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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
The Catalogue Announcing the Spanning from 1960 to the Present Work’S Sale
Sponsored by: ART TORONTO 2008 Toronto International Art Fair (TIAF) TIAF 2008 Advisory Committee René Blouin, Galerie René Blouin 602-1788 West Broadway Jane Corkin, Corkin Gallery Vancouver BC V6J 1Y1 Michael Gibson, Michael Gibson Gallery Tel: 604 730 2065 Grita Insam, Fax: 604 730 2049 Galerie Grita Insam Toll Free: 1 800 663 4173 Olga Korper, Olga Korper Gallery Bernd Lausberg, Lausberg Contemporary 10 Alcorn Ave, Suite 100 Begoña Malone, Galería Begoña Malone Toronto ON M4V 3A9 Tel: 416 960 4525 Nicholas Metivier, Nicholas Metivier Gallery Johann Nowak, DNA Email: [email protected] Miriam Shiell, Miriam Shiell Fine Art Website: www.tiafair.com President Christopher G. Kennedy Senior Vice-President Steven Levy Director Linel Rebenchuk Director of Marketing and Communications Victoria Miachika Production Coordinator Rachel Boguski Administration and Marketing Assistant Sarah Close Graphic Design Brady Dahmer Design Sponsorship Arts & Communications Public Relations Applause Communications Construction Manager Bob Mitchell Printing Friesens Corporation, Altona Huber Printing, North Vancouver Foreword The recognition of culture and art as an integral component in creating livable and sustainable communities is well established. They are primary vehicles for public dialogue about emotional, intellectual and aesthetic values, providing a subjective platform for human connection in our global society. An International art fair plays an important role in the building and sharing of cultural values. It creates opportunities for global connections and highlights the diverse interests of artists, collectors, dealers, museums, scholars and the public. It is with great excitement and pride that I am presenting the 9th annual Toronto International Art Fair - Art Toronto 2008. With an impressive line up of national and international galleries alongside an exciting roster of cultural partners and participants, TIAF has become an important and vital event on the Canadian cultural calendar. -
Interview with Alex Kanevsky January 31, 2012 Neil Plotkin
Interview with Alex Kanevsky January 31, 2012 Neil Plotkin Many readers are familiar with Alex Kanevsky’s work but perhaps not all of his details. The internet offers a great deal of information about Mr. Kanevsky but unfortunately much of it is, if not false, not exactly accurate either. I was recently fortunate enough to visit Mr. Kavnevsky in his studio and I got the sense from him that this situation didn’t bother him, and that perhaps he even found it amusing. I asked him about being from Lithuania and his studies there. I had assumed he was an ethnic Russian who grew up in Lithuania or was from near Kalingrad or something to that effect (This will probably only add to the general confusion about his background). He quickly corrected me J.F.H., 2011, oil on board and explained that he was from the provinces in Russia and studied in Lithuania. He then told a story about an article that had been written about him in France recently. The article seemed to only have one fact that was correct. Mr. Kanevsky seemed resigned to the errors. He said that he felt that these facts about him end up being similar to his drawings. The information isn’t always correct but when you put everything together it tells a sort of truth. The details that I know to be true are the following: Alex Kanevsky is a Philadelphia, Pennsylvania based painter who teaches at the Pennsylvania Academy of Fine Arts. He shows at J. Cacciola Gallery and Dolby Chadwick Gallery, and had a show in December at J. -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
Jules Langsner Papers, 1941-1967
http://oac.cdlib.org/findaid/ark:/13030/kt5v19r00h No online items Finding Aid for the Jules Langsner papers, 1941-1967 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid for the Jules Langsner 1748 1 papers, 1941-1967 Descriptive Summary Title: Jules Langsner papers Date (inclusive): 1941-1967 Collection number: 1748 Creator: Jules Langsner, 1911-1967. Extent: 26 boxes (13 linear feet)1 oversize box. Abstract: Jules Langsner was born on May 5, 1911, in New York, New York and died in Los Angeles, California, on September 29, 1967. Langsner was surrounded by intellectuals and artists from a young age, and became a celebrated art writer, critic and curator. The collection consists of correspondence, manuscripts, ephemera, and photographs related to Langsner's writing, research and curatorial work. Language: English Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. -
Press Release
