2018 NORTH LOUISIANA 35Th Annual
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Karl Plagge Ein Gerechter Unter Den Völkern
Karl Plagge Ein Gerechter unter den Völkern – Begleitheft zur Ausstellung – Herausgegeben von der Darmstädter Geschichtswerkstatt e.V. Ausstellungsinformationen / Impressum Ausstellungsinformationen: KARL PLAGGE, ein „Gerechter unter den Völkern“ Ausstellung herausgegeben vom Magistrat der Wissenschaftsstadt Darmstadt. Ein Projekt der Darmstädter Geschichtswerkstatt e.V. Unterstützt von: Vilna Gaon Jewish State Museum (Vilnius), Studienkreis Deutscher Wider- stand 1933–1945 (Frankfurt a.M.), Hilfsfonds Jüdische Sozialstation e.V. (Freiburg i.Br.). Finanziell gefördert durch die Stadtsparkasse Darmstadt und weitere Spenden. Verantwortlich für den Inhalt der Ausstellung: Hannelore Skroblies und Christoph Jetter. Gestaltung der Ausstellung: archetmedia Darmstadt GbR (www.archetmedia.de). Druck der Ausstellungstafeln: roboplot Darmstadt (www.roboplot.de). Informationen: www.darmstaedter-geschichtswerkstatt.de Kontakt: [email protected] Die Ausstellung besteht aus: 6 Ausstellungstafeln 2 x 1 m, doppelseitig bedruckt, mit der Auf- stellungstechnik aufbewahrt in einer transportablen Kiste; benötigter Raum: mindestens 5 x 10 m. Die Ausleihe für Darmstädter Schulen und Bildungseinrichtungen bei Selbstabholung ist kostenlos, Ausleihe für andere Einrichtungen gegen Kaution. Vormerkung und Ausleihe über: Ludwig-Georgs-Gymnasium Darmstadt (Telefon: 06151-132562 – E-Mail: [email protected]). Impressum: Begleitheft zur Ausstellung „KARL PLAGGE, ein Gerechter unter den Völkern.“ Herausgegeben von der Darmstädter Geschichtswerkstatt -
Albert Halper's “Prelude”
p rism • an interdisciplinaryan journal interdisciplinary for holocaust educators journal for holocaust educators • a rothman foundation publication an interdisciplinary journal for holocaust educators editors: Dr. karen shawn, Yeshiva University, nY, nY Dr. jeffreY Glanz, Yeshiva University, nY, nY editorial Board: Dr. Aden Bar-tUra, Bar-Ilan University, Israel yeshiva university • azrieli graduate school of jewish education and administration DarrYle Clott, Viterbo University, la Crosse, wI Dr. keren GolDfraD, Bar-Ilan University, Israel Brana GUrewItsCh, Museum of jewish heritage– a living Memorial to the holocaust, nY, nY Dr. DennIs kleIn, kean University, Union, NJ Dr. Marcia saChs Littell, school of Graduate studies, spring 2010 the richard stockton College of new jersey, Pomona volume 1, issue 2 Carson PhIllips, York University, toronto, Ca i s s n 1 9 4 9 - 2 7 0 7 Dr. roBert rozett, Yad Vashem, jerusalem, Israel Dr. David Schnall, Yeshiva University, nY, nY Dr. WillIaM shUlMan, Director, association of holocaust organizations Dr. samuel totten, University of arkansas, fayetteville Dr. WillIaM YoUnGloVe, California state University, long Beach art editor: Dr. PnIna rosenBerG, technion, Israel Institute of technology, haifa poetry editor: Dr. Charles AdÈs FishMan, emeritus Distinguished Professor, state University of new York advisory Board: stePhen feInBerG, United states holocaust Memorial Museum, washington, D.C. Dr. leo GoldberGer, Professor emiritus, new York University, nY Dr. YaaCoV lozowick, historian YItzChak MaIs, historian, Museum Consultant GerrY Melnick, kean University, NJ rabbi Dr. BernharD rosenBerG, Congregation Beth-el, edison; NJ Mark sarna, second Generation, real estate Developer, attorney Dr. David SilBerklanG, Yad Vashem, jerusalem, Israel spring 2010 • volume 1, issue 2 Simcha steIn, historian Dr. -
Lithuania and the Jews the Holocaust Chapter
