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Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Audition Notice
AUDITION NOTICE Electric City Playhouse (ECP) proudly announces auditions for Jerry’s Girls Music and Lyrics by Jerry Herman Concepts by Larry Alford, Wayne Cilento, and Jerry Herman Directed by Alexandria Bagwell and Ian Coulter with Musical Direction by Heather Brown Presented by arrangement with Concord Theatricals. www.concordtheatricals.com . Jerry’s Girls runs October 1-10, 2021; Fridays/Saturdays at 7:30 pm; Sundays at 3 pm. Performances take place at Electric City Playhouse, 514 N. Murray Avenue, Anderson SC 29625. Auditions will be held at ECP • Saturday, July 24; 1-3 pm • Sunday, July 25; 7-9 pm Video auditions are welcome and can be sent to [email protected]. Deadline for submission of video auditions is midnight July 24, 2021. Synopsis: A tribute to composer and lyricist Jerry Herman, this musical extravaganza features all the best songs from such immortal musicals as Mame, Hello Dolly!, Milk and Honey, Mack and Mabel, A Day in Hollywood/A Night in the Ukraine, and La Cage Aux Folles. Characters/Roles: We are very excited to share that four of the original cast members from the postponed show are available and will be on the stage for this performance. To round out the cast we are looking for 4 to 8 sopranos, mezzo sopranos, and altos as well as drag performers with a baritenor range. Persons of all age ranges and ethnicities are invited and encouraged to audition. Preparation: Please bring 32 bars of a musical theatre piece that shows off your voice! Please bring sheet music for the accompanist or a track (Bluetooth speaker is available). -
Study Guide Table of Contents
STUDY GUIDE TABLE OF CONTENTS CONTEXT The Story of Encores!, p. 4-5 Meet the Stars, p. 6 Hey, Look Us Over!, p. 7 An Interview with Jack Viertel and Rob Berman, p. 8-11 RESOURCES & ACTIVITIES Before the Show, p. 13 Theater Manners, p. 14 Family Activity, p. 15 After the Show, p. 16 Comeback Classics Worksheet, p. 17 Learner Outcomes p. 18-20 Sources p. 21 CONTEXT THE STORY OF ENCORES! The Encores! series at New York City Center began with a question: “Is anybody doing this?” Judith Daykin, President and Executive Director of City Center from 1992-2003, had just seen an unusual theatrical event: two complete, Golden Age musicals, performed back-to-back with some narrative streamlining, making the evening three hours long, with only one intermission. “It awed me at the time that people would sit there, rapt, for two musicals lumped together with an intermission,” Daykin would remark later in an interview with the American Theater Wing. She realized that the New York audience was hungry to hear the lush scores of old, forgotten musicals from Broadway’s Golden Age—a period loosely defined as taking place between 1943 and 1959. What followed would go down in musical theater history. Daykin began assembling a team to produce concert readings of these musicals. The original team included Ira Weitzman and Rob Fisher. Fisher, Daykin would later say, was a natural choice for music director, as he had been part of the team who had put up the performance she had seen. Now, the Artistic Director of Encores! is Jack Viertel, who conceived Hey, Look Me Over!, and Rob Berman is the music director. -
T!" TENT THEATRE 1988 MANAGING DIRECTOR Joe Bowman ARTISTIC DIRECTORS Robert H
"Punct....... te Your S With t!" TENT THEATRE 1988 MANAGING DIRECTOR Joe Bowman ARTISTIC DIRECTORS Robert H. Bradley Howard R. arms Catherine Renfro MUSICAL DIRECTOR Randy A. Lu na CHOREOGRAPHER John Klineline SCENOGRAPHER J. Amburn Darnall SHOP FOREMAN Daniel E. Springer COSTUME DESIGNER Don Adams COMPANY MANAGER Carrie R. Peter BOX OFFICE MANAGER Lynn Danforth ASSISTANT BOX OFFICE MANAGER Gordon L. Smith TENT THEATRE SCHOLARSHIPS Much of the money that we use for scholarships, including tuition and housing for the students in the Tent Theatre Company, comes from the generosity of you our audience. We have several "Tent Angels" who send us part or full tuition scholarships ($125 - $250) and we would love to have more. But donations of any amount are helpful and will soon add up to aid another student for the summer. Some of our "Angels" this year are: Dr. Barbara Oberlander, Erroll J. Cantlin III, The Rockefeller Foundation, Carolyn B. Elms , Cynthia F. Cooper, Harry and Annette Federow, George and Bernadene Oliver, Rich and Lou Martin and Anton and Roberta Tasich. Contribution to the Tent Theatre Scholarship are deductible as provided by law. Your contributions can be made payable to "TentTheatre Scholarship Fund", Craig Hall Box Office, Southwest Missouri State University, 901 S. National, Springfield, Missouri 65804. For information concerning the scholarship fund phone Joe Bowman at 836-4644. Buy a coke ... a fan ... or send a check. Your donation helps immensely. SET CONSTRUCTION AND PAINTING Darren A. Aldrich Kathy S. Ashton Pat Brown Amy Creek Jon Garren Dennis Bill Dooley Anna L. Hudspeth Eric B. -
