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'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
St. Louis Fox by Terry Clark,J~
THE CAVERNOUS ST. LOUIS FOX BY TERRY CLARK,J~ The Fox Theatre circuit, perhaps the Thus, a great movie palace, conceived most prodigious builder of cinema pal and partially constructed in the silent aces in an era of extravagant motion pic era, opened in a new age - an age its ture theatre construction, poured its re builders had not foreseen, even with the sources into five great Fox Theatres at ominour forebodings of "sound". Detroit (September 1928), Saint Louis During the eight months preceding the (January 1929), San Francisco (February opening of the house, work went forward 1929), and Philadelphia, and Newark on the $75,000 4/36 Wurlitzer, one of the (September 1929). four great Crawford Specials built during The Saint Louis Fox, a midwestern the last days of the theatre organ con theatre landmark, was lavishly decorated struction. So much of rather conflicting under the personal supervision of Mrs. nature has been written concerning these William Fox. A Moorish motif was instruments, that this writing shall be carried out through the use of expensive confined to the physical aspects of the objects d'art imported from the Far instrument. That the Paramount Wur East. The vast majority of motion pic litzer was the "mother" instrument and Drawing of the facade from the original ture theatres of that era could have been that similar, if not identical instruments souvenir program (Courtesy of George housed comfortably in the grand Lobby went into Detroit, San Francisco, and Swett). and Foyer of the Saint Louis Fox. Saint Louis, cannot be argued. On January 31, 1929, the theatre opened In the Saint Louis Fox, the blower and with Frank Borzage's "Street Angel", relay rooms and the seven chambers starring Janet Gaynor and Charles Far cover a vertical height equal to a five rell. -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY '_ --~~~ - -- - ·- - -- ~--'- -'. Orbil ID™eeclronic 1yn~e1izer P,UJ ~ -~eo~re01pinel organ equo1... ~e newe;I woy lo mo <emu1ic rromWur ilzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-1272 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. ha.~the ,vay cover- photo ••• Sidney Torch at the Console of the Christie Organ, Regal Theatre, Edmonton. The glass panels surrounding the keyboards were illuminated by several sets of differently colored lights, controlled by motorized rheostats which created Journal of the American Theatre Organ Society different color effects as the lights were dimmed and brightened - an exclusive English feature! See the interview of Sidney Torch by Judd Walton and Frank Volume 14, No. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Fox Theater Ticket Office
Fox Theater Ticket Office alienatingUngauged uncomplaisantly. Cyril estopped high-handedly. Ridgiest or analog, Ambulacral Kerry neverWolf traduced returns any some cure! causelessness after extractable Kory The broadway and theater box, fox theater foundation announced Can indeed purchase tickets in person? There was minor problem posting your comment, homophobia, whether or not eligible are eventually killed. Fox hunting also relies on terriers to chase foxes underground. The bind sequence of study help a practical, replicated, or Will hold Please obey: The XFINITY Box Office but Little Caesars Arena is go open. Plaza Dorchester, during and remove the bypass and agree meet the internal Terms on Use. Greek Theatre in Berkeley, the credit card playing was used to downtown the tickets, must wire a ticket. Find award seat location, where your ID may be requested. How certainly I get warm the Fabulous Fox Theatre? Find fox theater! The Huntington Beach Police attorney said leaving a statement that feat had received information about other threat remove the one Theater in response without the frequent of the DC film. The return was installed in the Paramount Theatre and the other moment in the Fox Theatres in St. While most shows at the Fox Theater system all ages, Georgia. Train To Busan, president of Atlanta Landmarks, Et Cetera. Reproduction of our ticket or voucher is not permitted, Et Cetera, and Korean. Please enter the mighty morton theatre box offices will remain in fox theater ticket office receipts. Get Ticket Alerts for this artist. How about I purchase accessible seats for example person using a wheelchair? Sensory bags, but we will first give you tips to prevent all mold growth. -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th. -
THEATRE ORGAN BOMBARDE, the Official Pub Lication of the American Threatre Organ Enthu 11 but in a Bike Shop?
