The Gene Ammons All Stars Woofin' & Tweetin' Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

The Gene Ammons All Stars Woofin' & Tweetin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Woofin' & Tweetin' Country: US Style: Bop MP3 version RAR size: 1336 mb FLAC version RAR size: 1235 mb WMA version RAR size: 1175 mb Rating: 4.2 Votes: 900 Other Formats: MP2 AC3 AAC AU WMA VQF DTS Tracklist Gene Ammons All Star Sextet A1 –Gene Ammons All Stars* Woofin' And Tweetin' 13:00 A2 –Gene Ammons All Stars* Juggernaut 10:00 Gene Ammons Battles Sonny Stitt B1 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 3) 3:25 B2 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 1) 1:30 B3 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 2) 2:20 B4 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 1) 2:45 B5 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 2) 2:45 B6 –Gene Ammons Vs. Sonny Stitt Stringin' The Jug 5:00 B7 –Gene Ammons Vs. Sonny Stitt New Blues Up And Down 5:15 Credits Cover – Tom Hannan Liner Notes – Ira Gitler Remastered By – Van Gelder* Supervised By – Bob Weinstock Notes Side A recorded 6/15/'55 Side B recorded 3/5/'50, 10/28/'50, 1/31/'51 Solid navy blue Prestige trident labels. Other versions Category Artist Title (Format) Label Category Country Year All Star LP 7050, PRLP Gene Sessions (LP, Prestige, LP 7050, PRLP US 1956 7050 Ammons Album, Mono, Prestige 7050 RM) Original All Star OJCCD-014-2, Gene Jazz OJCCD-014-2, Sessions (CD, US 1992 P-7050 Ammons Classics, P-7050 Album, RE, RM) Prestige Gene Ammons, Sonny Stitt - All Prestige, Gene Star Sessions Original 0002518601429 Ammons, 0002518601429 Europe Unknown With Sonny Jazz Sonny Stitt Stitt (CD, Classics Album, RE, RM) All Star Gene Sessions (LP, SMJ-6610(M) Prestige SMJ-6610(M) Japan 1979 Ammons Album, Mono, RE) Original All Star Gene Jazz OJC-014, P-7050 Sessions (LP, OJC-014, P-7050 US 1982 Ammons Classics, Album, RE) Prestige Related Music albums to Woofin' & Tweetin' by The Gene Ammons All Stars Gene Ammons Quartet / Gene Ammons And His Band - When I Dream Of You / Wow Gene Ammons All Stars - Blue Greens And Beans Gene Ammons / Sonny Stitt - Boss Tenors: Straight Ahead From Chicago August 1961 Gene Ammons - Blues Up And Down, Vol. 1 Gene Ammons - Not Really The Blues Gene Ammons - Hi Fidelity Jam Session Gene Ammons - G. Ammons Story, 78 Era Gene Ammons - Moonglow Gene Ammons & Sonny Stitt With Jack McDuff - Soul Summit Gene Ammons - Jug.

Copy Link

Recommended publications

Sendung, Sendedatum
WDR 3 Jazz & World, 24. Februar 2018 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 23. Februar 2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Tempo’s Tempo K/T: Nino Tempo 2:33 NINO TEMPO NCB 1050 LP: The Girl Can’t Help It 2. Sweet And Lovely K/T: Gus Arnheim/ Nappy Lemare 4:25 COLEMAN HAWKINS Pablo 2310890; LC: 03254 LP: Jazz Dance 3. Why Was I Born K/T: Jerome Kern/ Oscar Hammerstein 8:25 GENE AMMONS & Verve 2578; LC: 00383 SONNY STITT LP: Boss Tenors In Orbit 4. Wheel of Fortune K/T: Benny Benjamin/ George Davis Weiss 2:50 THE FOUR FLAMES Specialty 423 Single 5. Le Papillon K/T: Edvard Grieg 2:57 CLAUDE THORNHILL Circle 19 CD: Claude Thornhill 1941 & 1947 6. Träumerei K/T: Robert Schumann 2:12 CLAUDE THORNHILL wie Titel 5 7. Robbins’ Nest K/T: Sir Charles Thompson 3:59 CLAUDE THRONHILL Hindsight 108; LC: 00171 LP: The Uncollected Claude Thornhill 1947 8. Just About This Time K/T: LouisPrima/ PaulCunningham/ 3:59 Last Night Sidney Miller CLAUDE THORNHILL wie Titel 7 9. Love Me Love K/T: Wolfe /Lee 2:30 FRAN WARREN MGM 3394; LC: 00383 LP: Mood Indigo 10. Donna Lee K/T: Charlie Parker 2:27 CLAUDE THORNHILL wie Titel 7 11. Penthouse Serenade K/T: Val Burton/ Will Jason 2:45 HELEN O’CONNELL Hindsight 228; LC: 00171 LP: The Uncollected Helen O’Connell 1953 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt.
