautOp (2015 – 2018), 09:48, Wobbulator (2018) 03:53, Difference Engine (2018) 00:58 raster scan found footage video; Electron Drawing Apparatus (2018), analog synthesizer with modified Vectrex game system and stereo audio speakers; At or Near the Melting Point (2017), 32 chocolate dipped television remote controls.

2017 Voltage is Signal: Analog Video Works by Timothy Nohe, Kohl Gallery, Washington College, Chestertown, MD. Invited by curator Dr. Katherine Markoski, November 9 – December 15. Included works: Twelve Electron Drawings (2017), permanent pigment prints, 16” x 20”; CosmonautOp (2015), HD video with original sound score, analog video synthesis, Wobbulator, with digital compositing; Light Well for James Turrell, (2017), analog modular video and audio synthesis, matched analog video monitors, stereo sound; Memento Mori for H.B. (2017), 2 cameras, deer skull, Schele Mixer2B circuit by Gijs Gieskes, analog video monitor; Four Glitches for Jackson Mac Low (2017), CHA/V circuit hack by Jonas Bers and custom patched waveform synthesizers in project boxes, with matched analog video monitors; Entr’acte-Interact (2017), Interactive HD video synthesis system triggered by wireless infrared sensors, with drum machine and microphone, stereo speakers; Electron Drawing in Flux (2017), Analog video synthesizer creating chaotic patterns on custom modified Vectrex game system placed in a vitrine; At or Near the Melting Point (2017), 36 chocolate dipped television remote controls.

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2016 Sounding Botany Bay, documentary mural scale permanent pigment prints, two single channel videos, immersive stereo sound environment, audio interview delivered via headphones, material culture, and primary source documents produced during a period of ten years of study of Botany Bay, New South Wales, Australia. Invited by Thomas Beck, curated by Emily Hauver. February 8 - March 31

2012 My Station North: Sounds Surrounding Us, documentary large scale permanent pigment prints with 5.1 surround-sound audio, Gallery CA, 440 East Oliver Street, Baltimore, June 7 – July 6. Supported by a “Think Big” grant awarded through the National Endowment for the Arts; the William G. Baker, Jr. Memorial Fund, creator of the Baker Artists Awards; Station North Arts & Entertainment, Inc.; and UMBC

2011 Hello, Halt, Help, Hallow, LED sculpture; Candles for Faust and People as Verbs, HD videos with stereo sound scores, at the in/flux gallery, 307 West Baltimore Street, from November 5 – 26. Invited by Sarah Doherty.

2002/3 Occidio, School 33 Art Center, Baltimore, MD, December 14 -January 17, 2003, DVD projection with computer-controlled audio and sculpture, installation, http://www.research.umbc.edu/~nohe/OCCIDIO

TWO-PERSON EXHIBITIONS:

2004 Soundings, ISEA 2004, Baltic Sea, August 16 – 18, sound installation in collaboration with Steve Bradley. Nohe: optical Theremin sensors, RF scanner, samples, laptop

GROUP EXHIBITIONS:

2019 Bell Labs Mosh presented in the library of Rencontres Internationales Paris/Berlin, Louvre museum auditorium, Forum des images, Centre Pompidou, Carreau du Temple and Cité internationale des arts, March 5-10, 2019, invited by Nathalie Hénon Jean- François Rettig. Travels to IMPAKT Festival 2019: Speculative Interfaces, screening program: Co-opting Entities October 31, Utrecht, The Netherlands; Invited by Inez de Coo to SEXYLAND, HOAX 2029, Amsterdam, The Netherlands, November 29

2018 The Agency of Art: Visual Arts @ 50, curated by Tatiana Sizonenko, CosmonautOp, University Art Gallery, Mandeville Center, Univerity of California San Diego, April 12 – May 17 SPARK II, Light City Baltimore, Warp and Weft for Anni Albers, modular analog video and sound synthesis installation, curated by Ginevra Shay, April 14 - 21

Light City: On Demand, juried public art, Light Well for James Turrrell, analog modular video synthesis, April 14 – 21, invited by Ashley Molese and Kim Farmer.

2017 Light City, invited $20,000 public art commission, Electron Drawing – Visual Music, analog modular synthesis sound with live vector graphic video projection installation via LED wall, 12’ by 9’ with three motion interaction devices.

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Light City: On Demand, juried public art, CosmonautOp. Analog video synthesis and digital compositing, with original musical score for analog synthesizer; shortwave, e- bow guitar, friction percussion.

CHOPSHOP: Robot. Includes Nohe’s Robot Kick! Digital image, 60 artists from around the United States provided a 7″ B&W image of a robot. Zine editioned on-demand with silkscreened covers and xeroxed body. Project instigated by Derrick Buisch.

2016 Electron Drawing – Visual Music, analog modular synthesis with live vector graphic video projection, Golden Ball celebration of the UMBC 50th Anniversary, October 15.

Signal Culture Video Suite: Cosmonaut Op; MachineHeartMonitor2; Am I Me or Am I Us; Candy Orbit; That’s the Way It Is. Analog video synthesis projected with original musical score for analog synthesizer; shortwave, e-bow guitar, friction percussion. Screened at Vigil, Maryland Institute College of Art, Baltimore, April 30. Invited by Erik Spangler and Jason Sloan. 20 minutes, stereo (2016).

