Power and Conflict Poetry
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Exploring the Poetry of John Agard and Grace Nichols Part
Exploring the poetry of John Agard and Grace Nichols Part Two: Grace Nichols As you discovered last week, husband and wife, John Agard and Grace Nichols, are two very well-known and well-regarded poets who are both still living, writing and performing poetry in Britain today. Last week, you looked at a selection of poems by John Agard. This week, the focus is on the poetry of his wife Grace Nichols. Grace Nichols (b. 1950) Grace Nichols was born in Georgetown, Guyana, and lived in a small village on the country's coast until her family moved to the city when she was eight years old. She took a Diploma in Communications from the University of Guyana, and subsequently worked as a teacher (1967–70), as a journalist and in government information services, before she immigrated to the United Kingdom in 1977. Much of her poetry is characterised by Caribbean rhythms and culture, and influenced by Guyanese and Amerindian folklore. Her first collection of poetry, I is a Long-Memoried Woman, won the THINK: What similarities 1983 Commonwealth Poetry Prize. She has written several further books of poetry can you draw between the and a novel for adults, Whole of a Morning Sky, 1986. Her books for children early life of Grace Nichols include collections of short stories and poetry anthologies. Her religion is with that of her husband Christianity after she was influenced by the UK's many religions and multi-cultural John Agard? society. For example, they are both She lives in Lewes, East Sussex, with her partner, the Guyanese poet John Agard. -
Full Bibliography (PDF)
SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148. -
Shakespeare Merchant of Venice Unit 3: Detective Fiction Unit 4
Year 7 UNIT 1: Origins of Literature Unit 2: Shakespeare Unit 3: Detective Fiction Unit 4: The Effects of war and Conflict Unit 5: Novel Merchant of Venice OVERVIEW An introduction to, and exploration Students will begin to explore the effects of Students will consider how writers present the effects of TBC—Not of, a range of Greek Myths. Students are introduced to language and structure across a range of texts, war and conflict across poetry, fiction and non-fiction. being taught Students are introduced to the Shakespeare and read the whole considering the purpose and effects of writers’ They will be introduced to poetic form and methods in 2020-2021 structure and features of myths, text as a class. methods: used, develop analytical skills and then compare the in response to consider the plot and structure effects of war in two poems. Covid. and then write their own. Throughout the unit, students will: Adventures of Sherlock Holmes Develop their understanding of The Speckled Band short story AN exploration of Aim of unit Shakespeare’s language/grammar The Red Headed League Fiction: will be to: Orpheus and Eurydice patterns. The Final Problem Private Peaceful- Michael Morpurgo Explore Demeter and Persephone Explore characterisation. The Bone Sparrow characters, Theseus and the Minotaur Discuss and develop Other extracts Non-Fiction: ideas and Cyclops and Odysseus understanding of themes, ideas The Cuckoo’s Calling Major Gerald Ritchie 8th (Yorkshire) parachute regiment, themes in Prometheus and structural devices. A Murder is Announced letter to his sister (WW2) texts. Pandora’s Box Practice and develop their skills in Siegfried Sassoon: Letter of Defiance Analyse Hercules annotation and analysis. -
Gcse English Literature (8702)
