Various 32 More Gems from 32 Jazz Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various 32 More Gems From 32 Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: 32 More Gems From 32 Jazz Country: US Released: 2000 Style: Bop MP3 version RAR size: 1868 mb FLAC version RAR size: 1968 mb WMA version RAR size: 1860 mb Rating: 4.8 Votes: 197 Other Formats: DMF MP1 MP3 MOD MMF RA XM Tracklist 1-1 –Sonny Stitt The Champ 1-2 –Grant Green Samba de Orpheus 1-3 –Roland Kirk Domino 1-4 –Les McCann Love For Sale 1-5 –Cedar Walton, Hank Mobley Summertime 1-6 –Woody Shaw Solid 1-7 –Clifford Jordan John Coltrane 1-8 –Sonny Criss My Ideal 1-9 –Kenny Burrell Groovin' High 1-10 –Red Rodney I Can't Get Started 1-11 –The Jazz Passengers Imitation of a Kiss 2-1 –Hank Jones Yardbird Suite 2-2 –Pat Martino Blue In Green 2-3 –Louis Hayes St Peter's Walk 2-4 –Red Garland You Better Go Now 2-5 –Houston Person I Remember Clifford 2-6 –Brother Jack McDuff Rock Candy 2-7 –Nat Adderley Plum Street 2-8 –Bobby Hutcherson Good Bait 2-9 –Russell Gunn Fly Me To The Moon 2-10 –Vincent Herring Stars Fell On Alabama 2-11 –Ralph Moore Monk's Dream 3-1 –Catalyst Ain't It The Truth 3-2 –Eddie Jefferson Freedom Jazz Dance 3-3 –Sonny Phillips Goin' Home 3-4 –Pete La Roca Love Planet 3-5 –Wallace Roney Solar 3-6 –Eddie "Lockjaw" Davis Comin' Home Baby 3-7 –Mulgrew Miller Wingspan 3-8 –Willis Jackson Bolita 3-9 –Donald Byrd Voyage A Deux 3-10 –Richard "Groove" Holmes Groove's Groove Notes 3 disc digipack with booklet in slipcase Barcode and Other Identifiers Barcode: 604123217729 Related Music albums to 32 More Gems From 32 Jazz by Various Various - Classic Blue Note Dizzy Gillespie With Sonny Stitt, Hank Jones, John Lewis , Percy Heath, Max Roach - The Bop Session Sonny Stitt - Sonny Stitt With The New Yorkers Lee Morgan - Milestones Of A Legend Sonny Stitt + 4 - Sonny Stitt Plus Four Gene Ammons With Brother Jack McDuff - Soul Summit Various - The Blue Note Years Vol. 2: The Jazz Message 1955 - 1960 Various - The Best Of Blue Note Various - Jazz For A Lazy Day Dizzy Gillespie / Sonny Stitt / John Lewis / Percy Heath / Max Roach / Hank Jones - The Bop Session.

Copy Link

Recommended publications

Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 ﬁles of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the ﬁrst sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
[Show full text]
Gene Ammons Éÿ³æ¨‚Å°ˆè¼¯ Ä¸²È¡Œ (Ä¸“È¾‘ & Æ—¶É—´È¡¨)
Gene Ammons éŸ³æ¨‚å°ˆè¼¯ ä¸²è¡Œ (ä¸“è¾‘ & æ—¶é—´è¡¨) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs
[Show full text]
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
[Show full text]
The Gene Ammons All Stars Woofin' & Tweetin' Mp3, Flac
The Gene Ammons All Stars Woofin' & Tweetin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Woofin' & Tweetin' Country: US Style: Bop MP3 version RAR size: 1336 mb FLAC version RAR size: 1235 mb WMA version RAR size: 1175 mb Rating: 4.2 Votes: 900 Other Formats: MP2 AC3 AAC AU WMA VQF DTS Tracklist Gene Ammons All Star Sextet A1 –Gene Ammons All Stars* Woofin' And Tweetin' 13:00 A2 –Gene Ammons All Stars* Juggernaut 10:00 Gene Ammons Battles Sonny Stitt B1 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 3) 3:25 B2 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 1) 1:30 B3 –Gene Ammons Vs. Sonny Stitt Blues Up And Down (Take 2) 2:20 B4 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 1) 2:45 B5 –Gene Ammons Vs. Sonny Stitt You Can Depend On Me (Take 2) 2:45 B6 –Gene Ammons Vs. Sonny Stitt Stringin' The Jug 5:00 B7 –Gene Ammons Vs. Sonny Stitt New Blues Up And Down 5:15 Credits Cover – Tom Hannan Liner Notes – Ira Gitler Remastered By – Van Gelder* Supervised By – Bob Weinstock Notes Side A recorded 6/15/'55 Side B recorded 3/5/'50, 10/28/'50, 1/31/'51 Solid navy blue Prestige trident labels. Other versions Category Artist Title (Format) Label Category Country Year All Star LP 7050, PRLP Gene Sessions (LP, Prestige, LP 7050, PRLP US 1956 7050 Ammons Album, Mono, Prestige 7050 RM) Original All Star OJCCD-014-2, Gene Jazz OJCCD-014-2, Sessions (CD, US 1992 P-7050 Ammons Classics, P-7050 Album, RE, RM) Prestige Gene Ammons, Sonny Stitt - All Prestige, Gene Star Sessions Original 0002518601429 Ammons, 0002518601429
[Show full text]
When Sex Work and Art Work Collide the Kinksters, the Queers, and the Artists Who Live in Both Worlds by S NL 14
