Legacies: Racism and Resistance in New Orleans Before and After Katrina
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Defining Black Business Success in New Orleans by Dasjon Semaj Jordan B. Arch. Architecture, Louisiana State Un
More Than Money: Defining Black Business Success in New Orleans By Dasjon Semaj Jordan B. Arch. Architecture, Louisiana State University Baton Rouge, Louisiana (2016) Submitted to the Department of Urban Studies and Planning in partial fulfillment of the requirements for the degree of Master in City Planning at the MASSACHUSETTS INSTITUTE OF TECHNIOLOGY June 2019 © 2019 Dasjon Jordan. All Rights Reserved The author hereby grants to MIT the permission to reproduce and to distribute publicly paper and electronic copies of the thesis document in whole or in part in any medium now known or hereafter created. Author________________________________________________________________________ Department of Urban Studies and Planning May 23, 2019 Certified by____________________________________________________________________ Lecturer of Public Policy and Urban Planning, Karilyn Crocket Thesis Supervisor Department of Urban Studies and Planning Accepted by__________________________________________________________________ Professor of the Practice, Ceasar McDowell Co-Chair, MCP Committee Department of Urban Studies and Planning 1 More Than Money: Defining Black Business Success in New Orleans By Dasjon Semaj Jordan Submitted to the Department of Urban Studies and Planning on May 23, 2019, in partial fulfillment of the requirements for the degree of Master in City Planning Abstract In academic literature and professional support, small business success for Black entrepreneurs across the U.S. has been defined through narrow and pessimistic lenses. Expectations of high economic yield and employment have been the main measures of their success or failure. However, in New Orleans, Black entrepreneurship has yielded spirits of social impact and self-determination. This thesis hypothesizes that Black business success requires more than economic viability to be considered valuable by the entrepreneurs themselves, aiming to contribute to the social and cultural atmosphere. -
Tides Foundation 51-0198509 Or Print
OMB No 1545-0047 Form 990 Return of Organization Exempt From Income Tax Under section 501(c), 527, or 4947(aXl) of the Internal Revenue Code 2009 (except black lung benefit trust or private foundation) Department of the Treasury to Public Internal Revenue Service .The organization may have to use a copy of this return to satisfy state reporting requirements. 0pest Inspection For the 2009 calendar year, or tax year beg inning , 2009 , and endin g I D Employer Identif ication Number B Check if applicable C Please Address change IRSlabele Tides Foundation 51-0198509 or print. Telephone number Name change ortype. BOX 29903 E see San Francisco, CA 94129-0903 Initial return specific 415-561-6400 Instruc- Termination tions Amended return G Gross receipts $ 228, 842, 925 . H(a) Is this group return for affiliates' Application pending F Name and address of principal officer Drummond Pike a Yes X No H(b) Are all affiliates included ? Same As C Above Yes No If ''No,' attach a list (see instructions) Li I Tax-exem pt status X 501(c) ( 3 (insert no.) 4947(a)(1) or 527 J Website : ► www. tides . or H(c) Group exemption number ► legal K Fund of orgaruzabun X Corporation 1-1 Trust Association L Year of Formation 1976 M State of domicile CA Part I Summa ry 1 Briefly describe the organization's mission or most significant activities. Tides Foundation' s_grimary_exempt -purpose isarantmaking_ - We partner with donors to-pomote economic justice,_ -r9hust _demacrnt.ic_pxoce.asea,- and_ the -opportunity to live- in _a_tea-lthy-an L - - - - - - - -suatainabie-^nLirnamen t wbexs_humaa -rights _are _pxesenre-d_ nad_ pr- - - - - - - - - - 2 Check this box 1, If the organization discontinued its operations or disposed of more than 25% of its assets. -
Annual Report 2000 Justice Is at the Heart of Progressive Social Movements and the Philanthropy That Supports Them
1976-2001 25 YEARS OF B RINGING P EOPLE T OGETHER F OR P OSITIVE S OCIAL C HANGE A NNUAL R EPORT 2000 For 25 years, Tides Foundation has had one focus: Bringing People Together In the name of positive social change. When stripped down to its essentials, Tides is a collection of partnerships With both our donors and our grantees. Without them, nothing happens. Together, important work is supported— Substantive efforts to make the world a better place. This network of partnerships itself is undergoing change, As a Tides community emerges working in increasingly collaborative ways To address environmental and social problems. Still, it is the aggregate numbers that startle one: 1 In 2000 alone, Tides made grants of $56 million. We want to thank you, all of our past, present and future partners. To believe in change seems so essential just now. To work for change, as we do here at Tides, is simply an honor. Drummond Pike President Peace Justice Sustainability 2 O UR V ISION The Tides Family of Organizations actively promotes change toward a healthy society— one founded on principles of social justice, equal economic opportunity, a robust democratic process, and environmental sustainability. We believe healthy societies rely fundamentally upon respect for human rights, the vitality of communities and a celebration of diversity. O UR M ISSION Tides Foundation partners with donors to increase and organize resources for social change. We facilitate effective grantmaking programs, 3 create opportunities for learning, and build community among donors and grantees. O UR M ETHOD We strengthen community-based nonprofit organizations and the progressive movement by providing an innovative and cost-effective framework for your philanthropy. -
