Study on the Rise and Fall of the Duyi Fu and Geography Record of the Pre-Tang Dynasty and the Mutual Influence
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Third Series • Volume Xxiii Part 1 • Third Series Third
part 1 volume xxiii • academia sinica • taiwan • 2010 INSTITUTE OF HISTORY AND PHILOLOGY third series asia major • third series • volume xxiii • part 1 • 2010 xiao tong’s preface to tao yuanming ji ping wang Between Reluctant Revelation and Disinterested Disclosure: Reading Xiao Tong’s Preface to Tao Yuanming ji iao Tong 蕭統 (501–531), posthumously the Crown Prince of Re- X .splendent Brilliance (Zhaoming taizi 昭明太子) of the Liang dynasty (502–557), is most famous for his compilation of the Wen xuan 文選, one of the most important anthologies in the Chinese literary tradi- tion.1 Yet the Liang prince made another contribution to the world of letters, namely, his fervent praise of Tao Yuanming 陶淵明 (365–427) that serves as a crucial link in the reception history of one of the great- est poets in China. The prince’s promotion of Tao Yuanming is seen in three interrelated activities: rewriting Tao Yuanming’s biography, collecting Tao’s works, and composing for the collection a long pref- ace (referred to here as the Preface). While the biography has proved a useful point of comparison for studying the canonization history of Tao Yuanming as a poet,2 the Preface attracts scholarly attention for a I would like to thank David R. Knechtges, Paul W. Kroll, Martin Kern, Susan Naquin, Ben- jamin Elman, Willard Peterson, and Paul R. Goldin, who read and commented on this paper. Their feedback has benefited me greatly in the process of revision. I also owe thanks to the editors and anomymous readers at Asia Major for comments and suggestions. -
Epilogue the Aftermath and the Romanticization of the Liang
epilogue The Aftermath and the Romanticization of the Liang With the Hou Jing Rebellion and the fall of the Liang, the cultural world of the Southern Dynasties came to an end—the Chen was but a fading echo of the Liang. But if the Liang officially ended in 557, its life contin- ued long afterward, both politically and culturally. After the sacking of Jiangling in 555, the Western Wei set up Xiao Cha 蕭詧, Xiao Tong’s third son, as the new ruler of Liang; his territory was limited to Jingzhou and sandwiched between the Western Wei, the Eastern Wei, and the Chen. Although subordinated to the Western Wei, Xiao Cha neverthe- less ruled over the small portion of land as emperor, and his dynasty is known as the Latter Liang 後梁. It lasted thirty-three years, almost as long as the Liang itself. Xiao Cha died at the age of forty-three in 562 and received the posthumous title, Emperor Xuan 宣帝. The throne passed to his third son, Xiao Kui 蕭巋, Emperor Ming 明帝. In 582 Xiao Kui’s daughter was chosen to be the consort of the Sui prince Yang Guang 楊廣, better known as Emperor Yang of the Sui or Sui Yangdi 隋煬帝 (r. 605–17). Emperor Wen of the Sui treated Xiao Kui with exceptional generosity; at the suggestion of his wife, Em- press Yang, he even dismissed the Sui army stationed in the Western City of Jiangling. He also told Xiao Kui that he would conquer the Chen and escort Xiao Kui back to Jiankang. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
Cheng, Prefinal2.Indd
ru in han times anne cheng What Did It Mean to Be a Ru in Han Times? his paper is not meant to break new ground, but essentially to pay T homage| to Michael Loewe. All those who have touched upon Han studies must acknowledge an immense intellectual debt to his work. I have had the great privilege of being his student at Cambridge back in the early 1980s while I was writing my doctoral thesis on He Xiu and the Later Han “jinwen jingxue վ֮ᆖᖂ.” Along with his vast ۶ٖ knowledge about the Han period, he has kept giving me much more over the years: his unfailing support, his human warmth, and wisdom. All this, alas, has