Vancouver's Serinda Swan Gets Real in New CBC Drama Coroner
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sunday Morning Grid 1/15/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/15/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program College Basketball Michigan State at Ohio State. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) Football Night in America Football Pittsburgh Steelers at Kansas City Chiefs. (10:05) (N) 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Paid Program Eye on L.A. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Paid Program 11 FOX In Touch Paid Fox News Sunday Planet Weird DIY Sci Paid Program 13 MyNet Paid Matter Paid Program Best Buys Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Hubert Baking Mexican 28 KCET 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Biz Kid$ Forever Painless With Miranda Age Fix With Dr. Anthony Youn 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Escape From New York ››› (1981) Kurt Russell. -
A School for Farriers out Tower Road, the College
SPECIAL REDUCED ALUMNI RATES i ELEVENTH ANNUAL TOUR PROGRAM-1975 1975 marks the eleventh year of operation has been carefully preserved), together with PATMOS and SANTORINI. Total cost is $1795 for this unique program of tours. which visits excursions to historic NARA, the great from New York. Departures in April, May, some of the world's most fascinating areas and medieval shrine at NIKKO, and the giant July, August. September and October 1975 which is offered only to alumni of Harvard, Daibutsu at KAMAKURA. Also included are (extra air fare for departures in July and Yale. Princeton, M.I.T., Cornell. Univ. of Penn- BANGKOK, with its glittering temples and August). sylvania, Columbia, Dartmouth, and certain palaces; the thriving metropolis of other distinguished universities and to members SINGAPORE, known as the "cross-roads of the of their families. The tours are designed to take East"; the glittering beauty of HONG KONG, advantage of special reduced fare.; offered by with its stunning harbor and famous free-port leading scheduled airlines. fares which are shopping; and as a special highlight, the fabled usually available only to groups or in conjunc- island of BALI. Optional visits are also available tion with a qualified tour and which offer to the ancient temples of ancient Java at savings of as much as 9500 over normal air JOGJAKARTA and to the art treasures of the fares. In addition, special rates have been ob- Palace Museum at TAIPEI, on the island of tained from hotels and sightseeing companies. Taiwan. Tour dates include special seasonal attractions such as the spring cherrv blossoms The tour program is consciously designed and magnificent autumn' folsge in -~a~anand for persons who normally prefer to travel some of the greatest yearly festivals in the I:ar independently and covers areas where such East. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
Stephen J. Cannell, 1941-2010
STEPHEN J. CANNELL, 1941-2010 Stephen J(oseph) Cannell was born February 5, 1941 to Joseph Cannell, a Pasadena, California entrepreneur. Cannell struggled through his early school years, flunking three different grades of elementary, junior or senior high school, and regularly failing his English classes. Years later, when having one of his own children tested for dyslexia, he discovered that he had suffered from it his entire life. Never the less, he had a passionate love for writing, despite his difficulties with the written word, and set a goal for himself to become a best-selling author. After attending the University of Oregon on a football scholarship and meeting creative writing teachers that bolstered his confidence, Cannell married his high school sweetheart and went to work for his family’s business – driving a furniture truck all day. In the evenings, he set a rigorous writing schedule for himself – writing 5 hours a day, 7 days a week, on spec. He decided that his target market would be the burgeoning television scene, and after 6 years without a sale, he finally sold a script – to the series Ironside. After a few more sales, he caught the eye of the legendary writer/producer Jack Webb, who first hired him to be story editor and ultimately head writer for Adam-12. Cannell was contracted to Universal Television, writing and producing shows for that studio during the early-to-mid 1970s. While there, he produced Chase and wrote for and produced Toma, about real-life New York City detective David Toma. While producing Toma, Cannell and his mentor Roy Huggins (creator of Maverick, and many other tv series) wrote an episode that ended up getting rewritten to serve as a pilot for a series about an unorthodox Southern California P.I. -
