Late Helladic IIIC Cremation Burials at Chania of Mycenae1
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Burial Mounds in Europe and Japan Comparative and Contextual Perspectives
Comparative and Global Perspectives on Japanese Archaeology Burial Mounds in Europe and Japan Comparative and Contextual Perspectives edited by Access Thomas Knopf, Werner Steinhaus and Shin’ya FUKUNAGAOpen Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2018. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 007 1 ISBN 978 1 78969 008 8 (e-Pdf) © Archaeopress and the authors 2018 © All image rights are secured by the authors (Figures edited by Werner Steinhaus) Access Cover illustrations: Mori-shōgunzuka mounded tomb located in Chikuma-shi in Nagano prefecture, Japan, by Werner Steinhaus (above) Magdalenenberg burial mound at Villingen-Schwenningen, Germany,Open by Thomas Knopf (below) The printing of this book wasArchaeopress financed by the Sainsbury Institute for the Study of Japanese Arts and Cultures All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2018. Contents List of Figures .................................................................................................................................................................................... iii List of authors ................................................................................................................................................................................. -
Funnel Beaker Pottery in North-Eastern Hungary? in My
Funnel Beaker pottery in North-Eastern Hungary? In my presentation, I would like to discuss an old find from a new perspective. In this sense, it is less of a presentation and more of a brief preliminary report of a research project in its initial phase. In the last two years, I undertook the critical re-assessment of the earlier excavated Late Copper Age Baden material from north-eastern Hungary. During this research, I noticed a curious, non-local, probably intrusive pottery sherd in the material from the Salgótarján– Pécs-kő site, whose cultural affiliation eluded me. I was only certain that it could not belong either to the Baden, or to the Kostolác culture. It was suggested that it could perhaps be assigned to Coţofeni or Bošáca, the well-known post-Baden groups bordering on the Baden distribution in Hungary, but in order to determine this, I had to consult other specialists, who would be able to confirm or refute my impression. Finally, with some trial and error, involving requests to colleagues in Transylvania regarding Coţofeni, and to colleagues in Slovakia regarding Bošáca, my Polish colleague, Prof. Marzena Szmyt finally suggested an acceptable cultural attribution, according to which the sherd should be assigned to the Funnel Beaker culture – however, the distribution of this culture did not extend to the territory of Hungary, and to the best of my knowledge, Hungarian archaeologists have not yet reported any Funnel Beaker finds from the Hungarian collections. First, let me describe the find in detail. Inventory number 60.1.496. Rim and body fragment of a decorated, thin-walled, wide- mouthed pot or bowl tempered with grog, gravelly sand and mica. -
Durham Research Online
Durham Research Online Deposited in DRO: 18 October 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Caswell, E. and Roberts, B.W. (2018) 'Reassessing community cemeteries : cremation burials in Britain during the Middle Bronze Age (c. 16001150 cal BC).', Proceedings of the Prehistoric Society., 84 . pp. 329-357. Further information on publisher's website: https://doi.org/10.1017/ppr.2018.9 Publisher's copyright statement: c The Prehistoric Society 2018. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Proceedings of the Prehistoric Society, page 1 of 29 © The Prehistoric Society. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/ by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. -
The Incorporation of Human Cremation Ashes Into Objects and Tattoos in Contemporary British Practices
Ashes to Art, Dust to Diamonds: The incorporation of human cremation ashes into objects and tattoos in contemporary British practices Samantha McCormick A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy. Department of Sociology August 2015 Declaration I declare that the work in this thesis was carried out in accordance with the requirements of the University’s regulations and Code of Practice for Research Degree Programmes and all the material provided in this thesis are original and have not been published elsewhere. I declare that while registered as a candidate for the University’s research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution. A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy SINGED ………………………………… i ii Abstract This thesis examines the incorporation of human cremated remains into objects and tattoos in a range of contemporary practices in British society. Referred to collectively in this study as ‘ashes creations’, the practices explored in this research include human cremation ashes irreversibly incorporated or transformed into: jewellery, glassware, diamonds, paintings, tattoos, vinyl records, photograph frames, pottery, and mosaics. This research critically analyses the commissioning, production, and the lived experience of the incorporation of human cremation ashes into objects and tattoos from the perspective of two groups of people who participate in these practices: people who have commissioned an ashes creations incorporating the cremation ashes of a loved one and people who make or sell ashes creations. -