CHICAGO’SFREEWEEKLYSINCE | OCTOBER | OCTOBER CHICAGO’SFREEWEEKLYSINCE When sex work and art work collide The kinksters, the queers, and the artists who live in both worlds By SNL 14 Changing the Stage narratives on Violence Against Women Kaylen Ralph and Kerry Reid 19 THIS WEEK CHICAGOREADER | OCTOBER | VOLUME NUMBER IN THIS ISSUE T R - 08 Isaacs|CultureInanew @ AuditoriumTheatreCEOout boardmembersoneassociate deanandtheJoff reyBallet PTB EC KHSK D EKS C LSK D P JR M EP M TD KR 19 DialogueRecentChicago A EJL productionsreexaminenarratives storyofmidwestpunk’sgreatlost S MEBW aboutviolenceandtraumain talent SWDI CITYLIFE BJ MS 04 TransportationLakeview women’slives 33 ShowsofnoteAntonioSanchez S WMD L G residentsfearthetransitoriented 25 PlaysofnotePeterShaff er’s OrvillePeckJoannaNewsomand EA SN L developmentreplacingthe Equusaboutadisaff ectedteenage morethisweek LCS C -J FLCPF shutteredTreasureIslandwill boycaughtupinmassmedia 38 EarlyWarningsCharliXCX D A A createaparkingcrunch fantasyfeelstimelyEveryBrilliant FredEaglesmithFacsandmore CN B Thinggivesusreasonstokeep justannouncedconcerts LCIG FEATURE JH IH DJ 09 ImmigrationTherapistsand goingandFilamentTheatre’sLuna 38 GossipWolfFolkprojectDPCD C MJ M K socialworkerstrainedintrauma isanempatheticfamilyshow celebratesagracefulnewalbum M KS K JL carearehelpingasylumseekers theJohnWaltFoundationholds MM B MJRN LPJP BS alongtheirjourney FILM itsannualDinnerWithJohnfund DS CS 12 ComicCigarettebuttsproduce 28 PreviewZiaAngerdelivers raiserandmore ----------------------------------------------------------------
[Show full text]
Brooklyn Rediscovers Cal Massey by Jeffrey Taylor
American Music Review Formerly the Institute for Studies in American Music Newsletter Th e H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XXXIX, Number 2 Spring 2010 Brooklyn Rediscovers Cal Massey By Jeffrey Taylor With the gleaming towers of the Time Warner Center—Jazz at Lincoln Center’s home since 2004—gazing over midtown Manhattan, and thriving jazz programs at colleges and universities throughout the world fi rmly in place, it is sometimes diffi cult to remember when jazz did not play an unquestioned role in the musical academy. Yet it wasn’t until the early 1990s that jazz was well enough entrenched in higher education that scholars could begin looking back over the way the music was integrated into music curricula: Scott DeVeaux’s frequently quoted “Construct- ing the Jazz Tradition” from 1991 is a prime example.1 The past thirty years have seen an explosion of published jazz scholarship, with dozens of new books crowd- ing shelves (or websites) every year. The vast majority of these texts are devoted to the work of a single fi gure, with Duke Ellington and Louis Armstrong leading as popular subjects. But a few scholars, DeVeaux and Ingrid Monson among them, have noted the essential roles of musicians who worked primarily in the shadows, as composers, arrangers, accompanists, and sidepeople. Without these artists, whose contribution often goes completely unacknowledged in history books, jazz would have taken a very different path than the one we trace in our survey courses.
[Show full text]
Edward Stitt “Sonny”
1 The TENORSAX of EDWARD STITT “SONNY” Solographer: Jan Evensmo Last update: June 3, 2020 2 Born: Boston, Massachusetts, Feb. 2, 1924 Died: July 23, 1982 Introduction: I remember very well the controversy over Sonny Stitt, and many of us fell for those contemporary anti-Stitt attitudes, led us to believe he was just a Charlie Parker clone. Of course he was not, although admittedly his altosax playing could indicate a certain knowledge of Bird. Personally I never go for the theories that held that a few artists are models for all the rest; art does not work that way, young talents often find the same solutions without any particular close connections to the greatest names. Sonny Stitt was a creative artist, and with regard to his tenor saxophone, nobody can blame him for copying anyone, he has his own style a nd with a great technique he created some of the most memorable music on his instrument. My personal meeting with Stitt is from Molde Jazz Festival in 1963, when his first words after descending from the airplane was “Where is Dexter, I wanna play!”. And he did, and those who were there never forget it. History: Comes from a musical family, his father being a professor of music and his brother a concert pianist. Started to play the piano, at seven switched to clarinet and altosax. First jobs around Newark and Detroit and a short tour with the band of Tiny Bradshaw 1943. Was heard with Dizzy Gillespie in 1945-46 as the first important Charlie Parker-inspired altosaxophonist.