2015 Unfriendly Skies: Birds, Buildings, and Collisions, George Mason University, School of Art, October 29 – November 20, 2015. Included: Slow Disaster 03:28 original composition for boy soprano, percussion and cello. Nohe: percussion, sequencing; Ruskin Nohe-Moren, boy soprano; Madeline Waters, cello. Exhibition curated by Lynne Parks. http://soa.gmu.edu/event/unfriendly-skies-birds-buildings-and-collisions/

2015 Unfriendly Skies: Birds, Buildings, and Collisions, Silber Art Gallery, Goucher College, March 31 - May 3, included: Slow Disaster 03:28 original composition for boy soprano, percussion and cello. Nohe: percussion, sequencing; Ruskin Nohe-Moren, soprano; Madeline Waters, cello. Exhibition curated by Lynne Parks and Laura Amussen.

The Baltimore Ekphrasis Project - LED Baltimore Art Board, pairing Nohe with poet Rupert Wondolowski, Candles for Faust and The Little Owl Seamstress, digital images, March 23 – 30, curated by Jenny O’Grady.

Nature in the Dark, National Aquarium, Baltimore, included At the Wall of the Anthropocene, HD video animation and stereo sound score by Timothy Nohe, 03:53. Direction, music and still photography by Nohe; animation compositing by Timothy Bubb. Curated by Jan Hendrik Brüggemeier and Maria Miranda, January 29

2014 Gertrude Street Projection Festival, video screenings in Melbourne, Australia at The Design Dispensary, nightly July 18 - 27. At the Wall of the Anthropocene, HD video animation and stereo sound score by Timothy Nohe, 03:53. Direction, music and still photography by Nohe; animation compositing by Timothy Bubb. Curated by Jan Hendrik Brüggemeier and Maria Miranda, included artists: Angie Black, Elizabeth Dunn, Siri Hayes, Jan Hendrik Brüggemeier and Renuka Rajiv and Scott Lewis, Josephine Starrs and Leon Cmielewski and Steve Turpie. http://gspf.com.au/program/group-work/nature-in-the-dark/

5th Annual West Virginia Mountaineer Short Film Festival, included swallowtail video and sound design by Nohe, featuring actor Gina Braden and violist Daphne Benichou.

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March 20-23. Travels: David Mikow Gallery, Baltimore, The Light Ekphrastic, curated by Jenny O’Grady, February 21-April 21, 2014.

CHOPSHOP: RADIORADIO. Includes Nohe’s Crystal Radio drawing, 60 artists from around the United States provided a 7″ B&W image of a radio. Installed as an exhibition at Pier 1218 as a project of Spackle, Madison, WI, April 28 – May 26. Zine editioned on-demand with silkscreened covers and xeroxed body. Project instigated by Derrick Buisch.

2012 Nature in the Dark, Federation Square video screenings presented by Victorian National Parks, the Arthur Rylah Institute for Environmental Research and the Centre for Creative Arts, La Trobe University. At the Wall of the Anthropocene, HD video animation and stereo sound score by Timothy Nohe, 03:53. Direction, music and still photography by Nohe; animation compositing by Timothy Bubb. Curated by Jan Hendrik Brüggemeier and Maria Miranda, November 21 – December 23, 2012.

People as Verbs, The 8th Annual Berlin International Directors Lounge, February 16, Berlin, Germany. http://berlinlounge.tumblr.com/post/16503568097/dl-selection-vi HD video and stereo sound score.

2010 Project Mah Jongg, Museum of Jewish Heritage, New York City, May 4, 2010 through /14 February 27, 2011. Sound design Nohe, exhibition design by Abbott Miller for Pentagram, illustrations by Christoph Niemann, Isaac Mizrahi, Maira Kalman, and Bruce McCall. Exhibition curator Melissa Martens. http://www.projectmahjongg.com/ Travels to: Oregon Jewish Museum, Portland, OR, September 21 – December 31, 2011; Maltz Museum of Jewish Heritage, Cleveland, OH, January 24 – April 22, 2012; Skirball Cultural Center, Los Angeles, CA, May – August 19, 2012; Jewish Museum of Florida, Miami Beach, FL, October 15, 2012 – January 15, 2013; Breman Jewish Heritage & Holocaust Museum, Atlanta, GA, June 23 – September 15, 2013; Jewish Museum of Maryland, Baltimore, MD, March 30 – July 23; The Contemporary Jewish Museum, San Francisco, CA July 13 – October 28, 2014.

Chosen Food: Cuisine, Culture and American Jewish Identity, The Jewish Museum of Maryland. Nohe directed the IRC Fellows in consultation with Karen Falk, Curator of the Jewish Museum of Maryland. Studio and field HD video documentary and audio interviews integrated into exhibition caseworks, October 23, 2011- December 30, 2012. http://chosenfood.org Travels: Breman Jewish Heritage & Holocaust Museum, Atlanta, GA, February 7, 2013 - June 31,2013

Timothy Nohe CV, Page 12 December 2019

2010 One Week Receipt included in Everything Must Go, shopping cart with user controlled audio, CD player, amplifier, raw speaker elements, November 8 – December 8, 2010, Cade Center for Fine Arts, Anne Arundel Community College, Shannon Young and Chris Mona, curators.

Shifting Sands: Botany Bay Today, included Sounding Botany Bay, Sounding Kamay, documentary large scale permanent pigment prints with 5.1 surround sound score, August 21 - October 10, Hazelhurst Gallery and Art Centre, Sydney, Australia, curated by Ace Bourke and Anna Lawrenson, with catalog.

