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Desktop Migration and Administration Guide
Red Hat Enterprise Linux 7 Desktop Migration and Administration Guide GNOME 3 desktop migration planning, deployment, configuration, and administration in RHEL 7 Last Updated: 2021-05-05 Red Hat Enterprise Linux 7 Desktop Migration and Administration Guide GNOME 3 desktop migration planning, deployment, configuration, and administration in RHEL 7 Marie Doleželová Red Hat Customer Content Services [email protected] Petr Kovář Red Hat Customer Content Services [email protected] Jana Heves Red Hat Customer Content Services Legal Notice Copyright © 2018 Red Hat, Inc. This document is licensed by Red Hat under the Creative Commons Attribution-ShareAlike 3.0 Unported License. If you distribute this document, or a modified version of it, you must provide attribution to Red Hat, Inc. and provide a link to the original. If the document is modified, all Red Hat trademarks must be removed. Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law. Red Hat, Red Hat Enterprise Linux, the Shadowman logo, the Red Hat logo, JBoss, OpenShift, Fedora, the Infinity logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries. Linux ® is the registered trademark of Linus Torvalds in the United States and other countries. Java ® is a registered trademark of Oracle and/or its affiliates. XFS ® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries. MySQL ® is a registered trademark of MySQL AB in the United States, the European Union and other countries. -
Oak Meadow Grade 1 COURSEBOOK
Oak Meadow Grade 1 COURSEBOOK Oak Meadow, Inc. Post Office Box 1346 Brattleboro, Vermont 05302-1346 oakmeadow.com Item #b010110 v.1217 Grade 1 Contents Introduction .................................................... 1 Lesson 1 ..........................................................3 Language Arts: Letters A and B ............................................. 9 Social Studies Calendar making ........................................... 12 Math: Playing games; counting and sorting ................................ 13 Science: Moon phases; plant identification ............................... 14 Arts & Crafts: Knitting; seasonal table .................................. 15 Music & Movement: Recorder note B; balancing ................... 16 Health: Growing body .......................................................... 18 Lesson 2 ........................................................21 Language Arts: Letters C and D ........................................... 25 Social Studies Concepts of time ........................................... 26 Math: Straight-and curved-line form drawings ............................ 27 Science: Seasonal changes .................................................... 30 Arts & Crafts: Knitting; Leaf Print ........................................ 32 Music & Movement: Recorder note B; tempo ....................... 33 Health: Internal organs and body systems ................................. 34 Lesson 3 ........................................................37 Language Arts: Letters E and F ........................................... -
Pink Floyd and Philosophy
Table of Contents Popular Culture and Philosophy Series Editor: George A. Reisch Title Page Pink Floyd: From Pompeii to Philosophy Pink Floyd in Popular Culture Chapter 1 - “I Hate Pink Floyd,” and other Fashion Mistakes of the 1960s, 70s, ... The Four Lads from CambridgeFrom Waffling to MeddlingThe Crazy DiamondWish You Weren’t HereDoes Johnny Rotten Still Hate Pink Floyd? Chapter 2 - Life and Death on The Dub Side of the Moon Side OneSide TwoRasta ReasoningOn Rasta Time“A New Broom Sweeps Clean, but an Old Broom Knows Every Corner” Chapter 3 - Dark and Infinite Goodbye Blue SkyNobody HomeBricks in the WallWe Don’t Need No InterpretationFeelings of an Almost Human Nature Chapter 4 - Pigs Training Dogs to Exploit Sheep: Animals as a Beast Fable Dystopia The Dog-Eat-Dog MarketplacePigs in the WhitehouseSheepish ExploitationCaring Dogs Watching Flying Pigs Chapter 5 - Exploring the Dark Side of the Rainbow Major SynchronizationsDesign or Chance?Synchronizations and SynchronicityApophenia and ParadigmsThematic Synchronicity Chapter 6 - Mashups and Mixups : Pink Floyd as Cinema Defining Cinematic MusicMusic Videos and Music FilmsMashups and Sync UpsIn the End, It’s Only Round and Round (and Round) Alienation (Several Different Ones) Chapter 7 - Dragged Down by the Stone: Pink Floyd, Alienation, and the ... Wish You Were . ConnectedWhen the World You’re in Starts Playing Different TunesDon’t Be Afraid to CareDon’t Sit DownTime, Finitude, and DeathMoneyAny Colour of Us and Them You LikeArtists and Crazy DiamondsThis One’s PinkWe Don’t 2 Need No Indoctrination Chapter 8 - Roger Waters : Artist of the Absurd (C)amused to DeathThat Fat Old SunPrisms and DiamondsWelcome to the ZooThe Pros and Cons of AudiencesAlienation inside the WallWould You Help Me to Carry the Stone? Chapter 9 - Theodor Adorno, Pink Floyd, and the Psychedelics of Alienation Part I: Interstellar OverdriveIt’s Alright, We Told You What to DreamCan the Machine Be Fixed?Arnold Schoenberg had a Strraaaange . -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