GCSE ENGLISH LITERATURE (8702) Past and present: poetry anthology For exams from 2017 Version 1.0 June 2015 AQA_EngLit_GCSE_v08.indd 1 31/07/2015 22:14 AQA GCSE English Literature Past and present: poetry anthology All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing on any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the publisher, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of the licence issued by the Copyright Licensing Agency. Notice to teachers: It is illegal to reproduce any part of this work in material form (including photocopying and electronic storage) except under the following circumstances: i) where you are abiding by a licence granted to your school or institution by the Copyright Licensing Agency; ii) where no such licence exists, or where you wish to exceed the terms of a licence, and you have gained the written permission of The Publishers Licensing Society; iii) where you are allowed to reproduce without permission under the provisions of Chapter 3 of the Copyright, Designs and Patents Act 1988. Photo permissions 5 kieferpix / Getty Images, 6 Georgios Kollidas/Fotolia, 8 Georgios Kollidas/Fotolia, 9 Georgios Kollidas/Fotolia, 11 Georgios Kollidas/Fotolia, 12 Photos.com/Thinkstock, 13 Stuart Clarke/REX, 16 culture-images/Lebrecht, 16,© Pictorial Press Ltd/Alamy, 17 Topfoto.co.uk, 18 Schiffer-Fuchs/ullstein -
Talking Poetry
School Radio Talking Poetry Age 7 – 11 Audio on demand: These programmes are available as audio on demand following transmission. Refer to the transmission dates below to find out when programmes are available as podcasts and audio on demand. Credits: Photographs: Jackie Kay – Denise Else, Michael Rosen – Goldsmiths, University of London, John Agard – Paul Taylor. Grace Nichols – Martin Poynor. Actors: Maxine Peake and Julian Rhind-Tutt. Teacher's Notes: Victoria Elliott Artist: Laurie Pink Produced by: Marie Crook School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio School Radio Contents These programmes are available as audio on demand from the BBC iPlayer Radio and the School Radio website following transmission. Refer to dates below to find out when each one is available. Introduction 1 1: Michael Rosen 2 AOD begins 30/04/2015 2: Grace Nichols 4 AOD begins 07/05/2015 3: Roger McGough 7 AOD begins 14/05/2015 4: Jackie Kay 10 AOD begins 21/05/2015 5: John Agard 12 AOD begins 04/06/2015 6: Mandy Coe 14 AOD begins 11/06/2015 7: Classic poetry I 17 AOD begins 18/06/2015 8: Classic poetry II 20 AOD begins 25/06/201 School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio School Radio Introduction Left to right: Michael Rosen, Grace Nichols, Roger McGough, Jackie Kay, John Agard, Mandy Coe. There are eight programmes in the series. Each of the first 6 programmes profiles a different contemporary children’s poet who introduces and then reads a selection of his or her work. -
John Agard Hans Christian Andersen Awards 2019 UK Writer Nomination
John Agard Hans Christian Andersen Awards 2019 UK Writer Nomination PHOTO : ZELMA PLAYER PHOTO 1 John Agard Biography John Agard A Critical Appreciation John Agard is described as “a unique and energetic followed by Poet in Residence at the BBC in London John Agard has lived in Britain since 1977, but it was his wife Grace Nichols, also a significant poet with Guyanese force in contemporary British poetry”1. He is also a in 1998, an appointment created as part of a scheme Guyanese childhood which strongly shaped the writer and heritage. In No Hickory, No Dickory, No Dock (1991) tradi- playwright and short story writer. He was born in 1949 run by the Poetry Society. At the BBC he worked in electrifying performer he was to become. Agard worked for tional rhymes are interspersed with the editors’ own poems in Guyana; and he credits his passion for words to the association with the Windrush project, which included the Commonwealth Institute for several years, travelling all which play with these verses. For example, in the title childhood inspirations of the Latin Mass, Calypso, and a season of TV programmes on Afro-Caribbean migra- over the UK to many different schools, festivals and librar- poem, a mouse humorously protests that, although it did all BBC radio cricket commentary. He began writing poetry tion to the United Kingdom. As part of the project he ies, educating, entertaining and learning what appealed to sorts of other things, it ‘didn’t run up no clock’ as described in his teens and worked as a teacher, a librarian and a appeared on the long running children’s programme his youthful audience. -
GCSE English Literature Poetry Anthology