Locustream Promenade, “@ Festival MIMI,” July 1-14, 2010, Marseille, Iles du Frioul, France. Sound art installation composed of sonic beams (10 parabolic dishes equipped with sound speakers and small computers). Nohe contributes a live stream gathered from an omni-directional microphone. http://mimi2010.amicentre.biz/wordpress/

“Anarchy in the Kitchen,” Touch Glass, “Umami Food and Art Festival,” March 5, viewing parties at Eyebeam (NYC), Squeaky Wheel (Buffalo), The NonStop Institute (Yellow Springs, OH), and The Center for Art, Design and Visual Culture at The University of Maryland, Baltimore County. Timothy Nohe and Shannon Young sound performance video: wine glasses, guttering candle flames, water and ritual gestures. http://www.umamifestival2010.com/

Touch Glass, featured in Hive, AREA 405, Baltimore, February 21 - March 27, 2010. Timothy Nohe and Shannon Young sound performance video: wine glasses, guttering candle flames, water and ritual gestures

2009 Locus Sonus, Nohe participated as the Baltimore node of a global streaming audio research group specializing in audio art. The group is based at École Supérieure d'Art d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice Villa Arson. Nohe contributes a live stream gathered from an omni-directional microphone, October Exhibitions include: “Festival Les Nuits de l'Ososphère,” La Laiterie, Strasbourg, January 3 – September 25, 2009; “Biennale de Lyon,” Musée d'art contemporain de Lyon, January 3 – September 16; “Locustream Audio Tardis at the Around sound festival in Honk-Kong,” Hong Kong Academy for Performing Arts, April 29

2008 “Sonic Residues,” The Consortium for Digital Arts, Culture, and Technology (cDACT) at Stony Brook University, Indicium: an Archeology of the Ubiquitous, beeswax sculptures. Curated by Christa Erickson, April 29 – May 12

2007 “FILE -HIPERSONICA-2007,” F-16 video with electro-acoustic sound score, installation at the SESI Gallery, São Paulo, Brazil, August 14 - 17, 2007 and FILE Rio Symposium, February 27-28, 2008, Rio de Janeiro, Brazil. F-16 was also selected for presentation at the Australian Computer Music Conference 2007, “TRANS: Boundaries / Permeability / Reification,” at The Australian National University, Canberra, June 19-21

“Ice Cream Headache,” Jeffrey Lopez and Lauren Rosati curated Bellagio Caramello an electro-acoustic composition presented via an ice-cream truck traveling through the boroughs of New York City during the American Memorial Day weekend

Timothy Nohe CV, Page 13 December 2019

Indicium: an Archeology of the Ubiquitous, mobile phones cast in beeswax. Indicium was presented as part of “Out on the Patio,” an exhibition exchange between the University of Wollongong and Capilano College, Vancouver, Canada between February 5 and March 5, 2007

Locus Sonus, Nohe participated as a Wollongong, Australia node of a global streaming audio research group specializing in audio art. “Symposium 1-4 – Audio Extranauts,” École Nationale Supérieure d'Art de Nice Villa Arson. The group is based at École Supérieure d'Art d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice Villa Arson. Nohe contributes a live stream gathered from a custom built parabolic microphone that he built and installed at his studio, September 2006 – July 2007

2006 “+es+ pa++erns” (Test Patterns), Artscape 2006, TERRA mosaic, digital mosaic produced as an offset bus shelter poster installed at Eastern Avenue at Bayview Hospital and Pinkard Gallery, Maryland Institute College of Art, Baltimore, invited by Gary Kachadourian, July 14 – 30

“Odraky,” 4+4+4 Days in Motion, Jungmanova ulice, Prague, Czech Republic Variations on a Theme by Joe Jones, kinetic sculpture with motors and detritus, curated by Milos Vojtechovsky, May 19 – 30

“Winter,” Maryland State Arts Council, James Backus Gallery, Baltimore, MD Caldera, DVD video and W_nt_r, sculptures with music box elements, curated by Gina Pierleoni, January 27 - April 18

2005 gRgu, “ICOLS Strategy Defense and Arms Fair,” DVD with 3-d models. Travels: Centre for Contemporary Arts, Glasgow, Scotland; March 25 - May 15, 2005; The Performance Space, Sydney, Australia, April 29 - May 21 2005; Side Cinema, Newcastle Upon Tyne, UK, June 2005

Site Visits, “Rosebud Film Festival,” Rosslyn Spectrum Theater, Arlington, VA, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, April 9 -10, 2005

In the Near Future Minutes From Now, “Anthologie der Kunst / Anthology of Art”: ZKM, Zentrum fur Medienkunst, Karlsruhe, June - August 2004. Travels: Akademie der Künste, Berlin, November 18, 2004 - January 9, .2005. Bundeskunsthalle, Bonn, April - May 2005

2004 gRgu, ICOLS Strategy Defense and Arms Fair, DVD with 3-d models. Travels: ISEA 2004, Baltic Sea, August 16 – 18, location Silja Ferry; The LeRoy Neiman Gallery, Columbia University, New York City, September 7 - 28 2004; Oliver Gallery - University of South Florida, Tampa, FL, November 2004

Wendover, Mobilis in Mobili, “Strange Animals” at Los Angeles Contemporary Exhibitions (LACE), October 15 -December 10, Los Angeles, CA. http://www.artleak.org/programs.current.html Free Radio HDTS. Programming curated by Fabienne Lasserre & Christy Gast. “High Desert Test Sites 4” at High Desert Test Sites, Joshua Tree, CA http://www.highdeserttestsites.com/, Airport, Enola Gay Hanger, Rainbow, and Drive Thru

Timothy Nohe CV, Page 14 December 2019

Site Visits, Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found percussion, May 7, Travels: “Il Coreografo Electronico,” Naples, Italy, http://www.napolidanza.com, May 10

142 Ways to Mark Time, Eastern State Penitentiary Historic Site, Philadelphia, PA, April 1 – November 15, audio installation with digital images bound in folios, http://www.easternstate.org

