Poseidon's Paradise
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
Publisher's Preface
P U B L I S H E R’ S P R E F A C E. THE fourth edition of Nothing New Press’ reprint of The Story of the Greeks has seen the following changes and additions to the 1896 edition of Guerber’s fine history: The beginning chapters, especially chapters I-V, were completely rewritten and much material and additional chapters added. The prominent historical philosophy of Guerber’s day was that modern man and modern civilization, such as that established by the Greeks, grew up from men who dwelt in caves as little better than animals, and that a great passage of time was necessary before the first men, the ancestors of the Greeks, learned to cook meat with fire, build homes, make clothes, and do the other basic work of family and community, much less civilization. This understanding was re- flected in the opening chapters of The Story of the Greeks, as she described the pre- Greek inhabitants of the peninsula, the Pelasgians, as savage cave-dwellers who de- voured their meat raw. In Guerber’s history, without the benefit of the advanced civili- zations of the Egyptians and the Phoenicians, who sent colonies to Greece, these natives would still be wearing animal skins! We now know, of course, that this was not the case, and that the history of the first peoples in the earth was accurately recorded in Genesis, the most ancient written record that mankind possesses. A very different history emerges from the pages of this book. Genesis records that man was created a civilized being, who from the beginning intelli- gently used language, kept records, and built homes, and within his first generations, developed arts, sciences, and industries, and established societies and civilizations. -
Max Weber and Franz Kafka
Law, Culture and the Humanities http://lch.sagepub.com/ Max Weber and Franz Kafka: A Shared Vision of Modern Law Douglas Litowitz Law, Culture and the Humanities 2011 7: 48 originally published online 7 July 2010 DOI: 10.1177/1743872109355552 The online version of this article can be found at: http://lch.sagepub.com/content/7/1/48 Published by: http://www.sagepublications.com On behalf of: Association for the Study of Law, Culture and the Humanities Additional services and information for Law, Culture and the Humanities can be found at: Email Alerts: http://lch.sagepub.com/cgi/alerts Subscriptions: http://lch.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Downloaded from lch.sagepub.com at Chelyabinsk State University on January 11, 2011 LAW, CULTURE AND THE HUMANITIES Article Law, Culture and the Humanities 7(1) 48–65 Max Weber and Franz Kafka: © The Author(s) 2011 Reprints and permission: sagepub. A Shared Vision of Modern Law co.uk/journalsPermissions.nav DOI: 10.1177/1743872109355552 http://lch.sagepub.com Douglas Litowitz Magnetar Capital LLC Abstract Recent scholarship suggests a line of influence from the sociologist Max Weber to the writer Franz Kafka, mediated through the lesser-known figure of Alfred Weber, who was Max’s younger brother and a law professor who served as one of Kafka’s law school examiners. This paper finds textual support for this claim of influence. Indeed, there is an uncanny similarity between Weber’s and Kafka’s writings on law, particularly in their diagnosis of a legitimation crisis at the heart of modern law, and in their suspicion that modern law cannot deliver on its promises. -
The Tragic Io: Defining Identity in a Democratic Age
New England Classical Journal Volume 42 Issue 4 Pages 246-260 11-2015 The Tragic Io: Defining Identity in a Democratic Age Emily K. Anhalt Sarah Lawrence College Follow this and additional works at: https://crossworks.holycross.edu/necj Recommended Citation Anhalt, Emily K. (2015) "The Tragic Io: Defining Identity in a Democratic Age," New England Classical Journal: Vol. 42 : Iss. 4 , 246-260. Available at: https://crossworks.holycross.edu/necj/vol42/iss4/3 This Article is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in New England Classical Journal by an authorized editor of CrossWorks. ARTICLES AND NOTES New England Classical Journal 42.4 (2015) 246-260 The Tragic Io: Defining Identity in a Democratic Age Emily K. Anhalt Sarah Lawrence College e f As the first generations of Athenians in the late 6th century BCE and throughout the 5th were learning to wield democratic government, Athenian tragic playwrights revised and reinterpreted archaic stories for their own new political moment.1 They cultivated the audience’s capacity for critical moral reflection by challenging certain- ties both old and new.2 Aeschylus’ Suppliants (c. 463 BCE) and Prometheus Bound 1 For the development of the polis and democracy, see especially Forrest (1966); Ostwald (1986); Ober (1989 and 1996); Hansen (1991); Raaflaub and Ober (2007); Hall (2007); and Meier (2012). Athens was not unique among Greek poleis ‘city-states’ in its development of democratic ideas: see, for e.g. Robin- son (1997). Kurke (1997, p. 156), citing Morris (1996) considers the Athenian democracy part of a broader “panhellenic” process. -
Homer and Hesiod, Which Ovid Appropriates
