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John Campbell a Man and His Blues Mp3, Flac, Wma
John Campbell A Man And His Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A Man And His Blues Country: Germany Style: Louisiana Blues MP3 version RAR size: 1807 mb FLAC version RAR size: 1932 mb WMA version RAR size: 1511 mb Rating: 4.6 Votes: 955 Other Formats: ASF AC3 MOD MP3 AA MP2 ASF Tracklist 1 Going To Dallas 3:36 2 Bad Night Blues 4:15 3 Judgement Day 5:15 4 Bluebird 4:26 5 Deep River Rag 3:01 6 Texas Country Boy 3:10 7 Sittin' Here Thinkin' 6:41 8 Sunnyland Train 4:51 9 White Lightnin' 5:50 Companies, etc. Phonographic Copyright (p) – Crosscut Records Copyright (c) – Crosscut Records Manufactured By – Optimal Media Production – A926853 Recorded At – Splice Of Life Studio Credits Acoustic Guitar, Electric Guitar – Ronnie Earl (tracks: 3, 7, 8) Acoustic Guitar, Vocals – John Campbell Drums – Per Hanson (tracks: 3, 6, 9) Harmonica – Jerry Portnoy (tracks: 3, 6) Producer – Ronnie Earl Vocals – Darrell Nulisch (tracks: 3) Notes Recorded April 18/19, 1988 at Splice Of Life Studios, Brighton, Massachusetts Issued in standard jewel case, black tray, with a 4-page booklet. ℗ & © 1988 CrossCut Records Different disc (see image) from A Man And His Blues, but same matrix Barcode and Other Identifiers Barcode (Text): 4 014924 110192 Barcode: 4014924110192 Mastering SID Code: ifpi L574 Mould SID Code: IFPI 9721 Matrix / Runout: A926853-01 Matrix / Runout: manufactured by optimal media production Rights Society: GEMA Label Code: LC 08059 SPARS Code: AAD Other versions Category Artist Title (Format) Label Category Country Year A Man And His Blues Crosscut CCR 1019 John Campbell CCR 1019 Germany 1988 (LP, Album) Records A Man And His Blues Crosscut CCD 11019 John Campbell CCD 11019 Germany 1994 (CD, Album) Records A Man And His Blues Blue Wolf BWCD 111 John Campbell BWCD 111 Norway 1994 (CD, Album) Records Inc. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
Smooth Jazz Festival Augsburg 2013 What Are the Main Ingre- Dients of a Great Party???
SMOOTH JAZZ FESTIVAL AUGSBURG 11. – 14. September 2014 Präsentiert von: Haupt-Sponsoren: Medien-Sponsoren: Partner: Logo Smooth Music Radio Medienpartner:Druckversion CMYK Pressekontakt & Co. Inhalt Press Contact & Co. Content Pressekontakt / Press contact Smooth Jazz Festival Augsburg smooth entertainment: Christian Bößner, Begrüßung / Address of Welcome ������������������������������������������������������������������2 cb@smoothentertainment�de Reservierung / Reservation ������������������������������������������������������������������������������3 Kurhaus Göggingen: Anke Maresch, Künstler / Artists maresch@parktheater�de, Tel�: +49 (0)821 9062258 Chris Standring ����������������������������������������������������������������������������������������������������4 Internet Paul Taylor �������������������������������������������������������������������������������������������������������������5 Veranstaltungshomepage / Event homepage: Marion Meadows ������������������������������������������������������������������������������������������������6 www�augsburg�smoothjazzfestival�de Candy Dulfer ��������������������������������������������������������������������������������������������������������7 Julian Vaughn ������������������������������������������������������������������������������������������������������8 Veranstalter / Organizer Bob Baldwin ���������������������������������������������������������������������������������������������������������9 smooth entertainment GmbH, Perzheimstraße 48, D-86150 Augsburg Matt Marshak �����������������������������������������������������������������������������������������������������10 -