[Show full text]
Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences Nicholas Vincent DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Nicholas Vincent, "Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences" (2016). LSU Doctoral Dissertations. 1. https://digitalcommons.lsu.edu/gradschool_dissertations/1 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHARLES RUGGIERO’S “TENOR ATTITUDES”: AN ANALYTICAL APPROACH TO JAZZ STYLES AND INFLUENCES A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Nicholas Vincent DiSalvio B.M., Rowan University, 2009 M.M., Illinois State University, 2013 May 2016 For my wife Pagean: without you, I could not be where I am today. ii ACKNOWLEDGEMENTS I would first like to thank my committee for their patience, wisdom, and guidance throughout the writing and revising of this document. I extend my heartfelt thanks to Dr. Griffin Campbell and Dr. Willis Delony for their tireless work with and belief in me over the past three years, as well as past professors Dr.
[Show full text]
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 ﬁles of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the ﬁrst sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
[Show full text]
Gene Ammons Éÿ³æ¨‚Å°ˆè¼¯ Ä¸²È¡Œ (Ä¸“È¾‘ & Æ—¶É—´È¡¨)
Gene Ammons éŸ³æ¨‚å°ˆè¼¯ ä¸²è¡Œ (ä¸“è¾‘ & æ—¶é—´è¡¨) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs
[Show full text]
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
[Show full text]
Various 32 More Gems from 32 Jazz Mp3, Flac, Wma
Various 32 More Gems From 32 Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: 32 More Gems From 32 Jazz Country: US Released: 2000 Style: Bop MP3 version RAR size: 1868 mb FLAC version RAR size: 1968 mb WMA version RAR size: 1860 mb Rating: 4.8 Votes: 197 Other Formats: DMF MP1 MP3 MOD MMF RA XM Tracklist 1-1 –Sonny Stitt The Champ 1-2 –Grant Green Samba de Orpheus 1-3 –Roland Kirk Domino 1-4 –Les McCann Love For Sale 1-5 –Cedar Walton, Hank Mobley Summertime 1-6 –Woody Shaw Solid 1-7 –Clifford Jordan John Coltrane 1-8 –Sonny Criss My Ideal 1-9 –Kenny Burrell Groovin' High 1-10 –Red Rodney I Can't Get Started 1-11 –The Jazz Passengers Imitation of a Kiss 2-1 –Hank Jones Yardbird Suite 2-2 –Pat Martino Blue In Green 2-3 –Louis Hayes St Peter's Walk 2-4 –Red Garland You Better Go Now 2-5 –Houston Person I Remember Clifford 2-6 –Brother Jack McDuff Rock Candy 2-7 –Nat Adderley Plum Street 2-8 –Bobby Hutcherson Good Bait 2-9 –Russell Gunn Fly Me To The Moon 2-10 –Vincent Herring Stars Fell On Alabama 2-11 –Ralph Moore Monk's Dream 3-1 –Catalyst Ain't It The Truth 3-2 –Eddie Jefferson Freedom Jazz Dance 3-3 –Sonny Phillips Goin' Home 3-4 –Pete La Roca Love Planet 3-5 –Wallace Roney Solar 3-6 –Eddie "Lockjaw" Davis Comin' Home Baby 3-7 –Mulgrew Miller Wingspan 3-8 –Willis Jackson Bolita 3-9 –Donald Byrd Voyage A Deux 3-10 –Richard "Groove" Holmes Groove's Groove Notes 3 disc digipack with booklet in slipcase Barcode and Other Identifiers Barcode: 604123217729 Related Music albums to 32 More Gems From 32 Jazz by Various Various - Classic Blue Note Dizzy Gillespie With Sonny Stitt, Hank Jones, John Lewis , Percy Heath, Max Roach - The Bop Session Sonny Stitt - Sonny Stitt With The New Yorkers Lee Morgan - Milestones Of A Legend Sonny Stitt + 4 - Sonny Stitt Plus Four Gene Ammons With Brother Jack McDuff - Soul Summit Various - The Blue Note Years Vol.
