UCLA Encyclopedia of Egyptology
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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Creativity and Innovation in the Reign of Hatshepsut
iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 2014 studies in ancient ORientaL civiLizatiOn • numbeR 69 THE ORIENTAL INSTITUTE of THE UNIVERSITY of CHICAgo chicagO • IllinOis v Table of Contents List of Abbreviations .............................................................................. vii Program of the Theban Workshop, 2010 Preface, José M. Galán, SCIC, Madrid ........................................................................... viii PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal Discourse in the Time of Hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why Did Hatshepsut Invent the Image of Her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries in the new Kingdom. Betsy M. Bryan, The Johns Hopkins -
5 De Febrero De 2018
THE HIGH PRIEST OF AMUN AT THEBES BETWEEN THE LATE NEW KINGDOM AND THE END OF THE TWENTY-FIFTH DYNASTY EL CARGO DE SUMO SACERDOTE DE AMÓN EN TEBAS ENTRE EL FINAL DEL IMPERIO NUEVO Y EL FINAL DE LA DINASTÍA XXV Iria SOUTO CASTRO 1 Universidad de Vigo Recibido el 29 de agosto de 2017. Evaluado el 5 de febrero de 2018. RESUMEN: Este artículo pretende enfatizar la importancia del cargo de sumo sacerdote de Amón desde finales del Imperio Nuevo egipcio —1295-1069 a.C — hasta el declive de la vigésimo quinta dinastía —656 a.C. —. Primeramente, se presentará la definición del cargo de “sumo sacerdote” de Amón, así como de sus inmediatos precedentes. Seguidamente, ejemplos de este cargo sustentado por figuras importantes en el antiguo Egipto, serán aportados en orden cronológico para el mencionado espacio de tiempo. En tercer lugar, se expondrán los rasgos del cargo. Finalmente se resumirán las conclusiones acerca de la relevancia de este cargo en Tebas, en este período. ABSTRACT: This article will address the relevance of the office of ‘High Priest of Amun’ at Thebes from the Late New Kingdom —1295-1069 BC — until the end of the 25 th Dynasty — 656 BC —. Firstly, in order to make a clear explanation of the topic, the definition of the office of ‘High Priest of Amun’ and its immediate precedents will be presented; secondly, examples of this religious charge will be provided for the chronological period mentioned. Thirdly, the main features of the charge will be summarised and finally, the conclusions about how important this office was will be made. -
THEBAN DESERT ROAD SURVEY John Coleman Darnell and Deborah Darnell
oi.uchicago.edu ARCHAEOLOGY THEBAN DESERT ROAD SURVEY John Coleman Darnell and Deborah Darnell Our efforts during the fifth season were focused mainly on the recording of rock inscriptions and rock art at the Wadi el-H61 and Gebel Tjauti. In addition to the completion of photographic documentation of all of the primary concentrations of inscriptions, we are pleased to report the discovery of three important new sites. 66 THE ORIENTAL INSTITUTE oi.uchicago.edu THEBAN DESERT ROAD SURVEY Gebel Antef We continued to examine the area of the Seventeenth Dynasty chapel and studied intensively the ceramic remains along the ascent (cf. fig. 17b, e) and in the area of stone huts far behind the chapel. In addition to many Middle Kingdom forms, the huts yielded pottery of Nubian manufacture, perhaps associated with the policemen and soldiers whom we know — thanks to the Wadi el-H61 graffiti — to have fre quented this road. A surprisingly large number of Middle Kingdom camping instal lations were identified this season on virtually all of the roads we have mapped; the Gebel Antef huts are among the best preserved examples of such structures. Wadi el-Hol We have now made facsimile copies of over 250 separate scenes and inscriptions in the four major sectors of this site. This season we completed full photographic doc umentation of the main areas of inscriptions (fig. 1), work made possible by grants from the American and Swiss branches of the Michela Schiff Giorgini Foundation, which provided us with funds with which to hire the Epigraphic Survey's photogra pher Yarko Kobylecky for several days of field photography. -
Creativity and Innovation in the Reign of Hatshepsut
