THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC
S;:dy · Sev~nlh YL'ar, No. 12 - Whole No. 8M NOVE~IIIER, 1976
Dr. Anderson's pla)'iuK was charac Icl"ized hy a greal deal of excitemcnt and rh\"thmic drivc, and wa5 alwa)'s accurate American Institute of and l1It15ical. Although Ihe wholc pro gram was noteworthy, I felt Ihat Ihe modern :uIII romantic pieces were the hC5l. Here were Pletl'S which many Organbuilders would as..'mme 10 be ullplayahle on .. "c1a~~ic" !it\'le tracker, hill imlrnment and artic:t comhined 10 make the music Illcmorablc. The pro'lt"ranl con!liisted or }buhlll'i: Prehult< and Fllf!"e in E Minor Fourth Annual Convention ("S!real''); de Grigll\': Panl!e V'H!. ua: naell: Pauncfll!lin a.,d FtU!Iu! i" C Minor; Alain: Suite: Reger: Chorale Fantasia, "H"II~lllia! r.nll ttl loIum," After such a rousing ucrronnance or Ihe ReJrer A Report by Arthur Lawrence p;cce. I "'o·ulert."tl what encore could pn~~ihlv rollo\\': it came in thc form of rllt' final or Guil,"ant's D-Mirlor Sonata. huildcrs SOIIlJ.: :. 11\ 11111 ami expel icnced SWELL :I perpetual,motion picr.c of great hril· rhe (1Il1rlh ;1111111:11 LUm emjun nr lhe liancc and humor. AllIel'i,,:;," 111~liltltc nf Organl,uildcn; firsthand Ihb c\scmial capahilit\, nr the Gl.-.:leckt S' W3S held in UUIISIUII , Tcxils. O(l(Ihcr 3. urgan, The 5Pl'ciril:llinu rollm\~ : Gemshorn S' rt. 1\IIClldcd by nC:lrl)' olle hundred in Celcste S' (prepared) The fotlo\\'iul!' morninlZ', Dr. Ander· terested pcr!;()Il!'i, the CVCnlli wcre heac! · Spitznote 4' ~n was aV:Iit'1 Ihe feafured f)CTformer, (IU;lrlclctl at Ihe MlliTiott :-fotor Hotel. :":a!'iat 2-2/ 3' Ihis time with a \"ery articlliate speech, ;1.1 ,'''u \1. Waldnike ~' \1 hClc muse of che S4..'!'lsiulI! werc held. Rohrflolc S' whkh i5 printed elsewhere in this iuue. I'urlions or nile day were dc"uh.'tl to Ten 1·3/ 5' h was nne of ~\'f!T31 One artdr~~ ~ hiuzipal -I' 7.imbd III 2/ 3' (prepared) ,h:lllon~lrnliolls. lOurs. ~lId a rt.'Cilal, \\'aldnotc 2' others werc Toscoh Blanton·s "Practietl R' held .. I \'ariolls IUC;llioll!o in Ihe cil\, Krummhorn AspeCls of Case-OesiP1l:· lOIn 'Rowland', I.arignr 1·1 / 3' Tremolo ' A Snnd3)' c\'cuing baroccllc'Il.'CcIHiull Mixtl1l"c III " Pre1... ure.Rise in the Pipe,Foot and WilS foJlom. .'d hy Ihe first present.tlion: ,'Olne lnmlicnliom," Dr. ?barten Vente'!!; PEllA I. " SoIlIC Aspects of Iberian Orymnhuild· ""resent Trends ill U ~"i . OrgOlulmihl. M;\:\li AL II Subbass )(j' (unit J) in!.!." Pete Sicker's "OI'ft3" Oe!'ih~'n and iug." it report hl' Frilz ;\nllck. re;lll in Rnhrnule", (Mallual I) Quintb.:lSl 10-2/ 3' (unit I) Ihe aUlhnr's absence by Roy Rcdm:lII. Placement: Problems and Solution"," I'rinzipal ," (Manual I) I'rincipal S' (unit 11) Otto Hormann's "Reneclions after Thir- Mr. Noack emphasized the "nious iurl,, Cededt S' (unil 1) clle(.":'; in '\mcnGI1I nrg:mlluildillg (jurill); 1\' Y(.":Irs." and Pieter Visser'lI "Some l'En.\1. Quinte 5-1 / 3' (uult 1) Tholll;hts 011 Tonal MaUers and Tun 1he c:ighteellth :lnd llillt'lcCl1th (CIIIIII' '-''S , SublJa!'lll 16' Choralbas.1 4' (unit II) ill~-PractiCt.'S," Jad: Sic\'ert chaired a ;tlld. for the pn,'SClit duy. he had cum. Man. I 10 I'edal Tefl 3-1 / 5' (unil 1) I)ancl di~cIL\... ion, with :an attorne\, and pilL'f) all inlen'!lling sun-c}' of iurnnu:I' Man. II to 1'c.."tJal ~lixture III 2' CPA pr~I1t . on ",\dministrntive Prob tiull. gathered fmm some 39 American General trl'IIIII13111 Fagolt 16' (prepare-d) huilders, The statistics or thc stln'c}" lems racing thc OrJr-lnbuilder," Dr, dl'arly showed a growing (reml loward Vente \\'a!'i also the keynole speaker at The day came In a suitable close with the closing' hanquet, at ",hich time he Ihe building of more (mcker organs, a recital by Rohel't Anderson. played Lalcr, we went to rhe \,i'i~r·Ro","1311(1 was presented with 410 honorary mem 1I10st of which would he enca5Cd aud nn the Bcckerath tracker in the Fine would han! electric stop action: a large shop. where c\'el)'ollc was free 10 look he~hip in the Institute_ in sollie detail :at \'arious wor"-Oj in prog· Arts Building at the Universit}' of Hous At a business mcctinlZ', the following ntlmbcr of electric·actinn instl"tllllcnts Ion. Completed lale in 1974, this organ wuuld, of coune, continue to be built. ress. The 0PCI1CSS and rriendliness of officers wcre elected: H. Ronald PoU, this ,'bit (and. indttd. of the whole and its setting constitute an organ teach. president: Randall E. 'VOllmer, vice. Rl'prc::scntath'c sHdes or recent American er's dream: .,9 r.lnk~ of well-finished organs were shown at the conclusion. COII\'clltion) was much in contrast with president; Rubin S_ Frcls, secretaf)'; and thc non-comnnmicath'c aspects of the piperi. housed in a case which is !'iitu Charles W. McMani" treasurer. Mr. ·n.c con\"lmtion has its fom.al Opt.'Il ;lIed :tt the front or a medium-sized hall ing Monda}" morning. when presidenl IIn(ricudl), competition which one often Poll, Mr. Frels, :and Harry J. E.ben were cncounlcrs. Hcrc. pt.'Ople who will e\-CII' desigut.-.:I spccificall)' to contain the 01" elected new board members. Other busi Earl Bcilhan welcomed all those at ';
2 THE DIAPASON Edito~s nolet The following addre.u IItop on au, organ with pedal. I find was presented to the American iruliluU it the most often abused (and. there~ 0/ Organbuilderl conventicm in How An Organist's View fore, misundentood) register by many tOtl. Texas, ot! October 5, by Dr. Robert organbuilders. If it is widcr, quieter, Andtmon. Professor 0/ organ at South with somewhat less personality, it can ern Methodist Univt!TJity. Dallas. Through the Music Rack function perfcctly without the aid of a second 8' ntle. I am in favor of a second 8' - an open onc - on the Positiv division of larger organs. A stopped bass may be cmployed. This increases the flexibility J would like to thank the Amcric::m of the organ for Romantic and contem. Institute of Organbuildcn lor inviting porary music. me to play at the convention. and for Let us discuss mixtures for a moment. this opportunity (0 speak to you. I would It is ,'ery important, in my ~timation, like to express some concerns and ob by Robert Anderoon for e\'cry organbuilder to undcntand servations as a player and teacher. this phase of his art. Gone arc the We Americans have a large repertoire days, hopefully, when one small mixture to play and to tc:lch. These arc ch3.1- penetrates the fog like a laserl The mix lcnging times, bCCiluse we are interested lUtes of each division should be appro in style and authenticity in perfonn. priately pitChed and enough ranks :lI1ce. :md. to :m ever-increasing degree, should be present to give adcquate in organ building. wiLll an area in which the organ builders is "just right" for the room and for the pitch spread to that division. Thought I would like to slale m)' major con should never cease to expand their total ensemble, the wondcrs of the organ should be gh·cn to the rcquirements of cern: an organ must be a successful mu knowledge and cxpertise. It is like the RC\'cr cease to amaze - the flexibility, Frcnch music and Romantic literature. sicnl instrument. easy to play, enjoyable playcr who practices, learns new music. the ways many picces come to life mu all of which relied on mixtures much to play and to listen 'a, and successful in and keeps up with current scholarship. sically. even on the "wrong" sounds! Cer Icss high a.nd penetrating than the Ger its design. By successful, I mean possess It is incredible to me what 50me builden tainly. such a situation is prC£er.1ble to lIIall Baroquc ones. An analysis of this ing a stoplist which is flexible, where pass off as "finishcd" instruments. Ap sitting down and wondenng what is whole area is food for a complete con C\'cry component accounts for itself in parently, their cars tell them Lltat the going to sound bad this time. "on, I fercncel a most resourceful fashion. This implies the pipework has recch'cd su[(iclent at nC\'er usc that stop - I can't stand it." I am in favor of keeping tlle com that the design concept may vary greatly tention so that it can be abandoned. "Oh, that stop never sounds good alone bination action off small otg:lns, I £rom instrument to instrumcnt. though I'm afraid the victims arc tllC organists - you ha,'e to have the 4' on with it." am concerned about the dcpendability the divergent types may be very success and listencrs who ha\'e to put up with "This pedal stop doesn't balance any of many solid-stalc systcms. I think it £Ill in thcmsch'e5. Thus, I enjoy pla)' it until the mistakes are corrected. if, thing cxcept full organl" "You havc to is a pit)' when the functioning of an ing a good organ {rom any periodl This indeed, that is possible. ha\'c 13 st(IPS on to make an adequate organ as all illscnuucnt is impa.ircd is why I am at a lou for words when Now. regarding tlle action: the ease cornet on this organ." rathcr than aidcd by a combination asked. "What is your favorite organ?" of pla}·jng is a primary concern of every Now. there are some othcr things I system. I callnot Cl'CIl begin to tcll you I have so many f;1\'orite instrumcntsl organist. The lightness and secure re would like to mcntion. In regard to of the troublcs I ha,'e had with these I belie,'e that programming might be sponse of the tracker action is a goal tonal dcsign: I am in agreement with the systcJns in rcccnt ycars. What is the mentioned next. Some instruments are all should try to achieve with success ,'ariety present in America tOday, and answcr? I'm afraid we arc still search better suitcd to a certain segmcnt of in e\'cry instrument. We place so many am excited about current trcnds. Certain ing. I alii uscd to haVing assistants. the literature th::m others_ One can ad obstaclcs in our paths - ungainly place ncw instruments make segments of the Amcrican organists are not generall}' just programming accordingly - the ment of certaiu divisions, untried or literature come ali\'e in a way most so inclined. Shall we teach them di££er rcgistration requirements of some pieces clumsy methods Dnd materials. Many players ha\'e not expericnccd before. enll)'? It is iI topic for discllssion. make thcm highly unsuccessful on in- builders ha\'e not been able to sunnount ThiS is a teaching device in itself. and I helicl'e in temperament experiment!:. 5trumellt5 where the required stops are the difficulties presented by the de in the appropriate seuing, can be most I belic\'c that solne adaptations of dassic lIot prescnt. Also, it is dj([icult to make tached console - I have secn unrespon uscful. Dcpending on the musicians tcmperaments to lhe equal system, that most polyphonic textures come off on sivc aud hcavy actions on many new and other in charge, some churches are is, compromise temperaments. are very a non-polyphonic organ. However, many organs because of this. I believe that willing 10 accept the rccreation of an suitable for certain instruments. There works 50und well on the non-polyphonic thc suspendcd action in its most suc hiSioric model for their instrument. The arc cases, howe\'er, when the use of the instrument, and were most probably cessful realization is thc most sensitive instrument, when well-built. usually instrumcnt dictates equal temperament. wriuen for 5uch an organ. AcoU5tics play to play, responding well to coupling. My turns out to be more useful tJlan could Ccrtainly. in any givcn seuing, tcmpera a big part in programming - broad, most reccut trip to Europe this summer ha\'c bcen imagined. American design ment should cnhance mther than de homophonic textures often 50und well brought to mind the f:lct that many prob in recent years has been heavily influ tract from the instrument's success. I 011 the modcst classic instrument whcre h:ms still exist and necd our attcntion. enced by Gcrman Baroque style. This is am not in fa\'or of all unstable wind the acoustical cm'ironmcnt is alive. Any I wish that 1 had lime to discuss tllCSC fine. but it is appropri:ue to turn to system in an organ playing the tc:.xlurcs instrument is considerably enhanced matters with eadl oC }'ou in detail. I am SOUIC other innuenccs. Wha.t could be or music writtcn in the last 200 years. and made more nexible by a live acous used to playing electric action organs a more suitable place than the United The winding cxperiments now in vogue tic. This fact alone is the greatest cn - Illy auitude toward them is to try to States for stich a project? I myself see impress or dcpress me, as the case may abler, in that the instrument call re make them sound as good as they can, the Alsatian model as representative of bel I would bc glad to discuss this with produce musically so mudl more of the albeit. it seems that one is confronted a European school which unites Gennan you furthcr on an individual basis. litcratmc. with one balance problem after another, and French thought, often with a great I prefer a trcmulant which affects the Let us discuss somc of the factors mostly due to chamber placement. But, dcal of success, represented by the best cntire instrumcnt. or. in lieu of that. which seem to contribute most to the more important to conllder. the player instruments of Alfred Kcm in Stras separate tremulants which are compati success of an instrument. First, correct must havc a dcar illea of the sounds bourg, The weTkprin:.ip German instru ble - that is. beating similarly. I like scaling. I expect an organbuilder to be being sought anll the articulation nf!Cds mellt has so much in its favor that some to have :I. ttcmulant on the Great as an expert in dctermining the necessities of the music; the way we go about it on clcments should be explored whim wcll. I also favor tremuJants whld) are in t.his areal The main principal ,top all electric-action organ is often a hodge "':Ike it more adaptablc to French mu adjll5table at the console. of each division must be right for the podge of tricks - not mum playing for sic. The cornet must extcnd to low C, I think (hat we should give marc room. the enscmble, and the job the the shecr enjoyment of itl and there should be two of them if thought to the ke)'boards - I am con Ul'gan has to do in filling the room with Regarding acoustics: we secm to su((u possible. A Trumpet 8' must be included cerned with spacing betwecn thc blacks, sound. Acoustical peculiarities. relating more in America than anywhere else. III the pedal. certainly before a 4' reed. and the shape of the blacks. They to the responsc of the room with people I find it a cOllstant battle. What one Thc usc of reeds in Fmnce will never should be stmight-sided, on the narrow in it. mllst be taken into consideration. minister rccently called the "convena mix well with Gennan thought. It is sidc. 50 that the shanks of the naturals How often a mistake is made at this tional stylc" seems to be desired in simply necessary to understand that the bctween them are ablc to accommodate point! Once this scaling has becn deter churches - speech o\'er loudspeakers in cantus Jirmus function of the Pedal being struck by the 2nd, Srd, 4th, or 5th mined, choruses must be built in a logi dead rooms. I believe that we must Trumpet 8' is vastly different from tJte finger without pulling the black key down. ACcur.tcy of playing is very de COIl way upon it, Wilh adequatc mixture Clpitalize 011 the knowledge of sound Gcnnan type - one is meant to over enginccrs who know how to anal)'Ze llie ride a plenum with a 16', the other to pendcnt on this, since hand size and ",ork. The nutcs and rectls nl"'Cd equally finger thickness varies. important considcration. I believe that frequency response of a live &pate and be used in more colorful, often flute American organ building has suffercd to suppress thc characteristics which oricnted combinations. I have discovered I think that we should exhibit con ccrn for the preservation of some Ro for years because of inadequate knowl tend to blur speech. This approach will that the horizontal reeds work admir ably in this cantus firmw function; how mantic organs of the E. M. Skinner edgc in this area. Certainly. the organ help to solve our r,roblem. We may not generation, particularly those which are huried in chambers required dif£crent be inundated wit 1 four-5Ccond rooms. e\'er. it is important to place tlle reed on but we may adlieve what is certainly the third keyboard (or fourthl). or large enough and flexible enough to do concepts of scaling, voicing. and winding. SOIllC of the basic tasks of a church Stringy principal scales. inappropriately necessary for good organ sound - at makc it playable in tlle pedal. least three scconds. Since we are con The question remains reg.ltding 'Ie organ reasonably well. Certain concert wide or narrow flute scalcs, mistakcnly organs like the Cleveland Municipal scalcd pedal registers, an inadequately frontcd with many buildings that are usc of the Swell to Positiv coupler. Be less than dcsir.tble, I suggcst that we cause o[ the fact that llie Romantic lit Auditorium and Woolsey Hall, Yale plalll1cll tonal result in the varying parts Univcrsity, are being preserved well as work on these buildings with it. vehe ernturc requires a systcm o[ terr.lced of the compass of any gh'cll slap - all monumcnlJ to the period .and style. lln.'5C factors. which have been so much mence when organ projects are at 6lake. coupling {rom Swell (Ill) tltrough Posi Too often we back off and limply build tiv (II) to Great (I). an orga.n without Many of lllC organs from this period a part of our sccne, contribute to the simply muSt be rebuilt in order to func· failure of the instrumcnt. In many cases, all organ with no concern for this mat a Swcll to Positiv coupler has. in cffect, ter. I hate to bring up this point, but only two manuals, the Positiv serving tion tonally. I am aU for rebuilding, no playcr is able to surmount the diffi and in some cases. using old pipework culties posed by such design. I do not organs are often poorly designed and the Great in most instances. Works of I;ranck, Reger, Liszt. and the contem only. if the rest of the mechanism is cnjoy playing such an instrument; it is scalcd for those dead rooms. Certainly. not fUllctioning well. It must be done not a challenge, it is a morcl The mas· an 8' Great. even on small organs. is porary composers require the concept with care and undentanding. ter builders, in my way of thinking, are necessary to give adequate fundamental of terraced coupling. those who have a keen understanding and support for the ensemble. Many We must retbink the pedal division: of these problcms of scaling, and a sec examples (ome to mind where this has when we discover how we cm achieve ond 5Cnse of how to deal with them in been achieved, perhaps the most note a suitable 16' and 8' Due in each instru· a gil-cn situation. I think that builden worthy beirft: the Methodist Church in ment, we will come rar in our auempt throughout the ages have grappled with Oberlin, OhIO, where John Bromhaugh to build a better (and often, cheaper) (he problem of scaling: some have suc ha.'1 a new organ. I was not at all aware organ. The Principal 16' should be 50lid ceeded and were recognizcd as masters of room acollstics when listening to this but not loud. full-scaled and of a mate others have failed. I'erhaps the most organ. rial othcr than thin zincl Ideally. it Editor's nate: Toward the end Of his frustrating instrument is that where This leads me to 5ily that I would should accompany quiet stops on the addrw, Dr_ Anderson also read sugges some scgmenlJ work well. and others rather play a beautiful small instru organ. The Sub bass 16' is often unnec tions Jrom a letter by Martha Folts: arc incompatible. ment any day than a problematic large essary in big live rooms. if the Principal since 'hese remarlrs con1titutt: a separate Next, voicing: this is a most touchy one. I have often pounded my fingers Hi' is designed well. If it is the only 16' subject, 'hey art: not included here, but area. The more intimate the acoustical to a pulp and pla)'ed circus trying to regisler, it should serve ill conjunction will Jorm Ille basis oJ a fulure editorial. situation, thc more refined the "oicing produce results on SOme large instru wilh the 8' bass cxceptionally well. The At tile conclusion, Dr. Anderson .n· OIust be. [ am afraid that we are dealing ments. When each IIOP in a smaU organ Octave 8' is perhaps the most cruciaJ sweTed questions from the floor.
