University of New Orleans ScholarWorks@UNO Habsburg's Last War: The Filmic Memory (1918 to the Present) University of New Orleans Press 6-2018 The Contact Zone: In Search of the Galician Theater of War in German Cinemas of the 1920s Philipp Stiasny Konrad Wolf Film University Babelsberg Follow this and additional works at: https://scholarworks.uno.edu/hlw Part of the European History Commons, and the Film and Media Studies Commons Recommended Citation This book and portions thereof are made openly available with permission of the authors, who retain copyright. Other chapters as well as the complete book may be accessed and downloaded at https://scholarworks.uno.edu/hlw/ This Chapter is brought to you for free and open access by the University of New Orleans Press at ScholarWorks@UNO. It has been accepted for inclusion in Habsburg's Last War: The Filmic Memory (1918 to the Present) by an authorized administrator of ScholarWorks@UNO. For more information, please contact
[email protected]. THE CONTACT ZONE: IN SEARCH OF THE GALICIAN THEATER OF WAR IN GER- MAN CINEMAS OF THE 1920S1 Philipp Stiasny Franz Joseph’s Empire can only ever have been an invention of the operetta, of the theater, of the novel, and of the cinema. In Germany, too, it was never only a historical and geographical region and era, but also an emotional one, a place of memory and of longing. This is especially true of the period after the First World War, when films about the Danube, Vienna, and waltzes, complete with dashing lieutenants and jaded princes, jocular musicians and Viennese dames, made up a considerable part of the Weimar Republic’s box office offerings and landed high on the popularity charts.2 1 Many thanks to James Straub for translating the text and commenting on it.