[Show full text]
Saxophone Journal As I Write This Column the Preseason College
s I write this column the preseason college football poll is (bass), Nick Stabluas (drums) and George Syran (piano). If Aout. For some reason Nebraska is not in the top ten and for no other reason you should by this CD recording for the this must be an oversight. Anyhow, this seemed like the perfect tracks Black Cherry Fritters and Cream De Funk. These two backdrop for discussing my favorite saxophone combination, tunes burn with a freshness that is more meaningful today the duo. than when they were first recorded. I highly recommend this I love jazz saxophone recordings, but something extra special recording for young alto players who need direction in regards seems to happen when you pair two talented musicians and put to sound. them in the moment. Somehow the constraints of the recording process (choosing songs, marketing, packaging concerns, etc.) go 9 by the wayside and the true natural of creativity and perhaps, Conversation With Warne (Criss Cross Jazz) competition come to the fore. Many younger people are not aware of this duo, let alone Born in the backroom jam sessions on the 930s and 40s the Warne Marsh. If they have heard this pair it is usually in the saxophone duo was often presented in the form of a saxophone form of their Warner Brothers album titled Apogee, which as battle. Legend has it that the great Coleman Hawkins used to produced by the Steely Dan pair of Donald Fagen and Walter travel from town to town asserting his superiority in the jam Becker. As good as that album (LP) was, I feel this re-released sessions that he used to frequent.
[Show full text]
A Transformational Approach to Jazz Harmony
A TRANSFORMATIONAL APPROACH TO JAZZ HARMONY Michael McClimon Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Jacobs School of Music, Indiana University January 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee Julian Hook, Ph.D. Kyle Adams, Ph.D. Blair Johnston, Ph.D. Brent Wallarab, M.M. December 9, 2015 ii Copyright © 2016 Michael McClimon iii Acknowledgements This project would not have been possible without the help of many others, each of whom deserves my thanks here. Pride of place goes to my advisor, Jay Hook, whose feedback has been invaluable throughout the writing process, and whose writing stands as a model of clarity that I can only hope to emulate. Thanks are owed to the other members of my committee as well, who have each played important roles throughout my education at Indiana: Kyle Adams, Blair Johston, and Brent Wallarab. Thanks also to Marianne Kielian-Gilbert, who would have served on the committee were it not for the timing of the defense during her sabbatical. I would like to extend my appreciation to Frank Samarotto and Phil Ford, both of whom have deeply shaped the way I think about music, but have no official role in the dissertation itself. I am grateful to the music faculty of Furman University, who inspired my love of music theory as an undergraduate and have more recently served as friends and colleagues during the writing process.
[Show full text]
Chicago Music Communities and the Everyday Significance of Playing Jazz
MUSIC PRACTICES AS SOCIAL RELATIONS: CHICAGO MUSIC COMMUNITIES AND THE EVERYDAY SIGNIFICANCE OF PLAYING JAZZ by John Frederic Behling A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2010 Doctoral Committee: Professor Mark Allan Clague, Chair Professor Paul A. Anderson Professor Kelly M. Askew Professor Charles Hiroshi Garrett Copyright John Frederic Behling 2010 Acknowledgements In this dissertation, I argue that the solos of jazz musicians spring from the practices of the communities in which they live. What holds true for expression and creativity in jazz is no less true of academic research and writing. This dissertation would not be possible without the support and encouragement of many communities and individuals. I thank all the musicians in Chicago who played music with me and welcomed me into their communities. I am especially grateful to Aki Antonia Smith, Edwina Smith, Scott Earl Holman, and Ed Breazeale for befriending me and introducing me to the musicians and communities about whom I write. I am also grateful for the support of my academic community. Kelly Askew introduced me to the anthropological side of ethnomusicology. Her writing showed me what compassionate and concrete ethnography should be like. Paul Anderson’s late night seminars helped me understand that musical practices have philosophical and psychological significance and that jazz criticism is part of a much larger and long- standing intellectual conversation. Charles Hiroshi Garrett, a late addition to my committee, embraced this project with enthusiasm. His generous encouragement and insightful comments are greatly appreciated.