NO,{EMBER, 1976 3 A New Organ for Vienna
by Marlin Haselboeck
Vicnna, one or rhe musical Clpitals of nco · ~ot h ic slyle by the coun archhecl, Europe, has a history of church music I'erdin:uul Hohenberg vall Hetzendorf. fl'aching back (0 the limes before Haydn During the nineteenth century. many al· and Mozart. The classical tradition. em terations were made in the specifications. plo) iug choir and orchestra in connce· ' '"ollowing Ihat period. until 19·15. the lion with Ihe Roman Catholic liturgy. rcmaining organ pouts were dC5tro)'ed did not allow (or cxtcnsh'c usc or the or dismantled. organ as :1 solo instrument during the Since Ihe church did not ha\'e a SOltis· sen·ice. Unfortunately (or Viennese or· factory instrument, the monastery de· gan history, dc\'e1opmcnt in orgot" play. cided in 1974 to invite the Rieger·Orgel· mg was slight in comparison with that ban Uosef \'on Clatler~ Gotz) to build or the north Gennan organ school and a ncw organ. The planning commiUt.'C the tradition of F~",:h organ rn:losscs. was comprised of Dr. HailS HasclbOck. Since the Illusic of the mass did not Dr. Olin niba, and Josef von Glatter. emphasize the orgnn, one can umlcrsl:md Cotz. It was decided that the old case lhe ullequal dc\'c1opmcnt of the organ work could be used, anti the remaining tradition in Vicuna's city churclu."S. 3S parts or the old case were put together compared to that or the monasteries hy Michael Pfaffcnbichler from the throughout Ausnia, where there W'cn~ Iluucle$tltmkmalamt in one of the most large historical oq.rans. The Jack of adc· cmnplicatcd ca~ restorations in orgau quale ill$lrumctlls has pr~ \'cnletl organ hislof}·. J\lthough the designers had to iJi LS past amI pn.'Senl, from Anton Br llck· take into consideration the proportions ncr to rcpresclliath'cs of the present ::Ind size of the old Q.se. the new organ "Wiener Orgelsclmle" (Anton Heiller, was 110t (0 be simply a copy of a his Hans J-Iasclbock, Peter PJanyavsky. etc.) , torical instrulllcnt. from demotl5lr.:uing their art in the The new Rieger organ is comprised capital cit)'. of fou r manual divisions in a rather un· In May 1976, an e\'ellt changed this u!iual combination. The two main divi. situation and ga\"c a most important sions (Hau/1h4l erlc ilnd Sclnud lwerlr ) arc accent 10 cuhuml life in Vienna: the repI'csclHatile of the classical standard building of a ncw Rieger organ for St. (or instruments of this size. The Haupt Augustin Church (the former Court tIIc rk. containing 18 stops, includcs Church) . This gothic structure, situated among others a large mixture which is in the middle of Ihe historic city, was dh'idcd into two SlOpS, rollowing the the sctting for a series of scven inaugura· Austrlan·South Gennall tradition. The tion concerts, UL'ClUse Ihis instrument. Sclnuellwer1c (OberweTk) hilS a second the first mech.mical·action 4·manual I,'el/run and includes the stops and reeds organ in Vienna, is of significance, it necessary to play romantic and French is interesting and important to introduce music. it in its historical nnd cultural surround. Considering the function of the church Nicola!! K),l1aston (Great Britain) Sf. Augustin Church, Vienna, AustriJi. iugs to a wider public. and realizing the lack of other large showed his \'irtuosity in the Dupre Suite. Built by Rieger.Orgelbau, Schweruch/ instruments in Vienna. the consensus op. 39, and the Widor Sixth Sy",phany. Vorerlberg, Austria, 1916. +manual and THE ST. AUGUSTIN CHURCH was to ha\'e an organ or more than jusl He was [he first [0 play Bach here (Prel· padal, 41 stops, 65 renu: mechanical .c Since its foundation by Duke Friedrich two manuals. Since it was impossible "tie and Fugue in G Mnjor. B I-VY 550) tion. Manual compass, 56 not.s; pedal der Schone in 1327, the monastery to build a third manual as a Drwlwerk. but his Bacll interpretation was contro· compau 30 notes. Composition pedal, for church o( 51. Augustin has been a spirit because of the lack of headroom in this versial. Haupiwerk. Schwellwerk, and Ped.1 pleno. unl center o( Austrian State polltics.1 part o( the case, and since a. Rikkpo$;t;v Guy Bovet of Switzt'rland played Housed in historic r.stored case. Specifi could not be added without disturbing Two facts made the church important: James Hewitt's The BaUlt 0/ T renllml caHons designed by Hans Haselback, OHo Ihe rirst wa5 its structural closeness to ardlitcctur:r.1 unity. another solution bOld gi\'ing a playful rendition with drums Biba. and JOlef von Glatter-Gatt.. In the conn (after the restomtion of the to be found. The 6nal resolution was and rcl.'tl s, and later improviSt:d on the auguration racit.k played May 8..June 18 caslle in 1767, the church became part to build two "Unlerwer1ce" on both Viennese iOng "0 du liebeT Augwtin.H by H.ns Haselbot;k IAustrial, Andre I'oir of the unified architecture o( the Hof sides of the console, which added more Belgian calhedml organist Sianislas (Francel, Nicolas Kynaston (Great Bri· burg), and the second was its function color possibililies and completeness to DerielUacker pc:r£ormed works of Ole fainl. Guy Bov.t (Swib.erlandl, Stanisl., as Ho/pfarrkirclle (parish churdl of the the organ. period of the historical organ casc: Oariemaeker (Belgium I. Cherry Rhode, court) . Nearly all of the public religious The Continuowerlt (on the right) _ (Pachelbel, Buttstedt, Reutter. Bach). United State,I, and Frenz L.hrndorf.r life of the Austrian Coun, including aU comparable to the console division of O'ne of tbe highlights in this series !W.st Germany I. court weddings after IG!JI and the en the elghtccnth·century Viennese organ was a recital played by Cheny Rhode! t}'PC - includes the stops needed for HAUPTWERK tombing or the royal hearts in the St. (US.A.) . Ms, Rhodes, teacher at the Quintade 16' Augustin Herzgrurt a£ter 1633. was con· aUlhentic registration of the "WieneT Unh'ersilY o£ Southern Cali£ornia, per Kla$sik" (Haydn organ concertos, Moz. Principal 8 ducted ill 51. Augunin. fonned works by Bach. MOlart. Dan Gcmshorn B' The importance of St, Augustin can art clHlrch sonatas. and the organ con· dricu, Corrette, Scarlatti, and Hampton. Ro ~ rflote 8' be 5CC1l by some of the signiricant date! tinuo parts of all lhe clilSsical masses) . Her sense o£ colors, incredible tech· Octey 4' in its history: The Regalwerk (on the left) is pat nique. and way of handling the rather Spitzflote 4' 1683 The Polish King Johann Sobieski terncd after the tradition of early ba· difficult acoustics of Ole huge room. Ouinte 2.2/3' «Ieluates the FcstivOlI "Te roquc organ building. Beautiful cantus combined witll tlle possibility ror the Superoctay 2' fin1111s registrations Qn be madc by ~jd u re major 1· 11l· IV·VI Deum" aher the victory against lislener to hear al1 the sounds of this Midura minor 112' III·IV the Turks. coupling this division to the pedal. instrument during one concert. made Thcse two divisions owe their distinctive Comett (TG ) B' 1757 Kaiscl'in Maria Theresia cele this recilal an impressh'e demonstration Trompete 16' brates the birth of her son Er charact~ rs to the wind pressure Iystem. of the highest order. Trompete B' zherzog Maximilian. which follows old tmdiuons. Both divi The last presentation in this series, SCHW EllW ER K sions can be coupled together. resulting which gencrated an incredible interest GedaeU ,,' 1784 Kaiser Joseph II orders compll:te in a. lal'gl: third manual. Viole B' restoration of the dmrch. he re (there were from 800 to 1500 listeners in the church for each concen) . was Unda Maris 8' mo\'es aU of the baroque interior THE INAUGURATION CONCERTS Bourdon 8' decoration. played by Munich cathedral organist Principel 4' Franz Lchmdorfer. who demonstrated 1810 Wedding of Napoleon lst with . To pro\"C the versatility of Ole new Flote .. ' Marie-Louise.:' 1II.slrument, .seven concerts were given. excellent German organ styles in works Nassat 2·2/3' by Bach, Telemann. Mozart. and Knecht. Hohlflolo 2' 1814 Franz SdlUbcrt conducts his own with orgalHsts demonstmting various repertoires and musiCLI styles from their Finally, it can be said 11lat this fine Te n 1-3/5' F.Major Mass. insttument gives us all Ole opportunity Sch4 rff I' IV ·VI respcclh'e homelands. ThlS "first" Vien. Cimbel 1/3' III 1828 Requiem ror Schubert otgilnized nese org:m rcstival. of intcmatiomll or. to demonstrate its important plare in by his friends.' liturgy and concert. Hopefully. this Dullian 16' ganists each playing for the first time Trompeto S' 1854 Wedding of Kaiser Franz Joseph in Vicnna. was organized by Josef von chance will be used in the futurel Oboe B' I and Elisabeth. Glatter-Gotz. Schalmei 4' NOTES 1872 FiI'5t performance of Bruckner's The main inauguration concert was CO NTINUOWERK 1) See Duo Biba, "Sl. Augustin in Wien," iu (endosed) E-M,"or Ma.u.' presented by Hans Hasclb6ck, dirtctor "Die neu Ol'Jd IU St. AU8IUtin in Wien," of the church music department. Wiener Copula ma jor 8 1!).t5 The church is heavily d:unaged F."lChrill %II' O",lw,jl&e (VieDna, 1976) . Copula minor .. ' I"y bombing; restoration in 1950, Musikhochschule, and three·time fint 2) See AUftd MWoOB, Ileili,II Wi,1I (Vienna Princ'pal 2' prize winner at Haarlem. His literature Dnd Muwl:h. 1970) p, 46. Qu' nte 1· 1/3' THE NEW ORGAN included Franck, Bruckner and Lang. 3) Otto Erich Deutsch, S~l&ub"r-D"I.. n"e/lI' Oetay I' lais. and a free improvisation. The Aus. (Leipzj" J964 ). p. S69. Sesqui41ter eTG) 2-2/3' II 4) Max Auer. Btuehe, a.d.). p. 210. -"here are indications in the church trian classical organ playing style was (Vienna, REGAl WERK 5) Hans HlUdb&k, Barll~ k,r Or,mchal= in (enclosed) diary of inslallations and restorations of demonstrated in Haydn's Groue Orgel Ni,J"i d.t7,uh (Vienna, 1972). p. 78. organs in US,, 1642, 1691, 1725 and $olomes$l: and a piece by AlbrechtsbCrg Ret;l41 16' 1728. All of these instruments were posi cr. Re;al a' Re;11 ·f the organs situated in the rront galla The first move into :m organ style 81odflOte 2' il's. During tJle complete architectural unknown here was made by Mr. Andr~ Cimbel 1/2' n Tl'storation in 1784, the church acquired Isoir. also three·time Haarlem winner. PEDAL ;m organ from the Viennese Schwarz and organist of St. Gennain-des.Prb. Principel 16' j/HllIierhirc!u:. which had been abolished Paris. Hi!! all· French program (Tile. Subbau 16' as a result of Ihe "Joseph Edict." The louze, Calvierc. Balbastre, Boely, Franck, Od ay B' Gedl!lCkt S' organ case for this two· manual instru Vierne) W:lS highlighted by his semi. Martin HlUelbiklt b til t organi$t mell(, built between 1727 and 17!10 by Od4V'" th'e reeling for color, shown not only in 01 St. ,dugu,stin Churcll. J';etlna. He IIIU RauKh·Pfeife 2.113' IV the: ramous b,uoque organ builder JO the literature he pJayed but also in his recently made an exlens;ve concert tour Bombarde 16' halm Hencke.' was then altered to a trul), impressive improvlIatlon. o/Ihe U"ited StateJ and Iceland. ' olaune . ' THE DIAPASON movement" work and one in which 5eV. screen of our aural imaginations tb:tt eral "movement ideas" have been com· the "Reprise" might be called "Mon· pressed to give the appearance of one tage." In the following fonnal outline of unbroken movement. The 0 r g a n PARABLE JlI, the lower· case letters in PARABLE resembles Penichetti's SIN~ parcntheses rcpresent Idcas associated FONIA: j.fNICULUM and PARABLE with earlier or later portions of the piece /'11 lor Solo Harp, Op. 119 (1971) in which appear outside their proper "time· Notes on the Recent Organ Music it! condensing to the span of one con· frames/' in the manner of cinematic tinuous mO"cment two (raming "Fan flash·backs or flash-fonvanls. The pre· tasias" with inlerpolated "Scherzo" and cise durations in minutes (') and seconds of Vincent Persichetti "Aria:' Neither these titles nor the ('j of each fonnal component were Roman numerab I·IV are found in the clocked from a tape of the PARABLE scores but were casually suggested in the played by David Craighead during the by Rudy Shackelford composer's correspondence and conversa· "Composers' Forum" ndio interview. tions. The closing "movement" operates Prof. Craighead has kindly supplied his typically as a reprise of material (rom plan.of.registration from a Valparaiso the preceding lhree. Indeed, so swiftly Univenity recilal, which appears at the and kaleidoscopically do images (rom the end of Ihis article. previous secUons p:lrade across the (Continued, pnge G)