not transformed me into what I ought to have be- come: a disciple worthy of the master. The few general considerations I am about to submit about what it meant to be a ru ᕢ in the Han pe- riod call forth an immediate analogy. I would tend to view myself as a “vulgar ru,” as opposed to authentic ones such as the great sinologists who have taught me. Jacques Gernet, who is also one of them, asked me once half teas- ingly whether one could actually talk about an existing Confucianism as early as the Han. His opinion was that what is commonly called Neo-Confucianism from the Song onwards should actually be consid- ered as the earliest form of Confucianism. Conversely, in an article on ᆖ, Michael Nylan and Nathan Sivinخ֜ Yang Xiong’s ཆႂ Taixuan jing described the new syntheses of beliefs prevalent among leading think- ers of the Han as “the first Neo-Confucianism,”1 meaning that “what sinologists call the ‘Confucianism’ of that time decisively rejected cru- cial parts of ‘Confucius’s Way.’ Its revisionism is as great in scope as that of the Song.”2 I here thank the anonymous referees for their critical remarks on my paper and apologize for failing, due to lack of time and availability, to make all the necessary revisions. -
Preface of Selections of Refined Literature”
Advances in Social Science, Education and Humanities Research, volume 416 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) Exploration on the Completion Time of the “Preface of Selections of Refined Literature” Yong Yu The College of Literature and Journalism Sichuan University Chengdu, China Abstract—The opinions on the completion time of the At the end of the "Preface of Selections of Refined "Preface of Selections of Refined Literature" have always been Literature", it describes the beginning year and end year of divergent and inconsistent. To examine its completion time, it the works collected in "Selections of Refined Literature" and is necessary to combine various internal and external factors the total number of volumes, and explains the basis of the such as the preface, the compilation style of "Selections of style order arrangement. Especially, the poems are Refined Literature", the life story of the editor, and the process subdivided into subtypes and sequenced according to the of writing the book. It helps to make clear the long-standing times. Obviously, it is neither possible for the editor to related disputes in the researches on "anthologizing presume the total number of volumes compiled before principles". completion of "Selections of Refined Literature" nor possible Keywords: “Preface of Selections of Refined Literature”, to previously have an idea of subdividing poems into Xiao Tong, completion time subtypes. If the "Preface of Selections of Refined Literature" was written in the compilation process but before completion I. INTRODUCTION of "Selections of Refined Literature", the editor would also not available to conclude that the total number of volumes is When was the "Preface of Selections of Refined thirty. -
Origins of Nature Tourism in Imperial China
Origins of nature tourism in imperial China Libo Yan Abstract Libo Yan is based at the Faculty Purpose – The purpose of this paper is to apply what can be learned from the emergence of nature tourism of Hospitality and Tourism to understand some current and future trends of tourism. Management, Macau Design/methodology/approach – This study adopted the evolutionary paradigm for investigation. University of Science and Findings – The emergence of nature tourism in early medieval China can be attributed to four major factors, Technology, Macau, China. including transformation of value orientations, seeking longevity, interest in suburbs and population migration. Research limitations/implications – Historical studies help understand the current and future trends. When the contributing factors for nature tourism are linked to the