Teacher's Instructional Guide
GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE Goodspeed’s Teacher’s Instructional Guide Instructional Teacher’s Goodspeed’s is madepossiblethroughthegenerosity of The Max Showalter Centerfor Education inMusical Theatre MAME Goodspeed Opera House April 20 - July 1, 2012 _________ MUSIC AND LYRICS BY JERRY HERMAN BOOK BY JEROME LAWRENCE Teacher’s Instructional Guide & ROBERT E. LEE TABLE OF CONTENTS BASED ON THE NOVEL BY How To Use The Guides.......................................................................................3 PATRICK DENNIS AND THE PLAY “AUNTIE MAME” BY ABOUT THE SHOW: LAWRENCE & LEE Show Synopsis........................………………………………………………...4 LIGHTING DESIGN BY Character Summary.........................………………………………………..6 CHARLIE MORRISON The Novelist: Patrick Dennis.....................................................................7 COSTUME DESIGN BY Meet the Writers.........................................................................................8 GREGG BARNES Behind the Scenes: Costume Design.................................................10 SCENIC DESIGN BY BACKGROUND AND THEMATIC MATERIAL: JAMES YOUMANS From Page to Stage: Adaptation....…....……………………………….11 CHOREOGRAPHED BY The Great Crash.....................…………....…………………………………13 VINCE PESCE The Great Depression..............……………………………………………..14 DIRECTED BY RAY RODERICK The Social Class System…………………………………………….……….15 The Role of Women................................................................................16 PRODUCED FOR GOODSPEED MUSICALS -
Celebrating the Music and Lyrics of Jerry Herman “Hello, Jerry!” Is a Special Celebration of the Composer/Lyricist Who Penned the Musical Theatre Classics
HELLO, JERRY! Celebrating the Music and Lyrics of Jerry Herman “Hello, Jerry!” is a special celebration of the composer/lyricist who penned the musical theatre classics Mame, Hello, Dolly!, Mack and Mabel, and La Cage aux Folles, showcasing 40 years of hit songs. Ever since the success of Milk and Honey in 1961, Jerry Herman has been creating blockbuster musicals which have become landmarks in show business history. His music and lyrics for Broadway shows have won him Tony awards, Grammy awards, gold records, honors for best lyricist, and a Drama Desk award. He continues to bring work to the stage and television. Among his most recent projects are the television musical, Mrs. Santa Claus, and Miss Spectactular, a stage musical. PAIGE O’HARA Paige O’Hara is widely known as Disney’s heroine, Belle, in the critically acclaimed, Oscar-winning animated film Beauty and the Beast. Her many stage appearances include playing Ellie May Chipley in the Broadway revival of Showboat starring Donald O’Connor; as Fantine in the award-winning Les Miserables on Broadway; and as Edwin Drood in both the Broadway and national tour of The Mystery of Edwin Drood. She starred as Nellie Forbush in the Australian tour of South Pacific and reprised the role opposite Robert Goulet in the states. In concert she has appeared in stagings of Sitting Pretty, The Cat and the Fiddle, Oh Boy, and Lady! Lady!, all at Carnegie Hall as well as One Touch of Venus at Town Hall. She has toured Japan as a Special Guest Star with the Hollywood Bowl. -
A Musical Celebration of Jerry Herman
Contact: Davidson & Choy Publicity | Tim Choy [email protected] Peter Goldman [email protected] | 323 954 7510 Kory Kelly – Director of Marke[ng & Communica[ons at Pasadena Playhouse: Pasadena Playhouse presents You I Like: A Musical Celebra4on of Jerry Herman A Tribute to the Broadway Legend and Creator of Hello, Dolly!; Mame; La Cage aux Folles and many more Conceived and Music Directed by Andy Einhorn Premiering on PlayhouseLive January 10, 2021 Online Opening Night Event to Include Tributes From Special Guests BernadeLe Peters and David Hyde Pierce ***Editor’s Note: The Online Opening Night of You I Like: A Musical Celebra4on of Jerry Herman will be held on January 10, 2021 at 5 p.m. PST on www.PlayhouseLive.org. Please contact Peter Goldman at [email protected] to RSVP and gain access.