Newsmaker LA Treasury Unclaimed Property List
Lighting The Road To Freedom Data Zone Page 7 Business After Hours “The People’s Paper” September October 13, 1, 2007 41st41st YearYear Volume Volume 37 37 www.ladatanews.com www.ladatanews.com Election 2007: The Race for Councilmember-at-Large Heats Up LA Treasury Unclaimed Newsmaker Culture at a Property List Crossroads Page 11 Page 4 Photos by Victor Holt Page October 13, 007 Cover Story www.ladatanews.com Election 2007: The Race for Councilmember-at-Large Heats Up By Benjamin Bates Thomas resigned amidst a sea of controversy as he The theme of purging the city of the long legacy Photos by Glenn Summers pled guilty to accepting bribes from a longtime as- corruption of politics in Louisiana was at the fore- sociate of former New Orleans Mayor Morial, busi- front of the discussion . Dyan ‘Mama Dee’ French, a As the elections season heats up with races across nessman Stan ‘Pampy’ Barre who was convicted of resident of the Treme Neighborhood and a longtime the state; the Governor’s seat as well as several im- wrongdoing and has accepted a plea agreement in community activist and one of the candidates said, portant offices including the State Senate and State an unrelated case . “It is time for a different approach to government Representative that are presently without incum- This state of events has left the field open with where people are not just about taking care of just bents . And as the clock ticks closer to the day when a wide array of candidates spanning the political a few people, but about all of the people of the city ”. -
Philipe Lamancusa Kitchen Witch Cookbook
PHILIPE LAMANCUSA Kitchen Witch Cookbooks—New Orleans, LA * * * Date: May 21, 2012 Location: Kitchen Witch Cookbooks—New Orleans, LA Interviewer: Sara Roahen Transcription: Shelley Chance, ProDocs Length: 1 hour, 48 minutes Project: Ya-Ka-Mein in New Orleans Philipe LaMancusa—Kitchen Witch Cookbooks 2 [Begin Philipe LaMancusa Interview] 00:00:01 Sara Roahen: This is Sara Roahen for the Southern Foodways Alliance. It’s Monday, May 21, 2012. I am in New Orleans, Louisiana in the French Quarter at Kitchen Witch, which is a cookbook shop. And I’m sitting here with the owner. I’m hoping that you will introduce yourself by telling me your full name and what you do for a living. 00:00:22 Philipe LaMancusa: My name is Philipe LaMancusa and I’m sixty-eight years old, and I’ve been in the food business since I was born. I was raised in New York City, went into the Navy, and after the Navy came down to New Orleans. And my mother was a waitress, my father was a cook, and my stepfather owned a bar and grill outside of Greenwich Village in New York City. 00:00:49 My stepfather was Greek, my real father Sicilian, and my mother German/Irish. There were five kids in the family and food was the main topic of eating. We didn't know it was ethnic food at the time. We just thought it was dinner. After spending four years in the Navy cooking and four consecutive winters in the Caribbean, when I got back to New York I hated the cold weather so much that I fled south and wound up in 1967 in New Orleans. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Space, Place, and Music in New Orleans Permalink https://escholarship.org/uc/item/4q71f2ws Author Raimondi, Julie Michelle Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Space, Place, and Music in New Orleans A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology By Julie Michelle Raimondi 2012 © Copyright by Julie Michelle Raimondi 2012 ABSTRACT OF THE DISSERTATION Space, Place, and Music in New Orleans By Julie Michelle Raimondi Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2012 Professor Anthony Seeger, Chair This dissertation explores ways in which many people in New Orleans use, experience, form emotional attachments to, and make sense of space through music. It analyzes how music intersects with geography and how the musical experiences of New Orleanians bring meaning to the built form. It examines the role of the agent in the social construction of space, and how people use music as a spatial enabler in New Orleans. It proposes that music enables people to socially construct space because it accesses the nexus of memory and emotion, operates in a greater cultural context, and is a useful tool for variable expression. In order to present varied experiences with the musical construction of space, this dissertation approaches its subject through four case studies: place attachment through the “second line” parading tradition and North Claiborne Avenue, the fixing of memories in space at the Ernie K-Doe Mother-in-Law Lounge, the negotiation of public space through musical performances in various contexts, and the creation and growth of a music community in the New Orleans Habitat Musicians’ Village. -