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Lithuania and the Jews The Holocaust Chapter Symposium Presentations W A S H I N G T O N , D. C. Lithuania and the Jews The Holocaust Chapter Symposium Presentations CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2004 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. First printing, July 2005 Copyright © 2005 United States Holocaust Memorial Museum Contents Foreword.......................................................................................................................................... i Paul A. Shapiro and Carl J. Rheins Lithuanian Collaboration in the “Final Solution”: Motivations and Case Studies........................1 Michael MacQueen Key Aspects of German Anti-Jewish Policy...................................................................................17 Jürgen Matthäus Jewish Cultural Life in the Vilna Ghetto .......................................................................................33 David G. Roskies Appendix: Biographies of Contributors.........................................................................................45 Foreword Centuries of intellectual, religious, and cultural achievements distinguished Lithuania as a uniquely important center of traditional Jewish arts and learning. The Jewish community -
YIVO Encyclopedia Published to Celebration and Acclaim Former
YIVO Encyclopedia Published to Celebration and Acclaim alled “essential” and a “goldmine” in early reviews, The YIVO Encyclo- pedia of Jews in Eastern Europe was published this spring by Yale University Press. CScholars immediately hailed the two-volume, 2,400-page reference, the culmination of more than seven years of intensive editorial develop- ment and production, for its thoroughness, accuracy, and readability. YIVO began the celebrations surrounding the encyclopedia’s completion in March, just weeks after the advance copies arrived. On March 11, with Editor in Chief Gershon Hundert serving as moderator and respondent, a distinguished panel of “first readers”—scholars and writers who had not participated in the project—gave their initial reactions to the contents of the work. Noted author Allegra Goodman was struck by the simultaneous development, in the nineteenth century, of both Yiddish and Hebrew popular literature, with each trad- with which the contributors took their role in Perhaps the most enthusiastic remarks of the ing ascendance at different times. Marsha writing their articles. Dartmouth University evening came from Edward Kasinec, chief of Rozenblit of the University of Maryland noted professor Leo Spitzer emphasized that even the Slavic and Baltic Division of the New York that the encyclopedia, without nostalgia, pro- in this age of the Internet and Wikipedia, we Public Library, who said, “I often had the feeling vides insight into ordinary lives, the “very still need this encyclopedia for its informa- that Gershon Hundert and his many collabo- texture of Jewish life in Eastern Europe,” and tive, balanced, and unbiased treatment, unlike rators were like masters of a kaleidoscope, was impressed with the obvious seriousness much information found on the Web. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Yiddish Songs of the Shoah: A Source Study Based on the Collections of Shmerke Kaczerginski Permalink https://escholarship.org/uc/item/6x72f9t5 Author Werb, Bret Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Bret Charles Werb 2014 Copyright © Bret Charles Werb 2014 ABSTRACT OF THE DISSERTATION Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski by Bret Charles Werb Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Timothy Rice, Chair This study examines the repertoire of Yiddish-language Shoah (or Holocaust) songs prepared for publication between the years 1945 and 1949, focusing its attention on the work of the most influential individual song collector, Shmerke Kaczerginski (1908-1954). Although a number of initiatives to preserve the “sung folklore” of the Nazi ghettos and camps were undertaken soon after the end of the Second World War, Kaczerginski’s magnum opus, the anthology Lider fun di getos un lagern (Songs of the Ghettos and Camps), published in New York in 1948, remains unsurpassed to this day as a resource for research in the field of Jewish folk and popular music of the Holocaust period. ii Chapter one of the dissertation recounts Kaczerginski’s life story, from his underprivileged childhood in Vilna, Imperial Russia (present-day Vilnius, Lithuania), to his tragic early death in Argentina. -