*** January 4, 2021, Pasadena, CA | Pasadena Playhouse, The State Theater of California, announces the January 10, 2021 PlayhouseLive Online Opening Night of You I Like: A Musical Celebra4on of Jerry Herman, a virtual musical revue honoring the genius responsible for the Broadway classics Hello, Dolly!; Mame; La Cage aux Folles and many more. The Online Opening Night will be a livestreamed event with special guests BernadeOe Peters and David Hyde Pierce. The produc[on, conceived and music directed by Andy Einhorn (Music Director and Music Supervisor, Broadway’s Hello, Dolly!; Carousel, among others), marks the first theatrical tribute to Jerry Herman by a professional theater company since the passing of this Tony Award- winning Broadway legend one year ago. The PlayhouseLive produc[on of You I Like: A Musical Celebra4on of Jerry Herman features Andy Einhorn on the piano with performances by Ashley Blanchet (Broadway: Frozen), Nick Christopher (Broadway: Hamilton), Lesli Margherita (Broadway: Ma:lda The Musical), Andrea Ross (‘Maria’ in The Sound of Music Na[onal Tour) and Ryan Vona (Broadway: Once). -
Producing the Classic Musical at the High School Level
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 Dolly'll Never Go Away Again: Producing the Classic Musical at the High School Level Jason Whitehead University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Whitehead, Jason, "Dolly'll Never Go Away Again: Producing the Classic Musical at the High School Level" (2020). Electronic Theses and Dissertations, 2020-. 150. https://stars.library.ucf.edu/etd2020/150 DOLLY’LL NEVER GO AWAY AGAIN: PRODUCING THE CLASSIC MUSICAL AT THE HIGH SCHOOL LEVEL by JASON WHITEHEAD B.F.A. University of Central Florida, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Theatre in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 © 2020 Jason Whitehead ii ABSTRACT High school theatre programs tend to select musicals that employ many students, both on and offstage, as well as titles which contain little to no objectionable content, making it safe for all family members to attend. The community standards imposed by school districts limit the choices for theatre teachers. Students also tend to be attracted to the newer and recently released musicals, ones that just finished a national tour or their Broadway run. -
Book by RUPERT HOLMES | Music by JOHN KANDER | Lyrics by FRED EBB Original Book and Concept by PETER STONE Additional Lyrics by JOHN KANDER and RUPERT HOLMES
Book by RUPERT HOLMES | Music by JOHN KANDER | Lyrics by FRED EBB Original Book and Concept by PETER STONE Additional Lyrics by JOHN KANDER and RUPERT HOLMES “Curtains" is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide (TRW), 1359 Broadway, Suite 914, New York, NY. 10018. (866) 378-9758 www.theatricalrights.com Honorary President Arthur Wilman Honorary Vice-Presidents John Cole Pam Smith Betty Whitworth Maureen Lippiatt Life Member Barbara Myrtle ———————————— Officers and Committee (2013/2014) Chairman Karen Steel Vice-Chairman Sam Thomas Secretary Karen Anstiss Treasurer Jane MacPherson Social Secretaries Becky Crockford Matthew Marchant Membership Secretary Mehrengise Cooper Show Development Officer Matthew Pimm Publicity Officer Lynsey Munn Member without Portfolio Adrian Duce Full Members Karen Anstiss, Nichola Allan, Ann Baldwin, Stefano Bassi, David Benny, Gareth Bevan, Menna Bevan, Siân Bowles Bevan, Sara Brooks, Stephen Brooks, Stuart Buchan, Jacqueline Campbell, Mehrengise Cooper, Anne Costello, Becky Crockford, Adrian Duce, Mark Evans, Maggie Gislingham, Hugo Green, Nick King, Stephanie King, Linda Kinghorn, Margaret Kitchingman, Sarah Lister, Monica Lomas, Caroline Lumb, Jane MacPherson, Jan Marchant, Matthew Marchant, Lynsey Munn, Rick Myrtle, Jo Parker-Burton, Rachel Peplow, Matthew Pimm, Jim Simpson, Alistair Slaughter, Dawn Slaughter, David Smith, Karen Steel, Angela Talbot, Ian Talbot, Sam Thomas, Mary Tight, Emily Vaux, Duncan Walduck, Dawn Wightman, Martin Wilcox, Faye Williams Associate Members Tim Anstiss, Peter Campbell, Tamra Cave, Gladys Clements, Ray La Pointe, Sue Oliver, Jill Paget, Ian Todd, Lucy Wood Gloc Musical Theatre is affiliated to the National Operatic & Dramatic Association Visit our website www.glocmt.co.uk Or why not like us on Facebook www.facebook.com/glocmusicaltheatre A message from the chairman: Good evening and welcome to The Questors Theatre for GLOC Musical Theatre’s production of Curtains. -
“This Lovely Land Is Mine” Milk and Honey’S Restorative Nostalgia for Israel Jessica Hillman