[Show full text]
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy
[Show full text]
Deep Neural Models for Jazz Improvisations
Deep Neural Models for Jazz Improvisations Shunit Haviv Hakimi Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Deep Neural Models for Jazz Improvisations Research Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Shunit Haviv Hakimi Submitted to the Senate of the Technion — Israel Institute of Technology Kislev 5781 Haifa November 2020 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 This research was carried out under the supervision of Prof. Ran El-Yaniv, in the Faculty of Computer Science. Some results in this thesis have been published as an article by the author and research collaborators in a conference during the course of the author’s research period, the most up-to-date version of which being: Shunit Haviv Hakimi, Nadav Bhonker, and Ran El-Yaniv. Bebopnet: Deep neural models for personalized jazz improvisations. In Proceedings of 21st International Society of Music Information Retrieval Conference, ISMIR 2020, Best Research Award, 2020. The generous financial help of the Technion is gratefully acknowledged. Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Contents List of Figures Abstract 1 1 Introduction 3 2 BebopNet: Deep Neural Models for Personalized Jazz Improvisations 7 2.1 Introduction .................................. 7 2.2 Related Work ................................. 8 2.3 Problem Statement .............................. 9 2.4 Methods .................................... 10 2.4.1 BebopNet: Jazz Model Learning .................
[Show full text]
The Philadelphiabassist
the philadelphia bassist frank scott is woven into fabric of berks jazz fest award / 5 he VF Outlet Berks Jazz Fest brings new names to jazz This year, Veasley is bringing Berks fans the Music of are great composers and producers, and the music’s so smooth jazz 92.7 and blues fans every year. But each year, audiences also Stevie Wonder. Veasley will be joined by special guests Na- adventurous. live broadcast Tlook forward to the perennial Berks favorites. jee, Nnenna Freelon, Joe McBride and the Berks Jazz Fest “Chuck and I, we go way back. He produced part of Bassist Gerald Veasley is certainly a prime favorite, and Horns. The show is set for Saturday, March 28, at 10:30 (Veasley’s 2008 Heads Up release) Your Move. I always schedule / 12 a part of the Berks Jazz Fest family. p.m. and will be broadcast live on Channel 69 WFMZ. admired him as a producer.” He is the perfect blend of performance and personality. “I have an affinity for Stevie Wonder music because it Fans also will find Veasley jamming with Rick Braun, A Philadelphia native, was my favorite music growing up,” Veasley said. “I invited Loeb, Brian Bromberg, Chieli Minucci, Paul Jackson Jr., 10-day schedule by dana l. hoffman the charismatic Veasley people who share the same love for Stevie.” Dave Weckl, Bobby Lyle, Mitch Forman, Kim Waters, of events / 10, 11 has played at the festival He said vocalist Nnenna Freelon put her own twist Steve Cole, Jeff Kashiwa, Nelson Rangell and more at the in many capacities over the years, with his band, as part on Wonder’s songs on her album Tales of Wonder, and always-popular Berks All-Star Jazz Jam, Thursday, April 2, of his own Electric Mingus Project, as a special guest to saxman Najee recreated an entire album of Wonder tunes, at 10 p.m.
[Show full text]
The Folk Music Revival in Ann Arbor
Ann Arbor Folk and Blues The Scene in the 1960s and 1970s By Michael Erlewine 1 © Copyright Michael Erlewine 2015 [email protected] ISBN-13: 978-1517124953 ISBN-10: 1517124956 Cover Photo of Michael Erlewine interviewing Muddy Waters by Stanley Livingston. 2 Table of Contents Table of Contents ......................................................... 3 The Folk Music Revival in Ann Arbor ............................ 7 The Folk Scene ........................................................... 11 The Folk Revival – Looking for Roots ......................... 12 The Folk Blues ............................................................ 14 Being Part of the Scene .............................................. 15 Searching for Roots .................................................... 16 Ann Arbor Blues Festival – A Brief History ................. 22 How I Happened to Be There ..................................... 22 A Short History of Blues Festivals ............................... 24 The Chitlin’ Circuit ....................................................... 25 The Folk Festivals ....................................................... 25 The Folk Revival – Looking for Roots ......................... 28 Singers, Not Songwriters ............................................ 30 The Folk Blues ............................................................ 31 Being Part of the Scene .............................................. 31 Searchin’ for Roots ..................................................... 32 1965: A Sea Change .................................................
[Show full text]
Downbeat.Com April 2014 U.K. £3.50
APRIL 2014 U.K. £3.50 DOWNBEAT.COM APRIL 2014 VOLUME 81 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Designer Ara Tirado Design Associate LoriAnne Nelson Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
[Show full text]