The Forest of Magic & Mystery: the Wily Will-‐O-‐The-‐Whisp
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Desktop Migration and Administration Guide
Red Hat Enterprise Linux 7 Desktop Migration and Administration Guide GNOME 3 desktop migration planning, deployment, configuration, and administration in RHEL 7 Last Updated: 2021-05-05 Red Hat Enterprise Linux 7 Desktop Migration and Administration Guide GNOME 3 desktop migration planning, deployment, configuration, and administration in RHEL 7 Marie Doleželová Red Hat Customer Content Services [email protected] Petr Kovář Red Hat Customer Content Services [email protected] Jana Heves Red Hat Customer Content Services Legal Notice Copyright © 2018 Red Hat, Inc. This document is licensed by Red Hat under the Creative Commons Attribution-ShareAlike 3.0 Unported License. If you distribute this document, or a modified version of it, you must provide attribution to Red Hat, Inc. and provide a link to the original. If the document is modified, all Red Hat trademarks must be removed. Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law. Red Hat, Red Hat Enterprise Linux, the Shadowman logo, the Red Hat logo, JBoss, OpenShift, Fedora, the Infinity logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries. Linux ® is the registered trademark of Linus Torvalds in the United States and other countries. Java ® is a registered trademark of Oracle and/or its affiliates. XFS ® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries. MySQL ® is a registered trademark of MySQL AB in the United States, the European Union and other countries. -
Oak Meadow Grade 1 COURSEBOOK
Oak Meadow Grade 1 COURSEBOOK Oak Meadow, Inc. Post Office Box 1346 Brattleboro, Vermont 05302-1346 oakmeadow.com Item #b010110 v.1217 Grade 1 Contents Introduction .................................................... 1 Lesson 1 ..........................................................3 Language Arts: Letters A and B ............................................. 9 Social Studies Calendar making ........................................... 12 Math: Playing games; counting and sorting ................................ 13 Science: Moon phases; plant identification ............................... 14 Arts & Crafts: Knitting; seasonal table .................................. 15 Music & Movement: Recorder note B; balancing ................... 16 Health: Growing body .......................................................... 18 Lesson 2 ........................................................21 Language Arts: Letters C and D ........................................... 25 Social Studies Concepts of time ........................................... 26 Math: Straight-and curved-line form drawings ............................ 27 Science: Seasonal changes .................................................... 30 Arts & Crafts: Knitting; Leaf Print ........................................ 32 Music & Movement: Recorder note B; tempo ....................... 33 Health: Internal organs and body systems ................................. 34 Lesson 3 ........................................................37 Language Arts: Letters E and F ........................................... -
Land of Faerie: the Disappearing Myth
Volume 5 Number 2 Article 1 10-15-1978 Land of Faerie: The Disappearing Myth Caroline Geer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Geer, Caroline (1978) "Land of Faerie: The Disappearing Myth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 5 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol5/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses various theories for the origins of fairies (and tales about them) in myth, history, and religion. Additional Keywords Faerie—Origins; Fairy tales—Origins; Fairy tales—Relation to Myth; Bonnie GoodKnight This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol5/iss2/1 LAND OF FAERIE: THE DISAPPEARING MYTH by Caroline Geer So an age ended, and its last deliverer died Tolkien, however, asserts that "history often resembles In bed, grown idle and unhappy; they were safe: 'myth,' because they are both ultim ately of the same stuff. -
Elemental Magic: All-New Tales of the Elemental Masters Free Ebook
FREEELEMENTAL MAGIC: ALL-NEW TALES OF THE ELEMENTAL MASTERS EBOOK Mercedes Lackey | 320 pages | 04 Dec 2012 | Penguin Putnam Inc | 9780756407872 | English | New York, United States Elementary: All-New Tales of the Elemental Masters This collection of short stories is a combination of new tales in Mercedes Lackey's Elemental Masters world, with a weird injection of some authors who have no idea what the Elements should be like. "Fire-Water" by Samuel Conway brings a fishhawk to a rabbit to stop a small war. Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Among Mercedes Lackey's many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn- of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Elemental Masters Series Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. -
Fairy Trail Booklet
