3Rd QUARTER 2018 EFFECTIVE 7/8/18

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EFFECTIVE 7/8/18 3rd QUARTER 2018 MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Adventures of Superman 6:00a Maverick Tarzan 6:30a Adventures of Superman 6:30a 7:00a Wanted: Dead or Alive Batman 7:00a Tarzan 7:30a Wanted: Dead or Alive Batman 7:30a 8:00a Have Gun, Will Travel 8:00a Tarzan Daniel Boone 8:30a Have Gun, Will Travel 8:30a 9:00a Travel Thru History (E/I) 9:00a Rawhide Tarzan 9:30a The Coolest Places on Earth (E/I) 9:30a 10:00a Zoo Clues (E/I) 10:00a The High Chaparral The Greatest American Hero 10:30a Walking Wild (E/I) 10:30a 11:00a Real Stories of the Highway Patrol Safari (E/I) 11:00a The Greatest American Hero 11:30a Real Stories of the Highway Patrol Safari (E/I) 11:30a 12:00p Swamp Thing 12:00p The Incredible Hulk 12:30p Swamp Thing 12:30p 1:00p 1:00p Sheena The Incredible Hulk 1:30p 1:30p 2:00p 2:00p Xena: Warrior Princess The Greatest American Hero 2:30p 2:30p 3:00p 3:00p Xena: Warrior Princess Relic Hunter 3:30p 3:30p 4:00p 4:00p Hercules: The Legendary Journeys Relic Hunter 4:30p 4:30p 5:00p 5:00p Hercules: The Legendary Journeys BeastMaster 5:30p 5:30p 6:00p 6:00p Renegade BeastMaster 6:30p 6:30p 7:00p 7:00p Black Sheep Squadron Black Sheep Squadron 7:30p 7:30p 8:00p 8:00p Star Trek: Original Black Sheep Squadron Star Trek: Original 8:30p 8:30p 9:00p 9:00p Star Trek: The Next Generation Hunter Star Trek: The Next Generation 9:30p 9:30p 10:00p 10:00p Star Trek: Deep Space Nine Hunter Star Trek: Deep Space Nine 10:30p 10:30p 11:00p 11:00p Star Trek: Voyager Wiseguy Star Trek: Voyager 11:30p 11:30p 12:00a 12:00a Star Trek: Enterprise Wiseguy Star Trek: Enterprise 12:30a 12:30a 1:00a 1:00a Xena: Warrior Princess The Commish The Incredible Hulk 1:30a 1:30a 2:00a 2:00a Xena: Warrior Princess The Commish The Incredible Hulk 2:30a 2:30a 3:00a Swamp Thing 3:00a Hercules: The Legendary Journeys 21 Jump Street 3:30a Swamp Thing 3:30a 4:00a 4:00a Hercules: The Legendary Journeys 21 Jump Street Tarzan 4:30a 4:30a 5:00a The Cisco Kid 5:00a Cheyenne Tarzan 5:30a Trackdown 5:30a ALL TIMES EASTERN/PACIFIC SUBJECT TO CHANGE.

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It's Katniss Vs. Comedians As the Hunger Games and Bridesmaids Dominate Nominations for the "2012 MTV Movie Awards"
The Battle For The Golden Popcorn Begins! It's Katniss vs. Comedians As The Hunger Games And Bridesmaids Dominate Nominations For The "2012 MTV Movie Awards" Winner Voting For 12 Returning and All-New Categories Opens Today, May 1 at 8AM ET/5AM PT at MovieAwards.MTV.com 21st Annual "MTV Movie Awards" Will Air Live Sunday, June 3rd at 9 PM ET/PT on MTV from the Gibson Amphitheatre in Universal City, CA NEW YORK, May 1, 2012 /PRNewswire/ -- The nominees are in for the "2012 MTV Movie Awards," with The Hunger Games and Bridesmaids neck-in-neck with eight nominations each, including the categories "MOVIE OF THE YEAR," "BEST CAST" and "BREAKTHROUGH PERFORMANCE." Fans will have the "Power of the Popcorn" in their hands as winner voting opens today, May 1 at 8AM ET/5AM PT, at MovieAwards.MTV.com and will stay open through Saturday, June 2nd. As in previous years, the category of "MOVIE OF THE YEAR" will remain an ongoing battle throughout the live show when the 21st annual "2012 MTV Movie Awards" airs live on Sunday, June 3rd at 9pm ET/PT on MTV from the Gibson Amphitheatre in Universal City, California. The "2012 MTV Movie Awards" will put the spotlight on one of the most diverse roster of nominated films in years for the show. Featuring a broad array of movies that resonated with our audience this year, the nominations include both blockbusters and critically acclaimed films such as "Drive," "Like Crazy," "The Descendants," "The Girl with the Dragon Tattoo," and "My Week with Marilyn." This year's telecast will also be a theatrical throwdown between two funny ladies and an action star as Kristen Wiig, Melissa McCarthy and Jennifer Lawrence all received four nominations each, the most for all female actors nominated.
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8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and proﬁts The legal drama series Law & Order was ﬁrst broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.
