Gene Ammons Dig Him! Mp3, Flac, Wma

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Gene Ammons Dig Him! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Dig Him! Country: US Released: 1962 Style: Soul-Jazz MP3 version RAR size: 1202 mb FLAC version RAR size: 1622 mb WMA version RAR size: 1224 mb Rating: 4.8 Votes: 686 Other Formats: MP3 VQF MP4 AUD AU TTA DXD Tracklist A1 Red Sails In The Sunset 4:16 A2 But Not For Me 4:14 A3 A Pair Of Red Boots 5:04 A4 We'll Be Together Again 4:29 A5 A Mess 3:17 B1 New Blues Up And Down 3:54 B2 My Foolish Heart 5:00 B3 Headin' West 2:34 B4 Autumn Leaves 4:06 B5 Time On My Hands 3:51 Credits Bass – Charles Williams* Drums – George Brown Piano – John Houston Tenor Saxophone – Gene Ammons, Sonny Stitt Other versions Category Artist Title (Format) Label Category Country Year Gene Ammons / Gene Ammons Sonny Stitt - Dig LP-697 Argo LP-697 US 1962 / Sonny Stitt Him! (LP, Album, Mono) Gene Gene Ammons, SMJ-7532 Ammons, Sonny Stitt - We'll Be Prestige SMJ-7532 Japan Unknown Sonny Stitt Together Again (LP) Gene Gene Ammons, Jazz JR150 Ammons, Sonny Stitt - Ammons JR150 UK 1981 Reactivation Sonny Stitt Stitt (LP) Gene Ammons / Gene Ammons Sonny Stitt - We'll Be PR 7606 Prestige PR 7606 US Unknown / Sonny Stitt Together Again (LP, Album, RE) Gene Ammons / Gene Ammons Sonny Stitt - We'll Be OJCCD-708-2 Prestige OJCCD-708-2 US 1991 / Sonny Stitt Together Again (CD, Album, RE) Related Music albums to Dig Him! by Gene Ammons Gene Ammons / Sonny Stitt / Jack McDuff - Soul Summit Gene Ammons - Blue Gene Gene Ammons - Gene Ammons / Sonny Stitt - Boss Tenors: Straight Ahead From Chicago August 1961 Gene Ammons & Sonny Stitt - Blues Up And Down / You Can Depend On Me Gene Ammons & Sonny Stitt - Blues Up And Down Sonny Stitt & The Top Brass - Sonny Stitt & The Top Brass Sonny Stitt - Stitt's It / Confessin' (That I Love You) Sonny Stitt - Sonny Stitt But Not For Me Gene Ammons - The Best Of Gene Ammons With Brother Jack McDuff.

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WDR 3 Jazz & World, 24. Februar 2018 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 23. Februar 2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Tempo’s Tempo K/T: Nino Tempo 2:33 NINO TEMPO NCB 1050 LP: The Girl Can’t Help It 2. Sweet And Lovely K/T: Gus Arnheim/ Nappy Lemare 4:25 COLEMAN HAWKINS Pablo 2310890; LC: 03254 LP: Jazz Dance 3. Why Was I Born K/T: Jerome Kern/ Oscar Hammerstein 8:25 GENE AMMONS & Verve 2578; LC: 00383 SONNY STITT LP: Boss Tenors In Orbit 4. Wheel of Fortune K/T: Benny Benjamin/ George Davis Weiss 2:50 THE FOUR FLAMES Specialty 423 Single 5. Le Papillon K/T: Edvard Grieg 2:57 CLAUDE THORNHILL Circle 19 CD: Claude Thornhill 1941 & 1947 6. Träumerei K/T: Robert Schumann 2:12 CLAUDE THORNHILL wie Titel 5 7. Robbins’ Nest K/T: Sir Charles Thompson 3:59 CLAUDE THRONHILL Hindsight 108; LC: 00171 LP: The Uncollected Claude Thornhill 1947 8. Just About This Time K/T: LouisPrima/ PaulCunningham/ 3:59 Last Night Sidney Miller CLAUDE THORNHILL wie Titel 7 9. Love Me Love K/T: Wolfe /Lee 2:30 FRAN WARREN MGM 3394; LC: 00383 LP: Mood Indigo 10. Donna Lee K/T: Charlie Parker 2:27 CLAUDE THORNHILL wie Titel 7 11. Penthouse Serenade K/T: Val Burton/ Will Jason 2:45 HELEN O’CONNELL Hindsight 228; LC: 00171 LP: The Uncollected Helen O’Connell 1953 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt.
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Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences Nicholas Vincent DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Nicholas Vincent, "Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences" (2016). LSU Doctoral Dissertations. 1. https://digitalcommons.lsu.edu/gradschool_dissertations/1 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHARLES RUGGIERO’S “TENOR ATTITUDES”: AN ANALYTICAL APPROACH TO JAZZ STYLES AND INFLUENCES A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Nicholas Vincent DiSalvio B.M., Rowan University, 2009 M.M., Illinois State University, 2013 May 2016 For my wife Pagean: without you, I could not be where I am today. ii ACKNOWLEDGEMENTS I would first like to thank my committee for their patience, wisdom, and guidance throughout the writing and revising of this document. I extend my heartfelt thanks to Dr. Griffin Campbell and Dr. Willis Delony for their tireless work with and belief in me over the past three years, as well as past professors Dr.