FAIRY TRAIL www.bunrattycastle.ie NCE UPON A TIME.. There was a fairy called Éirinn, who was a good fairy, and lived mostly in the woods. Her best friend was Seán the Pixie, who liked to get himself into mischief. O One day Seán decided to play a trick on Éirinn by taking her fairy wings and hiding them somewhere in the park. The fairies request the help of _________________________ to help find Éirinn’s fairy wings. INTRODUCTION INSTRUCTIONS THE CLUES We need you and your friends to help the fairies 1. Follow the directions and map around the grounds find their missing fairy wings. By following the clues of the park to discover the clues. and directions, you should be able to uncover the hidden location of the fairy wings. Along the way, 2. The information panels can be found throughout you will need to locate the information panels at the grounds, around the park. Each panel contains various points, answer a question and then finally information about fairies and their friends. decipher the answer. 3. Match up each marker with the clue found within the booklet, answer the question, then enter your correct answer on the back page. TO START THE TRAIL Your start point is at the Music Shop. Please ensure you have suitable footwear and clothing before starting. The fairies request the help of _________________________ Remember that you are responsible for the safety of yourself and others in your group, whilst on the trail. Please to help find Éirinn’s fairy wings. respect the privacy and property of others. -
GOLD TRIED 550 TIMES in the FIRE Timothy Alborn
GOLD TRIED 550 TIMES IN THE FIRE Timothy Alborn Historians inevitably face the challenge of selecting a subset of primary sources to stand for a much larger body of research. This challenge is magnified in the case of the history of ideas, where the need to provide closer readings tends to diminish that already small sample size. My article, “The Greatest Metaphor Ever Mixed,” distilled hundreds of sources from numerous genres down to a few dozen. A section on the various uses of the metaphor of gold tried in the fire, for instance, quotes twenty-eight sources that employ that metaphor, or roughly five percent of the sources I consulted. To find all these sources, I pursued two parallel tracks. The first was part of a larger project on the cultural and economic history of gold in Britain from 1780 to 1850, which will soon be published by Oxford University Press. For this project, I spent the last eight years looking for references to gold wherever they showed up: in treatises, novels, sermons, speeches, and newspaper articles, among many other sources. The bulk of my research utilized such online databases as Eighteenth Century Collections Online, Making of the Modern World, and Google Books. After realizing, a few years into this research, that gold appeared frequently and with interesting variations in numerous religious contexts, I did more targeted search in these databases (see my full list of search terms below for “gold tried in the fire”). In a blog post accompanying a different article I published two years ago in the Journal of Victorian Culture, I made a first foray into providing access to the larger cultural world that historians must curtail in order to “see the forest for the trees.” (link). -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2019 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Story Elements
Story elements Reading Comprehension Worksheet Practice A parent or tutor should read to the student and help the student to record their answers. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Stories have a beginning, a middle, and an ending. The beginning of a story tells you who the story is mostly about, and where the story mostly takes place. The characters are who the story is mostly about. The setting is where the story mostly takes place. The middle of a story tells you the things that happen in the story. The events are the things that happen in the story. The plot is all of the events in the story. The plot usually includes some kind of problem. The ending of a story tells how the problem is solved. The problem solution is how the problem is solved. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Think about these story elements as you listen to this story. The Littlest Dragon The littlest dragon on the mountain was called Sparkle, because his hide was pure white, and sparkly. Some of the dragons were blue, some were green, and some were red. But Sparkle was the only all-white dragon in their group. One sunny day, Sparkle climbed up to the top of the mountain. He sat down on a big rock and looked out at the ocean. The mountain was on an island with long sandy beaches. Sparkle shook his head. He was worried. It was almost time for their group of dragons to fly south for the winter, and Sparkle had not yet learned to fly. His mom had tried to teach him. His dad had tried to teach him. -