IN THE THIRD-CLASS SEAT SAT THE JOURNEYING BOY, AND THE ROOF-LAMP’S OILY FLAME PLAYED DOWN ON HIS LISTLESS FORM AND FACE, BEWRAPT PAST KNOWING TO WHAT HE WAS GOING, INOR THE WHENCEBAND OF HIS HAT THE HE JOURNEYING CAME. BOY HAD A TICKET STUCK; AND A STRING AROUND HIS NECK BORE THE KEY OF HIS BOX, THAT TWINKLED GLEAMS OF THE LAMP’S SAD BEAMS WHATLIKE PAST A CAN LIVING BE YOURS, O JOURNEYING THING. BOY TOWARDS A WORLD UNKNOWN,UNKNOWN, WHO CALMLY, AS IF INCURIOUS QUITE ON ALL AT STAKE, CAN UNDERTAKE KNOWSTHIS YOUR PLUNGE SOUL A SPHERE, 0ALONE? JOURNEYING BOY, OUR RUDE REALMS FAR ABOVE, WHENCE WITH SPACIOUS VISION YOU MARK AND METE THIS REGION OF SIN THAT YOU FIND YOU IN, BUTUPDATED EDITION: ARE SEPTEMBER 2020 NOT OF? 1 OCR (Oxford, Cambridge and RSA Examinations) The Triangle Building, Shaftesbury Road, Cambridge, CB2 8EA © Oxford, Cambridge and RSA Examinations 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. This book must not be circulated in any other binding or cover and this same condition must be imposed on any acquirer. ISBN 978 019 834090 4 Designed and produced by Oxford University Press Printed by Rotolito SpA 10 9 8 7 6 5 4 3 ACKNOWLEDGEMENTS We are grateful for permission to reprint the following copyright material in this anthology. -
Unseen Poetry Preparation Anthology
Unseen Poetry Preparation Anthology The Pearson Edexcel AS and A level English Literature Unseen Poetry Preparation Anthology can be used to prepare for Component 3 of your assessment Pearson Edexcel GCE in English Literature Approaching Contemporary Unseen Poetry: An Anthology of poems and resources For use with: GCE English Literature A level (9ET0) Component 3 Published by Pearson Education Limited, a company incorporated in England and Wales, having its registered office at Edinburgh Gate, Harlow, Essex, CM20 2JE. Registered company number: 872828 Edexcel is a registered trade mark of Edexcel Limited © Pearson Education Limited 2014 First published 2014 17 16 15 14 10 9 8 7 6 5 4 3 2 1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 9781446913505 Copyright notice All rights reserved. No part of this publication may be reproduced in any form or by any means (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS (www.cla.co.uk). Applications for the copyright owner’s written permission should be addressed to the publisher. See page 65 for acknowledgements. Contents 1 Introduction 4 2 How to approach -
Simon Armitage Walking Home Travels with a Troubadour on the Pennine Way
simon armitage Walking Home TravelswithaTroubadour onthePennineWay 24229.indd 3 02/05/2012 15:19 First published in 2012 by Faber and Faber Ltd Bloomsbury House 74–77 Great Russell Street London wc1b 3da Typeset by RefineCatch Limited, Bungay, Suffolk Printed in the UK by CPI Group (UK) Ltd, Croydon, cr0 4yy All rights reserved © Simon Armitage, 2012 The right of Simon Armitage to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988 A CIP record for this book is available from the British Library Map © Eleanor Crow, 2012 isbn 978–0–571–24988–6 2 4 6 8 10 9 7 5 3 1 24229.indd 4 02/05/2012 15:19 Map of the Pennine Way from Kirk Yetholm to Edale 24229.indd 5 02/05/2012 15:19 24229.indd 6 02/05/2012 15:19 24229.indd 7 02/05/2012 15:19 A Preamble In the West Yorkshire village of Marsden where I was born and grew up, a peculiar phenomenon took place every year. Starting round about May, usually in the late evenings, foreign creatures in big leather boots and mud-splattered over-trousers began descending from the moor to the south. They carried on their backs the carapaces of huge rucksacks and, from a distance, silhouetted on the horizon, they looked like astronauts. Up close, they smelt of dubbin, Kendal Mint Cake and sweat. And having just completed the first and arguably most daunting section of the Pennine Way, they wore on their faces a variety of expressions. -
Pearl a New Verse Translation Simon Armitage