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Stephen J. Cannell, 1941-2010
STEPHEN J. CANNELL, 1941-2010 Stephen J(oseph) Cannell was born February 5, 1941 to Joseph Cannell, a Pasadena, California entrepreneur. Cannell struggled through his early school years, flunking three different grades of elementary, junior or senior high school, and regularly failing his English classes. Years later, when having one of his own children tested for dyslexia, he discovered that he had suffered from it his entire life. Never the less, he had a passionate love for writing, despite his difficulties with the written word, and set a goal for himself to become a best-selling author. After attending the University of Oregon on a football scholarship and meeting creative writing teachers that bolstered his confidence, Cannell married his high school sweetheart and went to work for his family’s business – driving a furniture truck all day. In the evenings, he set a rigorous writing schedule for himself – writing 5 hours a day, 7 days a week, on spec. He decided that his target market would be the burgeoning television scene, and after 6 years without a sale, he finally sold a script – to the series Ironside. After a few more sales, he caught the eye of the legendary writer/producer Jack Webb, who first hired him to be story editor and ultimately head writer for Adam-12. Cannell was contracted to Universal Television, writing and producing shows for that studio during the early-to-mid 1970s. While there, he produced Chase and wrote for and produced Toma, about real-life New York City detective David Toma. While producing Toma, Cannell and his mentor Roy Huggins (creator of Maverick, and many other tv series) wrote an episode that ended up getting rewritten to serve as a pilot for a series about an unorthodox Southern California P.I.
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So Many Traps to Set: Subversions and Subversiveness in Profit
254 GRAAT On-Line issue #6 December 2009 “So many traps to set”: subversion and subversiveness in Profit1 Jean Du Verger Université René Descartes - Paris V. Profit, created by David Greenwalt and John McNamara, produced by Stephen J. Cannell and starring Adrian Pasdar as Jim Profit, was first aired on Fox Broadcasting Company in April 1996 and axed after just four episodes2 (out of the eight originally filmed and scheduled). Probably one of the most controversial and category-defying television serials ever, it portrays Jim Profit, a ruthless and ambitious junior executive, whose hidden agenda is progressively unveiled as he climbs the corporate ladder of the multinational conglomerate Gracen & Gracen (G&G). While throwing into sharp relief the shadowy recesses of corporate America, the series also distorts the dominant ideological and aesthetic patterns of traditional television series, as it develops a subversive discourse on American society. Profit mirrors the complex cultural currents and counter currents that run through American society, provocatively depicting such aspects as the workplace, family values and sexuality. Profit is probably one of the most tantalizing and riveting dramas in television‘s recent history, not only on account of the themes it discusses, but because of its reversal of traditional televisual codes, which contributes to the viewer‘s entrapment in a complex and elaborate narrative structure. This paper will, therefore, discuss the narratological implications of the show‘s Chinese box narrative pattern, highlighting the way in which it subverts the traditional textual structures of television series. I will then examine the camera‘s discourse which, in conveying an impression of fragmentation, imparts a puzzle-like 255 dimension to the narrative overall.
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ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon
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Volkswagen Cabriolets on Television
Volkswagen Cabriolets on Television (Separated by genre. Not in alphabetical order, so use Ctrl+F to find a specific title. Some have embedded links to external videos/photos. Key to star ratings is on last page. Made-for-TV movies are listed in the equivalent film document.) Genre: Documentary/Informational/News Motorweek 20 Cars That Changed The World What Would You Do? 1989 2001; Episode 3 ABC News Special Telemotor Autotest Telemotor Autotest 60 Jahre Volkswagen 1979/1980 ca. 1988 2009 Genre: Mini-series The Man Who Made Husbands Jealous Floodtide Un été de canicule 1997 1987; Episode: 1.03 2003; Episode: 3 Goltuppen Devices & Desires Den Svarta Cirkeln 1991; Episode: 3 1991; Episode: 2 1990; Episode: 1 © 2015 KamzKreationz 1 Cabriolets on TV Genre: Comedy/Sitcom/Dramedy Chuck Chuck Curb Your Enthusiasm 2007; Episode 1.07 2008; Episode 2.04 2004; Episode 4.08 Dharma & Greg Doogie Howser, M.D. 2001; Episode 5.04 1989; Episode 1.01 Grace Under Fire Hannah Montana Hannah Montana 1996; Episode 4.17 2006; Episode 1.02 2006; Episode 1.14 King of Queens King of Queens King of Queens 1998; Episode 1.__ 1999; Episode 2.09 2000; Episode 3.01 1999; Episode 2.22 2000; Episode 3.08 Malcolm In The Middle Malcolm In The Middle My Name Is Earl 2001; Episode 2.09 2001; Episode 2.01 2006; Episode 2.07 © 2015 KamzKreationz 2 Cabriolets on TV Reno 911! Saved By The Bell Seinfeld 2003; Episode 1.05 Seasons 3 & 4 DVD cover 1991; Episode 3.06 Seinfeld Seinfeld Step By Step 1992; Episode 4.22 1993; Episode 5.03 1991; Episode 1.16 That '70s Show The Big Bang
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2Nd QUARTER 2016 EFFECTIVE 3/28/16
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Mining the Box: Adaptation, Nostalgia and Generation X
From TV to Film How to Cite: Hill, L 2018 Mining the Box: Adaptation, Nostalgia and Generation X. Open Library of Humanities, 4(1): 1, pp. 1–28, DOI: https://doi.org/10.16995/olh.99 Published: 09 January 2018 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Lisa Hill, ‘Mining the Box: Adaptation, Nostalgia and Generation X’, (2018) 4(1): 1 Open Library of Humanities, DOI: https:// doi.org/10.16995/olh.99 FROM TV TO FILM Mining the Box: Adaptation, Nostalgia and Generation X Lisa Hill University of the Sunshine Coast, AU [email protected] This article identifies the television to film phenomenon by cataloguing contemporary films adapted from popular television shows of the 1960s and 1970s. This trend is located within the context of Generation X and considered within the framework of nostalgia and Linda Hutcheon’s (2006) conception of adaptation. The history of re-visiting existing texts in screen culture is explored, and the distinction between remakes and adaptation is determined.