2003 Wendover, Mobilis in Mobili, “Sun Valley Research,” Sydney, Australia, digital audio stream of electro-acoustic compositions, Bonneville Salt Flats, Petroglyphs, Rain: Time Zone, David Haines, curator

Detritus and Wendover, Utah/Nevada, United States of America, ICOLS, “F I L E, Electronic International Language Festival,” Museu da Imagem e do Som, São Paulo, SP, Brazil, August 7 – 23, digital images – www site, Ricardo Barreto and Paula Perissinotto, curators, http://www.file.org.br/

Wendover, Mobilis in Mobili, ICOLS AUDIO, juniradio Berlin104.1 08-30, http://www.juniradio.net

Annie Creek, “Pulse Field,” Georgia State University School of Art & Design Galleries, Atlanta, Georgia U.S.A., January 18 through February 28, 2003. Curated by Craig Dongoski and Robert S. Thompson

21201, “10 Page Book,” invited by Gary Katchadourian, The Contemporary Museum, artist’s book, digital images printed in an inkjet chapbook edition of 10

CURATORIAL PROJECTS/EVENTS:

2017 Dancescape, SANDBOX, CIRCA, Departments of Dance and Theater at Washington College, Chestertown, MD, Decker Theater, November 17 and 18. Dance concert with Baltimore Dance Project, choreographed by Carol Hess of LightForest, with score by Timothy Nohe.

2010 2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia dance event, featuring electro-acoustic music, video, animation, and mixed media. Reneé Brozic-Brager, Meghan Flanigan and Clarinda Mac Low, Carol Hess, Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen, Tiffany DeFoe, Luca Marini, Timothy Nohe (programming, e-bow guitar, percussion), Catherine Pancake, and Shelly Purdy

2009 AREA 405 CIRCUIT, Baltimore, curated by Timothy Nohe, June 27 and 28. Multi- media dance event, featuring electro-acoustic music, video mixing, animation, and mixed media. Carol Hess, Reneé Brozic-Brager, Lauren Withard, choreographers; bunny & chick, Matt Sterling, Nick Prevas, music. Nicole Shiflet, animation and video installations by Matt Sterling and Nick Prevas

Timothy Nohe CV, Page 15 December 2019

small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January 22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy Hayleck, Bonnie Jones and Timothy Nohe

2008 Into the Light/Into the Dark, Concert, School 33 Art Center, Baltimore, MD, curated by Timothy Nohe, Saturday, November 1. Live improvisational music by Steve Bradley, Andy Hayleck, Devin Hurd and Timothy Nohe

Into the Light/Into the Dark, Exhibition, School 33 Art Center, installation of works on paper, video, installation art, analog circuits and interactive media by Bonnie Crawford Kotula, Phil Davis, John Sturgeon, and Christian Valiente. October 30 December 18, 2008, Baltimore, MD

Antipodes, AREA 405, screening of works on video by contemporary Australian performance artists, 90 minute program, April 18 and 20, Baltimore, MD

2005 X|Y, “Curator’s Incubator,” Maryland Art Place, Baltimore, August 30 - October 15. Invited artists: Christa Erickson, Christina Hung, Paul Vanouse. Catalog, lecture

PUBLICATIONS:

2018 The Agency of Art: Visual Arts at 50, Mandeville Gallery, Universityf of California, San Diego, Included artists: Sadie Barnette, Roman de Salvo, Rob Duarte, Katie Herzog, Nina Karavasiles, Jean Lowe, Virginia Maksymowicz, Heather Gwen Martin, Roy McMakin, Jessie Mockrin, Owen Mundy, Timothy Nohe, Sheryl Oring, Tim Schwartz, Igor Vamos, Nina Waisman, Ruth Wallen, and Allison Wiese. Curated by Tatiana Sizonenko.

2014 Socially Engaged Art Journal, Volume 1: Baltimore, an online quarterly publication that explores the intersection of art + people, Ada Pinkston, editor. http://www.sociallyengagedartjournal.org/category/issue-1/

2010 “Mah Jongg: Crack, Bam, Dot,” 2wice Arts Foundation, Patsy Tarr, editor, Abbott Miller, designer, Pentagram Design, New York. 81-pages luxe-edition, 78 images and illustrations. Exhibition catalog: “Project Mah Jongg,” Museum of Jewish Heritage ISBN: 097238863X

Shifting Sands: Botany Bay Today, Ace Bourke, curator. Artists include: Micky Allan & Steenus von Steenson, Julie Gough, Fiona MacDonald, Timothy Nohe, Kate Rohde and Sarah Smuts-Kennedy. Hazelhurst Gallery and Art Centre, ISBN: 9781921437199

2005 X|Y, “Curators Incubator,” Maryland Art Place, Baltimore, MD, catalog essay

2004 In the Near Future, Minutes from Now, “Anthologie der Kunst/ Anthology of Art,” DuMont Verlag, Köln

Timothy Nohe CV, Page 16 December 2019

2003 Joe Jones’s Solar Music Hot House, “Intermedia: The Dick Higgins Collection at UMBC,” Lisa Moren, editor, Albin. O. Kuhn Library & Gallery, University of Maryland Baltimore County, ISBN 1-888378-09-3

PRESS: PRINT, BROADCAST, ELECTRONIC

2019 Artworks, cohost with Rhea Feiken, Maryland Public Television, Season 7 Episode 722, premiere date March 8 and Artworks: Episode 723 premiere date: Friday, March 15, 2019 at 7:30pm on MPT-HD. http://www.mpt.org/programs/artworks-season7/722/ http://www.mpt.org/programs/artworks-season7/723/