Of the two works (or organ Penichctti jANICULUM, op. 113 (1970): the ( PersicMt.tit PUWItX tor Oraan) has composed since 1967 the larger, Piano Quintet [Op. 66 (1954» ): but PARABLE lor Organ (PARABLE 1'1), they actually use different movement Op. 117 of 1971, is part of an ever ex ideas, ] suppose. This work had one panding series of basically one-move idea. It was a truly one·movement work PAGE.SlSTDI / KEASlR! , TOO'O / TlIWIl , "'1M ment pieces for solo instruments or small in that sense (like a ballade, )'ou know) , dtamber groups entitled "Parable" and and "parable" just occurred to me-a begun in 1965 with the Op. 100. for story, a ballade. The story of each 2.1 - 6.2 1 - 39 J 066 2'28" A "Fantasia" 2.1.-5.1 ,->2 P24" -s nute. Apart (rom the more customary parable is the story of what you hear in (,-«) org'1niution by genres-the ninc sym (4,3-5,t) (17-22) (0'24") the music ... I can't put it into words. 4.4-5.4 ~l) 0'47" b phonies. eleven piano sonatas. and four I don't know what program music is, 6.1-6.2 :J4.-)9 0'25" a'b'Cd) string quartets (the fourth, Op. 122 of anywayl It's, I suppose, ballade-parable. 1 1972. is subtitled PARABLE X) -the And many of them are getting to be Penichctti Cltaloguc contains several solo works. for solo instrumentJ. I just 6.) - 9.5 40 - 95 J .. ca. 1(;0 1'28" - "Sc::herzo" 6.3-7.) 40-56 0'23" • , such 5C1.5 of works. each bearing the same finished one for solo horn [PARABLE 7,) '&'58 0'04" d title but .scored for diverse solO! or in VIII, Op 120). I have one now (or solo 7.4-8.1 59-65 0'11" strumental combinations. The Parables. bassoon [PARABLE II', Op. 110 (1969) 1 8.1 6>-67 0'0)" "dl(e) in fact. can be: viewed as 'u(cesson (0 and oboe [PARABLE 111, Op. 109 8.2-8.5 /13..76 0'14" 0'05" d"• the ~renad~. which break off after No. (1968)]_ As a mailer of (act, those .., 77-79 9.1-9.2 80.04 0'<17" c" (d) 1!1 for two clarinets. Op. 95. written in thru-tlle oboe, hom, and b:woon-3re 9.2-9.4 84-90 0'10" s' 1005. Persicheni's first. compositions, Ihings I've w::mtcd 10 write ever since I 1).4-9.5 91-94 0'05" d'" both (rom 1929 when the composer was was in grade school, because we had a M 94-95 0'04" ."{b) fOllrtcen, were the two Seren3des (or len combo. We playetl everything from wind instruments. Op. I, and for piano Beethoven symphonies to Strauss wallzes 10.1 _ 10.4 solo, Op. 2. 96 - 10/, ..... ,.."'] 0'48" rrandt.ion I with those tlu"ee winds, a piano, and a 10.1_10.2 96-97 J • 76 0'26" (~) In the (ollowing excerpt from his 1972 violin. And we also had a soprano sax, 10.3 ....'00 J • 80] 0'21" (a.-t) "Composers' Forum" radio interview, can you imaginel It was good training. 10.4 101-104 toJ-72 Penichetti discusses with critic Martin Now, we were eleven·year-olds, you Bookspa.n the genesis of his interest in know, and these three brolhers have po. 10.5 - 15.4 105 - 168 J = 66 )')6" c "Aria" the organ and the meaning of the title sitions today in major orchestras, They 10.5-12.2 105-J..24 1'05" -r "Parablc": asked me (in the seventh grade, I 12.2-14.) 123-150 1'27" • • • • • • • guess) to write them each a number. 14.)-15.1 150-156 0'23" •h M. D.: Composition for organ would. And] just finished the horn. Now. they 15.1-15.4 156-168 0'41" t' (~) in some respectJ. seem to be something don't know about it! I'll finally send of an anachronism in our time. I don't them ••• 15.4 - 16.) 167 - ITl 0')0" Transition n (b) think there are many organ pieces being M. B.: Surprise them with itl written today, and I'm deJighted to see v. P.: Rightll that the literature is being enriched by a • • • • 5'20'" A'B'C' - "aeprlao" • • • • • 0'14" ." (bo-d) work from your pen. The organ creates PARABLE rtf was commissioned by 0'2)" bOO certain particular problems ..• the Dallas chapter of the Americ:m 0')8" a'" V. P.: ..• of registration. We think Guild of Organists. for the 1972 national 0'2)" 1 (D.i.e.M.] in our chord!, for instance, in orchcstr.L· con\-'Cntion. David Craighead played lis 1'24" a"~) lions: we want 3n :lIto flute on the low world premi~re on June 21st at St. h' part of tIle chord, maybe, and an oboe: Stephen Presbyterian Church in Fort c"'d't"e't'(a-i) sound-or in the organ: a Diapason Worth, Texas. A similar commission a"" , 50und on one part of the chord and a from the St. Louis chapter in 1900, for a (2l,,2) (275) (~lo) (Transition Il Rohrnule sound on the other. And you new work 10 celebrate its fiftieth anni· can't always get Ihis, and you get a lot versary, had elicited Persichetti's SO of coupling. But, if you get to know the NATA. ror Organ. With its total dura· [Persidt.tt.11 IX) NOT 00 GDn'LE] organ pretty weU, you can define it tlon of fourteen minutes, the PARABLE pretty close to what you want. Now, I exceeds in &Cope even the SONATA think the trouble is that many of my (twelve to thirteen minutes) , which the colleagues don't know the organ, and composer called "huge." The technical IIWIIHIS "'1M ROOISTRA.nOH they think it has to be a mishmash of apparatus and characteristic gestures in couplings •.• the PARABLE are an extension of those M. D.! Yes •.. rather in SHIMAH B'KOL! (1962) than .... ,..,.., V. P.! And I happen to have played in the inlervening chorale· prelude on (I ] - r - Hea.". zaanual fOURfUtions 8' r 4' I 2' r the organ ever since I was a child. Persichetti's oriltin31 hymn "Drop, Drop - and .ut.ureaj baa..,. Pedal stops 16' M. n.: Have ),OU done much organ Slow Tears" (196G). a work which might and. 8' i IlUUW coupled. to Pedal. composition, Vincent? I don't know of be described as "retrogressive" by those ( n ] _ lIP - Lipt....w. touMatioftS, Pedal. much. who misapply a positivistic historical de - alopl 16' cd 8' I u.tBlAls to Pedal. V, P.: I was an organist and choir di· tenninism to the arts. ( III] -! - l¢c rlut.ea eftS 1It.ri.r1p 8', 4' t and rector of a great big churcb in Phila· A further extrapolation of SHIMAH 2' i no hdal IItope j uzmals to Pedal delphia [Arch Str~t Prc:sbyterian], for rhetoric occurs in the most recent of twenty years I guess, and I didn't write Penlcheni's organ pie!r1, DO NOT GO for lhe organ at all. I improvised. I used GENTLE (after a poem by Dylan , - l2 A that time for-l was studying with Fritz 1 _ 10 Thomas), Op. 1!2, for pedals alone. a + bold ...... rati .. (not ....U ..... ). !I. Reiner at Ihe time, and the scores that Commissioned by Leonard Raver, this 11 _ 18 b nl we were learning I would do as preludes. 19 _ 22 r(open Swell work DE eight minuteJ duration re a' I) box}1 t ] had a h3.tr·hour program every Sunday 22 _ 25 b' nl - ceived it!; first performance on 18 No· 26 _)2 a" rl nighl, so if we were doing CRIS DU vember 1974 at King's Chapel, Boston. MONDE of Honegger, I would play In returning to the medium of his first that. I've done good chunks of THE organ work-pedals alone-Persichetti :n - 74 RITES OF SPRING and MATHIS DER • appears 10 be closing a cycle of composi. JJ - 40 , [=l MALER. Aber I got out of there, I tions begun thiny.five years ago with iD III. 39, rodl.lce to Ee wrote a SONATINE lor Pedals Alone 41 - 44 d tbe SONATINE of 1940. Similarly, the 44 - 46 s ~Ilnl [Op. 11 (1940) I. I have several work! present euay will round off a series of I] + Prlnc1p.ts 8' ,. 4'1 t now: huge SONATA. lor Organ lOp. 47 - 69 a theoretical papers begun in the Septem· in Ill. 50, + bript ree4s I !l 86 (1960) I, a chorale.prelude [DROP, ber 1973 issue of THE DIAPASON and con in 111.. 55, reduce to at h-.eas orr) DROP SLOW TEA.RS, D/>. 104 (1966) I. (ODen:_tO{ in II. 57, + II&no1U DIipuONlI t tinued in the Issues for May and June in D. Eo, + blatant. "ada, tt- I have a SHIMAH B'KOL! [Op. 89 1974,' The penultimate article, treating (1962)]: it's a setting of the Hebrew. in 11. 68, + to rrr, tben suErraet SHlloIAH IIfKOLf,' contains an exten rtitJimc~ to p I\[y music sounded like the Hebrew, sive inventory of Penichetti's recent com· 70 - 71. d' [I] + !\Ill. 5vell, !1 - which I lo·.. e-the language. And I guess positional :tpproaches. Relying upon the I have five or six works, and now the interested reader to refresh his acquain. PARABLE. 7S - 108 tance with that cssay, 1 now Intend to a'it M. D~ What ;, the PARABLE all 7S - 8S ml present, much more bri~ny Ihan hereto. 86 _ 101 .' bOO fI), t aboul? fore, a general view of PARABLE "1 (92 - '01) ( ...... ) - 1ft D. 91., + (no dJna1c aped.l1ed) V. P.: It staned about five years ago, and DO NOT GO GENTLE. 101 _ 108 alit I pn] + bz-1.Pt. Svell reed.l ..., r with an aha flute work that was a one· (105 • 108) (cadenz.a, I]l pi" r -- movement piece-and I bave wTitren • • • • • • • contld.) many one· movement pieces: lOme of my A mmrarison of the overall fonnal symphonies rNo_ 5, for string orchestra, designs 0 these two works clearly reveals 109 - 12) COIlA Op. 61 (1955): No.9, SINFONIA: the difference between "a truly onc· Ackh!! in III. 112, F'Ull Dr,.. , rtt
NOVEMBER, 1976 5 P.Iliichetti like "elegy" or "balladc" upon a work as an afterthought docs not make it (Continued /rom p. 5) symbolic. Nor, necessarily, an: pieces en tided "sonata" Of "concerto" or "trio" DO NOT GO GENTLE. on the other devoid of symbolic reference. Detwecn hand, is genuinely in one movement. the polar extremes of "symbolic" :md There are no changes of meter or metro· "non-symbolic" there lies an entire s~c nome speed. though sectIon3.1 structure trum of tinctures, and it is :tlong this is deline:lted temporarily by frequent spectrum (and with a tendency to the accelerandi and rtdlentandl. W h i I e centre) that most works arc situated. PARABLE contains many ideas. DO Considering the Persichetti organ NOT GO GENTLE concentrates on pieces in light of the old abstract/pro only one: a concentration iqtcnsified, no grammatic distinction, onc would put doubt. by the limibtion of medium to the SONATA and SONATINE conven· pedals alone. iently in the abstrnct hopper, the rest • • • • • • • in the programmatic. But wh:tt about Anv composer 50 resourceful :u Vin· the presence of the B.A.C.H. motif in cent Pcnichetti has been in adapting the the first movement of the SONATINm' tradition:tl compositional means. such Conversely. what evidence is there, be as them:uicism or augmented·sixth l'ond the composer's verbally expressed chords, to legitimate contemporary ends (a.nd patently sincere) affcction for might be exptcted to approach the issue "Hebrew-the language," to convince of "abstract mwic·· venus "program the latter·day Handick that SHIMAH music" in a fresh way. Fortun:ttely or H'KOLI does, in fact. portl':ly Psalm not. this vexing dichotomy seems to 150 and "sound[s] like the Hebrew'? have survived the demise of functional Such a complicated issue cannot be re harmony with :tt least one lung intact. solved here. though It should be useful Even the la.te works of Schoenberg arc in attempting to establish a rough·and lured into its categorizing trap: the ODE ready hierurchy of symbolic values to TO NAPOLE.ON in the programmatic point out that C3ch of Persichetti's or camp, the Piolin Concerto in the :tb gan works is symbolic in a di[(erent way, strnct; or Webcm: his ~nbtas as to :t different degree. The SONATA 15 against. say, the CONCERTO lor Nine the one piece without a trace of sym Instruments. bolism that I am able to detcct. In both I have proposed the neologism "me PARABLE VI and DO NOT GO btonality'" to embrace the expanded GENTLE, the B.A..C.H. motif recurs tonal language of works like Persichetti's never on its liternlly 'Y'!'bolic pitch SHIMAH D'KOLI or Messiaen's LIYRE level (Bb-A·C-B~). Cerlatnly it is here D'ORGUE, which arc misleadingly only a minor feature: in relation to the labeled "atonal." Now I want to suggest overriding sense of "parablc" 3.5 "the that the terms "prognmmatic" and "ab story of what you hea.r in the music,'· or stract" be replaced by "symbolic" and the extent to which the structure and "non-symbolic," respectively. Symbolic meaning of the Dylan Thomas poem are music is :my work or passage whose syn. ",fi •• ! •••••••••••••••••••1 •••••••••••••••••• ,) •••••••••••••••••••••• 04 •••••••••••••• •••••••••••••••• (Serl_ atnctMS tra •• 1 - " j ...... 6 ...... 7...... \ \ 7,:f I'=h'· L.:....,t---t o.=...:.'--''---J--' 12 12 J 456 7 • 9 10 EX.1'il g , R 11 vu I .1= I tlO t 'lto.a 6) Rudy Shadel/ord's Nine Aphorisms and Sonata lor Organ were recently published by HimhaUf Alwic:, Inc., Cllapd Hill, in the contemporary organ mwic uriu edited by Robert Anderson. He is ctJrTendy composer-in·residence at O.uabaut Island Pro ject. Savanna", and lias been invited by the Rocke/eller Foundation /or a period 0/ residence in 1977 at its study and con/erence center in Bellagio, Italy. 6 THE DIAPASON pirations of the "tone poems" of Lint. has observed: "When I write for string truc of at least the first eight measures SHIMAH n'KOLI. Thi5 is a graphic Berlioz, and Strauss). If one accepts the quartet, I do not miss the oboe; when I of DO NOT GO GENTLE: both the mode of chord formation: the whirling original hymn tune as an (the?) ex· write for clarinet alone, that is my whole 32nd·uote triplet and the /Jacquet-like rantasia roulades abruptly jell in \'ertical presJ;on of the text: or c\'en if one, in world-the same for organ, orchestra, interchange of ,-oices in m , 6 arc le aggregates, usually emphasizing row in willing suspension of disbelief, aUows the piano, etc. DO NOT GO GENTLE . .• tained on the two rhythmic Ic\'els. ten'als: minor seconds, perfect fourths two to be yoked together by nothing could have been for two organs, three PARABLE n, similarl)', is loosely de and fifths. and minor thirds. An impor more profound than mere juxtaposition. choruses, four pianos, and (h'e orches pendent upon classical Schoenbergian tant non·serial harmonic resultant is the "feeling" will be transferred to the tras! I found organ. pedals alonc, to technique for syntactical articulation. the one containing an augmented fourth chornle·prelude by cathexis. In this case, match any medium in mtensity_''11 The scrics , Ex. IV-A, is ne,"er found as with a perfect fourth or fifth. ]n Ex. the transference is made more convinc The work is not based exclusi\'ely on a complete sequential statement at an)' V·A, m. 4, this heha,"es as though ,it ing- the emotion earned and distanced a single tweh'c-tone row_ The serics e:.: point in the work. that I am able to were the resolution of the densel)' packed by the complexly emh'ed parody rela lracted from the first fh'c measures, Ex, detcrminc (I'ersichclli supplicd il in a \'Crticalization of motif x. The tritone tionship between the hymn and the II·A, supplics the moth'ic material most letter). The heginning o( the "Aria." IH,·E is Ihe pivot for the "metatonalilY" choralc-prelude.t frcquently dmwn upon. The 32nd-notc 111m. 15·106. Ex. IV .n, comcs closest to of the whole of PARAI1LE VI. The Dylan Thomas employed an intricate triplet is an important recurring rh)'th. prcsenting it in thc traditional manner: "rc1ati\'c minor" area, j!, is affirmed in verse fornI, the "iIlanelle. to control and mic conriguration; it also appears in cmbeddcd in a melody. whose "ccom thc openin~ pas~age. The final gravita distance the effulgent emotion of his /lAllAllLE 1'1 and the SONA-rA lor paniment is a Ides-coped prcsentation of tional pull is toward E. The central da famolls poem Do Nol Go GCrllle bllo Organ. Other striking ideas :ne the par· a transpoled, invcrted, or retrograded capo "Aria" begins on nb, is recapitu Thai Coati NiglU. perhaps the most allclism in seconds (Ex. II-B), recalling aspect of the serics. Three important lated a half-step higher (on the domi moving exhortation against death ever a ra"orite texture of Wallingford Rieg lIIotivcs-x, )', % (llot to he confuscd with nant of E). addressed 10 a father by his son: ger's; an expanding/ contraclillg interval- their application in DO NO-r GO - - . . - - . GENTI.E! -arc deril'ed from it, and The ride of the Pedal in the recent each in turn undcr~ocs thc transforma· orJ!al1 music of PersicheUi is quite com [ IJ Do not go gentle into that good night, [x] tions catalogued in Ex. IV-A. pelling. In SHllUAH I1'KOU, PAR Old age should burn and ran: at closc of da); More striking than the 1I10th'ic tech Alll.E 1'1, and DO NOT GO GENTLE Rage, rage against the dying of the Jigh a. [y] nique which ill ally casc I ha\'c analped it transccnds its own remarkable \'irtuo exhanstin'ly ill prc' iotls articles on thc sit)' and lakcs on the symbolic function Pcrsichctti organ works-is the forma of portraying the Old Testament Psalm ~ II] Though wise men at their cnd know dalk is right, Because their