The Cultural Life of the Vilna Ghetto Solon Beinfeld
THE CULTURAL LIFE OF THE VILNA GHETTO SOLON BEINFELD VILNA, KNOWN AS the Jerusalem of Lithuania, was for centuries one of the great centers of Jewish creativity. Nearly all the great modern cultural and political movements-the evolution of critical methodology and the rational analysis of rabbinic texts, the emergence of the East European Jewish Enlightenment and the rise of modern Hebrew and Yiddish literature, the appearance of Zionism and the Jewish Labor Movment-are closely associated with Vilna, a city where tradition and innovation harmoniously mingled. Jewish Vilna, even as a ghetto under Nazi rule, did not betray its cultural heritage. Isaiah Trunk noted that reading "the uncommonly rich documentation of cultural activities in the Vilna ghetto, one is often tempted not to believe that such colorful, almost 'normal' cultural work took place in a ghetto where remnants of a decimated community were concentrated, constantly in danger of destruction."1 But this "normality" was of course an illusion. Many in the ghetto knew it was an illusion, perhaps even a dangerous one. In fact the Vilna ghetto was ambivalent toward its own cultural activity; the reasons for this hesitancy need to be mentioned along with the cultural achievements themselves. This ambivalence is perhaps most evident in connection with the Ghetto Theater, often regarded as the most striking form of cultural activity in the ghetto. In August 1946, Israel Segal testified at Nuremberg that "I was director of the Ghetto Theater which the Germans forced us to keep going."2 Segal's statement is false: the Germans were quite indifferent to this aspect of the internal life of the ghetto. -
Violins of Hope: Teacher's Guide
Teacher’s Guide sponsors: Dominion Energy WINDSOR Charitable Foundation FOUNDATION TABLE OF CONTENTS Overview of Music During the Holocaust 1 Politics & Propaganda 1 Resistance 3 Responses 5 Memory 7 Violins of Hope Amnon Weinstein 9 James Grymes 10 About Violins of Hope: Instruments of Hope 10 and Liberation in Mankind’s Darkest Hour Introduction to Violin Descriptions 11 The Feivel Wininger Violin 12 The Haftel Violin 13 The Auschwitz Violin 14 Violin from Lyon, France 15 You Can Make a Difference 18 The Holocaust: A Glossary 19 Holocaust History Timeline 22 Works Cited 30 Adapted from the Violins of Hope: Teacher’s Guide to Accompany Violins of Hope Program developed by Danielle Kahane-Kaminsky, Tennessee Holocaust Commission, December 2017. Overview of Music During the Holocaust During the Holocaust, music played many different roles. From the rise of Nazi power in Germany to the end of World War II, governments and individuals used music for a variety of reasons. Here are four prominent main themes of music during Nazi Germany and the Holocaust: • Politics and Propaganda • Resistance • Responses • Memory Source: http://holocaustmusic.ort.org/ Politics & Propaganda For the Nazis, music was not only a source of national pride, but also a tool for propaganda to influence German society. They felt music had a unique significance and power to seduce and sway the masses. Shortly after the Third Reich gained power in 1933, orchestras and conservatories were nationalized and funded by the state, and popular performers were recruited to serve as propaganda outlets for the Reich. The Nazi Party made widespread use of music in its publicity, and music featured prominently at rallies and other public events. -
Jewish Labor Bund's