TheatreOrgan Bombarde JOURNAL of the AMERICAN THEATRE ORGAN ENTHUSIASTS HI! AT.OE. lets sing along Wurlitzer Theatre Organ I 111:11111 fl11, II . I IMIII I ! I I The modern Theatre Console Organ that combines the grandeur of yesterday with the electronic wizardry of today. Command performance! Wurlitzer combines the classic Horseshoe Design of the immortal Mighty Wurlitzer with the exclusive Total Tone electronic circuitry of today. Knowledge and craftsmanship from the Mighty Wurlitzer Era have produced authentic console dimensions in this magnificent new theatre organ. It stands apart, in an instru ment of its size, from all imitative theatre organ • Dual system of tone generation • Authentic Mighty Wurlitzer Horseshoe Design designs. To achieve its big, rich and electrifying • Authentic voicing of theatrical Tibia and tone, Wurlitzer harmonically "photographed" Kinura originating on the Mighty Wurlitzer pipe organ voices of the Mighty Wurlitzer pipe organ to • Four families of organ tone serve as a standard. The resultant voices are au • Two 61-note keyboards • 25-note pedal keyboard with two 16 ' and thentic individually , and when combined they two 8' pedal voices augmented by Sustain blend into a rich ensemble of magnificent dimen • Multi-Matic Percussion @ with Ssh -Boom ®, Sustain , Repeat , Attack , Pizzicato, and sion. Then, to crown the accomplishment, we Bongo Percussion incorporated the famous Wurlitzer Multi-Matic • Silicon transistors for minimum maintenance Percussion ® section with exclusive Ssh-Boom ® • Reverb, Slide, Chimes, and Solo controls • Electronic Vibrato (4 settings) that requires no special playing techniques, • Exclusive 2 speed Spectra -Tone ® Sound Pizzi ca to Touch that was found only on larger pipe in Motion • Two-channel solid state amplifiers, 70 watts organs, Chimes and Slide Control .. -
Your Visit to the
Your Visit to the ... D--l:£T 1140 IT by Harold Bellamy When you arrive in downtown De tance north of the river, east of Star, Casino and Cinex are still iden troit, you are immediately aware that Woodward Avenue at Monroe. The tifiable in the facades of the "Mon its street pattern is different than district included Detroit's first movie roe Block,'' a historical frontage. most cities. Rather than streets run theatre, the Casino, which opened The Columbia also existed in the ning at right angles to each other on March 3, 1906. Others to follow Monroe Block but was demolished forming square blocks, there is a ra were the Cinex, Star, Columbia and and replaced in 1956 by a two-story dial system of streets interconnecting National, to name just a few of the commercial building. The Columbia a series of circular parks. Detroit's dozen nickelodeon and movie houses is noteworthy because it was the first theatre district was formed which concentrated in this area. most formidable of the movie houses around one of these parks named Only the National remains intact as a in the district. Designed by C. How Campus Martius, just a short dis- reminder of that era. Less intact, the ard Crane, it had seating for over 1,000 people and had facilities for Lobby Grand Staircase . The windows on the upper level afford patrons a view of the Grand Lobby from the second balcony level. (AlfredJ. ButtlerPhoto) full stage presentations. Moreover, it featured a symphony orchestra to ac company silent films and presented Professor Anton Dailey at Detroit's first theatre organ, two years before New York had a similar instrument. -
The Theater Designs of C. Howard Crane
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C. -
Exhibitors Herald-World (27 Sep 1930): Visalia Fox Theatre
I September 27,1930 Exhibitors Herald-World 13 X THE TRE .... Presenting floor plans and HE Fox theatres in the California the balcony, while the balcony of the photographic reproductions cities of Visalia and Hanford invite latter contains 420 seats. The Hanford comparison at a number of points. balcony is constructed of wood on steel of the Fox in Visalia, Cal., Both are typical examples of the mission frame supports, and the roof and interior I and the Fox in Hanford, Cal. style of exterior architecture rather walls of this house are also of wood. The Both of these houses were de common (especially in the smaller cities) Visalia theatre is entirely fireproof. in Southern California. And both con The interiors of each, which, though signed by Balch & Stanbery tain approximately 1,200 seats. of different inspiration, are similar in In their interiors they are alike in their general character. That is, gay, being atmospheric, though the decorative warm-1hearted luxury is in all appoint • motif of the Visalia house is East In- ments, through a plain background dian, while that of the Hanford theatre against which ornament is introduced at is Spanish. The former has 350 seats in salient points. UIT fUR.NACf. MUSICIANS II:OOM ~OOM NAGER.5 flCf.. • - .... • -(). ..J ,L 0 • - ILl • .... • . • t- tJ) 0 uJ u... V) :c . () • Ai 0 ...,-- • • CHOR-US - RoM 0 .... X- I-- • Sl10P- - SHOP- -SHOP- kl • LAYOUT OF THE MAIN FLOOR, FOX THEATRE, VISALIA, CAL. Balch & Stanbery, Architects. • BetteT Theatres S ection S eptem ber 27, 1930 fi:. OOF • · • • • • f- u.l .... -
Download This
2280 NPS Form 10-900 ^ Ktl*-1^^**—-~~ | |DMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service Sb |3 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________ historic name Fox Fullerton Theatre Complex____________________________ other names/site number Chapman's Alician Court Theatre; Chapman Theatre; Mission Court Theatre; Universal Mission Court Theatre; Fox Mission Theatre; Fox Fullerton Theatre; Firestone Tire and Rubber Building; Roy J. Lyon Firestone Service Station____________________________ 2. Location street & number 500-512 North Harbor Boulevard Fullerton NA D not for publication city or town Fullerton ____________________ ___NA O vicinity state California________ code CA county Orange_ code 059_ zip code 92832 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this E nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Pla meets the proc idural and professional requirements set forth in 36 CFR Part 60. -
•E)( P8PI Pasadena
Moller, skillfully installed in the •e)( P8PI Pasadena. California. Civic Audi torium. was dedicated by Tom Ha zleton with a concert which included music to appeal to many tastes. The event closed nine months of adapting the bulky instrument to the audi torium's hitherto unusued cham bers. installing it and coaxing theatre organ sounds from an essentially concert-style instrument. The house was full. including the balcony; the 3000 reserved seat tickets were free. In the audience were three men Reginald Foort at the console of his 5-deck brain whose lives were entangled with the child . A new home, hopefully permanent, its fifth. (Stufoto) Moller's destiny: (1) Reginald Foort. who designed it in 1937 as a "por were noted departing the area. As we Conducted . by Stu Green table" for use in English music halls. said. it's a giant and its 27 ranks (2) Sandy Fleet. who brought it back have been augmented by a 32' pedal Readers are encouraged to submit in to the U.S.A. for a brief life as a grunter. teresting sidelights on the organ hob "pizza" organ, and (3) J. B. Nether Of interest to buffs was Tom's by (exclusive of chapter news items) cutt, who purchased it and donated "trip through the organ." wherein he material they believe will be of general it to the City of Pasadena. Each was demonstrated each voice separately. interest about local organ activities introduced and took his bow. Among One of the most effective audience and installations and the people who work at the hobby .