2018 Learning Physics Through Movement, smARTS Arts & Culture Show, Nicole A. Martinell, and physics collaborator, Dr. Svetlana Gladycheva, talk about arts integration work integral to Matter, Energy Human and school workshops keyed to teaching Physics in a STEM to STEAM program, March 1 – March 15, https://youtu.be/D8voGqtVphg

2017 Video Essay: Light City 2017, Explore the city aglow with light art and revelers during the second annual festival, Baltimore Magazine, video essay by Gabe Dinsmoor and Sonya Norko, April 05, http://www.baltimoremagazine.net/2017/4/5/video-essay-light-city-2017

Innovative Art, Music, Technology Highlight Baltimore Festival, Voice of America online video feature and interview, April 13, 2017 http://www.voanews.com/a/innivative-art-music-technology-highlight-baltimore- festival/3808291.html

2016 AKIMBO is Joyful Movement, by Andrew Sargus Klein, BMoreArt, September 22, photographs by Zachary Handler. http://bmoreart.com/2016/09/akimbo-is-joyful- movement.html

Maryland Humanities Connection, Sounding Botany Bay, audio broadcast and podcast, WYPR, 88.1 FM, Baltimore produced by Jennifer Wichmann, 4 minutes, from an on-air script and voice by Nohe. http://wypr.org/post/sounding-botany-bay

2015 “AKIMBO: A Festival of Site-Specific Dance and Movement” by Cara Ober, BMoreArt, September 4, feature on the Akimbo festival with images featuring Nohe and Baltimore Dance Project at Grey Matter Space, 2014. http://bmoreart.com/2015/09/akimbo-a-festival-of-site-specific-dance-and- movement.html

2014 “Mah Jongg madness,” by Bill Geist, CBS Sunday Morning, April 6, feature on network news, interview with Marvin Pinkert, Jewish Museum of Maryland Director on “Project Mah Jongg” at the Jewish Museum of Maryland. Exhibit sound design by Nohe. http://www.cbsnews.com/videos/mah-jongg-madness/

“Mah-jongg exhibit runs at the Jewish Museum,” by Mary Carole McCauley, The Baltimore Sun, April 4, feature on “Project Mah Jongg” at the Jewish Museum of

Timothy Nohe CV, Page 17 December 2019

Maryland. Exhibit sound design by Nohe. http://articles.baltimoresun.com/2014-04- 04/entertainment/bs-ae-mah-jongg-20140404_1_jewish-museum-mah-jongg-exhibit

“America’s Other Pastime,” by Heather Norris, The Baltimore Jewish Times, April 3, review of “Project Mah Jongg” at the Jewish Museum of Maryland, sound design by Nohe. http://jewishtimes.com/21343/americas-other-pastime/#.Uz7e-1w7rwJ

“An evening of experimentation,” by Sheena Jeffers, The Richmond Post Dispatch, March 24, review of “slip” choreographed by Mariah Maloney, danced by Sandra Lacy, music by Nohe. http://www.timesdispatch.com/entertainment-life/arts- literature/theater/an-evening-of-experimentation/article_c096ddb6-9d17-5586-a231- 8150513e9e5b.html

2012 Maryland Morning rebroadcast of the “My Station North” feature by host Tom Hall, December 24, WYPR 89.1 FM, Baltimore, MD. http://mdmorn.wordpress.com/2012/06/05/6512/

Maryland Morning interview with host Tom Hall, June 5, WYPR 89.1 FM, Baltimore, MD. http://mdmorn.wordpress.com/2012/06/05/6512/

“When Jewish women embraced mah-jong, an exhibition at Skirball Cultural Center tells how the Chinese game was adopted and integrated into another social fabric,” by Scarlet Cheng, The Los Angeles Times, May 13. http://articles.latimes.com/2012/may/13/entertainment/la-ca-mah-jong-20120513

2010 “Recalling the Craze for a Game of Chance” by Steven Heller, The New York Times, March 15, 2010, Project Mah Jongg coverage. http://www.nytimes.com/2010/03/18/arts/artsspecial/18MAH.html

“Dust Off Your Old Game Table: Mah-Jongg Is Making a Comeback Young and Hip Update a Classic for an Era Smitten With 'Mad Men' Chic,” by Lucette Lagnado, The Wall Street Journal, Oct 26. http://online.wsj.com/article/SB10001424052748703631704575552683266650568.html

“CRAK, BAM, DOT,” posted by Macy Halford The Book Bench, The New Yorker, http://www.newyorker.com/online/blogs/books/2010/05/crak-bam-dot.html

2009 The Baltimore Sun, “Drawn Together” feature article in the AE section, with color photographs, Sunday, December 6, by Mary Carole McCauley, online feature with video, on the making of The Crystal Egg, http://www.baltimoresun.com/entertainment/arts/balae.egg06dec06,0,3250527.story

small processes concert, “The Short List,” The City Paper, “Pick” with color photograph, by Michael Byrne, January 21 2008 Baltimore Magazine, “Shiny, Happy People,” feature on Fluid Movement by Michael Anft , interview with Timothy Nohe, August 2008

2007 Voice of America video documentary by Ruth Reader and Enoch Chang. Nohe performs a sound score incorporating laptop, percussion and waterphone, and contributes video to a Baltimore Dance Company art and tech dance concert featured in worldwide broadcast and Internet delivery as streaming content, October 10.