words had forked no lightning they tion of the larger ideas and gestures in GUltor: the Christ.Teacher of the New Do not go gentle into that good night. [x] PAIlAlnE J'l. Paramount arc the dra Testament parables; and the modern matic "swceps" in 32ml notes, recalling religious poct, cryin~ from the \'alley of perhaps nach's "gn:at" , -minor FAN the shadow of doubt to a blind father [III] Good men, the last wa\'e by, crying how bright TASIA for organ. Comparing thc 0llcn dcilY. "thcre on thc sad heiJi!:ht."12 The Their frail deeds might ha'"e danlcd in a green bay, ing statemcnt of the organ PAIlAIlLE music ror hands, in this view, might Rage, ra6>"C against Ihe dying of the light. [y] (Ex. V.A) with thc opcning and closillg stand for Societ)': alwa),s seeking the pa ssa~cs of the P,lIlAllI.E ' or Solo Htlrp chal"ism:llic leadcrship of a prophet [IV] Wild men who caught and sang the sun in night. (Ex. V-B) makcs it e\"ident that there (pedal) , thou~h as often as not rejecting And learn. too late, they gric\"ed it all its way, is transr('rence among contemporaneous his commandments and mocking his Do not go gentle into that good night. [x1 works of a common stock of musical strange visionary forays into the wilder. ima:;ery. Such figuration composed for ness o( the unknown. organ can circulate the total-chmm;uic In Do Not Go Gtmtlc, the poet [ VJ Gra\e men, ncar dcath, who sec with blinding sight with ''Crtiginou5 rnpitlit)'. Allanting this as "outsider" writes not for any 5}'m Blind eycs could hlaze like mcteon; and he gay. idea for harp, whcrc the last fh'c notl'S pathetic audiencc unitcd by tradition Rage, rage agaillSt the dying or the light. [y) of e,"cry statcment of tn'eh"c delll.tnt! ;1IIt! commonly held beliefs, but OUI of a five pcdal changes. ncccs.silatcs the in luncl)' personal siruggic to subdue his (llsion of many repeatcd notes, This is [VI) And yon, my rather, there on the !ad hcight. "cr:tft or sUllcn art." The tension of tf)' Curse, blcss, mc now with your (ierce tears, I pray, '"' backtracking," then, for idiumatic ing to make the unmalleablc metal of Do not go gentle into that good night. rather than ~Tamlllatic:l1 rca~onsl the old ,'illanelle yield Ji!:reat poetry [x1 A rhythmic mutir th;lt has round it5 Rage, rage against the dying of thc light.- [y1 could hc rcnccled in the Pedal's attemplS way into most of l'ersichetti's organ at pnlyplton)'. The Pedal in PARA.BLE writing sincc the SONATA of 1960 is 1'1 is oll1iged 10 go be),ond monophony. the 32nd·notc triplet. In the J>AUAI1LE "A villa nelle," ohscn'es CTlUC William lic "wedge" figure (Ex. 1l.C); and (hc to show through imitation how the York Tindall,' consists of rivc or morc dUSIer formation which concludes the it is augmented by two abhreviated umnuals are to interpret his s),mbolic tercets and a quatrain. all on two work. bcncath which is printed thc clos rorms. and anyone of thc thrce can narrative. Thc imitallon is not literal, rhymes. The rirst line {xl ends the sec ing linc of the pocm, "Rage, raSt! against stand for the othcr: rur the parable is an oblique ("artistic') war of imparting a moral lesson; "a ond and fourth tercets. The third line the dying of the light." ~.l-. [y] ends the third and rifth tercets. The Therc arc thill\' onc complete rota statement or comment," according to the -.. dictionary, "that conveys a meaning in quatrain ends with the first and third tions or thc tolal chromatic during the m--~ ffll. In -- directl), h)' the IISC or comparison, an lines. Ncw context makes each rcpeated course of DO NOT GO GENTLE. hc line a little diffcrent in sense or reeling. ginning in mill. I. 6, 11, 13. 19, 2-1. 26, Another gesture is alog)" or the like." This tricky shape. which pleased young :!8, 33, 37, 41, 44, 47, 50, 55, 62, 70, 72, the ·'c1l1stcr·arrh'al," so prominent in (Co"tinut!d~ page 8) Stephen Dedalus and the poetic artificers 75, 80, 86, 90,92.9-1, 97, 101, 103, 107, of the 1880's, pleased Thomas. who, 109, Ill, and 115. The measurcs in hold amorous of prosodic mazes, was a fonna. face correspotll.1 to formal divisions, as list at heart • _ . Do Nol Go Gentle well. Of coursc, ",\ row bl'ginning has would not be half so moving without nothing necessarily to do with registra the ritualistic repetition with ,'ariation tion, nor docs it neces~arily ha,"e any that the form demands. Thomas had thing to do with the thematic process. found the ine"itable fonn ror his pur unless it happens to coincide with the poses." thematic material moti\'icaUy."lo Each of tha e complete statemcnL<; of thc twelve Persichetti has not allowed the villa tones is "troped" with many repeated EX. :sz: neUe to dictate the form of his DO NOT tones: a procedure Persichctti has re GO GENTLE. The work is rather a ferred to as "hacktmckin~," RemO\'ing generalized e ..'ocation or the sentiments these repetitions reveals the bare !loncs A--_ -H ~ of the poem, which he seems to inter of the chromatic skeletal systcm, and thc ®;J . pret as an expression or Promethian rh) thm of arrh'al of each fresh chroma defiance. That, 100, is the sense in tic lone within e,"ef)' St,t of twelvc can which it is read by Richard Uurton.7 he distinguished from the composite D),lan Thomas, in his own recording.- is rhythm of sur(ace e\'cnls: Ex III. "Ncw 3 " " ~ _. _ ~ somewhat more restrained-as though orders of (onl'S will !le crcated by dra ~~:. _ .."Who'd raise the orgnns of the counted dust To shoot and sing your praise" ...• Concerning the medium he empJo}ed in SHIMAH ll'K01.I- acccntuates the tonal DO NOT GO GENTLE, the composer nc...'Cd for them, and when they arc brought into the complex through var ious manipulati,'C de\ ices and throilgh the tr.lOsposition le\'els of the row, their strength IS indeed felt."n Onc might ex "",',,'~ [J, ". "'. ~ pect the interior rhythm of chromatic - iCEl'=~ arrivals (Ex. III, lowcr staves) to pre ;i , - (from THE POEMS OF Dr1.AN ser\,e the most interesting reatures of = ",.,~ ®~ ·THOMAS, W. DanieJ ~lones; New Direc. the surfacc rhythm (Ex. III, upper tions, c. 1952, 1971) 5ta\'es). This, in fact, turns out to be ~ rtf ~tro P sa::p!l.c.' ~,~ NOVEMBER, 1976 'I Persichelli mutif (m. 35~ is n:pe:ued at the end of PARABLE and DO NOT GO GENTLE GEN'rU all happr:n to arrive on low ,h. "Scherzo' (mID. 94·95. Ex. VI·B) clusters in forte to fortwimo registra (Continued 7) (Ex. VI·C. m. 188; VI-D. m. 100) would Irom I'. and. again, in the "Reprisc" (m. 187. connote the ultimate "putdown" ••. tion-the most a.taclysmic di5COrw of Ex. Vl·C): could this be taken as sym though hope seems sustained by the tied which the organ is capable (d. Ex. VI-C, Example VI-A reproduces the first bolizing the Teacher's dejection or anger over high Ell in PARABLE. mm. 191-193; VI·D. mm. 68-69; and Pedal "1 • .,.,n" 01 PARABLE VI. Its at ha\'ing his instructions go unheeded? The m:J.in climactic momenta in VI·E) . The violence quickly subsides in abrupt cutofr in a kind or "sci~~n" H so. Ihe P('d~l I!lissnmli in both the SHIMAH, PARARl~£, and DO NOT GO SHiMAH and DO NOT GO GIlNTI.F. EX.JZ[[ EX.1IT HUN r~ r Orran, .... 1,'.1$' [J - 663 ($V.) Sort. ,. EX JZ[ SHIMlH »'!SOi.J, f. 17 EX.JX EX.1m B. P!I!lBI flit o.... !! ••• 39-43 [J. n. 160] 8 THE DIAPASON through subtractioR of stops while the uab. it could s)lllboUze the assimilation in WW. 139-141 . a mirror canon in the niSLcnt of the SlUSy bitonality in Pasl· cluster is sustained (the crisis mitigated of the lessons by the folk. The more hands (disregarding right·hand tie Dnd chetti·s SONATA and SONA.TINE, the by backing away from it) : in PARABLE perceptive (Dux) lead the less compe slur from m. 138); and in mm. 142·146. brash superimposing of clearly diatonic it is met head-on and. though not reo tent to a dearer understanding of the a /ugalo with three entries (Ex. VII·A) . chords from unrelated keys: Ex IX-D, solved. fully acknowledged by the clus message by having them follow along The most extended passage of mimicry with dottrd lines added to trace the ter-arrivals in the manuals, dissolving (Comes) at a dose time-interval. Canon is the double canon in the "Reprise," ohlique connections. into a soft trill in mm. 196-197. Like the at the octave and at the ninth is found mm. 202·208, Ex. VII·B. In this. a canon welcoming-back of the orchestra at the between melody and accompaniment in of intervals rather than of four indepen. NOTES end of the soloist's cadenza in the Classi 10m . HID·III and liS-I 17. The inci dent lines, the 8.A.C.H. motif, inverted. cal concerto, this trill is a frail, tentative dence and complexity of determined. emerges. The Pedal's true identity as the IRudy Shackelford, ·rvineent Penichetti'. Hymn echo of the double tremolandi at the response increase where the texture of Teacher is playfully obscured during its and Chorale Prelude 'Drop. Drop Slow Tean' apex of the Pedal cadenza, mm. 189-190 the "Aria" changes to a trio-like equality participation in these canons, by having An Analysis," TIlE DIAPASON, September 1973. (Ex. "I·C). of voices. mm. 123·150. In mm. 128-131 is the 16 stops withdrawn (at m, 128) . It's pp. 3-6; "Vincent Penichctti'. Sonata lor Or StriCt imitation does occur in PAR· found a canon by augmentation at the almost as if the Pedal has gone among IlUl and Sonatine lor Orlan. Pedals ...uon.-An Analysis," TilE DIAPASON, May 1974. pp. 4-7, ABLE PI. Confined mainly to the man- eleventh, between left hand and Pedal; the folk incognito (disguised by raising and June 197-1. PI), 4-7. its voice an octave), to observe the rcal 'Rudy Shackelford. "Vincent Penichetti'. SHI, Vincent. Pen1ehe\.t.11 PARABLE tor OrIm (,WWU.tU, Cp. 111 {1911J reception of his lessonsl Modest success MAH B'KOU (Psalm 130) for Organ- An is celebrated by a soh peal of bells in a Analysis," TIle DIAPASON, September 1975, pp. l'LM OF RiDlSl'RlTIOH, b7 tlarid cralsbea4 brief episode, mm. 151·156 (d. the more 3-8, 12·13. clangorous recasting at mm. 237-243). :llbid., p. 3. Example VIII shows how this idea is re 'Example VII·D. lated to one in Persichetti's SlNFONIA: "ruE DIAPASON, September 1973, pp. 3-6. 'William York Tindall, A Reatler's Guide '0 sm:mcmou JANICULUM-another work, incidental· D)>iafl Thomas; Noonday Prus, 1962. pp. 203· ly. having a strong tonal gravitation to E. 206. 5eblleker Orpn [1959), 'n1e n-rial Cbt:pel at. Valparalso UnlnraU.,. Ohipe;d. b7 P.ul. amJee md H~ Lo SchUcker The "Schena" is the most ephemeral TRichard Bur'on Reotls Filteen Poenu by Dylan of the four compressed "movements" in Thomas, Argo RG43 (mono) . PARABLE YI. Two of its three ideas 'D)~an Thomas Readin" Vol, I, Caedmon TC- (lIot.el fhere an t.te dh1s1o=l controllJld 117 e.ch ot t.be _1l.:I end tlIe Pedel. 1002 ( mono). stop. 1n Dl'l'ision ebcNn 1n iteliclI. 'nIe SIIfI.ll d1rl11icms eDcloud the staccato chords and the cuckoo. like n _ an 'Vincent Penichetti, Letter 10 Rudy ShackeUord, eeparat.e3.T. Dlrlll10m anIIl atops ~ tor an not Uated.) echoing of motif %-are prefigured in a 31 1-larch 1974. transitory flash-fon\'ard at mm. 17,18, tllbid, Ex. IX·A. The third idea is a toccata in 1Ilbld. GlIII.T SWILL RmTIV ...... "sprees" of 16th notes (the composer's 1JW. S. Merwin, "n,e Religious Poet." A Case' 16' I'rincipel 8' Hol.zl!ledackt. ,.' Hohprlnclpd description): Ex. IX-C. The harmonic book on Dylan Thom4l, ed. John Makolm 8' Aequa.1.prUIcipal I.' Principal 16' Principal (ct.) relationships of the "Scherzo" are remi· Brinnin; Thomas Y. Crowell Co. • 1960. 8' Oedacktmte I.' lbhrnllle 16' 'iontr:lbasg !!..Jlwn 2' K1e1n-Oct.lI1'lI lb' S!!bbSllljl 4' HDhltl.IIte 2' BiOdd'iiite lb' Ged.IIckt~ (sv.) [Penichett1, PlNml Cpr Organl Plan ot resh.tr.Uon, cont.irrued} 9dnte I_Ih' JQein_lIpat 8' Oct.1lTtI 2'~~ ... II Sesquillltera S' a-horn V_PI 'Ifrlur IV-V SChartcdxtur 8' Ge4aclct.px:Der (Sv.) IV S [IV] ~~ - --- PmU., f'!II. [1.) + ~ • :rnu.uch as Prot. craishead'lI .ugeat1on tor a chaDce ot umala at th1a poi.m CHElTI CT. [4J+ !jedackt.Ollte, ~ obscuru an a1readT conceded. et.ata.ent, ot the B.A.C.H. aU (_. 2010-205, SVELLI sv. (5 + B2btll!:!1! loveat Wic. beg1nn1Jqj; on A~), 1t td.&ht b. adT1iiSle'not. to ob.fIrnI 1t mill to POSITIVI Holsgecillckt., Prlne1pal, ~. lQsdn:Osteu rauiD on t.be ~e1t1Y t.hrou&bout.. _ a. s. CXlUpt!J~h sr. U to Gt.., fD.. I to Qt.. t40VEMBER, 1976 9 Natalie Jenne, Concordia Teochets Col.. Harpsichord News lege, River forest, 111., and Erich xnwarMI,. fellow students of the late Putnam Aldrich, gave a two-harpsichord program at Stan ford University last JuIV. John L Hooker was hOlpslchordlst for and f ugue, Bach; a work, or choice c:! works, Lorry Palmer and linda Hoffer played "NVmphs and Shepherds," or an evening lasting between 7 and 10 minutes. A sepa· music for one and tW:l harpsichords to open with Purcell and Co. This concert of music raie COfltinuo-realitation contest will be held this season's Music at Saint luke's Episcopal for voke and harpsichord bv Purcell, Dow Oi well. for further information, write Can· Church, 001'05, Texas, on September 19. The land, SweeUnck, and others was presented c;) Urs de Clavecin, festival Estival de Paris, program: Suite in f minar, Handel; Pavana a t Ca'vary Church, Memphis, for ths Mem 5, ploee des TerMS, 75017 ~aris, france. Dolores:> (Tregion) and Gallardo ~oro!a, phis Chapter of the American Guild of O r Peter Philips; Sonala for Harpsichord, Per ga nists on October 4. Lee McRae (2130 Carleton Street, Berke- sichetti, Allemande D deux Clavecins (Ordre ley, California 94704). has announced forth· 9), Couper in; Carillon for Two Harpsichords, Stanley Silverman's Concerto for flute, coming toun bV the following artists who Stephen Dodgson; Concerto In C minor, BWV Oboe, Basseon, Violin, Viola , 'Cello, a nd specialize in ear:v music: frons Brueggen 1060, Bach. The instrumentsl William Dowd, Harpsich :>rd, commissioned for The Chamber with A'an Curtis; Sour Cream (Brueggen's after B~anchet, 1968, and Zuckermann flem Music Secietv of lincoln Center by the In a/anl.gorde rocorder trio); A Concert of Ish, constructed by Lindo Hoffer. ternational S:cietV of Performing Arts Ad· Boroque Strings (Sigiswald and Wieland KuV ministroters and the South Caroli na Com. ken with Robert Kohnen); ths Kuyken Quat· Trevor Pinnock, young English harpsichord. miuion for the Arts, was premiered in Cha rles tet p laving original baroque instruments; ist ond recording artiu, is spending the ton, S.C. la st June. it received its fitst New l ucy Von Dosl, baroque violin, with Alan fall semester as artist in residence at