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Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 ﬁles of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the ﬁrst sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
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The Gene Ammons All Stars Woofin' & Tweetin' Mp3, Flac
The Gene Ammons All Stars Woofin' & Tweetin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Woofin' & Tweetin' Country: US Style: Bop MP3 version RAR size: 1336 mb FLAC version RAR size: 1235 mb WMA version RAR size: 1175 mb Rating: 4.2 Votes: 900 Other Formats: MP2 AC3 AAC AU WMA VQF DTS Tracklist Gene Ammons All Star Sextet A1 –Gene Ammons All Stars* Woofin' And Tweetin' 13:00 A2 –Gene Ammons All Stars* Juggernaut 10:00 Gene Ammons Battles Sonny Stitt B1 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 3) 3:25 B2 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 1) 1:30 B3 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 2) 2:20 B4 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 1) 2:45 B5 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 2) 2:45 B6 –Gene Ammons Vs. Sonny Stitt Stringin' The Jug 5:00 B7 –Gene Ammons Vs. Sonny Stitt New Blues Up And Down 5:15 Credits Cover – Tom Hannan Liner Notes – Ira Gitler Remastered By – Van Gelder* Supervised By – Bob Weinstock Notes Side A recorded 6/15/'55 Side B recorded 3/5/'50, 10/28/'50, 1/31/'51 Solid navy blue Prestige trident labels. Other versions Category Artist Title (Format) Label Category Country Year All Star LP 7050, PRLP Gene Sessions (LP, Prestige, LP 7050, PRLP US 1956 7050 Ammons Album, Mono, Prestige 7050 RM) Original All Star OJCCD-014-2, Gene Jazz OJCCD-014-2, Sessions (CD, US 1992 P-7050 Ammons Classics, P-7050 Album, RE, RM) Prestige Gene Ammons, Sonny Stitt - All Prestige, Gene Star Sessions Original 0002518601429 Ammons, 0002518601429
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Saxophone Journal As I Write This Column the Preseason College
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A Transformational Approach to Jazz Harmony
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1 The TENORSAX of EDWARD STITT “SONNY” Solographer: Jan Evensmo Last update: June 3, 2020 2 Born: Boston, Massachusetts, Feb. 2, 1924 Died: July 23, 1982 Introduction: I remember very well the controversy over Sonny Stitt, and many of us fell for those contemporary anti-Stitt attitudes, led us to believe he was just a Charlie Parker clone. Of course he was not, although admittedly his altosax playing could indicate a certain knowledge of Bird. Personally I never go for the theories that held that a few artists are models for all the rest; art does not work that way, young talents often find the same solutions without any particular close connections to the greatest names. Sonny Stitt was a creative artist, and with regard to his tenor saxophone, nobody can blame him for copying anyone, he has his own style a nd with a great technique he created some of the most memorable music on his instrument. My personal meeting with Stitt is from Molde Jazz Festival in 1963, when his first words after descending from the airplane was “Where is Dexter, I wanna play!”. And he did, and those who were there never forget it. History: Comes from a musical family, his father being a professor of music and his brother a concert pianist. Started to play the piano, at seven switched to clarinet and altosax. First jobs around Newark and Detroit and a short tour with the band of Tiny Bradshaw 1943. Was heard with Dizzy Gillespie in 1945-46 as the first important Charlie Parker-inspired altosaxophonist.
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Deep Neural Models for Jazz Improvisations
Deep Neural Models for Jazz Improvisations Shunit Haviv Hakimi Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Deep Neural Models for Jazz Improvisations Research Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Shunit Haviv Hakimi Submitted to the Senate of the Technion — Israel Institute of Technology Kislev 5781 Haifa November 2020 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 This research was carried out under the supervision of Prof. Ran El-Yaniv, in the Faculty of Computer Science. Some results in this thesis have been published as an article by the author and research collaborators in a conference during the course of the author’s research period, the most up-to-date version of which being: Shunit Haviv Hakimi, Nadav Bhonker, and Ran El-Yaniv. Bebopnet: Deep neural models for personalized jazz improvisations. In Proceedings of 21st International Society of Music Information Retrieval Conference, ISMIR 2020, Best Research Award, 2020. The generous financial help of the Technion is gratefully acknowledged. Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Contents List of Figures Abstract 1 1 Introduction 3 2 BebopNet: Deep Neural Models for Personalized Jazz Improvisations 7 2.1 Introduction .................................. 7 2.2 Related Work ................................. 8 2.3 Problem Statement .............................. 9 2.4 Methods .................................... 10 2.4.1 BebopNet: Jazz Model Learning .................
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A Joyful Celebration of Three Chicago Legends!
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO MARCH 2019 WWW.JAZZINCHICAGO.ORG A JOYFUL CELEBRATION OF THREE CHICAGO LEGENDS! JAZZCITY 2019: A JOURNEY THROUGH JAZZ – WOMEN OF CHICAGO JAZZ MARCH 8 AT 7 PM Garfield Park Conservatory | 300 N. Central Park Ave. Earma Thompson, Lil Hardin Armstrong, Dorothy Donegan WHAT A TIME THIS IS FOR WOMEN IN JAZZ! kept secret until late in life. Having retired from an The battle for equality continues, but having had to fight active career to raise her son, she didn't release her so long for every opportunity and scrap of recognition, first album as a leader until she was 81. women are finally being acknowledged for their The concert is also dedicated to two women who contributions and heard on their own terms – and not as have made mighty contributions to Chicago jazz through "female jazz artists," but artists who transcend gender. thick and thin: former Chicago Tribune jazz critic Harriet And yet, even as jazz memorializes and elevates male Choice and former Symphony Center and Ravinia Festival legends such as Bird, Duke and Monk, pioneering women jazz programmer Penny Tyler, co-founders of the Jazz such as Lil Hardin Armstrong, Mary Lou Williams and Institute of Chicago. Melba Liston remain unsung and under-appreciated. That, Pickens has had a distinguished career as both a too, is changing. musician and educator. Her dual piano performances On March 8 at Garfield Park Conservatory, two with her late, great father Willie Pickens were much gifted pianists – the veteran Bethany Pickens and the up prized.
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