__45S Label Scan Wants Prio2.Xlsx
45s WANTED‐LABEL‐SCANS ‐ PRIORITY 2 (11.04.2020) ‐‐‐ if possible: Size 1000x1000pix or better / 300dpi / TIF or BMP Format if possible (otherwise JPG not compressed) / 1 inch black vinyl surrounding it / horizontal adjustment (if possible) Scans/Pictures only from Original Records (no reissues!!) / if different releases exists ‐ prefered are USA‐Originals Funky & Groovy Music Records Lexicon ‐ Contact for Contributions (send scans to): [email protected] Interpret Wanted Title Side A Title Side B Label Label # Jahr Scan‐Side A or B ‐ (composed by F.Grant) B1 Ob la di ‐ ob la da Soul sensation Version Intégrale 2013 19~~ 100 Years Time A1 If it's feeling you want Take care of my love VIP OHYT100/200 19~~ 4th Coming B1 Come to the feast Cruising central ave. Alpha A648 1973 Abel Lionel B1 Lonely man Get down E K RS03 1974 Af‐Tab's B1 The broom The broom (instr.) Jet 3490 19~~ Alfros Band A1 Right on right of Why did you leave me Lyndell LR883 19~~ Amnesty A1 Everybody who wants to be free part 1 part 2 Lamp 88 197~ Andre & Zero Plus B1 Sparkle in a woman's eye Chump change inst. Eyeball EB1003/4 19~~ Anthony Ray A1 The arabian funk Time Mango Media MANGM023 1980 Apollas A1 Seven days (issue copy only) Open the door, fool WB 7181 1968 Austin Sil A1 Disco lady Disco music Jerri 104 1976 Baby George Medieval Dynasty A1 Gonna love you and leave you There is something .. World Wide WW103 19~~ Baker Mickey Orchestra with Vic Upshaw A1 Popcorn crazy Popcorn lesson Disc AZ SG146 19~~ Barnes Bobby B1 I shed a tear Times are bad Discovery 1312/11 19~~ Bates Lee A1 Gonna' make you mine Why don't you write Instant 3310 1971 Benjamin Elvin A1 (Son of man) get tough I knew Funky Feet RI3903 19~~ Big Bird & His Blowers B1 Sesame street Catch a groove Magic Carpet 505 197~ Black Dorothy A1 Miracle man Sugar free woman Ripe 1000/1001 19~~ Black Sweat A1 Disco freak Black sweat Sweat Inc. -
Þáttur 1.Odt
Lucy Leave Good afternoon. My name is Björgvin Rúnar Leifsson and this is an episode about Pink Floyd. The origins of Pink Floyd can be traced back to bassist Clive Metcalfe and vocalist Keith Noble, who formed the band Sigma 6 at The London School of Polytechnics in the winter of 1962-63 and were joined by Roger Waters on guitar, Nick Mason on drums, Richard Wright on keyboards and vocalists Sheila Noble and Juliette Gale. They got Ken Chapman to join them as a songwriter and agent and he introduced them as The Architectural Abdabs later that winter. In his book, Inside Out, Nick Mason mentions that his first acquaintance with Roger Waters was when Waters asked to borrow his car as Mason had an Austin Seven model year 1930. Mason also says that the first time Waters and Richard Wright met was when Waters asked Wright for a cigarette, which Wright flatly denied. Mason, who is clearly a humorist, adds that this was a shining example of Wright's mythical generosity. The story actually says that Waters sat at the end of the table where Wright was working and reached for and opened a new package as he asked for the cigarette. Another example of Mason's humor is his favorite joke about the boy who tells his mother that he intends to become a drummer when he grows up and the mother promptly responds that he can not do both. Mason also says that PF arose from two groups of friends, who overlapped. On the one hand, there was a group of childhood friends from Cambridge, namely Waters, Roger (Syd) Barrett and David Gilmour and it may be added here that it was Gilmour, who taught Barrett to play the guitar. -
A Review of Famous Songs of the Past
Daily Sparkle CD - A Review of Famous Songs of the Past “Fascinating Facts” May 2018 Track 1 My Very Good Friend The Milkman Johnny Burke was a lyricist, widely regarded as one of the finest writers of popular songs in America between the 1920s and 1950s. In 1934, he and Harold Spina wrote "My Very Good Friend, the Milkman" which was a novelty hit for Fats Waller. Fats Waller (May 21, 1904 – December 15, 1943), born Thomas Wright Waller, was a jazz pianist, organist, composer, singer, and comedic entertainer. Waller was one of the most popular performers of his era, finding critical and commercial success in his homeland and in Europe. He was also a prolific songwriter and many songs he wrote or co-wrote are still popular, such as "Honeysuckle Rose", "Ain't Misbehavin'" and "Squeeze Me”. He was once ‘kidnapped’ by friends of Al Capone where he was taken at gunpoint to Al Capone’s birthday party where he was the surprise guest. Once he’d realised the gangsters weren’t going to kill him he played for 3 days earning thousands of dollars in tips! He enjoyed success touring the United Kingdom and Ireland in the 1930s. He appeared in several feature films and short subject films, most notably Stormy Weather in 1943, which was released July 21, just months before his death. Track 2 Hound Dog Hound Dog is a twelve-bar blues song by Jerry Leiber and Mike Stoller. It was recorded by Willie Mae "Big Mama" Thornton in 1952. The song has been recorded more than 250 times with the best-known version being the July 1956 recording by Elvis Presley.