“This Lovely Land Is Mine” Milk and Honey’s Restorative Nostalgia for Israel Jessica Hillman This is the place where the hopes of the homeless and the dreams of the lost combine. This is the land that heaven blessed, and this lovely land is mine! — Don Appell and Jerry Herman (1961: act I, scene 3, line 26) These lyrics — from the title song of the 1961 musical Milk and Honey — encapsulate the multi layered political and cultural implications throughout this seemingly simple Broadway musi cal. With their call to both the recent and ancient past, and their vigorous claim of ownership in the present, Jerry Herman’s words, and the musical as a whole, negotiate a delicate balance between pride and sorrow. With music and lyrics by Herman and libretto by Don Appell, Milk and Honey was the first major Broadway musical to take Jews as its central characters, present ing a then unique setting and subject matter: the new state of Israel. Its pioneer status situates Milk and Honey as a cultural document revealing American Jewish attitudes toward the young country, and one of the central reasons for its existence: the Holocaust. Through oldfashioned TDR: The Drama Review 55:3 (T211) Fall 2011. ©2011 New York University and the Massachusetts Institute of Technology 31 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00092 by guest on 03 October 2021 Broadway escapism and exoticism, Milk and Honey superficially glorifies the present and future of an exciting new land. More deeply, as a reaction to sublimated grief and disavowal of the Holocaust, we find “restorative nostalgia” for Israel’s roots in the biblical homeland, the titular land of milk and honey. -
AUDIENCE INSIGHTS the Maxshowaltercenterfor Education Inmusicaltheatre HELLO, DOLLY!
GOODSPEED MUSICALS AUDIENCE INSIGHTS The MaxShowalterCenterfor Education inMusicalTheatre HELLO, DOLLY! Goodspeed Opera House June 28 - Sept 8, 2013 _________ MUSIC AND LYRICS BY JERRY HERMAN BOOK BY MICHAEL STEWART BASED ON “THE MATCHMAKER” BY THORNTON WILDER Audience Insights LIGHTING DESIGN BY JASON LYONS TABLE OF CONTENTS COSTUME DESIGN BY Show Synopsis........................................................................................................3 WADE LABOISSONNIERE Character Summary............................……….………….………………..………...4 SCENIC DESIGN BY Meet the Writers...............................................………...………………………..…..5 ADRIAN W. JONES Program Notes..........................…….........................……………………………….7 CHOREOGRAPHED BY Behind the Scenes: Costume Design.................................................................9 KELLI BARCLAY Behind the Scenes: Set Design..........................................................................10 DIRECTED BY Director’s Vision...................................................................................................11 DANIEL GOLDSTEIN The Birth of Dolly...................................................................................................12 PRODUCED FOR GOODSPEED Dolly’s Journey.....................................................................................................14 MUSICALS BY MICHAEL P. PRICE Famous Dollys......................................................................................................16 Resources..................................................………...…………....……………..…17 -
Jerry Herman's Leading Ladies
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2010 Jerry Herman's Leading Ladies John Mansell University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mansell, John, "Jerry Herman's Leading Ladies" (2010). Electronic Theses and Dissertations, 2004-2019. 4215. https://stars.library.ucf.edu/etd/4215 JERRY HERMAN’S LEADING LADIES by JOHN DAVID MANSELL BM University of Mississippi, 2007 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2010 © 2010 John Mansell ii ABSTRACT Jerry Herman is celebrated for his ability to showcase strong leading female roles in his canon of work that spans some fifty years. In writing such strong female characters, he must produce strong male counterparts to these women who can communicate on their level and not become overpowered by the women’s presence. I was cast in the musical revue, It’s Today: An Evening of Jerry Herman, conceived, directed, and choreographed by Earl D. Weaver. My portion of the revue explored Herman’s leading male roles of Cornelius from Hello, Dolly!; Mack from Mack and Mabel; Colonel Tadeusz Boleslav Stjerbinsky from The Grand Tour; and Albin from La Cage aux Folles, My analysis of these specific leading male roles uncovers how their relationships with their leading ladies defines their character in each of the musicals for which they were written.