Durham Research Online Deposited in DRO: 14 August 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Ziogas, I. (2018) 'Ovid's Hesiodic voices.', in Oxford handbook to Hesiod. Oxford: Oxford University Press, pp. 377-393. Further information on publisher's website: https://doi.org/10.1093/oxfordhb/9780190209032.013.48 Publisher's copyright statement: Ziogas, Ioannis. Ovid's Hesiodic voices. In The Oxford Handbook of Hesiod. Oxford University Press, August 08, 2018. Oxford Handbooks Online, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/9780190209032.013.48 Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Ovid’s Hesiodic Voices Oxford Handbooks Online Ovid’s Hesiodic Voices Ioannis Ziogas The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.48 Abstract and Keywords Ovid’s poetry opens a dialogue with the three major Hesiodic works: the Theogony, the Works and Days, and the Catalogue of Women. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
A HISTORY of the PELASGIAN THEORY. FEW Peoples Of
A HISTORY OF THE PELASGIAN THEORY. FEW peoples of the ancient world have given rise to so much controversy as the Pelasgians; and of few, after some centuries of discussion, is so little clearly established. Like the Phoenicians, the Celts, and of recent years the Teutons, they have been a peg upon which to hang all sorts of speculation ; and whenever an inconvenient circumstance has deranged the symmetry of a theory, it has been safe to ' call it Pelasgian and pass on.' One main reason for this ill-repute, into which the Pelasgian name has fallen, has been the very uncritical fashion in which the ancient statements about the Pelasgians have commonly been mishandled. It has been the custom to treat passages from Homer, from Herodotus, from Ephorus, and from Pausanias, as if they were so many interchangeable bricks to build up the speculative edifice; as if it needed no proof that genealogies found sum- marized in Pausanias or Apollodorus ' were taken by them from poems of the same class with the Theogony, or from ancient treatises, or from prevalent opinions ;' as if, further, ' if we find them mentioning the Pelasgian nation, they do at all events belong to an age when that name and people had nothing of the mystery which they bore to the eyes of the later Greeks, for instance of Strabo;' and as though (in the same passage) a statement of Stephanus of Byzantium about Pelasgians in Italy ' were evidence to the same effect, perfectly unexceptionable and as strictly historical as the case will admit of 1 No one doubts, of course, either that popular tradition may transmit, or that late writers may transcribe, statements which come from very early, and even from contemporary sources. -
Central Balkans Cradle of Aegean Culture
ANTONIJE SHKOKLJEV SLAVE NIKOLOVSKI - KATIN PREHISTORY CENTRAL BALKANS CRADLE OF AEGEAN CULTURE Prehistory - Central Balkans Cradle of Aegean culture By Antonije Shkokljev Slave Nikolovski – Katin Translated from Macedonian to English and edited By Risto Stefov Prehistory - Central Balkans Cradle of Aegean culture Published by: Risto Stefov Publications [email protected] Toronto, Canada All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written consent from the author, except for the inclusion of brief and documented quotations in a review. Copyright 2013 by Antonije Shkokljev, Slave Nikolovski – Katin & Risto Stefov e-book edition 2 Index Index........................................................................................................3 COMMON HISTORY AND FUTURE ..................................................5 I - GEOGRAPHICAL CONFIGURATION OF THE BALKANS.........8 II - ARCHAEOLOGICAL DISCOVERIES .........................................10 III - EPISTEMOLOGY OF THE PANNONIAN ONOMASTICS.......11 IV - DEVELOPMENT OF PALEOGRAPHY IN THE BALKANS....33 V – THRACE ........................................................................................37 VI – PREHISTORIC MACEDONIA....................................................41 VII - THESSALY - PREHISTORIC AEOLIA.....................................62 VIII – EPIRUS – PELASGIAN TESPROTIA......................................69 -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
A Ritual for the Dead: the Tablets from Pelinna (L 7Ab)
CHAPTER TWO A RITUAL FOR THE DEAD: THE TABLETS FROM PELINNA (L 7AB) Translation of tablets L 7ab from Pelinna The two tablets from Pelinna (L 7a and 7b) were found in Thessaly in 1985, on the site of ancient Pelinna or Pelinnaion. They were placed on the breast of a dead female, in a tomb where a small statue of a maenad was also found (cf. a similar gure in App. II n. 7). Published in 1987, they revolutionized what had been known and said until then about these texts, and contributed new and extremely important view- points.1 They are in the shape of an ivy leaf, as they are represented on vase paintings,2 although it cannot be ruled out that they may represent a heart, in the light of a text by Pausanias that speaks of a “heart of orichalcum” in relation to the mysteries of Lerna.3 Everything in the grave, then, including the very form of the text’s support, suggests a clearly Dionysiac atmosphere, since both the ivy and the heart evoke the presence of the power of Dionysus. The text of one of the tablets is longer than that of the other. It has been suggested4 that the text of the shorter tablet was written rst, and since the entire text did not t, the longer one was written. We present the text of the latter:5 1 These tablets were studied in depth by their \ rst editors Tsantsanoglou-Parássoglou (1987) 3 ff., and then by Luppe (1989), Segal (1990) 411 ff., Graf (1991) 87 ff., (1993) 239 ff., Ricciardelli (1992) 27 ff., and Riedweg (1998).