Wash York perforn:onces on October 31 and No Curtis; Music for a While (0 U.S. MedM!vol/ ington University. Saint louis. He played the vember 2 at a pair of concerts in Alice R l! na i ~ance group) with a staged preduction first of several programs there In Graham TullV Ha' t. The commiu ioned work was com· " l fontaine Amoureuse;" and the Ploys of Chapel on September 26. PloVing on instru posed in celebration of the American Bicen· Daniel and Hered in reconstructions of the ment bV Walter Burr, he included pieces by tennial, Charles Wadsworth, artistic director New York Pro Musica stagings. Contact MJ. Jchn Bull and Giles fornabv; six litt'e prel of the Chamber Music Society. was harpsi McRo!lo for further details. udes, Toccata in 0 Major, and the "Italian" chordist. Concerto, Bach: Ordre la, Couperin. Steven SIIIr:i, horpsich::lrd maker, of 1022 WeslfOld Street. Carlisle, Massachusetts, The Third International Harpsichord Com· Kenneth Gilbert and Robert Kohnen gave petitia:1 in Paris will toke p ~a:e from Sep 0174 1, has just publi s h~d an a!traclive new moster classes in harpsich:lrd for th~ festi tember 16 through 20, 1977. Open to C:ln brochure offering details of his instruments. val Estival, Paris, during September. Gil· testants not old!r than 32, ths competition bert's interpretation c'oss ran from Septem Christoph Wollf's article "Bach's Hand. oHen prizes ranging from 2,COO to 10,000 ber 9.12; Kohnen's closs in basso continuo exemplar of the Goldberg Variations: a New frana. A iury consisting of C hrl~tiane JOt· realization, from September 4·8. Undo Cox, harpsichordist, Dnd the Mercer toltet, Zuzana Ruzic kova, Olivier Alain, Ig:)( Source," appeared In the Journal of the Madrigal Singers, d irected bV James Vo n Kipnis, Robert Kohnen, George Malcolm, American Musicological Society for Summer Comp, gave a progra m of earlv music a nd Hans Pischner, Rafael Puyo.,a, and Robert 1976 (v:llume 2.9, no. 2, pages 224·241). Lard Benjamin Britten's new work, Phae dro, opus 93 (0 s:llo contata for Dame Janet da nce at the Artists' Sh:Jwcose Theatre In V~yron.Lacroi)( will hear the three rounds Here is important information c:lncernlng the Trenton, N.J., on August 7 a nd 8. In a ddi of the competition. Required pieces arel recent 'v.discovered 14 canons on the boss Boker), received ils world premiere at this year's Aldeburgh Feslival, with Steuart Bed· tion to vocal ensemble and !oto w:Jrks, Aria della 80llelto, frescoba~diJ les Trois of Bach's Goldberg Vario:ions, a. well as there were works for ha:pslch:lrd, cello and Maim., Romeau; Preludn and fugur a in E information on some of the interesting "cor· ford serving as ma ~ stro 01 cembalo; the recorder. Horpsich:u-d s:J~s Indud! d C::Iranto min:Jr and C.sharp Major, WTC 2, 8xh: reclion," to the engraved score of the 'Iorio· wo rk. is scored ' or string., tympani, and (anonl from Parthenia Inviolata. lincotnes The King's Hunt, Bull. Suite 2, Cleromboult; tions, stemming 'rom Bach's personal copy, h:lrpsk h:J rd, 8ritten's first use of this in Inne Maske. Gibbons; and Tombeau 810n Sonatas K. 441. 442, Domenico:) Scarlatti, which he corrected in red ink. The results strument, crocher. louis Couperin. The harpsichord Wurtemberg 5:>"010 I in A minor (Wotquenne of this ma'or Bach disc:lvery will be seen in was built bV Richard Cox of Pennington, 49/1). C. p. E. Bach; a contemporary work the new edition of the Go:dberg Variations, features and news items are always wel N.J. The program was repealed on October t hosen from Continuu m (ligeti), Etudes pour now in proce" of publication by the Neue come for these pages. p'ease address them 4 a t the Prince of Peace lutheran Church Agress.uu (Louvier), or Autour (BeIsV Jolas); Bach Ausgobe {Series V, Volume 2, In press}, to Dr. Lorry Palmer, Divbian of Music, South in Princeton, N.J. Ordre 25, Couperin; "Chromatic" fontalY BCirenreiter Verlaa Is the publisher. ern Methodist Univanlty, Dallas, Texas 75275. THE REISNER 601 ELECTRIC CHEST MAGNET Entering its second generation ...... And ALREADY A LEGEND IN THE INDUSTRY! The Reisner 601 Chest Magnet ... supplied with 40,90, or 150 ohm coils and 5/8",314", or 1·1/8" valves. Ou~e)( coils, other ohmages and valve sizes available on special order. One of the most popular products in the Reisner Catalog, there are millions of the 601 magnet in service worldwide. For nearly 30 years, the Reisner 601 has built Its reputation on solid dependability. Its wide acceptance in the industry is. another prime example of the reliability and the quality built into every product that carries the Reisner name. Over the years, many refinements have been made to this popular Reisner 601 direct chest action magnet. It Is sturdily constructed to provide year after year of trouble-free operation. Easily Installed, the 601 saves money by eliminating deteriorative pneumatic leathers. It can be checked and regulated with the chest open ... only an electric circuit is required. For more responsive pipe operation at very low or standard wind pressures, o o the 601 Chest Magnet leads its field ... and proves again: THERE'S NO SUBSTITUTE FOR REISNER QUALITY! po. BOX 71 . 240 N. PROSPECT ST. HAGERSTOWN. MO. 21740 THE DIAPASON RICH IN TRADITION ...... c / ( Zion Lutheran Church, Spring City, Pennsylvania, was founded in 1743. It served as a military hospital for the Continental Army during the Revolutionary War. General Washington visited there many times. Nicknamed the "Organ Church", it is home for a well-preserved, fully functioning Tannenberg Positiv organ first installed in 1791. Front: Allen Digital Computer Organ. 1976 Back: Tannenberg Organ. 1791 I t is also home for a new three manual Allen digital computer organ. The instrument replaces a smaller Allen used for nearly thirty years-one of the earliest AlIens ever built. Weare pleased to be a part of this congregation's rich traditions, and Uenc~:~~:v salute their pioneering spirit-now MACUNGIE. PA . 18062 C 1976 over two centuries young. Here & There Bernard legaci began the second half of o fwo-year cycle of n:cilols devoted to the complete organ works of J. S. Bach on ~ ST. JAMES lober 3, By Ihe time the series [Oncludes CATHOLIC on April 3 with Ihe Ar' Df the Fugue, tho Canadian orgonist wi ll hove played twelve CHURCH recitals. presenting Ihe music Iii" approximate chronological order. The 0190n used for these Decatur, recitals is the 1961 von Be(korolh traclcer Illinois of three manuals ond 56 ronks at the Church of the Immaculate Conception, Papineau and Rochel Streets. in Montreal, Quebec. Martha Folts was the recitalist for a pro Anton Hemer, int.rnotionally.fgmous or gram of contemporary organ music given at ganist and teacher from Vienna, Is thown Caruth Auditorium, Southern Methodist Uni discussing a point at Colorado Stal. Univer versity. on September 20. The works per sity's organ workshop, held this pas. Af.t. formed. all wrilion since 1968, were by gust at the Fort Collins campus. 50 partida WICKS ORGAN COMPANY Highland, Illinois 62249 Gary While, Christian Wolff, David Copt!! , pants from throughout the Unil.d States Robert Cogan, and Tarslen Nilsson . aH.nded the 04.w ..k "Ilion, which Mr. Pipe Organ Craftsmen Since 1906 Hem., hopes to hold again in the futur •. Erik Roulfey, Ronald N.IIOf1, and William R.ynold, Were lhe featured spea"er3 at thl!! twl!!lhh annual church muslc loduras hllki 01 Concordlo Teathers College, River Forest, un A Sacred Millie festival and Workshop neil, October 2 ..... 26. Mr. Rootley spoke an has been announced for January 6-9 at For the finest in practice organs ... American hymnody, Mr. Reynolds presented Coral Ridge Presbyterian Church In flo lodure-demonstration, on the "Sacred Harp" lauderdale, Florida. Visiting clinicians will (lnit organs by singing tradilion. and Mr. Nelson dealt with be Charles Hlrt and John Ness 8ec:k. Ray SCHLICKEB children's choir methods. mond C. Witt, of the church staff. will also condud a maslerdass. and recitalists will Jean Langlais was preHnt for tho promiere include Dorothy Addy, Diane Bish, and John Reliable Durable Musical of his Trois EsquilSlt. Romanes and Trois & McCarthy. Early air reservation. are sug quisses Gothlque, which were played Odober gested; further information Is available from 29 by Ann Laboun.1cy and Rob.rt Grogan the church at 5555 N. Federal Highway, ft. 'JistallatioJls completed in 1976 • • • • at the National Shrine of the Immaculate lauderdale. Fl 33308. Conception in Washington, D.C. The works Wflkes College - Wilkes-Barre, Pa. were written with tho two organs of the According to information published In ChI If•• shrine in mind. cago newspapers and aired on TV In lale ddeJiberg College - A.lIentown, Pa. September, a $180,000 damage suit has .Jacksoliville Vlliversity-.JacksonviUe, Fl. Music for organ, soprano, and percussion been filed in the U.S. District Court of Chi written In the past twenty years wa, per cago by F.E.l. Publications, ltd .• of Los An A.'ma College - A.lma, Mi. formed by organist korel Paukert, soprano geles. against tile Roman Catholic Arch· Noriko Fujii, and percus.slanbt Donald Mill.r diocese of Chicago, lis archbishop, and five on October 3. The concert took place at of its churches, for copyright violations In re Trinity Evangelical Lutheron Church, C~ve· printing some 110 hymns without paying the SCHLICKER ORGANS Buffalo, N. Y. 14217 lond. Ohio. on the von Bechralh Itocker opptoprioto fees. F.E.L is owned by Dennis installed there twenty yeolS ogo. Included J. fitzpatrick, who estimates that his firm Member APOBA in the program wero wOfks by Henk Bod has lost nearly $30 million over the lost ten ings, Minoru Miki, Augu5tyn Block. Jon W. years by tho use of pirated material In Morthenson, and Ray Luke. churches across the country. WHY KIMBER-ALLEN? A few reasons: K·A Switch Unit - No mavlng cable., contacts a.. cavered. 50 ohm coil with spark suppression standard, mounting length standard. K·A Direct Pallet Magnet - Murdy design and construction, 50-100 ohm coils. screwadjustmenl, 'elted stop. K·A Vertical Pallet Magnet - ReYolutionary air dampening allows speed a' action to be controlled for proper pipe speech, on. hole mountlna:, adjust· able pallet K·A Catalogue - illustrate. and explains our products, write 'or your copy. Kimftflt:-lIllfln, fine. 7 Cleveland Avenue Tonawanda, N.Y. 14150 716-693-2979 12 THE DIAPASON , _5 _I, "':: Listell to~ what I .-;:.J: I , ' Leonara,Raver . .- . . for his aUdience. toughest .. Leonard Raver wflh the Rodgers ClaSSIC organs, A1Oxand'~ . Scarborough and Columbian Leonard Raver can tell you all about R'O''00 / -E'· R"S depend on Ihem" tough audiences, . ~ ; I Leonard also appreciales the dis- He performs for them all. And they .,' .... tinctive·features of Ihe Rodgers classic love him. organs. As a featured artist with the New York Philharmonic Like the standard American Guild of Organists in Avery Fisher Hall. Playing baroque music with the pedalboard. And the practice panel and headphones Musica Aeterna Orchestra in Alice Tully Hall or the which make it possible for him to practice any time Metropolitan Museum of Art. day or night. His instrument also has Rodgers op- Or in performances across the country in his ac- tional tracker-touch manual keyboards and ivory keys. claimed concert program, Organism. Rodgers is proud of the high standards demanded But you'll never hear Leonard Raver performing for by musicians like Leonard Raver. his toughest audience. Because Rodgers demands the same perfecllon in Himself. At home. each instrument which bears the Rodgers nameplate. On his own Rodgers Alexandria model 14S, Listen for yourself. And don'l be afraid 10 get tough . "My chQice was just natural;' says t.eonard . "I play Chances are you'll select a Rodgers organ for your Rodgers organs a lot in concerts, and I've come to toughest audienc;e, too. ----~------~------Listen to 'how we back up'the Rodgers nante: Please send me comiliele mformalion on oWning a Rodgers organ. NAME ____~ ~------~--__------_=~~_= ~--~------ ADDRESS ·~ ______= ~~ ______ CITY STATE ZIP ______Ma ~ 10 Rodgers Organ Company. HIllsboro. Oregon 97 I 23 ••••••••• cussed registration, including che make also hOllsed many participants) WaS ex: up of the crescendo, hand pOSition (and ccllent in rood and company. enlivened its iuterartion wilh Ihe dc\'eloprnent or b)' 3 rew prelimin3ry munds or "oh. Conference on the Organ in America piano technique). and legato louch. not me at the head tablc" (Rutler :lIId I'le then demonstrated the rubato and Leupold won; Ochse, Owen and Dillon "W3gnerian exprcssh'ity" he had de· lost) • and mercifully tlc\'oid of speeches. by Beth Berry Barher scribed in the a'ieruoon session, using Sherry and nibblcs hack at the Old John Knowles l'3ine's Prelude ",m.l,er Church led into a slide show or Ameri Seollle, W oshington Iwp for free nlhato, th::! Brahms can organ cases, ohl and new, by Bar· ,f;"hmiirkc die" for melodic rub3tO, and bam Owen, rome's Call1ilcIla for exprcssh it). The S;lturday's trip to Eugene was a.ug· HnlhlUs ill particular aroused a storm mCnlL'1i b)' mau)' pt."()ple una hie to at ,\ three cla\' CflllfcTCncc 011 the or~1I Il'anH,.'d as IIIl1ch :1 .. pos.. ihle ahoul the uf collllUt.'uls anc! CJ,lIestiolls.which spilled tend the rest of the conferellce. with in America. its literature .uul perform builder and his \\"ork , ami retail'll wnrl.., U\'cr illto a Ih'eI)' sherry Ji\.~ ioll ill the ne;rrl)' a hundred persons on the two ;,ncc practices took place ::u the Old 1I0t all dt'lails \dll be cI ~ar, Prnccedin~ dL'gauth' 1'L"llecnmted church hall. Afler. hu ~'s that mad'.! Ihe trek down the Church in Portland. Orcllon, on Sep h)' scientific h)pothL'SCs ancl rules wilt w;mh Jolrn nromhallt;;h showed sOllie free"ay. The first e\-Cnt was a panel temher 23. 2·1, and 25. Jointly 5ponsorcd not produce a ~ood restoration hL'call~e of his slides of hislorical European or· discussion on "The ':ulUre of the Organ hv ROCOCO (Restore the Old Church it "lacks Ihe altistic leap," In the end. gan'i and his own work, including mall)' in I\merica," held in thc Uni\'crsity of O~:m COmitlcc) and the Portland decisious in restoration, as iu buihlill~. \'ery fdscinating \'iews of Ihe cnnstruc· Oregon School of Music Auditorium. Chapter of the I\mcricall Guild or Or :1I'e :1 mailer of Imll gOllt: guod taste tion and pipcs, Lee Garrell, of L-cwilO and Clark College, J!;U1islll, the conference attracted o\'er (and 1-;00(1 l'ars). The missing reeds uf Friel:a y was a rl'atly exhausting d:l)" Was the moderator: ou lhc panel wcre fHt}' full·time registrants, including the Huol.. and Ilastiugs made a good with th ree lunK lecture sessious with Orpha Ocltse, Uarhar;1 Oweu. Margaret many (rom lJ!!)"ond the POIcific North extlluple: to replace the Uli~sil1g trunlpet. pict ul'C :tIul !core slides from " Ia)'ne Ir\\'in·Rrnndon, .John RrOlnhallgh. Doug. 