iii OccasiOnal prOceedings Of the theban wOrkshOp creativity and innovation in the reign of hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 The OrienTal insTiTuTe OF The universiTy OF ChiCaGO iv The Oriental Institute, Chicago © 2014 by The university of Chicago. all rights reserved. Published 2014. Printed in the united states of america. series editors Leslie Schramer and Thomas G. Urban with the assistance of Rebecca Cain Series Editors’ Acknowledgment Brian Keenan assisted in the production of this volume. Cover Illustration The god amun in bed with Queen ahmes, conceiving the future hatshepsut. Traced by Pía rodríguez Frade (based on Édouard naville, The Temple of Deir el Bahari Printed by through Four Colour Imports, by Lifetouch, Loves Park, Illinois USA The paper used in this publication meets the minimum requirements of american national standard for information services — Permanence of Paper v table of contents Preface. José M. Galán, Spanish National Research Council, Madrid ........................................... vii list of abbreviations .............................................................................. xiii Bibliography..................................................................................... xv papers frOm the theban wOrkshOp, 2010 1. innovation at the Dawn of the new Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of innovation and Their application -
The Horse in New Kingdom Egypt: Its Introduction, Nature, Role and Impact
THE HORSE IN NEW KINGDOM EGYPT: ITS INTRODUCTION, NATURE, ROLE AND IMPACT TEXT VOLUME Susan Turner Macquarie University Faculty of Arts Department of Ancient History 2015 For CAROLINE and DAVID and ARKI who taught me so much about horses. ABSTRACT THE HORSE IN NEW KINGDOM EGYPT: ITS INTRODUCTION, NATURE, ROLE AND IMPACT. A THESIS SUBMITTED TO THE FACULTY OF ARTS IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ANCIENT HISTORY MACQUARIE UNIVERSITY SUSAN P. TURNER SYDNEY, AUSTRALIA DECEMBER 2015 This Thesis has not been submitted for a higher degree to any other university or institution. Susan P. Turner_____________________________________ 2 “his horses are like falcons when they sight small birds.. roaring like a lion, stirred up and raging” Edgerton.W.F. & Wilson. J (1936) Historical Records of Ramses III. The Texts in Medinet Habu. University of Chicago Press, Chicago, 24. 3 ABSTRACT ABSTRACT To date much scholarly attention has been paid to the development of the light spoke- wheeled chariot, its spread throughout the Near East, its design and uses. There has also been much concentration on the domestication of the horse and its proliferation through the ‘horse cultures” in those regions. Apart from the work of Rommelaere1 in the early 1990’s, interest in the Egyptian horse has been limited to short articles or sections of other works dealing mainly with chariots, where mention of the driving force behind the chariot – the horse has been brief. This work addresses this omission by reviewing the faunal, iconographic, textual and archaeological evidence for the horse in New Kingdom Egypt. -
The Ancient Egyptians for Dummies‰ 01 065440 Ffirs.Qxp 5/31/07 9:19 AM Page Ii 01 065440 Ffirs.Qxp 5/31/07 9:19 AM Page Iii
01_065440 ffirs.qxp 5/31/07 9:19 AM Page i The Ancient Egyptians FOR DUMmIES‰ 01_065440 ffirs.qxp 5/31/07 9:19 AM Page ii 01_065440 ffirs.qxp 5/31/07 9:19 AM Page iii The Ancient Egyptians FOR DUMmIES‰ by Charlotte Booth 01_065440 ffirs.qxp 5/31/07 9:19 AM Page iv The Ancient Egyptians For Dummies® Published by John Wiley & Sons, Ltd The Atrium Southern Gate Chichester West Sussex PO19 8SQ England E-mail (for orders and customer service enquires): [email protected] Visit our Home Page on www.wiley.com Copyright © 2007 John Wiley & Sons, Ltd, Chichester, West Sussex, England Published by John Wiley & Sons, Ltd, Chichester, West Sussex All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or trans- mitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or other- wise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, England, or emailed to [email protected], or faxed to (44) 1243 770620. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. -
Cairo, the Egyptian Museum
Cairo, Egyptian Museum Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 15 August 2011): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor), Sue Hutchison and Tracy Walker Volume i2 Part 1 Thebes. Tomb 1. Sennedjem. i2.1, 3(5) Door, wood, in Cairo, Egyptian Museum, JE 27303. Inner face, Toda, Son Notém, pl. opp. 30. See Brief Descr. No. 2006; Maspero, Guide (1915), 510 [4912]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Outer coffin and sledge, in Cairo, Egyptian Museum, JE 27301. Schmidt, Sarkofager figs. 625-730. See Brief Descr. No. 2001; Maspero, Guide (1915), 393 [3797]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Inner coffin and mummy-board (as ‘case’ in Bibl.), in Cairo, Egyptian Museum, JE 27308. Ramsès le Grand (Galeries Nationales du Grand Palais. Paris 1976), Cats. xxxv-vi with col. pls. See Brief Descr. No. 2003. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Masks, in Cairo, Egyptian Museum, See Maspero, Guide (1915), 452 [4273-4]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Canopic box, in Cairo, Egyptian Museum, JE 27307. Name and title, erný Nbk. 77, 1 [bottom]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Two ushabti-coffins, in Cairo, Egyptian Museum, CG 48411-12. Newberry, Funeral Statuettes and Model Sarcophagi (Cat. -
EGYPTIAN ROYAL ANCESTRY Abt