University of California
UNIVERSITY OF CALIFORNIA Los Angeles Space, Place, and Music in New Orleans A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology By Julie Michelle Raimondi 2012 © Copyright by Julie Michelle Raimondi 2012 ABSTRACT OF THE DISSERTATION Space, Place, and Music in New Orleans By Julie Michelle Raimondi Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2012 Professor Anthony Seeger, Chair This dissertation explores ways in which many people in New Orleans use, experience, form emotional attachments to, and make sense of space through music. It analyzes how music intersects with geography and how the musical experiences of New Orleanians bring meaning to the built form. It examines the role of the agent in the social construction of space, and how people use music as a spatial enabler in New Orleans. It proposes that music enables people to socially construct space because it accesses the nexus of memory and emotion, operates in a greater cultural context, and is a useful tool for variable expression. In order to present varied experiences with the musical construction of space, this dissertation approaches its subject through four case studies: place attachment through the “second line” parading tradition and North Claiborne Avenue, the fixing of memories in space at the Ernie K-Doe Mother-in-Law Lounge, the negotiation of public space through musical performances in various contexts, and the creation and growth of a music community in the New Orleans Habitat Musicians’ Village. In so doing, it illustrates that New Orleans, as a musical city, is greater than a soundscape or a cultural identity—it is the sum of myriad musical experiences that individuals in New Orleans have had as they interact with the space around them. -
Streets of New Orleans
Streets of New Orleans Described by geographer Pierce Lewis as the “inevitable city” in the “impossible site”, New Orleans (French: La Nouvelle-Orléans) is a major United States port and the largest city and metropolitan area in the state of Louisiana. The city is named after Philippe II, Duc d'Orléans, Regent of France (brother of King Louis XIV), and is well known for its distinct French architecture as well as its cross cultural and multilingual heritage. New Orleans is also famous for its cuisine, music (particularly as the birthplace of jazz) and its annual celebrations including Mardi Gras and the New Orleans Jazz and Heritage Festival (commonly referred to as Jazzfest). Esplanade Ave: The original meaning of esplanade was a large, open, level area outside fortress or city walls to provide clear fields of fire for the fortress against incoming infantry or artillery. Esplanade Ave eventually became a place for elegant promenade and was the center of New Orleans‟ Creole community with luxurious homes and a thoroughbred racetrack [Sometimes referred to as the "New Orleans Fair Grounds", the track was initially opened as the "Union Race Course" in 1852. The track closed in 1857 due to competition from the Metairie Course. In 1859 the track was renamed the "Creole Race Course." In 1863, the name was changed again to the "Fair Grounds".] Refugees from the Haitian Revolution substantially bolstered New Orleans‟ African and Creole population in the early nineteenth century reinforcing African traditions in the city and leading to the nation‟s largest population of Free People of Color prior to the American Civil War. -
The Long Road from C.J. Peete to Harmony Oaks
Acknowledgements We would like to extend our deep gratitude to Sandra Moore, Esther Shin, Linda Pompa, Debbie Holmes, Jocquelyn Marshall and their colleagues and neighbors for their availability, insight, and candor, with special thanks to Moore for supporting and encouraging the project; to the Annie E. Casey and Charles Stewart Mott foundations for supporting this work, and especially to Cris Doby of Mott for being the first to suggest that this was a story we should tell and Robert Giloth at Casey for his belief in the project and his patience; to Frank Farrow and Lisa Cylar Miller of the Center for the Study of Social Policy for helping us keep the project on track; to our advisory group of Luisa Dantas, Shawn Escoffery, Lisa Cowan, and Annie Clark, who provided extensive and essential feedback on an early draft; to Luisa Dantas for connecting our work to her video archive; to Brentin Mock for early research, interviewing, and framing; to Shawn Escoffery for graciously allowing the use of so many of his stunning photographs; and to Shaughnessy Daniels for her incredible help locating images. Unless otherwise credited, all images in this report are courtesy of Urban Strategies. Author Katy Reckdahl is a New Orlean s– based news reporter who's written for The Times-Picayune , The New York Times , The Daily Beast , and the Christian Science Monitor . She received the National Low Income Housing Coalition’s media award in 2011 for her work covering public housing for The Times Picayune . Visit www.nhi.org/go/HarmonyOaks to download a PDF version of this report, as well as the Annie E. -