Press Release www.webofstories.com London, UK – December 2nd 2011 Monday 5th December marks the 110th birthday of the late Walter Elias 'Walt' Disney, the American film producer, animator and co-founder of the Walt Disney Company. Web of Stories is proud to present a video recording of the life story of one of Walt Disney's most talented animators, Mr Jules Engel. Here, he talks about his time at Disney, co-founding the United Productions of America (UPA) studio, and Format Films where he produced Mr Magoo and the popular US series The Alvin Show and The Lone Ranger. In 1938, Jules Engel was asked by Walt Disney to work with them on what became the much-loved Disney classic, Fantasia. He was appointed the task of storyboarding the final dance sequences of the Russian sprites and Chinese mushrooms to the music of Tchaikovsky's Nutcracker Suite. Engel's passion for dance and art made him the perfect candidate to choreograph the sequences. Although much controversy still surrounds the fact that Jules Engel was never credited for his work on these sequences, here he describes what it was like working for the Walt Disney Company and meeting Walt Disney himself. "I remember first time I bumped into him and I said, 'Mr Disney, how do you...' He said, 'No, it's Walt.' Well, that's nice, you know, 'Okay Walt.' But the point is that he lived, he ate, he drank, whatever else there is about animation, that was his gut. He was not even a real person, he was so involved with that world. -
Helen Jones Carter, a Former Sculptor and Wife of the Composer Elliott
Pierre Restany, 72, an influential French art critic perhaps best known for championing artists such as Uves Klein, Christo, Aman and Jean Tinguely, died of heart failure on Helen Jones Carter, a former sculptor and wife of the 29 May in Paris. He coined the term "Nouveau Realisme" composer Elliott Carter, died in May at the age of 95. She in 1960 to describe a group of artists with a postmodern was trained as an artist at the Art Students League in New bent. Though often compared to Pop Art, Noweau York, studying primarily with the sculptor Alexander Realisrne did not celebrate artists who turned soup cans into Archipenko. During the 1930s's, she worked as one of the art objects, but instead "reveled in rubbish, torn posters, directors of the WAart program in New York. Her portrait abandoned meals." He was founder of the Domus Academy head of Marcel Duchamp is in the collection of the in Milan, a post-graduate research institute for fashion and Wadsworth Athenaeum in rd. design and beginning in 1985, he edited the Mlan-based magazine D'Ars. He frequently organized large Fernmd Fonssagrives, a photographer known for his international exhibitions, such as the Olympic Sculpture elegant pictures of his first wife, the noted model Lisa Park in Seoul in the late 1980s and the 1999 Venice Fonssagrives, and his later pictures of emale nudes wiht Biennale, as well as shows in Shanghai and Havana (2000) patterns of light on their skin, died in April at the age of 93. and in Istanbul (200 1). -
Wadsworth Atheneum Museum of Art Premieres New Work by Artist Allison Schulnik
FOR IMMEDIATE RELEASE Feb. 6, 2014 Media Only: Amanda Young, (860) 838-4082 [email protected] WADSWORTH ATHENEUM MUSEUM OF ART PREMIERES NEW WORK BY ARTIST ALLISON SCHULNIK On view Feb. 6 – May 4, 2014, the Wadsworth Atheneum Museum of Art’s MATRIX 168 will feature work by widely-acclaimed artist Allison Schulnik. Centering on the museum premiere of “Eager” (2014), a new stop-motion, clay animation video by Schulnik, the exhibition will also include the artist’s 2011 film, “Mound,” which Schulnik describes as, “a celebration of the moving painting,” and which The New York Times says, “demonstrates the thrill of old- fashioned animation.” Schulnik’s clay animation videos feature lonely, marginalized characters accompanied by moody and obscure musical pieces. Both “Eager” and “Mound” exemplify the thrilling effects of old-fashioned animation techniques, which Schulnik learned while studying with legendary animator Jules Engel, a contributor to Disney classics “Fantasia” (1940) and “Bambi” (1942), and founding director of the Experimental Animation Program at California Institute of the Arts (Cal Arts). “I draw from dance, movies, music, cartoons, once-loved discarded relics, long-loved junk classics, myself and loved ones, strangers and stars, fools and sages,” said Schulnik. “I like to meld earthly fact, blatant fiction and a love for raw material and the hand-made to form a stage of tragedy, farce, and ominous, crude beauty.” Accompanying Schulnik’s videos, the adjacent gallery will feature a fantastical installation of 14 paintings and a motley cast of sculptures on mismatched pedestals—which directly connect to her videos through subject matter, color palette and heavy impasto effects. -
Mission Issue