contemporary world, it can be found that these factors are still playing a part in shaping tourism trends or patterns in their original or alternative forms. These trends or patterns are worthy of scholarly investigations. Originality/value – This paper offers a comprehensive understanding of the origins of nature tourism. Keywords Early medieval China, Landscape appreciation, Population migration, Seeking longevity, Suburban excursions, Value transformation Paper type Research paper Introduction The origins of tourism have been a fascinating area for investigation. According to Cohen (1972, as cited in Stronza, 2001), such investigation should pay attention to the specific forms of tourism as different forms of tourism might have different origins. It is thus necessary to examine the social, political and environmental factors that caused the emergence of certain types of tourism (Dann, 1981, as cited in Stronza, 2001). In the broad sense, tourism can be classified into two types, cultural tourism and nature tourism. -
(Shijing): on “Filling out the Missing Odes” by Shu Xi
Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the Missing Odes” by Shu Xi Thomas J. MAZANEC University of California, Santa Barbara1 A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have been held in such high regard. It examines how Shu Xi’s poems function in relation to the Book of Odes, especially their use of quotation, allusion, and other intertextual strategies. Rather than imitate, borrow, or forge, the “Missing Odes” seek to bring the idealized world of the Odes into reality by reconstructing canonical rites with cosmic implications. In so doing, they represent one person’s attempt to stabilize the chaotic political center of the Western Jin in the last decade of the third century. The “Missing Odes” reveal that writing, rewriting, ritualizing, and anthologizing are at the heart of early medieval Chinese ideas of cultural legitimation. Introduction If one were to open the Wenxuan 文選, the foundational sixth-century anthology compiled by Crown Prince Xiao Tong 蕭統 (501–531), and turn to the section on shi- poetry 詩 in hopes of understanding early medieval lyricism, the first pages would present one with a curious series of six poems, different in style and tone from the more famous works that follow. This set of tetrametric verses by Shu Xi 束皙 (ca. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Revista De Cultura Revista De Cultura Review of Culture INSTITUTO CULTURAL Do Governo Da R.A.E De Macau
55 International Edition 55 Edição Internacional 2017 International Edition Edição Internacional Revista de Cultura Revista Revista de Cultura Review of Culture INSTITUTO CULTURAL do Governo da R.A.E de Macau do Governo CULTURAL INSTITUTO Review of Culture Review IC Assine a EDITOR é uma revista de Cultura e, domínio do Espírito, é Livre. Avassalada Publisher ao encontro universal das culturas, servente da identidade cultural de Revista de Cultura Subscribe to INSTITUTO CULTURAL Macau, agente de mais íntima relação entre o Oriente e o Ocidente, do Governo da Região Administrativa particularmente entre a China e Portugal. RC propõe-se publicar todos Review of Culture Especial de Macau os textos interessantes aos objectivos confessados, pelo puro critério da CONSELHO DE DIRECÇÃO qualidade. Assim, as opiniões e as doutrinas, expressas ou professas nos textos Editorial Board assinados, ou implícitas nas imagens de autoria, são da responsabilidade Leung Hio Ming, Chan Peng Fai, dos seus autores, e nem na parte, nem no todo, podem confundir-se com a Wong Man Fai, Luís Ferreira orientação da RC. A Direcção da revista reserva-se o direito de não publicar, [email protected] nem devolver, textos não solicitados. EDITOR EXECUTIVO é uma revista simultaneamente publicada nas versões Chinesa e Executive Editor Internacional (em Português e Inglês). Buscando o diálogo e o encontro Sofia Salgado francos de Culturas, RC tem na limpidez a vocação e na transparência [email protected] o seu processo. COORDENADOR Co-ordinator Luís Ferreira is a cultural magazine published in two versions — Chinese and [email protected] International (Portuguese/English)—whose purpose is to reflect the uni- que identity of Macao. -