Timothy Nohe CV, Page 18 December 2019

Bellagio Caramello featured in Ice Cream Headache exhibition coverage in "Time Out" New York (Time Out New York / Issue 602 : April 12, 2007 - April 18, 2007) and via national broadcasts of National Public Radio, “All Things Considered,” on May 1, 2007: "We All Scream for New Ice Cream Song"

2005 X|Y at Maryland Art Place: “ArtWorks This Week,” broadcast feature on Maryland Public Television, August 17, rebroadcast August 19 and 21. Nohe is introduced in a 7 minute interview segment discussing X|Y. Work by Christa Erickson, Christina Hung and Paul Vanouse is screened

“MAP exhibits are a platform for 'emerging curators,' 'Incubator' program nurtures art professionals,” by Glenn McNatt, The Baltimore Sun, September 1

“Year End Top Ten in Art: Critic’s Choice,” X|Y selected by Violet Glaze, The Baltimore City Paper, Baltimore, MD, December 14 – 21

*blink* at Creative Alliance: “ArtWorks This Week,” broadcast feature on Maryland Public Television, February 2, rebroadcast February 4 and 5, Nohe and Reneé Brozic in a 5 minute interview segment with video from the December 17 performance of *blink*

“Technology adds a cutting edge to modern dance,” Ann McArthur, The Baltimore Sun, Baltimore, MD, February 3, pg. 12T, “Live” preview with photographs by Nohe, of IRC Fellows and movement /addiction at The Patterson Theater, Creative Alliance, Baltimore

“Critic’s Choice,” The Baltimore City Paper, Baltimore, MD, February 2 – 9, preview; *blink* and work in progress review, Radar, Issue 12, Baltimore, MD

COLLECTIONS:

Department of Special Collections, UMBC, Port Botany, mural scale permanent pigment print on archival paper, color, 24” x 96.5”, 2016 from Sounding Botany Bay.

Alison Knowles, Artist, New York, New York, Wendover, Mobilis in Mobili, vs.1.0, ( audio CD), and, small science, percussion for 1 candle (videotape)

The Center for Land Use Interpretation, Los Angeles, Wendover, Mobilis in Mobili, vs.1.0, (audio CD), 1998

Jennifer Minke and Julia Pearson, Baltimore, Four Dissolutions, oil on wood panel, 1996

Stewart Watson and Jim Vose, Four Dissolutions, oil on wood panel, 1996

NETCAST LECTURES:

Shifting Sands: Botany Bay Today Artist Talk with Timothy Nohe Part 1 http://www.youtube.com/watch?v=ecQrpot5Htw&feature=related

Timothy Nohe CV, Page 19 December 2019

Shifting Sands Botany Bay Today Artist Talk with Tim Nohe Part 2 http://www.youtube.com/watch?v=928qO-als5s&feature=related

PRESENTATIONS/LECTURES/VISITING CRITIQUES:

2019 Sound Studies, Burnt, research co-presentation with Carol Hess, April 5. Keynote by Carter Mathes. UMBC Music Box

2018 Lecture in support of Voltage is Signal, Video Works by Timothy Nohe at Salisbury University, invited by Tara Gladden, curator, October 25

Research Lecture, UMBC Eco Arts, Institute of Marine and Environmental Technology, Baltimore, invited by Dr. Russell Hill, Director, September 11

Bloomberg Arts Internship – Young Audiences of Maryland Peer Panel, Open Works, Baltimore MD, July 6, invited by Leslie Shepard, with Allison Brown, Ernest Shaw, Gamynne Guillotte , Gavin Witt, Ja-Mar Jones, Kevin Gift and Sharayna Christmas

2017 Artist lecture, Voltage is Signal: Analog Video Works by Timothy Nohe, Washington College, Chestertown, MD, November 16. Invited gallery lecture, curated by Dr. Katherine Markoski. Artist lecture to Towson University students, November 29, Visiting Professor Carrie Fucile

LightForest Workshop II, Washington College, Chestertown, MD, November 16 co- taught lecture with Carol Hess, Brian Jones, Greg Chprnka to Theater majors addressing mobile Bluetooth speaker technology applied in Akimbo and LightForest, and video mapping with Isadora. Washington College faculty Laura Eckleman.

LightForest Workshop I, Washington College, Chestertown, MD, November 15 co- taught lecture with Carol Hess to Dance and Music majors, using the exhibition Voltage as Signal as a laboratory for electronic music, dance and improvisation. Washington College faculty A.T. Moffitt and Kenneth Schweitzer.

Guest Lecture: Traditional Food Ways of Aboriginal Peoples in Australia, Prior to Colonial Contact and Today. Nanyang Technological University, School of Humanities, College of Humanities, Arts, & Social Sciences, invited by Dr. Ivan Panovic, September 27.

Guest Workshops 1 and 2: Electron Drawing Workshop, utilizing an analog modular synthesizer and hacked Vectrex game system, Nanyang Technological University, School of Art, Design and Media, College of Humanities, Arts, & Social Sciences, invited by Joan Kelly and Nanci Takeyama, September 26.

Artist lecture on Sounding Botany Bay, Nanyang Technological University, School of Art, Design and Media, College of Humanities, Arts, & Social Sciences, invited by Dr. Randall Packer, September 25.

Timothy Nohe CV, Page 20 December 2019

Megapolis 2017, Electron Drawing Workshop utilizing an analog modular synthesizer and hacked Vectrex game system, PhillyCAM, Philadelphia, PA. Competitive international call for proposals, invited by Justin Grotelueschen, September 23.

2016 Performing Obsolescence: The Value of Lapsed Technology and the Discarded Tools of Media Creation, Sound Studies Faculty Working Group Symposium, UMBC, invited by Steph Ceraso and Maleda Belilgne. Lecture and screening of RasterSqApolloSnd, May 4.