'n.'St. The ~rol1P as a whole was or a William j , Ihlllch of St.'allie ga\'e tlte l.cupold. The first cO\'cted carll' n itle las Hutler. Charles Fisk, John Hamilton. \'cry high olitM!r, :1111.) apprcciatl'tl the Ohl C.hurch a Ryt~r trumpet of IRR!) , t,-,culh century French organ perronn. and Wa) Ile Leupold. II is difficult to opportunit), not onl,. 10 absorb iuror prohahh' huilt by Samuel I'ierce of Rell· :mce, n illeteclllh l'(.'IIIIII'), French organ snlll1ll3rizc Ihis long discllssion, hut iI m.uinn hilt 10 hecome acquainted with djll~, Mass, (who aim made pipes 011 h'lilclintC (lIIuslh' Ca\'aille.Coll. of COllrse, was abundantly clear Ihat the future of the organhllildcrs aud olher organ Utl occasinll fut' the I-looks and olher huild· assisted hy sOllie ,'er), helpful COllllnelltS the organ in America will nnt he simple. lhoriliL'!i who were prc."Cllt. The program ers). Fisk s;a\'e this Teed new IOIl~Ul' S f1'(l111 Charles I:isk) and a detailed CO\·· and it will not he dull. ,\ few poinls ClIlJ)h3~is nn the nineteenth cClItury weill to n lKlk specirirntiolls, alld \'C)'ced it like ela5e of the Widor. \'icrne - Dupri: did stand out: the imcllil!ence and iu well with the Old Ch1ll'ch'!j , 'jctnrian r:ralld CllOeJfr with lhe 1973 flll1r' 1II3111lal Jflrgen Ah· ceiling height had allowed an unrestrict· and ulls)' rnpathetic restoration arc .'Ctui instrument in the St:hool of Music's D;,t /() ,~ "c, from a Welte player roll, was L'tl \'iew of the big screen :1lul a little amung the helO t wap [0 dcstroy 3U)' or· IlL-ali Concert Hall. lC5 Martiu played stuunin~), t-tel'c, a!'> e\'eI1'where, Mr. more air. The initial session, Orpha ~all. in l\merica Of Europe, Again. the\' portions of DOlCh's Canonic J'ar;'.tiOIJS Ofl Lcujltlltl '! slidl'S of markt'c1 scores ,,-cre Ochsc's "O\-cl"\'iew of the Ol'gan in hlid J;le;1I emphasis 011 the prl"fien'alion "(HI Himmel IlOcil 3ud the eighth of America," was aClUally twO l-:J ther thor· of good organs, tho~e that work ill their an enormous help in follOWing the pCI' ronuances. Messiaen's Med;tations (m lI.e Holy ough gHmpses of thc organ :u1(1 its cir· own n:penoire, of any period ilnd style, 1'ri,,;/y (which sounded surprisingly at cntnstallces in 17iC, and IRi6, This de· After a break for cake and coffee. we hOllle). ,\t Cenll",1 Luthcran Church, Afler lunclt, Wa}'ne I.eupold hc~all truttL'd hack duwnstairs for the last lightful pTL'SClltation was illuminated as ncal' the campm, Johll I1rombaugh's his IHOIHllllelUal presentation 011 ro· !~ssion : German romantic and post·ro· much hy Dr. Ochse's rta~hes of wi( as thrt.oc lIIauual organ, iu pl'Ocess of ill mantic performance practice, with a mantic (a 1II0st useful distinction) or by her slidL'S and stoplist handouts, She slallatioll and with ahout eight of its g:s.~iull 011 rhythlll froUl thc 1:lte l'aro111e ~11 huiltling alld organ composition, ga\'c a "h'id picture of the prh'atiolls thirt)' eight stops thcli s~ldllg, was ai IH Ihe l·arh' twentieth centUf\', COllcel)ts Es'lll1ples included Reger's own per· :11111 problems, as well tiS the rL'SOurCL"S, reall), a magnificent instrulllent. The un· or ruhato 'were presellted: lUelollic ru· ran nance of his Melodit,. a/ills 5!J """,. 01 the rc\olutioll 14 THE DIAPASON Appointments FLENTROP CHAMBER ORGAN Completed Instruments and Kits Christ Church Cronbrcok. S'comfield Hills. Mlchigon. has appointed Frank:in G Cole man as organist and choirmaster, effective September hi, JUcceeding Robert Balltl. who relired. Mr. Coleman was previously organist Dnd cholrmolter at the Kenl School in Kent. Connecticut. He is a nalive of Chi. cago and earnl!d his BMus d~gree at Boston James Kibbie has accepted an appoint University, where he Is completing his MMus ment as organist'ch;:,lrmosler of Sf. John's degree. He received a certifieo"e in guid. EplscClpol Church, Fort Worth, 1e)(a;. Mr. once and counseling of od;:,lescenh from Kibbie received the MMU5 degree in organ Wayne Siole University in Detroit, Dnd also performance from Notth Texas Stale Uni studied musk at the University of Chicago, ver$ily. as a student of Dona'd Willing. He DePaul Univenily, the American Conserva will continue 10 serve as resident choir di tory. and Ihe UniverSity of Pennsylvania. rector for the Texas Boys Choir. SlXTH ANNUAL NATIONAL ORGAN COMPETITION FIRST PRESBYTERIAN CHURCH Fort Laudel'dale, Florida First Prize - $700.00 Cash Award Competition: March 6, 1977 Available from: Deadline for Applications & Tapes FRANK HUBBARD HARPSICHORDS, INC. Febl"Ual'Y 1, 1977 185A-D Lyman Street, Waltham, Massachusetts 02154 Address inquiries, including requests for applications to: J. William Stephenson, Minister of Music First Presbyterian Chuch 401 Southeast 15th Avenue Fort Laudel'dale, Fl. 33301 RUTH NURMI LARRY PALMER Harpsichordist HarpsIchord - Organ Author: A Plain & Ea.y Introduction Southern Methodld Un1verslty to the Harpsichord Orgonlst.Choirmader Mounl Union College Alliance, Ohio 44601 Satnt Luke·s EpIscopal Church Worluhaps Recital. Dallas. Telas IDxcnlR.5E rCYlR0lR11J1l S((J]lFlFJlJblJ COMPANY, INCORPORATED 645 WES T 32NO STR~~T • P . O . BOX 116!5 • ERt~ , PA . 16512 QUALITY PIPE ORGAN SUPPLIES NOVEMBER, 1976 I S Ollr summer vllCOltion found 115 back in the heart of the Bcrkshircs. where. many years ago, 1 had played the organ as a )'ollngster. This was no "country church organ," for in 1883 when Mnl. Mark Hopkins commissioned the instnl ment from the Hitbomc Ram.e\'clt Or· gan Co .• the specification read: "to build A SUIDIDer RelDiniseenee 35 large an nflr-m as the church can house. and to spare no expense in guar anteeing the hucst." As a resuh. the By Hans organ in the Fint Congrcgatiom.1 Vigelancl Church of Gn:al Banington. MOl!;S .• a church scating but a few hundred. pos sesses one of the "finen organs in the worM," Mrs. Hopkins gave also the par sonage, perhaps the costliest mall§c 10 be erected in AmcriCl to that day. the tOlal work donc for amuent cus· and the marriage a.lthough short-lived, September, 1891. In Salem. Mass. The The Pitl.o;ricld Eagle commented :1[ tomcn, became .a rich man himseH be· was a happy one. At the time they first courtroom spectators had come priud. the time of dcdiCltion: "The new Cun fore he was forty. He bcgan to tra\'el met, the last of Mary's maiden aunts palJy to stare and jeer at Searlcs, who gregational Church in Great BaITlngton and spent considerable time in Europe died in Great Barrington, leaving lhe attempted to appear ontwardl}' c.l.lm opened its doors last Friday. The 'tern· where he purchased \'arious art trc.. - old homestead to Mary. Young SearJC1 while on the stand. He admitted th:1l pic' of these humble and contrite hearn Stires. Qne of his mMt notable pur· W3S a man of architectural im3gination, hc had pined a good deal of money COst $125,000 and the minister of the chases at this time was the famous tap· and from Nob Hill thcy headed east to from his marriage. and e\'cn that Mrs. Jowly Jesus will Ih'c in a housc cosling estry. "Field of the Cloth of Gold," Great Barrington where Searles desigth.-d Hopkins' money had made her attractive 5100,000, to stud)' up sermons about him which dates back to 1520, the historical a castle. still standing-one of the most to him. but he insisted that the union who was horn in a manger, preached in conferencc bctween HCIll)' VIII and costly and colossal residenccs of the la."t was consecrnted In love as well. At Ihe thc richls, rode into Jemsalem on an 35.'1, Francis I of Francc. Always proud of his century in all of AmeriCl. end of the first day of trial, Seark-s was and had not where to lay his head . . . English heritage (his family namc was Timothy (Nolan) Hopkins objected weary of the publicit}'. To the disap· if }'ou had come down and heard the an old English one. originally Serlo), violently to the turn of e\'ents. but his pointment of the press and public. he opening concert you would ha\'c lislenL't1 he was particularly happy in England. stepmothcr rdused to listen 10 his and Timothy settled out of court. it 10 the William Tell Overture, a march where he was presented 10 Queen "Ic· pleas. She and her foster son quarreled being rumored that Seark'S settled with by Sodcnnann, 'Piuicatto' by Delibcs. toria. bitlerly O\'er Searles, with the result 8 million dollarsl bridal, cradle and wedding and funeral As a six· foot tall. broad shoultlercd. that she broke off all relations with him Aftcr this, Searles sought completc tunes. 'Home Swect Home' and •Amer · attractive man, rcturning to the United (more on that subject later) . prh'acy and sold his shares in the rail· iC:l' wcre scornfully tossed orr by the States, he found it nccessaf)' to work "Kellogg Tcrrace," later c:a1lt.'11 Bar. road and a largc amount of real estate officiating artist and the crowd sat. only occasionally. ,\ssocialing himself rington House, proceeded with top· in New Yor},; and returned 10 his dupli· stood, squattcd. sweated and yawned with an :uchitcctural firm headL'tl by spt."L't1 fcr\'Or. Searles OItldcd 10 the mod· cate castle in Methuen. His bhthpl:tce, through thc weary two hours, although Stanford White, Searles wa!! scnt out in est hOlllestc3d by buying hundreds of "Pine Lodge," was joinL'tI to the chatL'au the organ can 'talk' in 400 languages 1881 to San Frallcis 16 TilE DIAPASON public school music at Indiana State Uni versity. where his teachers were the late Amelo Meyer ond Professor lowell Mason Tilson. He held positions in Carrol County. Camden. Huntingburg, and Danville. Indi ana, before going to the Waveland school. where he taught musk and art for thirty. seven years. First Mr. Walker cont.nues to re!ide in Wave land. where he is active in civic and local affairs and currently serves on the library beard. Consregational Church litchfield, CT John Rose (left), Rollin Smith (center), and Robert Glasgow (right) presented the camptete organ symphonies of Louis Vierne in a concert held Seotember 19 at the Cath edral of the Sacred Heart. Newark, New Jersey. A brochure, with extensive notes on the music and a specification of the large Schantz organ, was printed for the occa sion. A limited number of the booklets are available; interested parties should endose a ..If-addressed 9" x 12" mailing envelope with 3S~ postage and address their re ques.s 10 Mr. Rose at the Cathedral, 89 Ridge S.reet, Newark. N.J. 07104. Retirement Norman R. Walker has rei ired as organ· A new 4-manual organ built by D. A. 1st of the WaveTand Christian Church, Wove- Flenlrop is currently being installed in the land, Indiana. after forty-six years of ser Duke University Chapel, Durham, N.C. The vice. He was na med organist emeritus, given organ is pictured above as a workman gifts. and honored with a dinner after a finishes part of the case; still missing is the Another historic American church spedal service on August 22. gallery rail. The organ will be dedicated Mr. Walker has been a church pianist on December 12, when Fenner Douglass where a Reuter organ sounds out and organist since he was a sophomore in will perform two identical recita~s in the psalms of praise, glorious anthems, high school. He received a diploma in piano afternoon and evening. An organ sympo nd simple hymns. from the National Academy of Music in sium will be held a' the university the Chicago at the age of 21 and he studied following day. THE REUTER ORGAN COMPANY. BOX 486 ~~ENCE. KANSAS 66044. PHONE (913) 843-2622 "'''1(1 _I'Q'._ D " ••• Mas.er Craftsmen" Itt A Greenfield (Mass) Regis.er A ~ V R ~l~~~o. for RecItals I by S FINEST IN NATURAL PERCUSSION D H I These Playe,. A Write Solid n I, Listen to how backup Cathedral Chimes E CONSERVATORY OF MUSIC L Electric 105 Maple Avenue, L Keene, New Hampshire 03431 n the Actions '" AMPLIFIED TOWER CHIMES E or phone U I T 603 357-3202 S LAKEVILLE I T 239-4325 n CONNECTICUT 06039 THE TEMPLE MARTHA FOLTS Cleveland, Ohio 44106 Traditional DAVID "--'-~.1... :. ,,"-...:... ""' ~ , ..... ~ ...... ""~'~-'";:'-' At Recitals: GOODING nte .- '. -.,.' -' ,- -,. . THE CLEVELAND ORCHESTRA Avant.garde MUSICAL HERITAGE soclm Grove Reforilled Church 6337 Jack.on Street RECORDINGS Pittsburgh, Pa. 15206 North 'Bergen~ NJ. Altenburg is the authorized Rodgers representative for New Jersey and TELLERS ORGAN New York City. For further informallon, please call us collect aI201-351- ORGAN SERVICE· J. E. Lee, Jr. Company, Inc. 2000. Or clip the coupon in this ail and mail it to Altenburg Plano House, 1150 Easl Jersey Sireet. Elizabeth. N,J. 07102. KNOXVILlE, TENNWE:~ ;17901 COMPLm ORGAN SERVICE Box 2061 SINCE 1906 P.O. BOX 13B3 Tuning - Maintenance - Rebuilding Erie. Pa. 16512 Ph. 4S6-5306 ------Iwanttohearmore. COftlUltonts ~ Name ______Address ______PIANO TUNING C,ly ______~ ~;;;;;;::_--=----- JOHN BROMBAUGH G' CO. learn Piano tuning and repair with State ~ ...... 7 :.. Tracker Organ Builders easy to follow home study course. Rodgers 990 Wide open field with good earnings. Vilil our Rodgers Installed Makes excellent "extra" lob. Write showroom. Open b, Altenburg. 7910 Elk Creek Road dally until 9 p.m., American School 01 Plano Tuning Salurdays until 6 p.m. Middletown, OH 45042 17050 Teller Dr •• 0..1.01 ...... Hill. CA 95037 NOVEMBER, 1976 17 S~nd for your '7here is Choral Music Recommended complim~ntary copi~s not one category, among the growing list for Christmas ofsacr~d of contributors and workers, ;n the area Reviewed hy Wesley Vos of church music • .• cboral antb~ms whose role is not Nen' Editions or Older Music clearly explained." from Word -Chor.tl and Organ Guide Johannes [ccard, Rejoice. IJciol1t!cl Ncn~rthclCS5, the individual atrant;e· CI,,-;st;mu , c..'tl. DonOlhl Rolemtllntl.SATR mellls :Ire ,,-ell madc. The price for the Look who's listed in 'Nortfs complete Choral Music Cata\og .•• Paul Sjolund . .. Or. " . . . a mine of information, . .