The Forest of Magic & Mystery: the Wily Will-‐O-‐The-‐Whisp
SPARKLE HALLOWEEN EVENTS The Forest of Magic & Mystery: the Wily Will-O-The-Whisp David and Lisabeth Sewell McCann, Sparkle Stories PRODUCTION NOTES: This “play” is structured as a series of short performances – to be experienced by groups of people in the order given below. Each of the “stations” needs to be spaced apart – enough distance so that the action of one doesn’t distract from another. This can be performed in woods or fields or parks, or even in the classrooms and along the halls of schools. Or it could be in different houses of a neighborhood. The path between the stations can be lit with jack-o-lanterns or luminarios. At the performance’s end, there should be a table that represents the “fairy ball” with edible treats. There is a lot of “singing” and “dancing” in this show – but this in no way needs to sound or seem “professional”. The songs can be the simplest diddies – or even spoken as verses. As long as the performer is having fun, so will the children! Below is the “script”. The play is interactive, and so the language can be flexible and open to improvisation and embellishment. The logistical details, however, do need to be included and stressed – as they propel the story and the journey for our “travelers” or the children who have come to enjoy themselves. RECOMMENDATIONS: Have a volunteer parent “guide” go with each group to help direct, in case the children forget the clues or songs. Parents should join children on the walk. No unattended children. -
PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016
** NEWS ** ISSUED: 28.07.16 STRICTLY EMBARGOED UNTIL: 14:00HRS BST, THURSDAY 28 JULY 2016 PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016 • Unreleased demos, TV appearances and live footage from the Pink Floyd archives • 6 volumes plus a bonus EXCLUSIVE ‘Extras’ package across 27 discs • Over 20 unreleased songs including 1967’s Vegetable Man and In the Beechwoods • Remixed and updated versions of the music from ‘Zabriskie Point’ • 7 hours of previously unreleased live audio • 15 hours 35 mins of video including rare concert performances, interviews and 3 feature films * 2 CD selection set ‘The Early Years – CRE/ATION’ also available * On 11 November 2016, Pink Floyd will release ‘The Early Years 1965-1972’. Pink Floyd have delved into their vast music archive, back to the very start of their career, to produce a deluxe 27-disc boxset featuring 7 individual book-style packages, including never before released material. The box set will contain TV recordings, BBC Sessions, unreleased tracks, outtakes and demos over an incredible 12 hours, 33 mins of audio (made up of 130 tracks) and over 15 hours of video. Over 20 unreleased songs including 7 hours of previously unreleased live audio, plus more than 5 hours of rare concert footage are included, along with meticulously produced 7” singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967’s Vegetable Man and In The Beechwoods which have been newly mixed for the release. ‘The Early Years 1965-1972’ will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of ‘The Dark Side Of The Moon’, one of the biggest selling albums of all time. -
Inside out (B Rr) REV Copy 11/8/05 4:25 Pm Page 5