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International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2016) Analysis of the Characteristics of “A Treatise on the Latent Man” Structure Arrangement Jiang Zefeng (Department of Ideological and Political Theory Teaching, Tonghua Normal University, Jilin Tonghua 134002) Keywords: A Treatise on the Latent Man; Structure Arrangement; Characteristics Abstract. The book writing formats and the overall arrangement of “A Treatise on the Latent Man” have embodied Wang Fu’s elaborate design. Its design of fore and aft chapters clearly has the shadow of “Syun Zih”, “Historical Records”, “Han History”. The division of its volume numbers is greatly influenced by the “Zhouyi” theories. The book each chapter content is connected with Wang Fu’s life experiences and presents a tendency from the shallower to the deeper. Article writing format Structured On the writing format, the first step is putting forward the thesis, and then theoretically illustrating and demonstrating them, afterwards quoting the current affairs, listing phenomenons and criticizing, finally drawing the conclusion. The whole book of “A Treatise on the Latent Man”, except for a few articles, basically belongs to the political in nature. In order to illustrate this viewpoint, I take "Real tribute" article as an example. A.A country will become prosperity due to the worthy persons and decline because of the adulatory persons. A monarch will be safe because of the loyalministers and become dangerous because of courtiers.… How can you say no loyal army patriotic people of integrity?It is clear that they can not get to play. B.Within walking distance of ten step, you will find to the lush grass; In a small city, within the only ten households, you will find handsome talents. -
Author Index
Author Index npg 163 10.1038/aps.2013.119 CHANG, Xin-feng S1.4, S1.15 CHEN, Wei S5.4, S5.6, S8.60 CUI, Jun-jun S13.32 ABDUL NASIR, Nurul Alimah S13.1 CHANG, Yan S5.2, S8.44, S8.45, S8.51, CHEN, Wei-chuan S8.4 CUI, Liao S2.59, S2.63, S8.61 ABDUL RAHMAN, Thuhairah Hasrah S8.56, S8.74, S8.75, S13.64 CHEN, Wei-wei S6.39, S6.9, S10.22 CUI, Su-ying S8.50, S11.49, S13.26 S13.2 CHAO, Jung S8.2, S8.3 CHEN, Wen-pin S6.8 CUI, Xiang-yu S8.50, S11.49 AGARWAL, Puneet S2.18, S13.2, S13.20, CHAO, Ming-yu S2.7 CHEN, Wen-shuang S8.61 CUI, Xiao-lan S2.39, S2.69, S2.9, S5.27 S13.60, S13.61 CHAO, Xiao-juan S10.54 CHEN, Xi S11.54 CUI, Xiu-ming S2.71 AGARWAL, Renu S2.18, S13.1, S13.2, CHAO, Yung-mei S13.4 CHEN, Xian-zhuo S2.70 CUI, Ya-ru S1.33 S13.20, S13.37, S13.60, S13.61 CHAO, Zhen-hua S1.28 CHEN, Xiao-hong S13.6 CUI, Yi-min S3.18, S3.21, S3.25, S4.19 AHMAD, Zuraini S6.21, S6.70 CHE, Ling S8.78 CHEN, Xiao-ping S11.7, S12.35 DAI, De-zai S8.8 AHMAD FISOL, Nur Farhana S2.18 CHEANG, Wai San S5.3, S11.4 CHEN, Xiao-qiang S13.16 DAI, Hai-bin S6.57 AHN, Kwang Seok S1.45 CHEN, Ai-ying S12.5 CHEN, Xiao-yu S6.11 DAI, Mi-yang S1.37 AI, Hou-xi S10.61, S10.75 CHEN, Bai-nian S8.73 CHEN, Xin S13.25 DAI, Sheng-ming S13.13 ALKHARFY, Khalid S6.15, S6.48, S11.8 CHEN, Bei-fan S2.29 CHEN, Xiu-ping S1.61, S1.62, S2.53, DAI, Xin S2.16 ALYAUTDIN, Renad S13.1, S13.2, CHEN, Ben-kuen S1.3 S2.8, S5.5, S6.113, S11.22 DAI, Yan-wen S8.69 S13.60 CHEN, Bo S11.5, S13.6 CHEN, Xue-mei S6.10 DAI, Yin S8.8 AN, Yu S11.1 CHEN, Chang S2.5, S10.78 CHEN, Xu-meng S8.5 DAI, Yue S2.55, S8.67, S13.45 -
Notes on the Earliest Sanskrit Word Known in Chinese
SINO-PLATONIC PAPERS Number 201 May, 2010 Notes on the Earliest Sanskrit Word Known in Chinese by Hoong Teik TOH Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc.