Homer and Orosius: a Key to Explain the Deucalion Flood, Exodus and Other Tales
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Getting Acquainted with the Myths Search the GML Advanced
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. Getting acquainted with the myths Search the GML advanced Sections in this Page I. Getting acquainted with the myths II. Four "gateways" of mythology III. A strategy for reading the myths I. Getting acquainted with the myths What "getting acquainted" may mean We'll first try to clarify the meaning that the expression "getting acquainted" may have in this context: In a practical sense, I mean by "acquaintance" a general knowledge of the tales of mythology, including how they relate to each other. This concept includes neither analysis nor interpretation of the myths nor plunging too deep into one tale or another. In another sense, the expression "getting acquainted" has further implications that deserve elucidation: First of all, let us remember that we naturally investigate what we ignore, and not what we already know; accordingly, we set out to study the myths not because we feel we know them but because we feel we know nothing or very little about them. I mention this obvious circumstance because I believe that we should bear in mind that, in this respect, we are not in the same position as our remote ancestors, who may be assumed to have made their acquaintance with the myths more or less in the same way one learns one's mother tongue, and consequently did not have to study them in any way. -
Homer's Iliad Via the Movie Troy (2004)
23 November 2017 Homer’s Iliad via the Movie Troy (2004) PROFESSOR EDITH HALL One of the most successful movies of 2004 was Troy, directed by Wolfgang Petersen and starring Brad Pitt as Achilles. Troy made more than $497 million worldwide and was the 8th- highest-grossing film of 2004. The rolling credits proudly claim that the movie is inspired by the ancient Greek Homeric epic, the Iliad. This was, for classical scholars, an exciting claim. There have been blockbuster movies telling the story of Troy before, notably the 1956 glamorous blockbuster Helen of Troy starring Rossana Podestà, and a television two-episode miniseries which came out in 2003, directed by John Kent Harrison. But there has never been a feature film announcing such a close relationship to the Iliad, the greatest classical heroic action epic. The movie eagerly anticipated by those of us who teach Homer for a living because Petersen is a respected director. He has made some serious and important films. These range from Die Konsequenz (The Consequence), a radical story of homosexual love (1977), to In the Line of Fire (1993) and Air Force One (1997), political thrillers starring Clint Eastwood and Harrison Ford respectively. The Perfect Storm (2000) showed that cataclysmic natural disaster and special effects spectacle were also part of Petersen’s repertoire. His most celebrated film has probably been Das Boot (The Boat) of 1981, the story of the crew of a German U- boat during the Battle of the Atlantic in 1941. The finely judged and politically impartial portrayal of ordinary men, caught up in the terror and tedium of war, suggested that Petersen, if anyone, might be able to do some justice to the Homeric depiction of the Trojan War in the Iliad. -
Publisher's Preface
P U B L I S H E R’ S P R E F A C E. THE fourth edition of Nothing New Press’ reprint of The Story of the Greeks has seen the following changes and additions to the 1896 edition of Guerber’s fine history: The beginning chapters, especially chapters I-V, were completely rewritten and much material and additional chapters added. The prominent historical philosophy of Guerber’s day was that modern man and modern civilization, such as that established by the Greeks, grew up from men who dwelt in caves as little better than animals, and that a great passage of time was necessary before the first men, the ancestors of the Greeks, learned to cook meat with fire, build homes, make clothes, and do the other basic work of family and community, much less civilization. This understanding was re- flected in the opening chapters of The Story of the Greeks, as she described the pre- Greek inhabitants of the peninsula, the Pelasgians, as savage cave-dwellers who de- voured their meat raw. In Guerber’s history, without the benefit of the advanced civili- zations of the Egyptians and the Phoenicians, who sent colonies to Greece, these natives would still be wearing animal skins! We now know, of course, that this was not the case, and that the history of the first peoples in the earth was accurately recorded in Genesis, the most ancient written record that mankind possesses. A very different history emerges from the pages of this book. Genesis records that man was created a civilized being, who from the beginning intelli- gently used language, kept records, and built homes, and within his first generations, developed arts, sciences, and industries, and established societies and civilizations. -
Novice – Preliminary Round 1 1
Yale Certamen 2019 Written by Samir Al-Ali, Nestoras Apodiakos, Margot Armbruster, Aspen Bombardo, Andres Cook, Ram Gollapudy, Noah Harris, Connor Harrison, Michael Howard, Minyoung Hwang, David Jackson, David Jaffe, Lina Kapp, Michael Kearney, John Kim, Carina Layfield, Joshua Lomasney, Mindren Lu, Noah McThenia, Gabriel Molina, Ali Murray, Matt Nelson, Ben Ream, Henry Schott, Jason Tan, Matthew Thomas, and Jonathan Yuan. Edited by Michael Kearney. Novice – Preliminary Round 1 1. Complete the following analogy: “Rōma” is to “Italy” as “Athēnae” is to “blank”? GREECE B1: Now complete this analogy: “Rōma” is to “Italy” as “Alexandria” is to “blank”? EGYPT B2: Now complete this analogy: “Rōma” is to “Italy” as “Londinium” is to “blank”? ENGLAND 2. What daughter of Idmon hanged herself after losing a weaving contest to Athena? ARACHNE B1: What offensive image did Arachne weave into her tapestry? MISDEEDS OF THE GODS // GODS’ AFFAIRS WITH MORTALS [ACCEPT EQUIVALENTS] B2: What woman did Athena transform into a Gorgon after she lay with Poseidon in the goddess’ shrine? MEDUSA 3. In the following Chicago lyrics, identify a word derived from the Latin verb for “see”: “Unless of course that personage should be, / invisible, inconsequential, me.” INVISIBLE B1: From what Latin word with what meaning do we derive “personage”? PERSŌNA – PERSON / CHARACTER / MASK B2: In the following Hamilton lyric, please identify either word derived from a Latin verb meaning “stand”: “He woulda been dead and destitute without a cent of restitution.” DESTITUTE or RESTITUTION 4. What enemy of Rome, acting on behalf of the city of Tarentum, led his war elephants against the Romans at Heraclea in 280 B.C.? PYRRHUS (OF EPIRUS) B1: What Roman refused to be bribed by Pyrrhus? (GAIUS) FABRICIUS B2: Where did the Romans, led by Curius Dentatus, defeat Pyrrhus in 275 B.C.? BENEVENTUM / MALEVENTUM 5. -
Homer and Hesiod, Which Ovid Appropriates
Durham Research Online Deposited in DRO: 14 August 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Ziogas, I. (2018) 'Ovid's Hesiodic voices.', in Oxford handbook to Hesiod. Oxford: Oxford University Press, pp. 377-393. Further information on publisher's website: https://doi.org/10.1093/oxfordhb/9780190209032.013.48 Publisher's copyright statement: Ziogas, Ioannis. Ovid's Hesiodic voices. In The Oxford Handbook of Hesiod. Oxford University Press, August 08, 2018. Oxford Handbooks Online, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/9780190209032.013.48 Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Ovid’s Hesiodic Voices Oxford Handbooks Online Ovid’s Hesiodic Voices Ioannis Ziogas The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.48 Abstract and Keywords Ovid’s poetry opens a dialogue with the three major Hesiodic works: the Theogony, the Works and Days, and the Catalogue of Women. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
A HISTORY of the PELASGIAN THEORY. FEW Peoples Of
A HISTORY OF THE PELASGIAN THEORY. FEW peoples of the ancient world have given rise to so much controversy as the Pelasgians; and of few, after some centuries of discussion, is so little clearly established. Like the Phoenicians, the Celts, and of recent years the Teutons, they have been a peg upon which to hang all sorts of speculation ; and whenever an inconvenient circumstance has deranged the symmetry of a theory, it has been safe to ' call it Pelasgian and pass on.' One main reason for this ill-repute, into which the Pelasgian name has fallen, has been the very uncritical fashion in which the ancient statements about the Pelasgians have commonly been mishandled. It has been the custom to treat passages from Homer, from Herodotus, from Ephorus, and from Pausanias, as if they were so many interchangeable bricks to build up the speculative edifice; as if it needed no proof that genealogies found sum- marized in Pausanias or Apollodorus ' were taken by them from poems of the same class with the Theogony, or from ancient treatises, or from prevalent opinions ;' as if, further, ' if we find them mentioning the Pelasgian nation, they do at all events belong to an age when that name and people had nothing of the mystery which they bore to the eyes of the later Greeks, for instance of Strabo;' and as though (in the same passage) a statement of Stephanus of Byzantium about Pelasgians in Italy ' were evidence to the same effect, perfectly unexceptionable and as strictly historical as the case will admit of 1 No one doubts, of course, either that popular tradition may transmit, or that late writers may transcribe, statements which come from very early, and even from contemporary sources. -
Thucydides on Early Greece and the Trojan
1.1-23: Preface Motivation for this history (1) (1.1.1) Thucydides of Athens composed the war the Peloponnesians and Athenians fought against each other. He started as soon as it broke out, since he foresaw it would be important and more noteworthy than all before it, a deduction based on the highest level of every aspect of preparedness reached by both sides, and the observation that the remaining Greek peoples were joining one side or the other from its outbreak or planning to later. (1.1.2) And this was in fact the largest mobilization by Greeks as well as a considerable number of non-Greeks,1 extending over virtually the entire population. (1.1.3) Preceding ones, including those of the more distant past, although impossible to determine clearly after so much time, were probably not important either as wars or anything else. Determining the past by means of deductions (1.3-21) This belief is based on my study as far back as possible, and the deductions2 I thought were plausible. Earliest Greece: displacement, violence and insecurity (except for Athens) (1.2.1) Long ago, what is now called Greece probably did not have a stable population. In the earliest stage there was migrations, since any one group was quick to abandon its own land when attacked by any 1 Barbaroi, used by T. both in the neutral sense of “non-Greek” and in the pejorative sense of “backwards” (in the latter case translated as “barbarian”). 2 The following 20 chapters survey Greek pre-history (much of it mythical) to demonstrate the shortcomings of previous mobilizations. -
Melampous and EPIMENIDES: TWO GREEK PARADIGMS of the TREATMENT of MISTAKE One Might Think of Rituals in General As Being Treatme
MElAMPOUS AND EPIMENIDES: TWO GREEK PARADIGMS OF THE TREATMENT OF MISTAKE PHILIPPE BORGEAUD One might think of rituals in general as being treatments of an orig inal mistake. From this viewpoint the Promethean crisis, as developed by Hesiod both in his Theogony and in his Works and Days, and as it is prolonged by the Greek tradition transmitted in the Library of the Pseudo-Apollodorus, is particularly eloquent. Starting with a trick concerning the distribution of meat between mortals and immortals, in a world still deprived of an essential distinction between gods and human beings, a world still ignorant of transcendence, the story recounts stroke and counterstroke (stealing of fire, invention of woman hood, necessity of work, and setting, so to say, of the human condi tion), unto what could have been the end of the story: the flood, the cataclysm by which Zeus decides, apparently, to reduce humanity to the status of animality, if not to destroy it altogether. The result, thanks to a last trick of Prometheus, is nothing else than the establish ment of religion (Pseudo-Apollodorus, Library I, 7,2, translated by Sir James Frazer): "Deucalion (the Greek Noah, son of Prometheus) by the advice of Prometheus constructed a chest, and having stored it with provisions he embarked in it with Pyrrha (his wife, daughter of Pandora). But Zeus by pouring heavy rain from heaven flooded the greater part of Greece, so that all men were destroyed, except a few who fled to the high mountains in the neighbourhood. It was then that the mountains in Thessaly parted, and that all the world outside the Isthmus and Peloponnese was overwhelmed. -
D'aulaires' Book of Greek Myths Magistra Eileen Mcfarren Mrs. Susi
Lighthouse Christian Academy Incoming 6th Grade Summer Reading and Writing Assignments D'Aulaires' Book of Greek Myths God has spoken to mankind throughout the ages, meeting them and speaking to them in language that they could understand. His Truth was hidden, but not completely absent from the ancient world.The Messiah, Christ, the Lord, came in fulfillment of the scriptures and the Bible is the culminating Truth that is handed down to us, his people. Greek mythology can show us glimpses of how HIS TRUTH and BEAUTY flow through all ages, and through all peoples, and yet, is incomplete without the resurrected Christ. It is useful to take a look at these pagan stories and see what little truths they carry, as well as, what Truth they misunderstand. This summer, you will need to read D'Aulaires' Book of Greek Myths, and complete a writing assignment and a poster presentation for the book. This book can be purchased new or used online or borrowed from the library. You will discuss these stories in Bible class the first week of 6th grade and present your project in Latin class. Please see the requirements on the following pages. Read the book throughout the summer completely before starting the written and project work. Don’t hesitate to contact Mrs. McFarren regarding any questions you may have. Pax Christi, Magistra Eileen McFarren Mrs. Susi Hackman [email protected] Lighthouse Christian Academy Incoming 6th Grade Summer Reading and Writing Assignments D'Aulaires' Book of Greek Myths Art Response After reading D'Aulaires' Book of Greek Myths, look at the following works of art. -
Homer the Iliad
1 Homer The Iliad Translated by Ian Johnston Open access: http://johnstoniatexts.x10host.com/homer/iliadtofc.html 2010 [Selections] CONTENTS I THE QUARREL BY THE SHIPS 2 II AGAMEMNON'S DREAM AND THE CATALOGUE OF SHIPS 5 III PARIS, MENELAUS, AND HELEN 6 IV THE ARMIES CLASH 6 V DIOMEDES GOES TO BATTLE 6 VI HECTOR AND ANDROMACHE 6 VII HECTOR AND AJAX 6 VIII THE TROJANS HAVE SUCCESS 6 IX PEACE OFFERINGS TO ACHILLES 6 X A NIGHT RAID 10 XI THE ACHAEANS FACE DISASTER 10 XII THE FIGHT AT THE BARRICADE 11 XIII THE TROJANS ATTACK THE SHIPS 11 XIV ZEUS DECEIVED 11 XV THE BATTLE AT THE SHIPS 11 XVI PATROCLUS FIGHTS AND DIES 11 XVII THE FIGHT OVER PATROCLUS 12 XVIII THE ARMS OF ACHILLES 12 XIX ACHILLES AND AGAMEMNON 16 XX ACHILLES RETURNS TO BATTLE 16 XXI ACHILLES FIGHTS THE RIVER 17 XXII THE DEATH OF HECTOR 17 XXIII THE FUNERAL GAMES FOR PATROCLUS 20 XXIV ACHILLES AND PRIAM 20 I THE QUARREL BY THE SHIPS [The invocation to the Muse; Agamemnon insults Apollo; Apollo sends the plague onto the army; the quarrel between Achilles and Agamemnon; Calchas indicates what must be done to appease Apollo; Agamemnon takes Briseis from Achilles; Achilles prays to Thetis for revenge; Achilles meets Thetis; Chryseis is returned to her father; Thetis visits Zeus; the gods con-verse about the matter on Olympus; the banquet of the gods] Sing, Goddess, sing of the rage of Achilles, son of Peleus— that murderous anger which condemned Achaeans to countless agonies and threw many warrior souls deep into Hades, leaving their dead bodies carrion food for dogs and birds— all in fulfilment of the will of Zeus.