Standard Cremation Authorization Form
NORTH CAROLINA BOARD OF FUNERAL SERVICE STANDARD CREMATION AUTHORIZATION FORM NOTICE: THIS IS A LEGAL DOCUMENT. IT CONTAINS IMPORTANT PROVISIONS CONCERNING CREMATION. THE PROCESS IS IRREVERSIBLE AND FINAL. READ THIS DOCUMENT CAREFULLY BEFORE SIGNING. _________________________________________________________________________________ Name of Individual for which cremation is being arranged (“Decedent”) ____________________ / __________________ / __________________ / _____________ Date of Birth Date of Death Time of Death Age Place of Death: _______________________________________________________________Hospice (Yes or No): __________ Medical Examiner’s Authorization Required (Yes or No):_________ Death Due to an Infectious Disease (Yes or No): _________ Individual Confirming Identity of Decedent: ______________________________________________________ / ____________________________________________________ (Typed / Printed Name) (Signature) A. The undersigned (hereinafter referred to as "Authorizing Agent{s}”) hereby certify, warrant, and represent that I/we have the full legal right and authority to authorize and arrange for the cremation and final disposition of _______________________________________________________(hereinafter referred to as "Decedent"); Authorizing Agent(s) is (are) not aware of any living person who has a superior right to that of Authorizing Agent(s) as set forth in G.S. 90-210.124; or, if there is another living person who does have a superior right to that of Authorizing Agent(s), Authorizing Agent(s) represent that -
Architecture of Afterlife: Future Cemetery in Metropolis
ARCHITECTURE OF AFTERLIFE: FUTURE CEMETERY IN METROPOLIS A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE MAY 2017 BY SHIYU SONG DArch Committee: Joyce Noe, Chairperson William Chapman Brian Takahashi Key Words: Conventional Cemetery, Contemporary Cemetery, Future Cemetery, High-technology Innovation Architecture of Afterlife: Future Cemetery in Metropolis Shiyu Song April 2017 We certify that we have read this Doctorate Project and that, in our opinion, it is satisfactory in scope and quality in partial fulfillment for the degree of Doctor of Architecture in the School of Architecture, University of Hawai‘i at Mānoa. Doctorate Project Committee ___________________________________ Joyce Noe ___________________________________ William Chapman ___________________________________ Brian Takahashi Acknowledgments I dedicate this thesis to everyone in my life. I would like to express my deepest appreciation to my committee chair, Professor Joyce Noe, for her support, guidance and insight throughout this doctoral project. Many thanks to my wonderful committee members William Chapman and Brian Takahashi for their precious and valuable guidance and support. Salute to my dear professor Spencer Leineweber who inspires me in spirit and work ethic. Thanks to all the professors for your teaching and encouragement imparted on me throughout my years of study. After all these years of study, finally, I understand why we need to study and how important education is. Overall, this dissertation is an emotional research product. As an idealist, I choose this topic as a lesson for myself to understand life through death. The more I delve into the notion of death, the better I appreciate life itself, and knowing every individual human being is a bless; everyday is a present is my best learning outcome. -
Introduction Archaeologies of Cremation Howard Williams, Jessica I