1 / 2 Pearl A New Verse Translation Simon Armitage by AC Watts · 1984 · Cited by 36 — The poem begins with the speaker's grief over the loss of his jewel (sec. 1). The speaker ... roff (Pearl: A New Verse Translation xiv), Claude Luttrell, and W. A. .... Jul 18, 2016 — Simon Armitage's new translation of the fourteenth-century poem Pearl follows his energetic 2008 translation of the same anonymous poet's Sir .... May 23, 2016 — Simon Armitage's Translation of Pearl - Review. Phil Brown Poet, poetry editor and English teacher. Simon Armitage's Translation of Pearl -.. Anon , Pearl , trans . Victor Watts ( London : Enitharmon Press , 2005 ) . Anon , Pearl : A New Verse Translation , trans . Simon Armitage ( London : Faber and .... Feb 14, 2017 — Winner • PEN Award for Poetry in Translation From the acclaimed translator of Sir Gawain and the Green Knight, a spellbinding new.. Aug 9, 2016 — Among other poems bound in the same manuscript was the allegory Pearl, that now appears in a new translation by Simon Armitage.. On Still Life with Feeding Snake, a new collection of poems by John Burnside. ... On a new translation of Pearl, a Middle-English long poem, by Simon Armitage.. The anonymous poem Pearl, is one of the masterpieces of Middle English ... but the fifteenth set contains an extra stanza, which brings the total number of stanzas ... Simon Armitage, who translated the poem in 2016, writes that this is 'a sort of .... Feb 22, 2017 — ... PEN Award for Poetry in Translation, which was won by Simon Armitage for translating Pearl: A New Verse Translation from Middle English. -
Recommended New Collections
RECOMMENDED NEW COLLECTIONS The Unaccompanied, Simon Armitage, Faber & Faber The poems in Simon Armitage’s latest collection are set in a world we all recognise, a world of supermarkets, new technologies and to-do lists. In sharp images and pitch-perfect language he analyses 21st century life with wit and affection, and sometimes anger too. Ambitious, accessible, memorable. Kumukanda, Kayo Chingonyi, Chatto and Windus Translating as ‘initiation’, kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. Kayo Chingonyi’s poems explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived. ‘An essential collection from one of the UK's most exciting poets. Kayo's poetry is beautiful, thoughtful, musical and nostalgic.’ Nikesh Shukla Velkom to Inklandt, Sophie Herxheimer, Short Books In this unforgettable collection Sophie Herxheimer brings vividly to life the voice of her no-nonsense Grent Muzzer, Liesel, whose somewhat abrasive Perspektiff she has never been able to forget. Playing on the difficulties of the English Lenkvitch, the poems tell of an immigrant’s attempts to fit in and make her home in a new country. Funny and moving, it demands to be read aloud! Milk and Honey, Rupi Kaur, Andrews McMeel Publishing / Simon and Schuster Rupi Kaur is a phenomenon, a 21st century poetry superstar with a huge Instagram following. With themes of love, loss and healing, and grounded in her own experiences, her poems connect powerfully and directly with millions of readers. -
Diaspora Microspace in Imtiaz Dharker's Poetry
Behind the Backs of Borders: Diaspora Microspace in Imtiaz Dharker’s Poetry Bailey Betik antae, Vol. 5, No. 1 (Feb., 2018), 6-16 Proposed Creative Commons Copyright Notices Authors who publish with this journal agree to the following terms: a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. b. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). antae (ISSN 2523-2126) is an international refereed postgraduate journal aimed at exploring current issues and debates within English Studies, with a particular interest in literature, criticism and their various contemporary interfaces. Set up in 2013 by postgraduate students in the Department of English at the University of Malta, it welcomes submissions situated across the interdisciplinary spaces provided by diverse forms and expressions within narrative, poetry, theatre, literary theory, cultural criticism, media studies, digital cultures, philosophy and language studies. Creative writing and book reviews are also encouraged submissions. 6 Behind the Backs of Borders: Diaspora Microspace in Imtiaz Dharker’s Poetry Bailey Betik University of Edinburgh […] from where we are it doesn’t look like a country, it’s more like the cracks that grow between borders behind their backs.