[Show full text]
When Sex Work and Art Work Collide the Kinksters, the Queers, and the Artists Who Live in Both Worlds by S NL 14
CHICAGO’SFREEWEEKLYSINCE | OCTOBER | OCTOBER CHICAGO’SFREEWEEKLYSINCE When sex work and art work collide The kinksters, the queers, and the artists who live in both worlds By SNL 14 Changing the Stage narratives on Violence Against Women Kaylen Ralph and Kerry Reid 19 THIS WEEK CHICAGOREADER | OCTOBER | VOLUME NUMBER IN THIS ISSUE T R - 08 Isaacs|CultureInanew @ AuditoriumTheatreCEOout boardmembersoneassociate deanandtheJoff reyBallet PTB EC KHSK D EKS C LSK D P JR M EP M TD KR 19 DialogueRecentChicago A EJL productionsreexaminenarratives storyofmidwestpunk’sgreatlost S MEBW aboutviolenceandtraumain talent SWDI CITYLIFE BJ MS 04 TransportationLakeview women’slives 33 ShowsofnoteAntonioSanchez S WMD L G residentsfearthetransitoriented 25 PlaysofnotePeterShaff er’s OrvillePeckJoannaNewsomand EA SN L developmentreplacingthe Equusaboutadisaff ectedteenage morethisweek LCS C -J FLCPF shutteredTreasureIslandwill boycaughtupinmassmedia 38 EarlyWarningsCharliXCX D A A createaparkingcrunch fantasyfeelstimelyEveryBrilliant FredEaglesmithFacsandmore CN B Thinggivesusreasonstokeep justannouncedconcerts LCIG FEATURE JH IH DJ 09 ImmigrationTherapistsand goingandFilamentTheatre’sLuna 38 GossipWolfFolkprojectDPCD C MJ M K socialworkerstrainedintrauma isanempatheticfamilyshow celebratesagracefulnewalbum M KS K JL carearehelpingasylumseekers theJohnWaltFoundationholds MM B MJRN LPJP BS alongtheirjourney FILM itsannualDinnerWithJohnfund DS CS 12 ComicCigarettebuttsproduce 28 PreviewZiaAngerdelivers raiserandmore ----------------------------------------------------------------
[Show full text]
Brooklyn Rediscovers Cal Massey by Jeffrey Taylor
American Music Review Formerly the Institute for Studies in American Music Newsletter Th e H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XXXIX, Number 2 Spring 2010 Brooklyn Rediscovers Cal Massey By Jeffrey Taylor With the gleaming towers of the Time Warner Center—Jazz at Lincoln Center’s home since 2004—gazing over midtown Manhattan, and thriving jazz programs at colleges and universities throughout the world fi rmly in place, it is sometimes diffi cult to remember when jazz did not play an unquestioned role in the musical academy. Yet it wasn’t until the early 1990s that jazz was well enough entrenched in higher education that scholars could begin looking back over the way the music was integrated into music curricula: Scott DeVeaux’s frequently quoted “Construct- ing the Jazz Tradition” from 1991 is a prime example.1 The past thirty years have seen an explosion of published jazz scholarship, with dozens of new books crowd- ing shelves (or websites) every year. The vast majority of these texts are devoted to the work of a single fi gure, with Duke Ellington and Louis Armstrong leading as popular subjects. But a few scholars, DeVeaux and Ingrid Monson among them, have noted the essential roles of musicians who worked primarily in the shadows, as composers, arrangers, accompanists, and sidepeople. Without these artists, whose contribution often goes completely unacknowledged in history books, jazz would have taken a very different path than the one we trace in our survey courses.
[Show full text]
Jazz Library (Song Listings)
Music 932 songs, 3.7 days, 10.39 GB Name Time Album Artist Afrodisia 5:06 Afro-Cuban Kenny Dorham Lotus Flower 4:17 Afro-Cuban Kenny Dorham Minor's Holiday 4:28 Afro-Cuban Kenny Dorham Basheer's Dream 5:03 Afro-Cuban Kenny Dorham K.D.'s Motion 5:29 Afro-Cuban Kenny Dorham The Villa 5:24 Afro-Cuban Kenny Dorham Venita's Dance 5:22 Afro-Cuban Kenny Dorham Echo Of Spring (a.k.a. K.D.'s Cab Ride) 6:12 Afro-Cuban Kenny Dorham Minor's Holiday [Alternate Take] 4:24 Afro-Cuban Kenny Dorham Bouncing With Bud 3:05 The Amazing Bud Powell, Vol. 1 Bud Powell Wail 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels 2:54 The Amazing Bud Powell, Vol. 1 Bud Powell 52nd Street Theme 2:50 The Amazing Bud Powell, Vol. 1 Bud Powell You Go To My Head 3:15 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology 2:23 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 1] 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 2] 3:16 The Amazing Bud Powell, Vol. 1 Bud Powell Wail [Alternate Take] 2:42 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels [Alternate Take] 2:51 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology [Alternate Take] 3:12 The Amazing Bud Powell, Vol. 1 Bud Powell Un Poco Loco 4:46 The Amazing Bud Powell, Vol.
[Show full text]