THE STARS BEAR WITNESS: THE JEWISH LABOR BUND 1897-2017 112020 cubs בונד ∞≥± — A 120TH ANNIVERSARY CELEBRATION OF THE FOUNDING OF THE JEWISH LABOR BUND October 22, 2017 YIVO Institute for Jewish Research at the Center for Jewish History Sponsors YIVO Institute for Jewish Research, Jonathan Brent, Executive Director Workmen’s Circle, Ann Toback, Executive Director Media Sponsor Jewish Currents Executive Committee Irena Klepisz, Moishe Rosenfeld, Alex Weiser Ad Hoc Committee Rochelle Diogenes, Adi Diner, Francine Dunkel, Mimi Erlich Nelly Furman, Abe Goldwasser, Ettie Goldwasser, Deborah Grace Rosenstein Leo Greenbaum, Jack Jacobs, Rita Meed, Zalmen Mlotek Elliot Palevsky, Irene Kronhill Pletka, Fay Rosenfeld Gabriel Ross, Daniel Soyer, Vivian Kahan Weston Editors Irena Klepisz and Daniel Soyer Typography and Book Design Yankl Salant with invaluable sources and assistance from Cara Beckenstein, Hakan Blomqvist, Hinde Ena Burstin, Mimi Erlich, Gwen Fogel Nelly Furman, Bernard Flam, Jerry Glickson, Abe Goldwasser Ettie Goldwasser, Leo Greenbaum, Avi Hoffman, Jack Jacobs, Magdelana Micinski Ruth Mlotek, Freydi Mrocki, Eugene Orenstein, Eddy Portnoy, Moishe Rosenfeld George Rothe, Paula Sawicka, David Slucki, Alex Weiser, Vivian Kahan Weston Marvin Zuckerman, Michael Zylberman, Reyzl Zylberman and the following YIVO publications: The Story of the Jewish Labor Bund 1897-1997: A Centennial Exhibition Here and Now: The Vision of the Jewish Labor Bund in Interwar Poland Program Editor Finance Committee Nelly Furman Adi Diner and Abe Goldwasser -
Laughter Through Tears”: Jewish Humor in the Aftermath of the Holocaust
“Laughter through Tears”: Jewish Humor in the Aftermath of the Holocaust Avinoam Patt (UNIVERSITY OF HARTFORD) Gelekhter durkh trern—that is how Moyshe Nudelman titled his 1947 book on humorous and satirical works in postwar Poland, which was published in Buenos Aires as part of the multi-volume series Dos poylishe yidentum. The title was a trib- ute to Sholem Aleichem, the iconic Yiddish writer who was often praised for his ability to express “laughter through tears.”1 Yet what, we may rightly ask, could have been humorous about Jewish life in postwar Poland and Germany? In the immediate aftermath of the war, Zalman Grinberg, the frst leader of the liberated Jews in post- war Germany, marked the liberation from the German camps in a speech at St. Ottilien in late May 1945, telling his fellow survivors: “We are free now, but we do not know how to begin our free but unfortunate lives. We have forgotten how to laugh, we cannot cry any more, we do not comprehend our freedom yet, and this because we are still among our dead comrades.”2 A few years later, writing in the United States in 1951, Irving Kristol eulogized the passing of Jewish humor in an article in Commentary magazine, noting: “Jewish humor died with its humorists when the Nazis killed off the Jews of Eastern Europe, though it seems likely that even without the intervention of Hitler this humor would not long have survived the disintegration of the ghetto community from which it drew its inspiration.”3 As others1 at the time noted, it seemed that European Jews were far too traumatized to laugh, and that Jewish children raised without a childhood “were children who could not laugh . -
Allan Arkush in the Melting Pot
Ilana Kurshan on a Brilliant New Torah Commentary JEWISH REVIEW OF BOOKS Volume 9, Number 2 Summer 2018 $10.45 Allan Arkush In the Melting Pot Cecile E. Kuznitz The Book Smugglers of Vilna Jenna Weissman Joselit W. E. B. Du Bois at the Warsaw Ghetto Matt Goldish Isaac Newton and the Secrets of the Temple PLUS Allan Nadler The Most Important Rabbi You've Never Heard Of Abraham Socher Says Who? Editor Abraham Socher NEW FROM MAGGID BOOKS Senior Contributing Editor Allan Arkush Art Director Betsy Klarfeld Maggid Studies in Tanakh Managing Editor Amy Newman Smith Web Editor Rachel Scheinerman Rabbi Dr. Zvi Grumet Dr. Erica Brown Editorial Assistant GENESIS JONAH Kate Elinsky FROM CREATION THE RELUCTANT Editorial Board TO COVENANT PROPHET Robert Alter Shlomo Avineri Leora Batnitzky Ruth Gavison Moshe Halbertal Hillel Halkin Jon D. Levenson Anita Shapira Michael Walzer J. H.H. Weiler Ruth R. Wisse Steven J. Zipperstein Executive Director Eric Cohen Publisher Gil Press Circulation Associate Dalya Mayer Chairman’s Council Blavatnik Family Foundation Rabbi Michael Hattin Rabbi Alex Israel Rabbi Dr. Binyamin Lau Rabbi Hayyim Angel Dr. Yael Ziegler Dov S. Zakheim Publication Committee I KINGS JEREMIAH JOSHUA ĤAGGAI, RUTH NEHEMIAH Marilyn and Michael Fedak THE CHALLENGE OF THE TORN IN TWO THE FATE OF A PROPHET ZECHARIAH & FROM ALIENATION TO STATESMAN AND SAGE PROMISED LAND MONARCHY Ahuva and Martin J. Gross MALACHI Susan and Roger Hertog PROPHECY IN AN AGE OF UNCERTAINTY Roy J. Katzovicz The Lauder Foundation– Leonard and Judy Lauder Sandra Earl Mintz Maggid Modern Classics Tina and Steven Price Charitable Foundation Pamela and George Rohr Daniel Senor NEW EDITION Paul E. -