Inside Out (B rr) REV copy 11/8/05 4:25 pm Page 5 INSIDE OUT A PERSONAL HISTORY OF PINK FLOYD NICK MASON EDITED BY PHILIP DODD Inside Out (B rr) REV copy 11/8/05 4:25 pm Page 9 poly days 1 9 9 Inside Out (B rr) REV copy 11/8/05 4:25 pm Page 10 Inside Out (B rr) REV copy 11/8/05 4:25 pm Page 11 R OGER WATERS only deigned to speak to me after we’d spent the best part of six months studying at college together. One afternoon, as I tried to shut out the murmur of forty fellow architectural students so that I could concentrate on the technical drawing in front of me, Roger’s long, distinctive shadow fell across my drawing board. Although he had studiously ignored my existence up until that moment, Roger had finally recognised in me a kindred musical spirit trapped within a budding architect’s body. The star-crossed paths of Virgo and Aquarius had dictated our destiny, and were compelling Roger to seek a way to unite our minds in a great creative adventure. No, no, no. I’m trying to keep the invention to a minimum. The only reason Roger had bothered to approach me was that he wanted to borrow my car. The vehicle in question was a 1930 Austin Seven ‘Chummy’ which I’d picked up for twenty quid. Most other teenagers of the time would probably have chosen to buy something more practical like a Morris 1000 Traveller, but my father had instilled a love of early cars in me, and had sourced this particular car. -
GNOME User's Manual
GNOME™ GENERAL NOAA OIL MODELING ENVIRONMENT User’s Manual January 2002 ATMOSP ND HE A RI IC C N A A D E M C I N O I S L T NATIONAL OCEANIC OFFICE OF RESPONSE HAZARDOUS MATERIALS A R N A O T I I T O A N N AND ATMOSPHERIC AND RESTORATION RESPONSE DIVISION U .S E . C D R E E ADMINISTRATION PA M RT OM MENT OF C Contents Welcome to GNOME ...........................................................................................................................1 About GNOME.........................................................................................................................1 What GNOME Can Do.............................................................................................................2 What GNOME Can’t Do ..........................................................................................................4 Getting and Installing GNOME ...............................................................................................4 How to Get What You Want From GNOME ..........................................................................5 Getting Help..............................................................................................................................6 The Help Menu ..................................................................................................................6 On a Macintosh ...........................................................................................................6 In Windows .................................................................................................................7 -
Lunatics II 03 **** **** **** **** **** ********* ********* the LUNATICS NEWLETTER ©
Lunatics II 03 **** **** **** **** **** ********* ********* THE LUNATICS NEWLETTER © THE LUNATICS NEWSLETTER, Year II, N° 03, 25/03/2004 SUMMARY. Available in this number: Special edition, "THE PIPER AT THE GATES OF DAWN": 1) TPatGoD general notes 2) TPatGoD Japan 3) TPatGoD Italy 4) TPatGoD Germany 5) TPatGoD Germany misspressed 6) TPatGoD Japan test-pressing 7) TPatGoD Turkey ~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~·~ 1) THE PIPER AT THE GATES OF DAWN, Italy. (by Stefano Tarquini, Alfredo Orsini & Nino Gatti) Uscito ufficialmente nell'agosto del 1967 in Inghilterra, la prima fatica del gruppo richiamava essenzialmente i primi due singoli, "Arnold Layne" (Columbia DB-8156) e "See Emily Play" (Columbia DB-8214), che già dal primo periodo furono un successo di vendita. Il titolo di questo LP viene dal titolo del settimo capitolo del libro di Kenneth Graham "Wind in the Willows", dove Ratty e Molly cercano un animale perduto, e hanno una specie di esperienza religiosa quando incontrano, appunto, "The Piper At The Gates Of Dawn" (che molti identificano nel dio greco Pan). La discografia mondiale (analizzando le stampe originali e le ristampe) è abbastanza ricca di edizioni, forse non come i successivi successi degli anni '70, ma dobbiamo pur considerare la particolare musica "psichedelica" del periodo post-beatlesiano e che si tratta della fine degli anni '60. Tra le edizioni "normali" spiccano le edizioni originali inglesi e americane, uscite sia in versione mono (Columbia SX-6157 in UK, addirittura con etichette con delle piccole differenze di caratteri; Tower T-5093 negli USA), che in versione stereo (Columbia SCX-6157 in UK; Tower ST-5093 negli USA, quest'ultima uscita sia con l'etichetta originale marrone, sia con la classica etichetta a strisce colorate nelle ristampe). -
Winterberry GRADE 4 PARTNERS with STAFF at the EAGLE RIVER NATURE CENTER