Catalogo Nov2003.Pdf
Via Savona 12, 20144 Milano - tel/fax 02.89401623 - e-mail: [email protected] CATALOGO - POP / ROCK > A-G < novembre 2003 AUTORE/GRUPPO TITOLO ANNO CASA DISCOGRAFICA CODICE STAMPA N/U/O PREZZO A-HA Hunting high and low 1986 REPRISE 9204830 Tedesca LP-U MIX 5,5 ABBA Greatest hits vol.2 1979 ATLANTIC 16009 Americana LP-U 8 ABBA Arrival 1976 POLYDOR 2310483 Olandese LP-U 10,5 ADAM AND THE ANTS Prince charming 1981 CBS 85268 Italiana LP-U 5,5 ADAM AND THE ANTS Strip 1983 CBS 25705 Italiana LP-U 5,5 AEROSMITH Rocks 1976 CBS 32360 Olandese LP-U 6 AFRIKA BAMBAATAA AND FAMILY Decade of darkness 1991 D.F.C. 57705 Italiana LP-U 5,5 ALABAMA Just us 1987 RCA 86495 Italiana LP-U 5,5 ALARM Eye of the hurricane 1987 I.R.S. 42061 Canadese LP-U 5,5 ALBION BAND Rise up like the sun 1978 ATTIC 1047 Canadese LP-U 15,5 ALBION BAND Under the rose 1984 SPINDRIFT 110 Inglese LP-U 5,5 ALIEN SEX FIEND R.i.p. 1984 ANAGRAM 18 Francese LP-U MIX 8 ALLEN DAEVID Now is the happiest time.... 1977 AFFINITY 3 Inglese LP-U 13 ALLMAN BROTHERS BAND Wipe the check the oil .... 1976 CAPRICORN 2637103 Americana DBL LP-U 31 ALPHA BAND Spark in the dark 1977 ARISTA 4145 Americana LP-U 10,5 ALVIN DAVE Romeo’s escape 1986 EPIC 40921 Canadese LP-U 8 AMEN CORNER Greatest hits 1978 IMMEDIATE(LINEA TRE) 33059 Italiana LP-U 5,5 AMERICA Homecoming 1972 WARNER 46180 Francese LP-U 10,5 AMERICA History greatest hits 1975 WARNER BROS 56169 Italiana LP-U 5,5 AMERICA The very best 1991 FIVE RECORDS 30002 Italiana LP-U 5,5 AMERICA Hliday 1974 WARNER BROS. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
The Way It Used to Be, Is Fanciful, Silky, and Radiant with All the Charm of What We Have Come to Expect from the Above Average Newer Talent Emerging These Days
“The Way It Used To Be, is fanciful, silky, and radiant with all the charm of what we have come to expect from the above average newer talent emerging these days. All in all, a solid project deserving of a place in your collection. Patrick Cooper is not one to overlook, and The Way It Used To Be serves as more than just a reminiscent trip down memory lane…much more.” – Ronald Jackson, the Smooth Jazz Ride “You certainly can't judge keyboardist Patrick Cooper's latest recording by its cover. Inside and out, the CD features vintage photographs of Elvis Presley, Ray Charles and B.B. King, suggesting a strong retro vibe. What Cooper has to offer is retro, all right, but it evokes the likes of such smooth-jazz pioneers as George Duke (and) the Crusaders.” – Mike Joyce, The Washington Post “From the opening infectious and danceable notes rhythmically tapped out by keyboardist Patrick Cooper on "Struttn'," the first radio single from his forthcoming second album, The Way It Used To Be, the vibe is instantly set for a throwback collection that puts a contemporary spin on vintage jazz funk. The disc comprised of eight original songs penned and produced by Cooper that celebrate the best qualities of the past…” - TheUrbanMusicScene.com “The only thing to do when this CD ends is press ‘play’ again and let the combination of the soulful, the groovy and the classy wash over you again.” – Chris Mann “Reminiscent of a time when music expressed raw emotion and exposed the soul, Patrick Cooper’s The Way It Used To Be is a treat not to be missed. -