Katrina + 5: an Xcode Exhibition Introduction
HOME ABOUT EDITORS BLOG SUBMIT CONTACT FAQ LOGIN Search An interdisciplinary journal about regions, places, and cultures of the US South and their global connections Tweet 38 date published Katrina + 5: An XCode Exhibition Like 300 authors Dorothy Moye, Decatur, Georgia articles Published: 26 August 2010 Share photo essays Overview: email presentations In an earlier commentary for Southern short videos Spaces, Dorothy Moye described the reviews widespread use of the Xcode, an iconic featured images graphic applied by searchandrescue teams in 2005 postKatrina New Orleans. Here, in a virtual exhibition, Moye presents Xcode Changing Atlanta images selected from the work of more than Documentary Expression twentyfive photographers in the intervening five years. Visually striking and emotionally © Ian J. Cohn, 4725 Dauphine Street, Holy Cross, Landscapes and compelling, the Xcode speaks through its Lower Ninth Ward, New Orleans, Louisiana, Ecologies sheer numbers, its rhythmic repetition across January 13, 2008. Migration, Mobility, the curving network of city streets, its Exchange narrative traces of ciphered messages, and its graphic directness. Poets in Place Sightings Space, Place, and "Katrina + 5: An Xcode Exhibition" was selected for the 2009 Southern Spaces series "Documentary Expression Appalachia and the American South," a collection of innovative, interdisciplinary scholarship about documentary work and Spaces of Southern Labor original documentary projects that engage with regions and places in the US South. 2014 Sections: Introduction 2013 Codes Decoded 2012 First Responders 2011 Maps of New Orleans 2010 Lower Ninth Ward, 20052006 2009 Lakeview, 20052006 2008 Gentilly 2007 Bywater, 20052006 2006 New Orleans East MidCity 2005 Uptown 2004 St. -
Sunset for Domestic Spying the Truly Mythical State of Jefferson
The Truly Mythical Sunset For State of Jefferson Domestic Spying When I arrived in Southern Oregon years Anti-Terror Deputy Says National Security back, I learned of this concept of the “mythi- Letters Solve The “Chicken and Egg cal State of Jefferson,” an area of Northern Problem” of Deciding What To California and Southern Oregon that once Investigate Next played at seceding from the United States government. Nowadays, it’s an ad slogan that According to a November 6, 2005 article you hear on this local yuppie Clear Channel by Barton Gellman in the Sunday edition of station that gets passed off as college radio. the Washington Post, the FBI has been issu- Last time I heard a college kid on the station ing "National Security Letters" at a rate that was back in 1983, when they used to let the is a 10,000% increase (one hundred times as frat boys play Talking Heads and the Go- many) over past practices. These letters are a Go’s for four hours a week. Now it’s PC pap fearsome privacy invasion that Congress all day long and all night, too, though I do authorized in the middle of its 911 funk, love my Nature Notes and the sincere voice when the quickest way to be seen as a patriot of Colleen Pike turning sales pitches into was to trash civil liberties. All indented public service. So I have to listen, and some- quotes are from Gellman’s Washington Post times even contributed when gifted chatter- article, entitled The FBI's Secret Scrutiny — boxes like the late Joanie McGowan held the In Hunt for Terrorists, Bureau Examines station hostage for long enough. -
Between •Œthe Potential╊ and •Œthe Actual╊: Lead Poisoning In
Vassar College Digital Window @ Vassar Senior Capstone Projects 2018 Between “the potential” and “the actual”: lead poisoning in New Orleans as state sanctioned environmental racism Eliana Marcus-Tyler Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Marcus-Tyler, Eliana, "Between “the potential” and “the actual”: lead poisoning in New Orleans as state sanctioned environmental racism" (2018). Senior Capstone Projects. 778. https://digitalwindow.vassar.edu/senior_capstone/778 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College Between “the Potential” and “the Actual”: Lead Poisoning in New Orleans as State Sanctioned Environmental Racism A Thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Sociology by Eliana Marcus-Tyler Thesis Advisors: Professor Pinar Batur Professor Jasmine Syedullah May 2018 Between “the Potential” and “the Actual”: Lead Poisoning in New Orleans as State Sanctioned Environmental Racism This thesis investigates the relationship between lead poisoning in New Orleans and broader structures and histories of environmental racism in the state of Louisiana. I argue that lead poisoning in the city is not an anomaly, but rather an example of the state-sanctioned environmental racism that is foundational to the economic, political, and social functioning of Louisiana. In this project I draw together definitions of environmental racism; histories of social and environmental degradation in the state; accounts of grassroots activists fighting for their communities; research on the causes of lead poisoning and the subsequent health impacts; and statistics on soil and blood lead in New Orleans.