Introduction Archaeologies of Cremation Howard Williams, Jessica I. Cerezo-Román, and Anna Wessman Williams, H., Cerezo-Román, J.I., and Wessman, A. (eds) 2017. Introduction: Archaeologies of Cremation, in J.I. Cerezo-Román, A. Wessman and H. Williams (eds) Cremation and the Archaeology of Death, Oxford: Oxford University Press, pp. 1–24 Then the warriors began to kindle the greatest of funeral fires on the hill; woodsmoke ascended, dark over the flame, the soaring fire mingled with weeping – the raging wind subsided – until it had broken the body, hot at the heart. Depressed in soul, they lamented their grief, mourned the liege lord. Likewise the Geatish woman lamented for Beowulf, with bound hair, sang a sorrowful song, said often that she greatly feared evil days for herself, many slaughters, fear of the foe, humiliation and captivity. Heaven swallowed the smoke. Beowulf 3143–3155 (Owen-Crocker 2000: 91, 93) INTRODUCTION Four dramatic funerals punctuate the tenth- or eleventh-century Anglo-Saxon poem Beowulf; two involve the burning of the dead. While a Christian work to its core, the poem draws upon far older stories and at its very conclusion the poet provides a striking vision of an early medieval open-air cremation ceremony. Having died by the fire and poisonous bite of a dragon dwelling in a stone mound, the king of the Geats is cremated with treasures: helmets, swords, and coats of mail (Owen-Crocker 2000: 89). Before the raising of a burial mound upon a headland overlooking the sea, Beowulf ’s cremation is a focus of more than personal loss by mourners. -
Al Relations Between the Bosporus and Rhodes Are the Finds of the Work Of
Acta Archaeologica Lodziensia nr 66 Vladimir Goroncharovskiy https://doi.org/10.26485/AAL/2020/66/1 THE MARBLE LION FROM LION TUMULUS NEAR KERCH TO THE QUESTION ABOUT SCULPTURES ON THE CIMMERIAN BOSPORUS ABSTRACT In this article the author presents a very rare find from the 1894 excavations of the so-called Lion Tumulus near Kerch. It is a huge marble statue of a lion, which is shown leaning on the head of a bull supported by its left paw. The Lion Tumulus is dated by an inscription to AD 14/15 and can be classified as a Royal tomb. Perhaps a rival of the Bosporan King Aspurgus in the struggle for the throne was buried there. Keywords: Bosporan Kingdom, Lion Tumulus, sculpture MARMUROWY LEW Z LWIEGO KURHANU KOŁO KERCZU. PRZYCZYNEK DO KWESTII RZEŹBY NA BOSPORZE KIMMERYJSKIM ABSTRAKT W prezentowanym studium autor analizuje znalezisko, dokonane w 1894 r. w trakcie wykopalisk na Lwim Kurhanie koło Kerczu. Odkryto tam marmurową rzeźbę lwa, opierającego łapę na głowie byka. Grobowiec, datowany jest, na podstawie znalezionej inskrypcji, na 14/15 r. n.e. Uznano go za grobowiec królewski. Możliwe, że pochowano w nim rywala króla Bosporu Aspurgosa. Słowa kluczowe: Królestwo Bosporańskie, Lwi Kurhan, rzeźba An additional aspect for the study of cultur- one another only in small details: the statue from al relations between the Bosporus and Rhodes are Rhodes is turned to the viewer’s left side, and the the finds of the work of Rhodian sculptors there.1 right, not the left, leg is supported by a pedestal. Until recently this consisted of a small statue of Also there are other finds which can be attributed to Aphrodite, the so-called Aphrodite of Taman. -
Grave Goods, Hoards and Deposits ‘In Between’I
Spectrums of depositional practice in later prehistoric Britain and beyond: grave goods, hoards and deposits ‘in between’i Anwen Cooper, Duncan Garrow and Catriona Gibson Paper accepted for publication in Archaeological Dialogues 27(2), Dec 2020 Abstract This paper critically evaluates how archaeologists define ‘grave goods’ in relation to the full spectrum of depositional contexts available to people in the past, including hoards, rivers and other ‘special’ deposits. Developing the argument that variations in artefact deposition over time and space can only be understood if different ‘types’ of finds location are considered together holistically, we contend that it is also vital to look at the points where traditionally defined contexts of deposition become blurred into one another. In this paper, we investigate one particular such category – body-less object deposits at funerary sites – in later prehistoric Britain. This category of evidence has never previously been analysed collectively, let alone over the extended time period considered here. On the basis of a substantial body of evidence collected as part of a nationwide survey, we demonstrate that body-less object deposits were a significant component of funerary sites during later prehistory. Consequently, we go on to question whether human remains were actually always a necessary element of funerary deposits for prehistoric people, suggesting that the absence of human bone could be a positive attribute rather than simply a negative outcome of taphonomic processes. We also argue that modern, fixed depositional categories sometimes serve to mask a full understanding of the complex realities of past practice and ask whether it might be productive in some instances to move beyond interpretatively confining terms such as ‘grave’, ‘hoard’ and ‘cenotaph’. -
1 in Defiance of a Stylistic Stereotype: British Crematoria, Architecture