April 6-15, 2018 • Berksjazzfest.Com
PRESENTED BY FESTIVAL SPONSOR Reading’s premier full-service hotel! 19603 PAID Non-Profit Hosting 14 Major Shows During Berks Jazz Fest! Reading, PA Permit Permit #862 U.S. U.S. Postage Organization New Home for Gerald Veasley’s Midnight Jams! 28th annual Special Boscov’s Berks Jazz Fest Packages! 1040 N. Park Road • Wyomissing, PA 19610 610-372-7811 • 1-800-383-9713 •innatreading.com FREE WI-FI • FREE BREAKFAST • GYM LOCATED MINUTES FROM MAJOR BERKS JAZZ FEST EVENTS! 21 MERIDIAN BOULEVARD • WYOMISSING, PA 19610 610-376-4400 • marriot.com • FREE Continental Breakfast Spring break for jazz lovers! • Late Check-Out Available • Free Wireless High-Speed Internet Access • Exercise Room • Less than 1 mile from VF Outlet Center Jim and Debbie • Less than 1 mile from Jazz Fest official locations! Landrigan 635 SPRING STREET • WYOMISSING, PA 19610 • 610-378-5105 CURRENT RESIDENT OR qualityinn.choicehotels.com (Papermill Rd Exit off Route 222, bear right) Ron W. Bair, Jr. CFP FORMERLY COUNTRY INN AND SUITES Remembering Chuck Loeb dot> CELEBRATING The Boscov’s Berks Jazz Fest lost a great 20TH ANNIVERSARY friend when Chuck Loeb passed last July ... April 6-15, 2018 Chuck was a member of the fest family. His musical creativity Reading, PA created many unique fest Publishing Group concerts the last 20 years. The Berks Jazz Fest will berksjazzfest.com honor Chuck with a special Special rate “Remembering Chuck Loeb” concert set for Sunday, April for Jazz Fest lovers 8, 7:00 p.m., at the Santander • FREE HOT BREAKFAST! Performing Arts Center. • Located close to all events It’s going to be a special night BERKS ARTS COUNCIL BOX 854 P.O. -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
User Manual Synclavier V
USER MANUAL ARTURIA – Synclavier V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Cameron Jones (lead) Valentin Lepetit Baptiste Le Goff (project manager) Samuel Limier Stefano D’Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Pierre-Lin Laneyrie Benjamin Renard Design Glen Darcey Sebastien Rochard Shaun Ellwood Greg Vezon Morgan Perrier Sound Design Drew Anderson Victor Morello Jean-Baptiste Arthus Dave Polich Wally Badarou Stéphane Schott Jean-Michel Blanchet Paul Shilling Marion Demeulemeester Edware Ten Eyck Richard Devine Nori Ubukata Thomas Koot Manual Kevin E. Maloney Jason Valax Corentin Comte ARTURIA – Synclavier V – USER MANUAL 2 Special Thanks Brandon Amison Steve Lipson Matt Bassett Terence Marsden François Best Bruce Mariage Alejandro Cajica Sergio Martinez Chuck Capsis Shaba Martinez Dwight Davies Jay Marvalous Kosh Dukai Miguel Moreno Ben Eggehorn Ken Flux Pierce Simon Franglen Fernando Manuel Rodrigues Boele Gerkes Daniel Saban Jeff Haler Carlos Tejeda Neil Hester James Wadell Chris Jasper Chad Wagner Laurent Lemaire Chuck Zwick © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Synclavier V – USER MANUAL 3 Table of contents 1 INTRODUCTION ........................................................................................... 11 1.1 What is Synclavier V? ................................................................................................... 11 1.2 1.2 History of the Original Instrument