Sounding Botany Bay: How Humans Have Transformed an Unique Environment presented at UMBC Humanities Forum, Tuesday, February 16, 4:00 PM - 5:00 PM, Library and Gallery, Albin O. Kuhn : Gallery

2015 UMBC Research Forum: Climate Change and the Environment: Measuring, Modeling and Understanding Our Changing World. Moderated by Belay Demoz, UMBC JCET; Colleen Burge, UMBC Department of Marine Biotechnology; Ruben Delgado, JCET; Jeffrey Halverson, UMBC GES; Timothy Nohe Visual Arts presentation of Urban Forest Stewardship Project. October 30 Material Resonances, Baltimore Museum of Art, Nohe conducted a 40-minute public interview with artist Dario Robleto as part of this commissioned live music and interview program, March 7.

2013 Sounding Out Media Arts, Centre For Creative Arts, La Trobe University, invited lecture. Dr. Norie Neumark, August 20

Annual Symposium of the Australian-American Fulbright Commission, Canberra, ACT, Australia, August 17, invited lecture on Soft Power: Three Interventions in Baltimore

Understanding Environment through Creative Arts, Centre For Creative Arts, La Trobe University, invited lecture, August 14

Maryland State Arts Council – MICA Panel, MA Ed in Arts Education Research and Studio Practice program, Baltimore, July 9, invited by Barry Shauck

2012 Bendigo TAFE, Lecture, Bendigo, Victoria Australia, July 30, invited by Dr. Warren Burt

The Maryland Institute College of Art, BFA Studio critiques, March 19

2011 The Corcoran School of Art, Washington, DC, artist presentation and critiques, April 11

2010 Shifting Sands: Botany Bay Today, artist presentation, Hazelhurst Gallery and Regional Art Centre, Gymea, NSW, Australia. August 22

University of Wollongong, Faculty of Creative Arts, Botany Bay presentation, University of Wollongong, Wollongong, NSW, Australia. August 20

La Trobe University, Cinema Studies Program, School of Communication, Arts and Critical Enquiry, Melbourne, Victoria, Australia, Botany Bay presentation, August 16

Timothy Nohe CV, Page 21 December 2019

2009 Visiting Artist, Rhetorics, Communication, and Information Design PhD program, the College of Architecture, Arts, and Humanities at Clemson University, 14-16 October

Centre for Media Arts Innovation, University of Technology Sydney, Sydney, Australia, invited presentation by Dr. Norie Neumark, August 17

University of Wollongong, Faculty of Creative Arts, Wollongong, Australia, invited presentation, August 14

2008 Art and Media, UMBC, invited artists’s talk, Mark Alice Durant, November 11

InterArts, UMBC, invited artist’s talk, Alan Kreizenbeck, October 10

2007 Australian National University, Canberra, Australia, “Art Forum”, invited artist’s talk, May 23

University of Technology Sydney, Sydney, Australia, Norie Neumark, faculty, invited artists talk, April 4

University of Wollongong, Wollongong, Australia, Stephen Ingham, faculty, invited artists talk, March 12

2006 University of Wollongong, Wollongong, Australia, Post-Graduate Seminar: “Planning Your Creativity”, Faculty of Creative Arts, September 5

University of Wollongong, Wollongong, Australia, Dr. Margaret Hamilton, Theatre, Faculty of Creative Arts, “Fluid Movement, Urban Contexts and Creation”, August 17

University of Wollongong, Wollongong, Australia, Dr. Diana Wood-Conroy, Art & Design, “What is Interdisciplinarity?”, Faculty of Creative Arts

Bauhaus-Universität, Weimar, Germany, Moden und öffentliche Erscheinungsbilder der Fakultät Medien. Studio of Professor Christine Hill, invited artist’s talk, May 31

Academy of Fine Arts, Prague, The School of New Media I, Studio of Michael Bielick, invited artist’s talk, March 29

“Senzory a interaktivita, zvukové instalace,” FAMU: Film and TV School of the Academy of Performing Arts in Prague, Milos Vojtechovsky, lecturer, invited artist’s talk, circuit bending workshop, performance February 19 -26

2005 X|Y, “Curator’s Incubator Program,” curator’s exhibition introduction, Maryland Art Place, Baltimore, MD, August 30

142 Ways to Mark Time, “Imprisonment,” College Art Association, panel session paper, Atlanta, GA, February 17. Invited by Dr. Susan Dixon

2004 “Arts of the Virtual: Poetic Inquiries in Time, Space and Motion,” University of Utah, Salt Lake City, UT, September 30 – October 2. Invited by Associate Dean David Zemmels

Timothy Nohe CV, Page 22 December 2019

PROFESSIONAL ASSOCIATIONS AND SOCIETIES:

2012 Australian-American Fulbright Association, Australia, current member

2010 Fulbright Association, United States, current member

2008 Society of Electro-Acoustic Music in the United States, current member

2001 Electronic Music Foundation, current member

1996 College Art Association, current member

SERVICE TO THE PROFESSION AND COMMUNITY:

2019 Mind on Fire, board member, contemporary chamber music ensemble based in Baltimore

Public Art Across Maryland, jurist, Maryland State Arts Council, 2019-2020

Unlikely, Editorial Board, Melbourne, Australia. Unlikely engages its audience and contributors in a two-stage process of live event, presenting creative practitioners’ works, followed by peer-reviewed electronic publication. ISSN 2205-0027

2018 Mind on Fire, board member, contemporary chamber music ensemble based in Baltimore

Artists, Connectors and Community Organizations “listening session” charged by T. Rowe Price Foundation, facilitated at Impact Hub, Baltimore.