So Many Traps to Set: Subversions and Subversiveness in Profit
254 GRAAT On-Line issue #6 December 2009 “So many traps to set”: subversion and subversiveness in Profit1 Jean Du Verger Université René Descartes - Paris V. Profit, created by David Greenwalt and John McNamara, produced by Stephen J. Cannell and starring Adrian Pasdar as Jim Profit, was first aired on Fox Broadcasting Company in April 1996 and axed after just four episodes2 (out of the eight originally filmed and scheduled). Probably one of the most controversial and category-defying television serials ever, it portrays Jim Profit, a ruthless and ambitious junior executive, whose hidden agenda is progressively unveiled as he climbs the corporate ladder of the multinational conglomerate Gracen & Gracen (G&G). While throwing into sharp relief the shadowy recesses of corporate America, the series also distorts the dominant ideological and aesthetic patterns of traditional television series, as it develops a subversive discourse on American society. Profit mirrors the complex cultural currents and counter currents that run through American society, provocatively depicting such aspects as the workplace, family values and sexuality. Profit is probably one of the most tantalizing and riveting dramas in television‘s recent history, not only on account of the themes it discusses, but because of its reversal of traditional televisual codes, which contributes to the viewer‘s entrapment in a complex and elaborate narrative structure. This paper will, therefore, discuss the narratological implications of the show‘s Chinese box narrative pattern, highlighting the way in which it subverts the traditional textual structures of television series. I will then examine the camera‘s discourse which, in conveying an impression of fragmentation, imparts a puzzle-like 255 dimension to the narrative overall. -
Celebrating 10 Years! COMIC-CON 2017 the GUIDE
¢ No.9 50 JULY SAN DIEGO SAN DIEGO 2017 COMIC-CON COMIC-CON 48-page anniversary edition! SURVIVAL GUIDE THEGUIDE Celebrating 10 years! COMIC-CON 2017 THE GUIDE TABLE OF CONTENTS Introduction ........................................................................................3 Marvel Heroes ....................................................................................4 Superhero Showdown .......................................................................8 Legends of DC .....................................................................................9 That Was a Comic Book? ................................................................10 Click Picks Comics ...........................................................................12 Heroes & Villains ..............................................................................14 You Know, For Kids! .........................................................................15 Comic-Con Exclusives .....................................................................17 Flights of Fantasy .............................................................................19 Level Up! ............................................................................................20 How to Speak Geek ..........................................................................21 In a Galaxy Far, Far Away ...............................................................26 The Final Frontier .............................................................................27 Invasion! ............................................................................................28 -
3Rd QUARTER 2018 EFFECTIVE 8/3/18
EFFECTIVE 8/3/18 3rd QUARTER 2018 MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Adventures of Superman 6:00a Maverick Tarzan 6:30a Adventures of Superman 6:30a 7:00a Wanted: Dead or Alive Batman 7:00a Tarzan 7:30a Wanted: Dead or Alive Batman 7:30a 8:00a Have Gun, Will Travel 8:00a Tarzan Daniel Boone 8:30a Have Gun, Will Travel 8:30a 9:00a Travel Thru History (E/I) 9:00a Rawhide Tarzan 9:30a The Coolest Places on Earth (E/I) 9:30a 10:00a Zoo Clues (E/I) 10:00a The High Chaparral The Greatest American Hero 10:30a Walking Wild (E/I) 10:30a 11:00a Real Stories of the Highway Patrol Safari (E/I) 11:00a The Greatest American Hero 11:30a Real Stories of the Highway Patrol Safari (E/I) 11:30a 12:00p Swamp Thing 12:00p The Incredible Hulk 12:30p Swamp Thing 12:30p 1:00p 1:00p Sheena The Incredible Hulk 1:30p 1:30p 2:00p 2:00p Xena: Warrior Princess The Greatest American Hero 2:30p 2:30p 