•" uuaccomp. Eng. Concordia 35~. (M) Tile whole coUc..'Ctioll (46 pages) seems pro Richard WillIs • • Dr. Robslt Young . •. -Presbylerian Record imit::lti\'c tcxture has :some mCHbl in· hibili\'ely high. and c\'idcntly none 01 Austin Lovelace ... Walter Ehret . , and fluence. the six numlJcrs is a\'ailable separately. Gordon Young. We invite you 10 select complimentary copies of the outstanding choral !Iusic and Worship Leonardo Leo, Mag"ificat, cd. Richard Lo, HOlll A Rou, alT. Dale jergenson. works listed below. Simply re turn this coupon j. mocsch. St\TU/ SATB soli. 2 \'In.s. &: SAn. C.I,A. 40¢. ([ .M) 1\ !oprnno des , with your church lenerhead promptly to WORD intheChurch MUSIC. There is no obligalion to you. continllo. Lat./Eng. Augshurg .$1.50. (~I) cant aud high baritonc linc makc thi.i The Complete Resource A scctional. onc·mo\·cmcnt plan achie\'es sound as SSAT. Howc\'cr, thc carC£ully for Musician, Minister, \'ariet), through ahcmation o( tuui and wurkcd OUl accompaniment supplies ba~ soli. "I he obhligato instrulllcnts perform functions and exp;mds the overall sonot'· and Layperson 110 rhornello (unclion. Continuo realiza. ity. This is a fine picce for choirs havllIg This newly revised tion is furnished. fel\' lIIen. and enlarged edition, one of the most complete Victoria, Two CllOnueJ: Magi I'irler. Four Slmmk Caro/J, arr. Carl Schalk, di scussions of church music Twl Sulla",. Sttlex Put'"u" Porlalml. cd, SATIl UlI3Ccotnp. Concordia 5 18 THE DIAPASON ,,'hy ,/til Haste, 0 S"t!pIJt~rd. Sn)' and rhythms, The pcrclI~ion instru' (Frtmclt. "Od ,'elf vaS/II, Dieu donnet!''), IIIcnl". though Jistoo as optional. are in· arr. John A. Par'-imon. S (5) ATB UII· tegral to the total effect. a[comp. Eng./ French. Oxford -IOC. (M) Lchegue. among olhers, wrote organ Now negin 0" Christmas Day. Ron· ,ariatiolls on this joyous tune. aid Arnatt. SATB unaccomp. Aug~hurg 55e. (D) A large, experienced chol'U" is New Compositions required to tackle extremes of uynamics. B1C5S lite Mmlger Child. Unison. Con· tessimra. and dissonancc. D·fiats seem cordia $1.00. (E.M) This collection of 10 be missing in mcas. 2. 5. 7. 12. 13, 12 lIew c:uols by conlemporary Luthernn and 20. The heauliful poem is by Ger· composers will become a staple item in .ani ~Ianle)' Hopkins. many choir libraries. MIISIC FIlled Iht! Shy, Eugene Englert. I.f II Far To /JetIlIelleml Looms Me SATn C.I.A. ·IO¢. (E·M) The homo Clohon. Unison. Hinshaw -IO¢. (E) Suit· phonic texturc and arJk.'SSiatcd aCCllm· able for children or adults. a SilUplc, palliment pn.'SCItl no special prolJlc'lts tasteful musical approach amids the except for the tcnor p:a rt which may Jie cliches inherent in many pieces h.lving ulicomfol'l.ably high (or SOUle group ... this sort of text. A hannonically intcn;51. II'ht!n Chr;sl Was RoJ'll, Lcwis M. iug accompaniment further enhances Ihe Kirhy. SATR Flammer 35¢. (E·M) A piece. strong modal influence is incorporah~ll. complementing the 15th·century English All My Henrt TfIi.s Night Rejoices, tcxt. The piecc builds logically to a Qj Saml!";, L. Tclrcr. Unison with 'Ii" up tional handhells. Concordia !'I5$!. (E.·M) Itlrtc conclusion. The tcssilllr.J. is centered around c" , S,,,,,,)' lIatlk. Peter Hurford. SATn The North Carolina SchOOl of the Arts and a choir oC light, high "oices is 3- Oxford 45~. (M 0) Wrillen in de must. lightfully irregular IUcters, the piece dc, announces the first mauds a rcUned !:tcnse of enscmble. Fig. New IJfml Chril/mtu Time Child, Sue uration and rhythmic support dictate Ellcn Page. Unison with viola/\'inJin, il piano accompanimcnt. There i$ an alto recorder/flule. hand drum. r;ngrr optional desC:lIH for whistlers. C)'lIIbals. hanging cymbal, kcyboard :Inti optional guilar. Hinshaw 45~. (E.M) A Je~Ul Chilli. John Ruttcr. SATH Ox· mild Colk idiom Is put 10 good clCt'(l (onl.$1.05. (M·D) I'iano accompaniment and would be :accell(mUcd by usc of is obligalory as arc good tenors. A slight guitar. The text (by Eric D. Johllson) pop lIlusic ;nnlu,'ucc is used to good ad· is uncommonly n:lc\ant to the pl(.:~cn' \'antagc. day. IHrlllda)' Carol. David Wil .... lll_ls. S (S) A (A) Tn Oxford ~Oj:. (M·D) The A Shining Slar, Rohert J. Powell. 55 Concordia .. Sf!. (E·M) The range (r'· need for pi.ano accompaniment and good tcnors is again obvious. Alternation of r') may prcsent problems 10 -IOII,C choirs. Both parts mnst be able 10 sing 5!-1. 2/ ,1 and 3/ 8 measures generates con shlcrable rhythmic thrust. J" by leap Cram a rourlh below. IIc(Ut!! El1IlIIatlllf':t! Gloria! Milburn / Sing ttl A Mn;(lcfI, Arthur Wills. S5 Pricc. SATR and ringer cymbals/tri· national Oxford 40f:=. (Il) Certainl)' inlclldctl for anglc. woodhlock. hongos and optional adult \' oicc~. the seconci 5Opt-ano ran~cs handhclls. Hinshaw ~5C: . (M·D) Indi· hom a to t!" . Some unisoll aud octa\'C \ idual parts arc only moderately claW part.writing will dcmand exemplary in· competition cllit. but the piccc de\'clops freely in the tonation. The accompanimellt is fairly manner or a round. Enscmble is there dissonant. forc par31ll0unt. one full scholarship DiPlyel,: l. 11'/10 /1 TI,;s Cllildl 2. Those who ha\'c lhe means for at· Award applies to 1977-78 tuition Gloria, Pelcr Schickclc. SAB with pi:mo tempting a J113jor production will want and option.al finger cymbals. vibes. to see La Ficlla de la Pusada, a nc\\' and fees at the North Carolina xylophone, bells and timpani. Elbn· Christmas choral pageant (in Engli'ih) School of the Arts Vogel 5tk each. (M-D) The composer hy Da\'c HrubL"C:k (ShOlwnee I'ress) . So· is probably beUer "IIOWII for his rOQ loi!lts. ullison children's and S.\TII Award ranges from $1300 for high Bach alltie! than for his iliterc;rinlJ adult choruses arc required. as an: piano, choral music. especially the cxcdlcnt two guitars. two trumpcts. string bass. school students to $3000 for an cantata. Tht! U;rtll 01 C/lrilt (EIL;:J.It . and percussion. Expanded orche!!tLr3 entering college freshman Vogel, 1967) . D;J,tych will appeal to parts arc also a\'.ailablc. Detailed in· high school anu church choirs intcrt.'Slw struction arc pro\'ided ror staging. light· Eligibility - open only to students in bcautifully uliconvelllional sonofilic" ing. and costumes. currently enrolled in the 9th through the 12th grades Deadline for receipt of preliminary DR. WILLIAM HALLER audition tape is January 1, 1977 at the Final competitions will be held on DELAWARE ORGAN the NCSA campus, January 22, ofthe United Nations Parish, Holy Family Church 1977 and in Chicago, January 29, 1977 NCSA students are not eligible Mark Stereophonic For details and applications write: MC 5355 Dirk Dawson, Director of Admis $5.95 postpaid sions, NCSA, Box 12189Z, Winston-Salem, N. C. 27107 New concert organ at NCSA by Available from: Charles Fisk Delaware Organ Co., Inc. Organs by Fisk, Flentrop and 252 Fillmore Ave. Tonawanda, New York 14150 Holtkamp available locally for stu dents John S. Mueller, Teacher of Organ LOUIS F. MOHR & COMPANY G. F. ADAMS ORGAN Organ Builders, Inc. MAINTENANCE ' 2899 Valcncfne A't'e. New York 58, N. Y. 204 West Houston Street Telephone: SEdll"ick 5-5628. Emergency Semee Yearly Conlractl New York, New York 10014 Harps - Chime. - Blowers Espcrt OvrrhaullJII I' T...,hon., OR.,on 5-6160 "A. O,6ft ",..,.", Ar"',.;'.1 U_u S,.,n UIII~' NOVEMBER,- 1976 19 sole-contained computer cora-memory capture combination adion. Designed by New Organs Dr. Thomas R. CI"., organist of the FINE ORGAN BOOKS THE church, in consultation with the firm. Pip. refurbishing by -th. Phillip A. Rob.rtson lewis and Hitchcock, Inc., Silver Spring, Pipe Organ Service. Contract and ar~ IMPOSSIBLE Maryland, Opus 2046: for St. P.t.r's luther rangemanls by Musical Heritage, floyal an Chun:h, B.ltimore, Maryland. 2·manual Oak, Michigan. Tonal finishing by Roger and ·pedal, 18 ranb. Mechanical action Hardesty, voicer, and George Kirkwood, throughout, with Cornet ranks drawing engineer. MADE leparately, and some pedel dops by trans· miuion. Rear gallery installation, with main GRANO GREAT case containing Manual II and ~edal: Man (Normally Unenclosed-Manual 111 ual I encased in ruc.positi.... position. POSSIBLE! Montre 16' 61 v. ffiim :fjtmfl! 117 J. H. & C. S. ODELL & CO., INC. 82·84 MomlwDIW. Ave .. Yonke,.. New York 10703 PlrEORCANS \ E Rntomaou,. Daich, ~ ONE HUNDtIED & SEVENTEEN YEARS A 1859 - 1976 1\ S Fh'c Generulionll building: Odell Organ. 105!!. Roanolu: Road 1\ 914 Yonleer. 5-2607 (116) 382-9396 Cneland Uricht .. Ohio 44121 +t Mechan~E~~ical Action Specialis.~ts WASHINGTON ROA.D OR G A NCO tv! PA N Y. INC. PRINCETON, NEW .JERSEY 08540 Organ Builden and • Rebuilding * FRANK J. SAUTER SONS Inc. * • Repoiring Phone" 388·3355 • Contractural Servldng 4232 West 124th ~ I oce PO 7· 1203 Alsip. Illinois 60658 For Unexcelled Service 20 THE DIAPASON &Uhler B' 61 V'9. Kleine Enihl" B' 61 V.II, Sinqend Ged,d:t 8' 61 V,<;J. V'lOle Pomposa 8' 61 v.g. V'lOla Celeste 8' 61 v.9. Principalino 4' 61 v.9. Rebuilt Organ Cor de Nuit 4' 122 v.9 Unda Maris II 4' 122 v.g. Waldflote 2' 61 '1.9. Ripieno III 2' 183 V.9. 115.19.22) Fint Church of Christ, Sc.ientist, St, Cor Anglais 16' 61 v.9. P.tersburg, Florida. Rebuilt by Berkshire State Tl1Impet 8' (Bombarde) Organ Co" West SprinQfield, Messec.hu. Clarinatto V.9, SSLL 8' 61 ,etts from 27-stop 1925 E. M. Skinner Herp 8' 61 v.O. Treml/'ant I organ. "-manuals and ped.l, dr•• knob stop Tremulant II control, solid stat. c.ilptur. combination action. Heavy plast.r qrm, obscuring old instrument remo.,ed and new fa cad. pipes POSITIV installed fa form scr•• n for chamber open (N6rmtllly Unenc.losed-Mllnuill IVI SOLID STATE LOGIC LIMITED ing. Design by David W, Cogswell of Hobgedllcit 8' 61 v.g. Berkshire firm in consultation with Edward Spitzprinziptll 4' 61 v.g. B, Gammons, consultant for the church, KoppelflBte 4' 61 v.9. end Barty St • .,ens end Marguerite S.ck. Kieinprinlipill 2' 61 Y.9. with, organists of church. SpillflOle 2' 61 '1.9. longot '.1/1' 61 V.9, SHlliSl. " 24 V.9. ,of' ext.) GREAT 2imbel III 1/2' III v.9. (29.11.lfI) Dulciane .,. 61 pipes Krummhorn 8' 61 v,9, Prinzipol B' 61 pipes The logical choice for: Zymbe"lern 12 bells Rohrgedeckt 8' 61 pipe, Tremulent Dulcelne B 12 pipet Octev PEDAL Untersah. 32' Prinlipal 16' 32 pipes SubblllS 16' 32 pipes STEINER Bourdon Dour 16' (Swell) DESIGNED FOR THE CHURCH SERVICE AND THE ORGAN LITERATURE Dulce ina 16' (Greet) Prinziptll 8' \2 pipes ORGANS GedecktbalS 8' 12 pipes Bourdon 8' (Swell) SIMPUCITY In AU ELECTRIC CHESTS pocoflO BC>q SlooeRS ~ WCTRO PNEUMATIC PEDAL CHESTS $TATE rev I Fr-E, EAST 5TAOUDS8URG,P£NNSYLVANIA 18301 ·Q....,wk. ~ AIKEN ASSOCIATES Ece.a.~ lex 143 ...... (p. ' •. 11113 7170219-4132 K. BERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR CIlEATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULTS GEORGE MARKEY Greenwood Organ Company Records Markey Enterprises 201·762·7674 CHARlOTTl, NOR1M CAROlINA 21205 Recitals 42 Maplewood ,Avenue "fHUE GENEUTIONS Of OIIOAH .UllDING" Instrudion Maplewood, N.J, 07040 ~ WANT A PRACTICE ORGAN? RAYMOND H. CHENAULT lulld your own - PEMBROKE PIPE ORGAN p. Idt 10 ...1 Send .tamp for !troch,. M. Mus. FCM Rlcltallst THE ORGAN LOFT Olionlot - Choirmaster EPSOM. N.H. 03234 ToI. 6()3.736-4716 All SIolnts Eplscopol Church, Atlanta, Glo ..la a.lMftIlMt: If it d ... NOT hove pi,.., It it NOT on 0f9CI. NOVEMBER, 1976 21 Richard robert anderson CALENDAR ANDERSON SMD FAGO lenna" Colleg. Southern Methodist University Dallas, Texol 75275 G'Hnlboro, N. C. 10 NOVEMBER The deadline for this calendar was Deborah Benson, alto; Joan Niller, piano; October 10. All events are assumed to South Cangregational/lst Baptist, New Brit. be organ recitals, unless otherwise indi. CHARLOTTE AND WILLIAM ain, CT 12 noon cated. Some events with incomplete in. Music of Matthew locke; St Thomas Church, Thomas L. Bailey formation !-ave been include~. /n the New York. NY 12:10 pm Olrisl Episcoput QlUrch ATKINSON future, no Items will be accepted unless William Darel St Johns Church, Washing. lCuunokc V u. th~y include artist's name or event, dote, ton, DC 12:10 pm t FIRST PRESBYTERIAN CHURCH location. and hour. THE DIAPASON reo James Weaver, harpsichord; Henri Han. Recilals 2001 EI Camino Real grets Ihat it cannot assume responsibility egger, cello; all.Boch; Museum of Art, Clev .. Oceanside, California 92054 for the accuracy of information in the land, OH 8:30 pm calendar. · Bryont's church opera Tower of Babel; ht Presbyterian. Ann Arbor. MI 8 pm Workshops Recitals HEINZ ARNOLD UNITED STATES 11 NOVEMBER East of the Mississippi River F.A.G.O. D.MUI. ROBERTA BIT600D David Simpson; St Thomas Church, New STEPHENS COLLEGE S.M.D., F.A.G.O., Ch. M. York. NY 12,10 pm 13 Best View Road 5 NOVEMBER Jean·Louis Gil; Reformed Church, Oradell, COLUMBIA, MO. Jehn Rose; St Cathannes Church, Hillside, NJ Quaker Hill, Connecticut 06375 NJ 8:15 pm Helen Dell; Kirk of Dunedin, Dunedin.. Fl Phyllis Bryn-Julson, soprano; Donald 8-15 pm Sutherland, orgo.nJ Colgate Chapel, Hamil James Weaver. harpsichord; Henri Han ton. NY 8 pm egg, r, cello; alt.Bach; Museum of Art. Cleve THOMAS BRANTIGAN Jea ,· l~ uis Gil; St John lutheran. Allen land, OH 4 pm Peter J. Basch D.M.A. town, PA William Zurkey; Trinity Church, Toledo, OH 12:30 pm University af N.braska at Omaha Eugenia Zukerman, flute; Doris Ornste in, harpsichord; J. S. Bach and His Contem *Bryant's church opera Tower of Babel; Dunde. Presbyt.rian Church Wildwood Road ,Jolra ies; MU$8um of Art, Cleveland, OH 1st Presbyterian, Ann Arbor, MI 8 pm Califon, New Jersey 07830 Workshops in Organ and Choral 8:30 pm Techniques, Psychology and Mu.ic Jerome Butera. orgonJ Ross Beacraft, trum. 12 NOVEMBER pet; Lewis Center Thealer. DePaul U, Chico. Gary Bordner, trumpet; Barbara Bruns, go, Il 8dS pm organ; O!d West Church, Boston, MA 8 pm ARTHUR CARKEEK John Rase; Trinity College Chapel, Hart. CHARLES BOEHM 6 NOVEM BER ford, CT 8:15 pm M.S.M. A.A.G.O. TRINITY LUTHERAN CHURCH Mary lou RobinsonJ Alma College. Al ma. - Bryant's church opera Tower of Babel; MI 8 pm Hicksville, N.Y. DePauw University Organist lst Presbyterian, Ann Arbor, MI 8 pm NASSAU ':OMMUNITY COLLEGE Gobin Memorial Church 7 NOVEMBER 13 NOVEMBER Garden City, N.Y. Greencastle, Indiana Jean.Loul, Gil: Cathedral of St Luke, Port. land, ME 4 pm Gary Bordner, trumpet; _Barbara Bruns, organ; Unitarian Universalist Church. Glouces. John HO ltz; Cathedral of St Joseph, Hart. ter. MA B pm ford, CT 3 pm Sondra Denmead. soprano; Trinity Episco JOHN BULLOUGH Robert Clarla Bach Motet 3; New Britain South Church pal, Hartford, CT B pm A.B. M.S.M. Ch.M. Choral Seciety. South Congregational/1st Forl.igh Ditlcinson University School of Music Baptist, New Britain, CT 8 pm Copland's In the Beginning, Barber's Pray. 14 NOVEMBER Teaneck, New Jersay University of Michigan Memorial Methodist Church en of Kierkegaard; St Bartholomaws Church, George Bozeman, Jr; Grace Church, Man. chester. NH B pm Whit. Plains. New York Ann Arbor New York ,NY 4 pm Malli Rindell; St Michaels Church, New Gary Bordner. trumpet; Barbara Bruns, York, NY 4 pm organ; Ascension Mem Episcopal, Ipswich, MA 4:30 pm Gruc:nstcin Award Sponsor Bach Canlato 106; Holy Trinity Luth eran, New York, NY S pm James Bossert; Cen'er Church, Hartford, CT 3:30 pm CnlCAGO MICHAEL CORZINE Judith Ho ncock l St Tilomas Church, New CLUD OP York, NY SdS pm Ernest Massenburg; Flalbush Church of the School of Music Mozart Requiem; Church of the Ascension, Redeemer. Brooklyn, NY 4 pm WOMEN Florida State University New York. NY 8 pm Porker's Hora Novbsimo; 51 Bortha lomews ORGANISTS Lenore McCroskey, United Methodi$t, Red Church, New York. NY 4 pm Mrs. Ann Taylor, President Tallahassee Bank, NJ 4 pm Bach Cantata 115; Holy Trinity Lutheran, Hinson Mikell. with string quorlet, St New York, NY 5 pm Pauls Episcopal, Philadelphia, PA 4 pm Stephen Roberts; St Thomas Church, New Catholic U Wind Symphony; Reformation York, NY 5·15 pm Lutheran, Washington, DC 3 pm George Ritchie. Bach Clavierubung III; St Harry E. Cooper DAVIDSON Mrs Ric hard Palko; Cathedral of St PhUip. Morys Abbey. Morris'own, NJ 4 pm Atlanta, GA 5 pm Ba'timore Bach Society; Cathedral of the J,,,, F. SUUln L. Schuyler Robinson; Covenant Presbyterian, Incarnalion, Ba:timore. MD 8 pm !