Bloomberg Arts Internship Peer Panel. Partner: Young Audiences of Maryland, and Open Works invited by Leslie Shepard.

Art with a Heart, Baltimore, MD

Promotion to Professor, University of Oregon, Jack Ryan, September 17

2017 Bloomberg Arts and Culture Internship mentor. Partners: Young Audiences of Maryland, and the Greater Baltimore Cultural Alliance selected CIRCA to work with one rising Baltimore City Public High School student, Mr. Jahsol Drummond, from Bard High School.

Timothy Nohe CV, Page 23 December 2019

Consultation with Howard Hughes Corporation, thought leaders invited by Michele Whelley to envision arts infusion for downtown Columbia, MD. This meeting led to the development of the Merriweather Arts District Artist in Residence program.

Maryland State Arts Council - UMBC - Public Art Committee, ILSB Commission

2016 Fluid Movement, Senior Advisor to the Board

Maryland State Arts Council – UMBC Percent for Art Project — Interdisciplinary Life Sciences Building. $450,000 project, UMBC consulting artist outreach liaison, artist selection committee member.

2015 Imaging America, 2015, Organizing Committee Baltimore Host City

Bloomberg Philanthropies Public Art Challenge, juror, empaneled by the Mayor of Baltimore, Stephanie Rawlings Blake

Fluid Movement, Senior Advisor to the Board

2014 Maryland State Arts Council – UMBC Percent for Art Project, Performing Arts and Humanities Building. $397,000 project, UMBC outreach liaison, artist selection committee member.

2013 Maryland State Arts Council – UMBC Percent for Art Project, Performing Arts and Humanities Building. $397,000 project, UMBC outreach liaison, artist selection committee member.

Hands-On Benefit, Baltimore Montessori Public Charter School, presented two hours of original sound scores and music at a fund-raising event.

2012 Media consultant, “Chosen Food,” Jewish Museum of Maryland, Baltimore, MD

2011 Gourd Season workshops, Baltimore Montessori Public Charter School, k-3 a “green” /10 workshop on the art, culture and stewardship of gourds.

Timothy Nohe CV, Page 24 December 2019

2008 Promotion and Tenure External Reviewer, Stony Brook University, State University of New York, eCAD Program, Stony Brook, NY, February

2007 Fluid Movement, Board Member, Baltimore, MD, September 2000 – 2007. /00

2006 Review Panel, Workshops, Inter-Society of Electronic Arts (ISEA, 2006, San Jose), reviewer, invited by Steve Dietz, San Jose, CA February 20 -27

2005 Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council, reviewer, Baltimore, MD, August 19

2004 Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council, reviewer, Baltimore, MD, October 29

Sound-Waves Museum of Recorded Sound, consultant, Camden, NJ

School 33 Art Center, Annual Juried Exhibition, juror, May 15, Baltimore, MD

2003 Lotta Art, Auction, donor, School 33 Art Center, Baltimore, MD

ACADEMIC CURATION:

2011 Chosen Food, The Jewish Museum of Maryland. Nohe directs the IRC Fellows in /12 consultation with Karen Falk, curator of the Jewish Museum of Maryland http://chosenfood.org

2009 The Crystal Egg, IRC Fellows and Department of Theater students under the direction of Nohe and Associate Professor Colette Searls, at The Theater, UMBC

2006 Beroun, electro-acoustic sound and circuit-bending workshops and performances, FAMU: Film and TV School of the Academy of Performing Arts in Prague Czech Republic, February 18 – 26

2005 *blink*, IRC Fellows and movement/addiction dance company performance at The Patterson Theater, Creative Alliance, Baltimore, MD, February 4 and 5

2004 *blink*, IRC Fellows and movement/addiction dance company performance at the Imaging Research Center, UMBC, Baltimore, MD, December 17

PRESENTATIONS/VISITING CRITIQUES:

2019 Brilliant Baltimore – Light City, Inspire Stage, Word-Image, Creative Collaboration with UMBC and The Light Ekphrastic. Co-moderators Nohe and Jenny O’Grady, panelists: Melissa Cormier, Katie Field, Edward Doyle-Gillespie and Mandy May, November 2.

Economic Alliance of Greater Baltimore “Hot Topics: Data, Design & Development at Betamore - June 2019” discussion moderated by Nohe and guest speakers were Josh

Timothy Nohe CV, Page 25 December 2019

Barnes, Harbor Designs & Manufacturing; Jason Corace, Director of the B.F.A. in Game Design at MICA; and Chris Sachse, CEO Think|Stack, June 20

Sound Studies, Burnt, research co-presentation with Carol Hess, April 5. Keynote by Carter Mathes. UMBC Music Box

2018 Lecture in support of Voltage is Signal, Video Works by Timothy Nohe at Salisbury University, invited by Tara Gladden, curator, October 25

Research Lecture, UMBC Eco Arts, Institute of Marine and Environmental Technology, Baltimore, invited by Dr. Russell Hill, Director, September 11

Artist lecture on Sounding Botany Bay, Nanyang Technological University, School of Art, Design and Media, College of Humanities, Arts, & Social Sciences, invited by Dr. Randall Packer, September 25.

Timothy Nohe CV, Page 26 December 2019

Sounding Botany Bay: How Humans Have Transformed an Unique Environment presented at UMBC Humanities Forum, Tuesday, February 16, 4:00 PM - 5:00 PM, Library and Gallery, Albin O. Kuhn : Gallery

Material Resonances, Baltimore Museum of Art, Nohe conducted a 40-minute public interview with artist Dario Robleto as part of this commissioned live music and interview program, March 7.