Moyshe Levin (Ber Sarin) of Yung-Vilne and His Solo Publishing Venture for Children Shulamith Berger Yeshiva University, [email protected]
Judaica Librarianship Volume 20 100-133 12-31-2017 Moyshe Levin (Ber Sarin) of Yung-Vilne and His Solo Publishing Venture for Children Shulamith Berger Yeshiva University, [email protected] Follow this and additional works at: https://ajlpublishing.org/jl Recommended Citation Berger, Shulamith. 2017. "Moyshe Levin (Ber Sarin) of Yung-Vilne and His Solo Publishing Venture for Children." Judaica Librarianship 20: 100-133. doi:10.14263/2330-2976.1281. Moyshe Levin (Ber Sarin) of Yung-Vilne and His Solo Publishing Venture for Children Author Biography & Related Information Shulamith Z. Berger is the Curator of Special Collections and Hebraica-Judaica at Yeshiva University, Mendel Gottesman Library. She blogs at http://blogs.yu.edu/library/ and frequently speaks at the Association of Jewish Libraries conferences. Erratum Entries in the Bibliography of Moyshe Levin's Writings for Children were updated due to new findings in the National Library of Poland. This essay and research is available in Judaica Librarianship: https://ajlpublishing.org/jl/vol20/iss1/9 S. Berger / Judaica Librarianship 20 (2017) 100–133 Moyshe Levin (Ber Sarin) of Yung-Vilne and His Solo Publishing Venture for Children INTRODUCTION Moyshe Levin (1907–1942), a multi-talented author and artist, used the pseudonym Ber Sarin for the works he wrote for young children. Despite a difficult early life and impaired hearing, he created lively, joyous stories for children in the form of Yiddish rhythmic poetry. He illustrated them himself in vivid color or black and white and self-published many of them as small book- lets in Vilnius (Vilna), Lithuania in the late 1930s. -
UNIVERSITY of CALIFORNIA Los Angeles Yiddish Songs of The
UNIVERSITY OF CALIFORNIA Los Angeles Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Bret Charles Werb 2014 Copyright © Bret Charles Werb 2014 ABSTRACT OF THE DISSERTATION Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski by Bret Charles Werb Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Timothy Rice, Chair This study examines the repertoire of Yiddish-language Shoah (or Holocaust) songs prepared for publication between the years 1945 and 1949, focusing its attention on the work of the most influential individual song collector, Shmerke Kaczerginski (1908-1954). Although a number of initiatives to preserve the “sung folklore” of the Nazi ghettos and camps were undertaken soon after the end of the Second World War, Kaczerginski’s magnum opus, the anthology Lider fun di getos un lagern (Songs of the Ghettos and Camps), published in New York in 1948, remains unsurpassed to this day as a resource for research in the field of Jewish folk and popular music of the Holocaust period. ii Chapter one of the dissertation recounts Kaczerginski’s life story, from his underprivileged childhood in Vilna, Imperial Russia (present-day Vilnius, Lithuania), to his tragic early death in Argentina. It details his political, social and literary development, his wartime involvement in ghetto cultural affairs and the underground resistance, and postwar sojourn from the Soviet sphere to the West. Kaczerginski’s formative years as a politically engaged poet and songwriter are shown to have underpinned his conviction that the repertoire of salvaged Shoah songs provided unique and authentic testimony to the Jewish experience of the war.