GRANHOLM GENEALOGY EGYPTIAN ROYAL ANCESTRY Abt. 1600–800, 305-30 BC Great Pyramid, Egypt 1 INTRODUCTION “Egypt is a gift from Nile” was the first we learned in grade school about Egypt. In genealogy, we can well claim that Egypt has given us the gift of the earliest ancestral history thanks to its hieroglyphs and other sources now readily available via Internet. There are several sources connecting us to Egyptian ancestors but I have here picked one, listed first, “Byzantine Emperors”, which ties together several of our other ancestral lineages, which I have described in other books. This one lists our ancestors from a most recent (generation 1) to the earliest (generation 87). This sequence is different from most computer genealogy reports which list the lineages from to earliest person to the present. Besides the information in this list, I have gone further back in time using Wikipedia and some other Internet sources. In my lineage list, shown next, I have those of our ancestors highlighted, for which additional information has been provided in the main text. This list ends with Neithiyti Princess of Egypt (81st great grandmother). She was married to Cyrus II the Great King of Persia, our ancestor listed in the Persian Royal Ancestry. Another list is included and ends with the famous Cleopatra and the end of the Egyptian empire as it then became part of the Roman Empire as shown in Roman Early Ancestry. This time period is included in the 1945 novel by Mika Waltari, titled The Egyptian, which is set during the reign of 18th dynasty pharaoh Akhenaten. -
The Focus of This Chapter Is the Terms That Were Used Throughout the New Kingdom for the Royal Structures Used by the Sovereign in His Daily Life
The Pennsylvania State University The Graduate School College of Art and Architecture Ceremonial and Economical Life in the Royal Palace of New Kingdom, Egypt A Dissertation in Art History by Reham Aly Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 The dissertation of Reham Aly was reviewed and approved* by the following: Elizabeth Walters Dissertation Advisor Chair of Committee Associate Professor of Art History Brian Curran Professor of Art History Madhuri Desai Associate Professor of Art History/Asian Art Donald Redford Professor of Classics and Mediterranean Studies Craig Zabel Associate Professor of Art History Head, Department of Art History *Signatures are on file in the Graduate School. ii Abstract It is significant that in the New kingdom, the last and greatest Empire Age of Ancient Egypt, the architecture and illustration of the Royal Palace provide new insight into royal life and vast wealth aggrandized the ruler and honored some members of his family and court. In this study, I have investigated three terms used for royal structures associated with king since the Old kingdom including Cḥ, stp-s3, and pr-nsw and defined their meaning and use during the New Kingdom. Although these three terms were in general used as designations of the “Royal Palace,” each one has specific reference to a particular type of royal structure with its own structure and purpose. This study concentrated in detail context and significance on these terms as they use during this period. Evidences were drawn from a variety of texts including commemorative autobiographical, narrative, and religious texts, besides pictured scenes from tombs, temples, etc. -
Moral Values in Ancient Egypt
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1997 Moral Values in Ancient Egypt Lichtheim, Miriam Abstract: In ten chapters the author works out the ancient Egyptian’s understanding of himself as a moral human being. As soon as the literate person had begun to sum up his life and his personality in the form of an “autobiography” inscribed in his tomb, he included in it statements on his moral personhood. In the course of the centuries these statements grew into rounded self-portraits in which he reported on his doing what he recognized as right actions and his shunning what he judged to be evildoing. He understood his knowledge of right and wrong as an innate capability which was articulated by himself as a thinking person, an “I”. Altogether, he thought of himself as a person shaped by innate traits which were fostered by growth, education, and experience. The process of moral growth he viewed as a learning process in which parents and teachers exemplified moral precepts which he, the thinking person, worked out in his daily life. The Egyptian viewed his gods as ultimate judges of people’s moral actions; but he did not ascribe a teaching function to the gods. An intense lover of life, he felt sure that rightdoing brought success and happiness, whereas evildoing was bound to bring failure. His moral thought added up to a social ethic which encompassed all members of society. Family, friends, neighbors, village and town, the nation as a whole and foreign peoples too – one and the same rules of righdoing applied to all.