In Defiance of a Stylistic Stereotype: British Crematoria, Architecture, Design & Landscape Hilary J. Grainger When awarding Telford Crematorium a West Midlands Regional Award in 2000 the R.I.B.A judges observed that A crematorium is a meeting point for complex human and cultural issues whose resolution into a successful building is potentially very difficult. Cremation was revived in the late nineteenth century as an alternative to burial, but did not claim widespread support until the second half of the twentieth century. It is therefore remarkable that it should have attained so rapidly cultural normality, indeed ritual dominance. By late 1990 the ratio of cremation to burial in Britain stood at 70% to 30%. Although one might not choose a crematorium as an architectural icon of modernity as one might a skyscraper, Britain’s 251 crematoria are essentially modern and they carry upon them the marks of modernity. They are modern in terms of the complexity of their technology, much of which can seem secretive. Cremation called for a new building type – one without architectural precedent and the crematorium was in that sense analogous to the early nineteenth century railway station. Although the first opened in 1889, at Woking, Surrey – the crematorium as a building type belongs more to the twentieth century. As cremation slowly gained acceptance in Britain, this progress was reflected in its architectural expression and each crematorium can be seen as a ‘symbol of social change’. 1 Paradoxically, despite the growing popularity of cremation, those using crematoria often find them unsatisfactory, their design uninspiring, banal and inconsequential. -
Cremation-2016.Pdf
Cremation Cremation is the act of reducing a corpse to ashes by burning, generally in a crematorium furnace or crematory fire. In funerals, cremation can be an alternative funeral rite to the burial of a body in a grave. Modern Cremation Process The cremation occurs in a 'crematorium' which consists of one or more cremator furnaces or cremation 'retorts' for the ashes. A cremator is an industrial furnace capable of generating 870-980 °C (1600-1800 °F) to ensure disintegration of the corpse. A crematorium may be part of chapel or a funeral home, or part of an independent facility or a service offered by a cemetery. Modern cremator fuels include natural gas and propane. However, coal or coke was used until the early 1960s. Modern cremators have adjustable control systems that monitor the furnace during cremation. A cremation furnace is not designed to cremate more than one body at a time, which is illegal in many countries including the USA. The chamber where the body is placed is called the retort. It is lined with refractory brick that retain heat. The bricks are typically replaced every five years due to heat stress. © 2016 All Star Training, Inc. Page 1 Modern cremators are computer-controlled to ensure legal and safe use, e.g. the door cannot be opened until the cremator has reached operating temperature. The coffin is inserted (charged) into the retort as quickly as possible to avoid heat loss through the top- opening door. The coffin may be on a charger (motorized trolley) that can quickly insert the coffin, or one that can tilt and tip the coffin into the cremator. -
Human Cremation in Mexico 3,000 Years Ago
Human cremation in Mexico 3,000 years ago William N. Duncan*†, Andrew K. Balkansky‡, Kimberly Crawford‡, Heather A. Lapham‡, and Nathan J. Meissner‡ *Department of Anthropology, St. John Fisher College, Rochester, NY 14618; and ‡Department of Anthropology, Southern Illinois University, Carbondale, IL 62901 Edited by Joyce Marcus, University of Michigan, Ann Arbor, MI, and approved February 22, 2008 (received for review November 10, 2007) Mixtec nobles are depicted in codices and other proto-historic ological contexts and osteological analyses of the burials, and documentation taking part in funerary rites involving cremation. evaluate the evidence based on known aspects of the Mixtec The time depth for this practice was unknown, but excavations at mortuary program. These early examples of cremation, along the early village site of Tayata, in the southern state of Oaxaca, with other factors, could reflect the emergence of ranked Mexico, recovered undisturbed cremation burials in contexts dat- society in the ancient Mixteca Alta and indicate that proto- ing from the eleventh century B.C. These are the earliest examples historic methods of marking social status had precursors of a burial practice that in later times was reserved for Mixtec kings extending back 3,000 years from the present. and Aztec emperors. This article describes the burial contexts and human remains, linking Formative period archaeology with eth- Archaeological Context nohistorical descriptions of Mixtec mortuary practices. The use of Survey and excavation indicate that Tayata was among the cremation to mark elevated social status among the Mixtec was largest villages of the preurban Formative period in the established by 3,000 years ago, when hereditary differences in Mixteca Alta of Oaxaca, Mexico (18, 19).