Newsletter Community SEPTEMBER 16, 2010 VOLUME 6, ISSUE 1 winterberry GRADE 4 PARTNERS WITH STAFF AT THE EAGLE RIVER NATURE CENTER What is life? It is the flash of a I remember the day he was born. We firefly in the night. It is the breath had walked through the falling September of a buffalo in the wintertime. It autumn leaves the day before, 20th 30th School Mentors Visit is the little shadow which runs followed by a night of labor. In the - : across the grass and loses itself morning, just before nine, as the George Hofecker & in the Sunset. sun’s thinning rays filtered through Donna Burgess a spruce tree and into our living - Crowfoot, a leader of the Blackfoot nation room he flowed from me and into the birthing tub. As we lifted him to my October chest, time seemed to slow almost to A Word from Ms. Mall... a stop. 1st: 6th Annual Harvest Dance, 6pm This past weekend I had the pleasure of Oh, the promises we make to these spending a few hours alone with my beings so fresh to Earth. What we 7th WPG Meeting, 6pm @ oldest son while my husband was wouldn’t do for them. I promised to : running the Klondike and the other two make time and do things differently Winterberry boys were sleeping. Yes, in case you are than my parents. While I have wondering, we stayed up past both of succeeded in many ways, in other 14th: ALL SCHOOL ASSEMBLY, our bedtimes! ways I have failed miserably! 1pm @ the PAC/Discovery Later that night we snuggled into “the I am so grateful for the time we family bed” as our youngest calls it and shared that night and hope I am able 15th: NO SCHOOL • In-service he fell fast asleep. -
Syd Barrett (Roger Keith Barrett) Pancreatic Cancer
syd barrett (roger keith barrett) pancreatic cancer Born: January 6, 1946 Died: July 7, 2006 “He was a visionary,” said Roger Waters. “He was the key that Nonetheless, Barrett is referenced in Floyd’s “Brain Damage” unlocked the door to rock ’n’ roll for me.” (Dark Side Of The Moon, 1973), “Nobody Home” (The Wall, 1979), Roger Keith Barrett—nicknamed Syd after a drummer in his and “Poles Apart (The Division Bell, 1994), and is the subject of hometown Cambridge—was trained as a painter, but bewitched “Shine On You Crazy Diamond,” from 1975’s Wish You Were Here— by The Beatles and Rolling Stones. “I was teaching him to play at the mixing of which he unexpectedly materialized in Abbey Stones riffs every lunchtime for a year at technical college,” said Road studios. Jerry Shirley, a friend of the band who drummed for David Gilmour. In 1965, Barrett joined Waters—another Cambridge Barrett in 1970, remembered: “This overweight Hare Krishna-looking pal—in London, and cofounded The Pink Floyd Sound. chap...I asked him what he was doing lately. ‘Oh, you know, not Barrett’s compact discography belies his importance. Pink much...I get up, eat, go for a walk, sleep.’” Barrett’s reported Floyd’s hits “Arnold Layne” and “See Emily Play,” and The Piper reaction to “Shine On”: “Sounds a bit old.” At The Gates Of Dawn (1967) were largely his work. A couple of “Syd’s father’s death affected him very heavily,” explained haunting cuts on A Saucerful Of Secrets (1968), 1970’s scratchy Gilmour, “and his mother always pampered him—made him out solo albums The Madcap Laughs and Barrett, and outtakes and to be a genius of sorts.” Too fragile for stardom and damaged by radio sessions complete his catalog. -
Poems Alicia Matheny
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2007 The Body of Light : Poems Alicia Matheny Follow this and additional works at: http://mds.marshall.edu/etd Part of the American Literature Commons, American Popular Culture Commons, Composition Commons, and the English Language and Literature Commons Recommended Citation Matheny, Alicia, "The Body of Light : Poems" (2007). Theses, Dissertations and Capstones. Paper 720. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. The Body of Light: Poems Thesis submitted to the Graduate College at Marshall University in partial fulfillment of the requirements for the degree of Master of Arts in English by Alicia Matheny Dr. Chris Green, Ph.D. Committee Chair Prof. Art Stringer, MFA Dr. Katharine Rodier, Ph.D. Marshall University May 2007 Abstract This creative thesis explores the different facets of Pink Floyd and their music, drawing inspiration from albums varying from The Piper at the Gates of Dawn (1967) to Dark Side of the Moon (1973). Using images drawn from nature, the cosmos, and Pagan mythology, this thesis also incorporates biographical details found in Nicholas Schaffner’s important biography, Saucerful of Secrets: The Pink Floyd Odyssey (New York: Harmony Books, 1991). There are also experiments with form in the poems, in that in many of the poems, instead of commas, there are tab spaces. Each space expresses the silence between each word.