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3Rd QUARTER 2018 EFFECTIVE 8/3/18
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Vancouver's Serinda Swan Gets Real in New CBC Drama Coroner
Vancouver's Serinda Swan gets real in new CBC drama Coroner Swan stars as a Toronto coroner who has to raise her teenage son on her own after her husband's sudden death. Dana Gee Updated: January 7, 2019 Coroner Where: CBC When: Jan. 7, 9 p.m. Info: cbc.ca Serinda Swan felt there was more to her new TV character coroner Jenny Cooper than the study of bodily fluids, skin tissue and blood spray patterns. Swan felt Cooper, the lead in the new CBC drama Coroner, had an internal life that was also ripe for dissection. “I really want to keep her as human as possible. I donʼt want her to be a coroner that happens to be a person. I wanted her to be a person who happens to be a coroner,” Swan said she told Coroner execuitve producer and director Adrienne Mitchell and showrunner/creator Morwyn Brebner when they were discussing the role. “I wanted to be able to lead with her humanity. I wanted to lead with everything she feels.” In the new eight-part series we meet Swan just as her husband has dropped dead. Once an emergency room doctor, Swanʼs mounting anxiety has forced her to make big changes and navigate new, very often, emotional waters. To help start anew she packs up her teenage son moves to Toronto and takes a job as a coroner. The CBC drama Corner stars Serinda Swan as coroner Jenny Cooper. Photo: Ben Mark Holzberg Ben Mark Holzberg / PNG “First and foremost itʼs watching a womanʼs experience in this new life,” added Swan, who grew up in West Vancouver but has called Los Angeles home since 2009.
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Keep It Down
COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history.
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Danny Virtue Producer/Director/2Nd Unit Director /Stunt Coordinator / Stunt Performer
Danny Virtue Producer/Director/2nd Unit Director /Stunt Coordinator / Stunt Performer Office: 604-299-7050 Office: 604-826-7636 Cel: 604-250-1167 Website: www.stuntscanada.com Website: www.virtuestudioranch.com Email: [email protected] DGA/DGC/SAG/UBCP/ACTRA/TEAMSTERS #155/IATSE #891/ACFC Member Height: 6’1 Weight: 210 Hair: Silver Eyes: Blue Waist: 38 Inseam: 34 Sleeve: 34 Shoe: 12 Hat: 7 3/8 Neck: 16 Jacket: XL **MPPIA BC CREATES COMMUNITY AWARD - 2016 **OUTSTANDING ACHIEVEMENT AWARD – LEO AWARDS - 2015 *LEO AWARDS WINNER – BEST STUNT COORDINATION IN A FEATURE FILM – “GUNLESS” – 2010 **PETER USTINOV HUMANITARIAN AWARD – BANFF FILM FESTIVAL *GEMINI AWARD NOMINEE – BEST DRAMATIC SERIES – “NEON RIDER” – 1995 *GEMINI AWARD NOMINEE – BEST DRAMATIC SERIES – “NEON RIDER” - 1993 PRODUCING & DIRECTING SHOW ROLE MEDIA/PRODUCTION COMPANY Goodnight for Justice 2 & 3 Producer Feature Films – Hallmark Entertainment E-Quest Executive Producer Pilot Whistler – Season II Executive Producer TV Series – 13 episodes – CTV Whistler – Season I Executive Producer TV Series – 13 episodes – CTV Grizzly Director Promo- Blair Murdoch Productions Dead Man’s Gun Director TV Series Neon Rider – Seasons I, II, III, IV Executive Producer, Producer, Co-Creator, TV Series – 65 Episodes – AVR Director Productions- CTV/GLOBAL Dude Executive Producer, Co-Creator Pilot – AVR Productions The Gibbet Executive Producer Short Film – Virtue Productions Ariana’s Quest Co-Producer, Co-Director Feature Film – Forgotten Kingdom Productions The Girls From Mars Associate Producer
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