free The San Francisco Arts Quarterly A Free Publication Dedicated to the SArtistic CommunityFAQ i 3 MISSION ISSUE - Bay Area Arts Calendar Oct. Nov. Dec. Jan - Southern Exposure - Galeria de la Raza - Ratio 3 Gallery - Hamburger Eyes - Oakland Museum - Headlands - Art Practical 6)$,B6)B$UWVB4XDUWHUO\BILQDOLQGG 30 Saturday October 16, 1-6pm Visit www.yerbabuena.org/gallerywalk for more details 111 Minna Gallery Chandler Fine Art SF Camerawork 111 Minna Street - 415/974-1719 170 Minna Street - 415/546-1113 657 Mission Street, 2nd Floor- www.111minnagallery.com www.chandlersf.com 415/512-2020 12 Gallagher Lane Crown Point Press www.sfcamerawork.org 12 Gallagher Lane - 415/896-5700 20 Hawthorne Street - 415/974-6273 UC Berkeley Extension www.12gallagherlane.com www.crownpoint.com 95 3rd Street - 415/284-1081 871 Fine Arts Fivepoints Arthouse www.extension.berkeley.edu/art/gallery.html 20 Hawthorne Street, Lower Level - 72 Tehama Street - 415/989-1166 Visual Aid 415/543-5155 fivepointsarthouse.com 57 Post Street, Suite 905 - 415/777-8242 www.artbook.com/871store Modernism www.visualaid.org The Artists Alley 685 Market Street- 415/541-0461 PAK Gallery 863 Mission Street - 415/522-2440 www.modernisminc.com 425 Second Street , Suite 250 - 818/203-8765 www.theartistsalley.com RayKo Photo Center www.pakink.com Catherine Clark Gallery 428 3rd Street - 415/495-3773 150 Minna Street - 415/399-1439 raykophoto.com www.cclarkgallery.com Galleries are open throughout the year. Yerba Buena Gallery Walks occur twice a year and fall. The Yerba Buena Alliance supports the Yerba Buena Nieghborhood by strengthening partnerships, providing critical neighborhood-wide leadership and infrastructure, serving as an information source and forum for the area’s diverse residents, businesses, and visitiors, and promoting the area as a destination. -
ARTISTS MAKE US WHO WE ARE the ANNUAL REPORT of the PENNSYLVANIA ACADEMY of the FINE ARTS Fiscal Year 2012-13 1 PRESIDENT’S LETTER
ARTISTS MAKE US WHO WE ARE THE ANNUAL REPORT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS FISCAL YEAR 2012-13 1 PRESIDENT’S LETTER PAFA’s new tagline boldly declares, “We Make Artists.” This is an intentionally provocative statement. One might readily retort, “Aren’t artists born to their calling?” Or, “Don’t artists become artists through a combination of hard work and innate talent?” Well, of course they do. At the same time, PAFA is distinctive among the many art schools across the United States in that we focus on training fine artists, rather than designers. Most art schools today focus on this latter, more apparently utilitarian career training. PAFA still believes passionately in the value of art for art’s sake, art for beauty, art for political expression, art for the betterment of humanity, art as a defin- ing voice in American and world civilization. The students we attract from around the globe benefit from this passion, focus, and expertise, and our Annual Student Exhibition celebrates and affirms their determination to be artists. PAFA is a Museum as well as a School of Fine Arts. So, you may ask, how does the Museum participate in “making artists?” Through its thoughtful selection of artists for exhibition and acquisition, PAFA’s Museum helps to interpret, evaluate, and elevate artists for more attention and acclaim. Reputation is an important part of an artist’s place in the ecosystem of the art world, and PAFA helps to reinforce and build the careers of artists, emerging and established, through its activities. PAFA’s Museum and School also cultivate the creativity of young artists. -
Vol. 15, No. 2 February 2011 You Can’T Buy It
ABSOLUTELY FREE Vol. 15, No. 2 February 2011 You Can’t Buy It Tony Morano Vicky McLain John Johnson Patz Fowle Beth Wicker Robert Feury Barbara and Ed Streeter Lori Kaim Selected works from the exhibit, A Celebration of Many Talents: Artisans of the Cotton Trail & the Tobacco Trail, on view through March 4, 2011 at the Art Trail Gallery in Florence, SC. StephenJonathan Scott Green Young Beach Twins Acrylic 10.25 x 14.25 inches Red Lips Acrylic 10.25 x 14.25 inches Prayer Book Dry Brush 27.25 x 15.75 inches SmallFeaturing Works New WorkShow For additional information contact the gallery at 843•842•4433 or to view complete exhibition www.morris-whiteside.cowww.morris-whiteside.comm Morris & Whiteside Galleries 220 Cordillo Parkway • Hilton Head Island • South Carolina • 29928 • 843.842.4433 Page 2 - Carolina Arts, February 2011 Carolina Arts, is published monthly by Shoestring Publishing new online version of the paper - lower Company, a subsidiary of PSMG, Inc. Copyright© 2011 by by Tom Starland, Editor and Publisher ad rates and equal coverage and distribu- PSMG Inc. It also publishes the blog Carolina Arts Unleashed Editorial and Carolina Arts News, Copyright© 2011 by PSMG, Inc. All tion of the paper. Everyone has the same rights reserved by PSMG, Inc. or by the authors of articles. access to the same one copy of the paper Reproduction or use without written permission is strictly prohibited. Carolina Arts is available online at (www.CarolinaArts. we are producing. Unfortunately, as I com). Mailing address: P.O. Drawer 427, Bonneau, SC 29431.