3:00p 3:00p Xena: Warrior Princess Relic Hunter 3:30p 3:30p 4:00p 4:00p Hercules: The Legendary Journeys Relic Hunter 4:30p 4:30p 5:00p 5:00p Hercules: The Legendary Journeys BeastMaster 5:30p 5:30p 6:00p 6:00p Renegade BeastMaster 6:30p 6:30p 7:00p 7:00p Black Sheep Squadron Black Sheep Squadron 7:30p 7:30p 8:00p 8:00p Star Trek: Original Black Sheep Squadron Star Trek: Original 8:30p 8:30p 9:00p 9:00p Star Trek: The Next Generation Hunter Star Trek: The Next Generation 9:30p 9:30p 10:00p 10:00p Star Trek: Deep Space Nine Hunter Star Trek: Deep Space Nine 10:30p 10:30p 11:00p 11:00p Star Trek: Voyager Wiseguy Star Trek: Voyager 11:30p 11:30p 12:00a 12:00a Star Trek: Enterprise Wiseguy Star Trek: Enterprise 12:30a 12:30a 1:00a 1:00a Xena: Warrior Princess The Commish The Incredible Hulk 1:30a 1:30a 2:00a 2:00a Xena: Warrior Princess The Commish The Incredible Hulk 2:30a 2:30a 3:00a Swamp Thing 3:00a Hercules: The Legendary Journeys 21 Jump Street 3:30a Swamp Thing 3:30a 4:00a 4:00a Hercules: The Legendary Journeys 21 Jump Street Tarzan 4:30a 4:30a 5:00a The Cisco Kid 5:00a Cheyenne Tarzan 5:30a Trackdown 5:30a ALL TIMES EASTERN/PACIFIC • SUBJECT TO CHANGE COLOR INDICATES CHANGE TO SCHEDULE . -
Keep It Down
COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history. -
Gaston Morrison Stunt Coordinator / Stunt Performer
Gaston Morrison Stunt Coordinator / Stunt Performer Office: 604-299-7050 Cel: 604-818-5921 Email: [email protected] Website: www.stuntscanada.com Website: www.hardknoxstunts.com ACTRA/UBCP Member Height: 5’10 Weight: 175 Hair: Black Eyes: Brown Waist: 34 Inseam: 32 Shoe: 11 Hat: 7 ¼ Neck: 16 ½ Jacket: 42 R TAURUS WORLD STUNT AWARD NOMINEE – BEST WORK WITH A VEHICLE – “SAHARA” - 2005 TAURUS WORLD STUNT AWARD NOMINEE – BEST HIGH WORK – “I, SPY” - 2003 TAURUS WORLD STUNT AWARD NOMINEE – BEST FIGHT – “ROMEO MUST DIE” - 2001 STUNT COORDINATING SHOW POSITION PRODUCER/PM/DIRECTOR Once Upon A Time Stunt Coordinator Kathy Gilroy/Dennis Swartman The Sardo Project - Pilot Stunt Coordinator Kathy Gilroy/Dennis Swartman V – Season 2 Stunt Coordinator Kathy Gilroy/Dennis Swartman Psych Cover Stunt Coordinator – 1 episode Gordon Mark, James Roday/Matthew Chipera Life Unexpected – Pilot Stunt Coordinator Gary Fleder, Liz Tigelaar/Wayne Bennett Men In Trees – Season 1 Stunt Coordinator Jenny Bicks, Cathy Konrad/Todd Pittson Light Years Stunt Coordinator Kathy Gilroy/Liz Tigelaar Chemical Evil Stunt Coordinator – Motorcycle Sequence Lauro Chartrand Stunt Stars Stunt Coordinator – Episode 1 Jean Phillippe Turgeon Risk Takers – Episode 5 Stunt Coordinator – Episode 5 Jean Phillippe Turgeon Mrs Miracle Cover Stunt Coordinator Harvey Kahn/Stunt Coordinator: Brett Chan Revolution Stunt Coordinator John Bellucci/Michael Rymer House of the Dead Stunt Coordinator- Cover Days Shawn Williamson/Dan Clarke/Uwe Boll Stargate: Universe Cover Stunt Coordinator -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition. -
Cake Contests Are Among Fair Features
pissui u m ii 1 1 4 U U « * • UIC8TST01M, M. A n Independent Newspaper Devoted to the Interests of the People of Hightstown and East Windsor I25TH YEAR NO.—3 HIGHTSTOWN GAZETTE, MERCER COUNTY, NEW JERSEY, THURSDAY, JULY 5, 1973 PRICE—FIVE CEN flr ‘Day in Park' College Gives > Cake Contests Are Top Baseball Earns $600 High Award Among Fair Features Player Gets For Fire Co. To D r. Cole When you bake a cake does1 Regional School District. Down- everyone want seconds?' Do your town Hightstown will be closed to Grant-in Aid . „ » . , u . , , Pies disappear while they are cool- traffic for the day as local mer- The 1890’s “Day in the Park” a Dr. Sandford S. Cole of Hrghts- ing? Then it’s time for you gourmet chants hold sidewalk sales. JamieBooths Ivins, an outfielder-pitch first endeavor by the Joint Civic „ ♦ t. --------------- O'-- jrvvn mauucu uy vttriUUS liKilViaUH er from Hightstown, has signed a Associations of East Windsor has t Z ' ,aJ ° r^ bak,erS - get OUL y0U„r favorite manned by various individuals and “ M i recipes- The CERC Community service organizations will grant-in-aid with Georgia Southern been famed a success. This event, offer 1973 recipient of the University Fair committee will hold an old such diverse items for sale as College according to a recent an held recently at the Melvin H. Alumni Associated s prestigious fashioned bake-off contest during Brazilian art and jewelry, hand- nouncement by head baseball coach Kreps School earned $600 for the RecogniUon Award. the Community Fair Day In down- made paper flowers, mobiles, Ron Polk. -
LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers.