Ellipsis in Finnish Sign Language
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Sign Language Typology Series
SIGN LANGUAGE TYPOLOGY SERIES The Sign Language Typology Series is dedicated to the comparative study of sign languages around the world. Individual or collective works that systematically explore typological variation across sign languages are the focus of this series, with particular emphasis on undocumented, underdescribed and endangered sign languages. The scope of the series primarily includes cross-linguistic studies of grammatical domains across a larger or smaller sample of sign languages, but also encompasses the study of individual sign languages from a typological perspective and comparison between signed and spoken languages in terms of language modality, as well as theoretical and methodological contributions to sign language typology. Interrogative and Negative Constructions in Sign Languages Edited by Ulrike Zeshan Sign Language Typology Series No. 1 / Interrogative and negative constructions in sign languages / Ulrike Zeshan (ed.) / Nijmegen: Ishara Press 2006. ISBN-10: 90-8656-001-6 ISBN-13: 978-90-8656-001-1 © Ishara Press Stichting DEF Wundtlaan 1 6525XD Nijmegen The Netherlands Fax: +31-24-3521213 email: [email protected] http://ishara.def-intl.org Cover design: Sibaji Panda Printed in the Netherlands First published 2006 Catalogue copy of this book available at Depot van Nederlandse Publicaties, Koninklijke Bibliotheek, Den Haag (www.kb.nl/depot) To the deaf pioneers in developing countries who have inspired all my work Contents Preface........................................................................................................10 -
Coordination and Ellipsis
Comprehensive Grammar Comprehensive Grammar Resources Resources Henk van Riemsdijk & István Kenesei, series editors Syntax of Dutch Syntax of DutchCoordination and Ellipsis Broekhuis Corver Hans Broekhuis Norbert Corver Syntax of Dutch Coordination and Ellipsis Comprehensive Grammar Resources Editors: Henk van Riemsdijk István Kenesei Hans Broekhuis Syntax of Dutch Coordination and Ellipsis Hans Broekhuis Norbert Corver With the cooperation of: Hans Bennis Frits Beukema Crit Cremers Henk van Riemsdijk Amsterdam University Press The publication of this book is made possible by grants and financial support from: Netherlands Organisation for Scientific Research (NWO) Center for Language Studies University of Tilburg Truus und Gerrit van Riemsdijk-Stiftung Meertens Institute (KNAW) Utrecht University This book is published in print and online through the online OAPEN library (www.oapen.org). OAPEN (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Cover design: Studio Jan de Boer, Amsterdam Layout: Hans Broekhuis ISBN 978 94 6372 050 2 e-ISBN 978 90 4854 289 5 DOI 10.5117/9789463720502 NUR 624 Creative Commons License CC BY NC (http://creativecommons.org/licenses/by-nc/3.0) Hans Broekhuis & Norbert Corver/Amsterdam University Press, Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Sign Language Endangerment and Linguistic Diversity Ben Braithwaite
RESEARCH REPORT Sign language endangerment and linguistic diversity Ben Braithwaite University of the West Indies at St. Augustine It has become increasingly clear that current threats to global linguistic diversity are not re - stricted to the loss of spoken languages. Signed languages are vulnerable to familiar patterns of language shift and the global spread of a few influential languages. But the ecologies of signed languages are also affected by genetics, social attitudes toward deafness, educational and public health policies, and a widespread modality chauvinism that views spoken languages as inherently superior or more desirable. This research report reviews what is known about sign language vi - tality and endangerment globally, and considers the responses from communities, governments, and linguists. It is striking how little attention has been paid to sign language vitality, endangerment, and re - vitalization, even as research on signed languages has occupied an increasingly prominent posi - tion in linguistic theory. It is time for linguists from a broader range of backgrounds to consider the causes, consequences, and appropriate responses to current threats to sign language diversity. In doing so, we must articulate more clearly the value of this diversity to the field of linguistics and the responsibilities the field has toward preserving it.* Keywords : language endangerment, language vitality, language documentation, signed languages 1. Introduction. Concerns about sign language endangerment are not new. Almost immediately after the invention of film, the US National Association of the Deaf began producing films to capture American Sign Language (ASL), motivated by a fear within the deaf community that their language was endangered (Schuchman 2004). -
Vol. 123 Style Sheet
THE YALE LAW JOURNAL VOLUME 123 STYLE SHEET The Yale Law Journal follows The Bluebook: A Uniform System of Citation (19th ed. 2010) for citation form and the Chicago Manual of Style (16th ed. 2010) for stylistic matters not addressed by The Bluebook. For the rare situations in which neither of these works covers a particular stylistic matter, we refer to the Government Printing Office (GPO) Style Manual (30th ed. 2008). The Journal’s official reference dictionary is Merriam-Webster’s Collegiate Dictionary, Eleventh Edition. The text of the dictionary is available at www.m-w.com. This Style Sheet codifies Journal-specific guidelines that take precedence over these sources. Rules 1-21 clarify and supplement the citation rules set out in The Bluebook. Rule 22 focuses on recurring matters of style. Rule 1 SR 1.1 String Citations in Textual Sentences 1.1.1 (a)—When parts of a string citation are grammatically integrated into a textual sentence in a footnote (as opposed to being citation clauses or citation sentences grammatically separate from the textual sentence): ● Use semicolons to separate the citations from one another; ● Use an “and” to separate the penultimate and last citations, even where there are only two citations; ● Use textual explanations instead of parenthetical explanations; and ● Do not italicize the signals or the “and.” For example: For further discussion of this issue, see, for example, State v. Gounagias, 153 P. 9, 15 (Wash. 1915), which describes provocation; State v. Stonehouse, 555 P. 772, 779 (Wash. 1907), which lists excuses; and WENDY BROWN & JOHN BLACK, STATES OF INJURY: POWER AND FREEDOM 34 (1995), which examines harm. -
The Not So Short Introduction to Latex2ε
The Not So Short Introduction to LATEX 2ε Or LATEX 2ε in 139 minutes by Tobias Oetiker Hubert Partl, Irene Hyna and Elisabeth Schlegl Version 4.20, May 31, 2006 ii Copyright ©1995-2005 Tobias Oetiker and Contributers. All rights reserved. This document is free; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version. This document is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this document; if not, write to the Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. Thank you! Much of the material used in this introduction comes from an Austrian introduction to LATEX 2.09 written in German by: Hubert Partl <[email protected]> Zentraler Informatikdienst der Universität für Bodenkultur Wien Irene Hyna <[email protected]> Bundesministerium für Wissenschaft und Forschung Wien Elisabeth Schlegl <noemail> in Graz If you are interested in the German document, you can find a version updated for LATEX 2ε by Jörg Knappen at CTAN:/tex-archive/info/lshort/german iv Thank you! The following individuals helped with corrections, suggestions and material to improve this paper. They put in a big effort to help me get this document into its present shape. -
What VP Ellipsis Can Do, and What It Can't, but Not Why*
What VP Ellipsis Can Do, and What it Can’t, * but not Why Kyle Johnson University of Massachusetts Amherst VP Ellipsis is the name given to instances of anaphora in which a missing predicate, like that marked by “)” in (2), is able to find an antecedent in the surrounding discourse, as (2) does in the bracketed material of (1). (1) Holly Golightly won’t [eat rutabagas]. (2) I don’t think Fred will ), either. We can identify three sub-problems which a complete account of this phenomenon must solve. (3) a. In which syntactic environments is VP Ellipsis licensed? b. What structural relation may an elided VP and its antecedent have? c. How is the meaning of the ellipsis recovered from its antecedent? These tasks tend to run together, as we shall see; but there is no immediate harm in treating them separately. 1. LICENSING THE ELLIPSIS The first of the problems presents itself with pairs such as (4). (4) I can’t believe Holly Golightly won’t eat rutabagas. a. I can’t believe Fred won’t ), either. b. *I can’t believe Fred ), either. These contrasts are typically thought to involve licensing conditions that the environment to the left of the ellipsis invoke. The contrast between (4a) and (4b), for instance, indicates that the ellipsis site must be in construction with, or perhaps governed by, a member of “Aux,” where these can be understood to be just those terms that are able occupy the highest of the functional projections which clauses are made up of. The modal, won’t, is an Aux, as is the infinitival to and the auxiliaries have, be and do in (5). -
Top Ten Tips for Effective Punctuation in Legal Writing
TIPS FOR EFFECTIVE PUNCTUATION IN LEGAL WRITING* © 2005 The Writing Center at GULC. All Rights Reserved. Punctuation can be either your friend or your enemy. A typical reader will seldom notice good punctuation (though some readers do appreciate truly excellent punctuation). However, problematic punctuation will stand out to your reader and ultimately damage your credibility as a writer. The tips below are intended to help you reap the benefits of sophisticated punctuation while avoiding common pitfalls. But remember, if a sentence presents a particularly thorny punctuation problem, you may want to consider rephrasing for greater clarity. This handout addresses the following topics: THE COMMA (,)........................................................................................................................... 2 PUNCTUATING QUOTATIONS ................................................................................................. 4 THE ELLIPSIS (. .) ..................................................................................................................... 4 THE APOSTROPHE (’) ................................................................................................................ 7 THE HYPHEN (-).......................................................................................................................... 8 THE DASH (—) .......................................................................................................................... 10 THE SEMICOLON (;) ................................................................................................................ -
Typology of Signed Languages: Differentiation Through Kinship Terminology Erin Wilkinson
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Mexico University of New Mexico UNM Digital Repository Linguistics ETDs Electronic Theses and Dissertations 7-1-2009 Typology of Signed Languages: Differentiation through Kinship Terminology Erin Wilkinson Follow this and additional works at: https://digitalrepository.unm.edu/ling_etds Recommended Citation Wilkinson, Erin. "Typology of Signed Languages: Differentiation through Kinship Terminology." (2009). https://digitalrepository.unm.edu/ling_etds/40 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Linguistics ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. TYPOLOGY OF SIGNED LANGUAGES: DIFFERENTIATION THROUGH KINSHIP TERMINOLOGY BY ERIN LAINE WILKINSON B.A., Language Studies, Wellesley College, 1999 M.A., Linguistics, Gallaudet University, 2001 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Linguistics The University of New Mexico Albuquerque, New Mexico August, 2009 ©2009, Erin Laine Wilkinson ALL RIGHTS RESERVED iii DEDICATION To my mother iv ACKNOWLEDGMENTS Many thanks to Barbara Pennacchi for kick starting me on my dissertation by giving me a room at her house, cooking me dinner, and making Italian coffee in Rome during November 2007. Your endless support, patience, and thoughtful discussions are gratefully taken into my heart, and I truly appreciate what you have done for me. I heartily acknowledge Dr. William Croft, my advisor, for continuing to encourage me through the long number of months writing and rewriting these chapters. -
Finnish Sign Language [Fse] (A Language of Finland)
“Finnish Sign Language [fse] (A language of Finland) • Alternate Names: FinSL, Suomalainen viittomakieli, SVK, Viittomakieli • Population: 5,000 (2006 Institute for the Languages of Finland–KOTUS). 5,000 deaf and 10,000 hearing signers (2006 Institute for the Languages of Finland–KOTUS). 5,000 deaf signers (2014 EUD). 26,500 (2014 IMB). • Location: Scattered • Language Status: 5 (Developing). Recognized language (2011, No. 61, Institute for sign language status). • Dialects: 2 major dialects from the Finnish (17 schools) and Swedish (1 school) communities. Signed Finnish, used by some teachers of the deaf, is distinct. Developed originally out of Swedish Sign Language [swl], but now distinct. Closely-related to Finland- Swedish Sign Language (FinSSL) [fss], but FinSL users generally have difficulty understanding FinSSL unless FinSSL users adapt towards FinSL. Some borrowing from Finnish [fin]. (Hoyer 2004.) Not intelligible with Danish Sign Language [dsl]. • Typology: One-handed fingerspelling. • Language Use: Used by deaf people whose families speak Finnish [fin] and who attended schools that used Finnish as the language of instruction (Hoyer 2004).The government pays interpreters to accompany the deaf to hospitals, college, church, etc. Interpreters required in court. • Language Development: Films. TV. Videos. Dictionary. Grammar. Bible portions: 1989. • Other Comments: Fingerspelling system similar to French Sign Language [fsl]. First deaf school founded 1850s. Government-paid interpreters. Interpreters required in court. Instruction for parents of deaf children. Many classes for hearing people. Christian (Protestant).” Lewis, M. Paul, Gary F. Simons, and Charles D. Fennig (eds.) 2015. Ethnologue: Languages of the World, Eighteenth edition. Dallas, Texas: SIL International. Online version: http://www.ethnologue.com. -
Trade Mark Opposition Decision (0/561/01)
TRADE MARKS ACT 1994 IN THE MATTER OF: OPPOSITION No. 47027 IN THE NAME OF HALFORDS LIMITED TO APPLICATION No. 2115347 TO REGISTER A SERIES OF TRADE MARKS IN CLASSSES 25 AND 35 IN THE NAME OF THE CONSORTIUM OF BICYCLE RETAILERS LIMITED ____________________ DECISION ____________________ Application No. 2115347 1. On 11th November 1996 the Consortium of Bicycle Retailers Ltd (“the Applicant”) applied to register a series of two signs for use as trade marks in relation to “clothing, footwear and headgear” (Class 25) and “advertising, all relating to the cycling industry” (Class 35). The two signs were: The signs were put forward for registration in series on the basis that they resemble each other as to their material particulars and differ only as to matters of a non-distinctive character not substantially affecting the identity of the mark applied for: Section 41(2) of the Trade Marks Act 1994. The Applicant made no claim to distinctiveness acquired through use in the United Kingdom prior to the date of the application. Opposition No. 47207 2. On 17th June 1997 Halfords Limited (“the Opponent”) filed notice of opposition to the application for registration. The application was opposed on various grounds. For the purposes of this decision I need only refer to the Opponent’s contentions that registration should be refused: (1) under Section 3(1)(a) of the 1994 Act on the basis that the signs in question were not capable of distinguishing the goods or services of one undertaking from those of other undertakings as required by Section 1(1) of the Act; (2) under Section 3(1)(b) of the Act on the basis that the signs in question were devoid of any distinctive character; (3) under Section 3(1)(c) of the Act on the basis that the signs in question consisted exclusively of indications which may serve in trade to designate the kind or characteristics of goods and services supplied under or by reference thereto. -
Ellipsis, Hyphen, & Dash
ELLIPSIS, HYPHEN, & DASH (STYLISTIC CHOICE: ADDING DRAMATIC EFFECT) LEARNING GOALS: L.8.2: DEMONSTRATE COMMAND OF THE CONVENTIONS OF STANDARD ENGLISH CAPITALIZATION, PUNCTUATION, AND SPELLING WHEN WRITING. L.8.2.A: USE PUNCTUATION (COMMA, ELLIPSIS, DASH) TO INDICATE A PAUSE OR BREAK. ELLIPSIS INTRODUCTION VIDEO ELLIPSIS • AN ELLIPSIS IS A TYPE OF PUNCTUATION THAT IS USED TO INDICATE OMISSION OR PAUSES IN WRITING. IT IS MADE UP OF 3 DOTS … EX. NANETTE KEPT PONDERING HER DECISION . AND FINALLY DECIDED SHE HAD MADE A MISTAKE. WHEN TO USE AN ELLIPSIS 1. AN ELLIPSIS CAN BE USED WHEN QUOTING A TEXT TO OMIT (LEAVE OUT) PART OF THE TEXT. • THIS HAPPENS WHEN THE WRITER DECIDES HE/SHE ONLY NEEDS A PORTION OF A QUOTATION TO SUPPORT HIS/HER CLAIM. EXAMPLE: ORIGINAL QUOTE: "SINCE GRADUATING FROM COLLEGE IN WASHINGTON, EVA HAD BEEN TAKING MEDICINE TO RELIEVE THE PAIN OF HER RHEUMATOID ARTHRITIS" (BEITO 119). WITH ELLIPSIS: "SINCE GRADUATING. EVA HAD BEEN TAKING MEDICINE TO RELIEVE THE PAIN OF HER RHEUMATOID ARTHRITIS" (BEITO 119). NOTE • YOU MAY CUT OUT TEXT FROM ANYWHERE WITHIN A SENTENCE AND REPLACE IT WITH AN ELLIPSIS AS LONG AS THE REMAINING PORTIONS OF THE SENTENCE STILL MAKE SENSE AND DON’T CHANGE THE ORIGINAL MEANING OF THE SENTENCE . • (ELLIPSIS MAY BE USED AT THE BEGINNING, MIDDLE, OR END OF THE TEXT BEING QUOTED) • IF YOU HAVE AN ENTIRE PARAGRAPH, BUT ONLY WANT A FEW COMPLETE SENTENCES, YOU MAY LEAVE OUT ENTIRE SENTENCES, AS LONG AS YOU USE AN ELLIPSIS BETWEEN SENTENCES. 2. USE AN ELLIPSIS TO INDICATE WHEN A CHARACTER TRAILS OFF IN THINKING OR IN SPEAKING. -
27I OTHER PUNCTUATION MARKS
TROYMC10_29_0131889567.QXD 1/27/06 6:30 PM Page 304 27i OTHER PUNCTUATION MARKS 27i When are quotation marks wrong? Never enclose a word in quotation marks to call attention to it, to intensify it, or to be sarcastic. NO I’m “very” happy about the news. YES I’m very happy about the news. Never enclose the title of your paper in quotation marks (or underline it). However, if the title of your paper contains another title that requires quotation marks, use those marks only for the included title. NO “The Elderly in Nursing Homes: A Case Study” YES The Elderly in Nursing Homes: A Case Study NO Character Development in Shirley Jackson’s Story The Lottery YES Character Development in Shirley Jackson’s Story “The Lottery” EXERCISE 27-4 Correct any errors in the use of quotation marks and other punctuation with quotation marks. If you think a sentence is correct, ex- plain why. For help, consult 27e through 27i. 1. Dying in a shabby hotel room, the witty writer Oscar Wilde supposedly said, “Either that wallpaper goes, or I do”. 2. Was it the Russian novelist Tolstoy who wrote, “All happy families resemble one another, but each unhappy family is unhappy in its own way?” 3. In his poem A Supermarket in California, Allen Ginsberg addresses the dead poet Walt Whitman, asking, Where are we going, Walt Whitman? The doors close / in an hour. Which way does your beard point tonight? 4. Toni Morrison made this reply to the claim that “art that has a political message cannot be good art:” She said that “the best art is political” and that her aim was to create art that was “unquestionably political” and beautiful at the same time.