\'Ius. D., F.A.G.O. MSM, AAGO, ChM MSM, ChM H.rp.r ColI.g. nu. Pr.,b,t.,i.n Churd! Charlotte, NC 3 pm Peter Hurford; All Souls Unitarian, Wash. P.I.tin., lIIinoi. Barrington, lIIinoll Peter Hurford; Independent Presbyterian, ington, DC 4 pm RALEIGH, N. CAROLINA Birmingham, Al 4 pm Heinz Chapel Choir; U of Pittsburgh. PA N.ozart's So~emn Vespers, K. 339, Henry 2 pm Lowe, cond; Christ Church, Cincinnati. OH Donald M Rolander; Coral Ridge Presby. 5 pm tt! dal't, Ft Lauderdale, Fl 4:30 pm EUGENIA EARLE Karel Paukert; Museum of Art. Cleveland. Mark Engelhardl; Cathedral of St Philip, WALLACE M. COURSEN, JR. OH 2:30 pm Allanta, GA 5 pm Teachers College, Columbia Univenity F.A.G.O. Carol Teti; Tabernacle Presbyterian, In John Tuttle; Independent Presbyterian, CHRIST CHURCH Harpsichord Recitals dianapolis, IN 4 pm Birmingham. Al 4 pm Performance Practice Workshops Gregg Smith Singers; Valparaiso U, IN Karel Poukert; Museum of Art, Cleveland, BLOOMFIELD AND GLEN RIDGE. NJ. 4 pm OH 2:30 pm 15 West 84th Street, New York, N.Y. 10024 Anita Werling; St Pauls Church. Chicago, Cleveland Camerata; Karel Paukert, harp. Il 3:30 pm sichord; John Carroll U, University Hts, OH Dexter Bailey; Church of the Annunciata 4 pm Chicago, IL 6 pm Cincinnati Early Music Consort; lst Can. DElBERT D1SSElHORST GEORGE ESTEVEZ gregational, Columbus, OH B pm ch.m. DMA 8 NOVEMBER little Orchestra of Toledo, James J Ham Chicago Chamber Choir Lucien Brg.Jseur; St John lutheran Church mann, cond; St Michaela in the Hills, Toledo, University of Iowa of Amherst, WilliamSVille. NY 8: 15 pm OH 4:30 pm Church of Our Saviour Iowa City Iowa Porker's Horo Navissima; Washington John Palmer; St Procopius Abbey, Lisle, Columbia Colleg. Cathedral Choral Seciety. Washington, DC Il3 pm Becky Thomps::ln; Christ United Methodist Robert Lodine; Rockefeller Chapel, U of Charleston, WV 8 pm Chicago. IL 4 pm KATHRYN ESKEY George Wiflioms, all·Americon; Northfield Music for organ, choirs, strings, flute, Community Church, Northfield, IL 8 pm brass; Grace Episcopal, Oak Pork. Il 4 pm GEORGE FAXON English Choral Music, Margan Simmons, The University of 9 NOVEMB ER dir; 4th Presbyterian, Chicago, Il 6:30 pm TRINITY CHURCH Da vi d Simpson; 5th Ave Presbyterian, New Sleven Gustafson, organ; Christine Jonzow, North Carolina York, NY 12:10 pm oboe; Groce lutheran. Glen Ellyn, Il 7;30 BOSTON pm at Gr.ensboro Mozart Requiem; St Thomas Church. New York, NY 7:30 pm Carl Stop lin; for AGO, Rockford, Il 4 pm Dennis Keene; Church of the Ascension Jean.Lauis Gil; for AGO, Peoria, Il New York. NY 8 pm Jean·Louis Gil; Cathedral of the Sacred EARL EYRICH Heart, Newark, NJ 8:30 pm Robert Finster Sharon Plummer, harpsichord, with flute St. Stephen's Church DMA and cello; U of Pittsburgh, PA 8:30 pm (Episcopal) St. Lulce's Church Gorrell Curtis. classical guilar; Chris Rhode Island College Church, Cincinnati, OH 12:10 pm Providence San Antonio Richard Morris, organ; Martin Berinbaum *prevlously announced for a different date trumpet; lst Baptist. Pineville, KY 8 pm or time 22 THE' DIAPASoN 15 NOVEMBER 22 NOVEMBER Marle..clalra Alain. maslerciassesJ 51 James David Chris tie, Harvard U, Cam eM.1ot H. PIt. D. F..\.O.O. Thomas Church. New York, NY 9:30 am, 1130 bridge, MA 8 pm pm John Pagett. for AGO; Berkshire, MA 8 WAYNE FISHER Catherine Mallons Nixon) 5th Ave Baptist, pm Collage Conservatory of Music FINNEY Charleston, 'NV 8 pm Charles Huddleston Heaton, for AGO, 1sl Chairman, Di.,bion of MusIc & Art Huw Lewis; SI Johns Episcopal, Detroit, Presbyterian, Spartanburg, SC 8 pm University of Cincinnati 45221 Houah,.n College, Haughton, N.Y. MI 8 pm Houghton W ....'an Methodld Church Carl Staplln. AGO workshop; Rockford, It 23 NOVEMBER 8 pm Rollin Smit h; Cathadral of the Sacred Heart, Newark, NJ 8:30 pm 16 NOVEMB ER Charles Huddle~on Heaton, choral WOt'k. Robin Talbert; 51h Ave Presbyterton, New j'obn ~. 4§tarbart 1Il HENRY FUSNER shop; I~ Presbyterian, Spartanburg, SC 7.30 York. NY 12:10 pm pm B.A.,M.Mus. S.M.D •• A.A.O.O. Raymond Chenault; Reid Presbyterian, Henry lowe; Christ Church, Cincinnati, Grace Presbyterian Church An. Presbyterian Church Augusta, GA 8 pm OH 12:10 pm Jenkintown, P•. 19046 John Rose; 151 Presbyterian, Naples, FL N.shville, T.nn..... 37220 Corliss R Arnold; Peoples Church, East 2.. NOVEMBER 887-{j 117 Lansing, MI 8,15 pm Lorry Allen; South Congregational-hi Jean-Louis Gil; Groce United Methodist, Baptist, New Britain, CT 12 noon Decatur. Il Music of Rolph Vaughan Wlllloms, Sf Thomas Church, New York, NY 12: 10 pm LESTER GROOM Antone Godding 17 NOVEMBER Marshall HS Madrigal Singers, Sf Johru khoot of Mudc Circulus Musleus thoral ememb~1 Sooth Church, Washington, DC 12:10 pm Seatt1e Congregational-1st Baptht, New Britain, CT Ikhop W. A•• Ie Smith eM,.. Scalli. p.cllie 01111d. the 12 noon 26 NOVEMBER or Oklahoma City Unlv.rslty Music of Thomas Tollis; SI Thomas Church. Karel Paukert; Notional ShrIne, WashIng. Collese Aleen.lon New York, NY 12:10 pm ton, DC 8 pm 98119 98199 William Dare; Sf Johns Church, Washing Britten Naye'. Fludde; Fairmount Presby. ton, DC 12:10 pm terian, Cleveland Heights, OH 7 pm E. LYLE HAGERT 18 NOVEMBER 27 NOVEMBER Bethel Zuechlno; Busch·Relslnger Museum. Pocono Boy Singers. Youth Concert of STEPHEN HAMILTON EJ>I-poI Church Harvard U. Cambridge, MA 12:15 pm Philadelphia Orchestra; Academy of MusIc, c._ Cllflotd Hilt; St Thomas ChurdJ, New York, PhUadelphia, PA 10:30 am Virginia Inlennont Collece MInn ..poIIt, M1ou ...ca !154M NY 12:10 pm Brillen Noye's fludde; Fairmount Presby. Bri.lo]. Vir~nja 24201 US Army Choru.; fairfax United Metho lerian, Cleveland Heights. OH 7 pm I dist, Fairfax, VA 8 pm I Donald Sutherland, orgam Phyllis Bryn. 2B NOVEMBER Julson, yoice; Presbyterian Church, Dalton, linda Miller, soprano; larry Allen, organ; DAVID S. HARRIS GA B pm premiere of Wyton's Eapedan., Expectovi; Yuko Hayashi Marilyn Greenlee; Trinity Church, Tolodo. Immanuel Congregational, Hartford, CT 4 Organist and Choirmaster OH 12:30 pm pm new england conservatory St. John's Cathedral Advent proceuion with carols, SI Thomas old west church 19 NOVEMBER Church, New York. NY 110m, "pm Denver Marle-Claire Aloin; St Peters Episcopal, Brahms Requklmi SI Barthobmews Church, boston Boy Shore, NY 8 pm New York. NY .. pm Thomas Richner; Community Hall, Ra$$ Bach Cantata 36; Haly Trinity lutheran, moore. NJ New York. NY 5 pm Max Miller; SI Stephens Episcopal, Rich· Harold Pysher; St Thomas Church, New 'VILL O. HEADLEE mond, VA 8 pm York, NY 5: IS pm SAMUEL HILL SCHOOL OF ~fUSIC Wallace M Coursen, all.Bach; Christ 20 NOVEMBER Church, Glen Ridge, NJ 4 pm 51. Paul'. Church SYRACUSE UNIVERSITY Marie-Clalre Aloin, workshop; Bradley Hills Charles W Whittaker; US Naval Academy, Cblcap, DUnoIl SYRACLSE. :\EW YORK U210 Presbyterian, Bethesda, MD 2 pm Annapolis. MD 3 pm Paul-Martln Mak., St Davids Church, Boltl. 21 NOVEMBER more, MO 8 pm Choir Festival, SI Pauls Cathedral, Boston Robert Baker; Christ Episcopal, Reading, Archd iocesan choirs; Theodore Marler, dlrl PA .. pm Thomas Murray, organist; SI Pauls Cathe Procession with carolsl Cathedral of St Harry H. Huber VICTOR HILL dral, Boston, MA 3 pm Philip, Atlanta, GA 11 115 am. 5:45 pm M.Mus. Ha'J'llchord St Cecilias Day candlelight celebration, John Rose: Independent Presbyterian, Blr· Kansas Wesleyan University Trinity Church, Newport, RI 4 pm mlngham, Al 4 pm Winiaml Col .... George Ritchie, Bach ClavierGbung Brillen Naye's Fludde: Fairmount Presby· University Methodist Church II., WUUamstOWR, Mo... 01267 Dwight Chapel. Yale U, New Haven. CT 8,30 terian, Cleveland HeIghts, OH 7 pm SALINA, KANSAS pm 1 Berlioz TeDeum; St Borlholomews Church, 29 NOVEMBER New York. NY 4 pm Karel Poubrt, masterctes.s; Vlrglnla Com. Bach Cantala 140; Holy Trinity lutheran, monweafth U, Richmond, VA FRANK IACINO d. deane New York, NY 5 pm Organ Virtuoso John Burgeson; SI Thomas Church, New 30 NOVEMBER Recording Artist York, NY 5:15 pm Jean·louls Gil; St Pauls Episcopal, Albany, hutchison Meeting the Composer; SI Maries Church. NY For ndtal bookings, write '0' Fronk Vinnn. portland. oregon Jackson Heights, NY Choral Concert, David Wehr, dlr; Easlern 161 Oakwood Ave.. Apt. 304 Bach Canlala 28; Darke The Sower; Zion Kentucky U, Richmond, KY 8:30 pm Toronto, Ontario, CanCl" Episcopal, Wappinger Falls, NY 110m Edward Mondello; Rockereller Chapel, U John Pagett, Trinity Episcopal, Syracuse. of Chicago, It 8 pm NY 4 pm EUEN KURtz Marle-Clalre Alalm Bradley Hills Presby l ' DECEMBER KIM R. KASLING Musfc of Palestrina: S, Thomas Church, terian, Bethesda. MO 4 pm D.M.A. Charles W Whittaker; ShrIne of the Blessed New York. NY 12,10 pm JACOBSON Sacrament, Washington, DC 4 pm Catharine CrozIer, with orchestra, Allee Western Mlchlga .. u.. tvenfty M.MoL A.A.G.O. Belly Milham1 Washington Cathedral, Tully Hall, New York. NY 8:30 pm Flnt Con .....atJon.t Churdi Anthony Newman, Colgate Chapel, Hamil- Concord, California Washington, DC 5 pm Kalamazoo, Mkh..... John Helzer; Cathedral of Mary Our ton, NY 8 pm Queen, Baltimore, MD 5:30 pm Emily Gibson; St Johns Church, Washing. Richard McPherson; River Road Church, ton, DC 12:10 pm Richmond, VA 8 pm Bach Cantata 11, Magnificat, Mote. 6t 2 DECEMBER SHARON KLECKNER James Kibbie Bryn Mawr Presbyterian, Bryn Mawr, PA .. Quadrivium, Marlean Montgomery, din House of Hope pm BUKh·RetsTnger Museum, HarVard U, Com. Holy Family Church bridge. MA 12:15 pm PreJbyterian Church Joan lippincott; Camp HIli Presbyterian, St. Paul, MN 55105 Camp Hili. PA 7130 pm Paul Scheid: SI Thomas Church, New Fort Worth, Texas 8ach Canlalas 80, 51. Dvorak TeOeum, York, NY 12:10 pm Recitals Groce Presbyterian. Jenkintown, PA 8115 pm Anthony Nawman. masterclas.s; Colgate Ellen landisl SI Pauls Cathedral, Pitts Chapel, Hamilton, NY 9 om burgh. PA 8:30 pm James Metzler; Trinity Church. Toledo. David C Sillisl Cathedral of SI Philip, At· OH 12,30 pm GEORGE E. KLUMP lonta, GA 5 pm 3 DECEMBER WILLIAM KUHLMAN Donald M Rolandar; Trinity PresbyterIan, DMSION OF THE ARTS Choral concert, Louard Egbert, toncf; Vir· ClltOrwater, FL 3 pm Luther College glnla Intermont College. Bristol, VA 8,15 pm DALLAS BAPTIST eo ...... John Obetz; IncfepelKlent Presbyterlon, • Decorah, Iowa 52101 Birmingham, At .. pm 4 DECEMBER DALLAS, TEXAS 75211 Karel Pauke"; Museum of Art, Cleveland, Bach Cantatas 93. UO; 1st Church Con. OH 2,30 pm gregational, Cambridge, MA 8 pm John Christian, wllh slrlngs, Lakewood United Methodist, Lakewood, OH 8 pm 5 DECEMBER Karel Paukert; Willoughby, OH 8 pm Bach Cantatas 93. 140; lst Church Can Mark X Halfield; Our Redeemer lutheran, gregatlonal, Cambridge. MA 5 pm HUW LEWIS Arthur laMirande Evansville, IN .. pm Bach MaAnTncat; St Borthobmews Church Becita'lI Jay Peterson; Ec»tern illinois U, Charle.. New York, NY 4 pm Church of the Holy Name of Jesus ton. Il 4 pm PauJ..Mortln Makh Sf Michaels Church, Saint John's Church William Wilson, Trinity lutheran, Wausau, New Yorle, NY 4 pm 50 E." n.hr.. Detroit, MI 41201 New York. N.Y. 10025 WS 8 pm {Con,illftfl. pcrg. 2~J -- NOVEMBER, 1976 ~ CALENO ... (Cont. I,om p. 231 'enner Douglass. FJentrop dedlcatlan, Duke U Chapel, Durham, NC 3 pm, repeated RICHARD W. UTTERST David Lowry 8 pm School of Mu.,ic Sight & Sounds of Advent; Covenant Pres M. S. M. Bach Magnlficol; Holy Trinity lutheran, byterian, Charlotte, NC 7,30 pm !lCOND CONCIEGADONAl CHURCH \\..'jntluop Colll'~)P New York, NY 5 pm Charles W Raines; Cathedral of St Philip, Judith & Gerre Hancock. duo-organlsts, Atlanta, GA 5 pm f ROCKFORD. IWNOIS H(Kk t lill. ~()Illh Carolill . THE DIAPASON '10 NOVEMBER 13 DECEMBER Harakf VogfI l, workshop; SI MorJu Cath& MenoH" s Amafll CH'lcf the NJgfll VkHorlj R dral. Seattle, WA 9130 am Garden Grove Community Church, Gorden E Robert Rayfield, workshop; la Jolla Pres. Grove, CA 6:30, 8 pm C ..JOHN HOLTZ byterian, la Jolla. CA , ... pm I INTERNATIONAL T A Faculty: HARTT COLLEGE, Univenity of Hartford 21 NOVEMBER 7 NOVEMBER L French medieval muskJ Christ Church Cath Bronksome Han Chombor Cholrl SI Pauls S Organist: CENTER CONGREGATIONAL CHURCH, Hartford edral, New Orleans, LA -4 pm Anglican, Toronto, Ontario 7130 pm Carl Staplin, organ de,dlcation} Clear Lake, U of W Ontorio Faculty Singers, ht 51 IA Andrews United, London, Onlorlo 8 pm Fe$tival Thanksgiving celelxation, Dol)Qlos Antoine Reboulot; 5t John Baptist Church, l 8ul~r, dir, ht Unitarion, Portland, OR Quebec City, Quebec 8:15 pm Moues by Mochaut, Stravinsky; Groce Bernard Logocl!, all·Boehl Immocuklte Con Cathedral, San Francisco, CA 5 pm ception Church, Montreal, Quebec 8:30 pm THOMAS MURRAY Robert Rayfield; la Jolla Presbyterian, la Jolla, CA -4 pm 11 NOVEMBER ST. PAUL'S CATHEDRAL BOSTON 02111 J Anthony Hokes; St Pauls Anglican, loron 23 NOVEMBER to. Ontario 12:05 pm larry Palmer, harpsichord; Falla centenary concert; Caruth Aud, Southern Methodist U, ... .. 14 NOVEMBER Dallas. TX 8t 15 pm Lucien Brasseur, Cathedral Basilica of Quebec City. Quebec 8:15 pm 28 NOVEMBl:R J. MARCUS RITCHIE Advent Proceulon and Caralsl Groce Cathedral, San Francisco. CA 11 am 16 NOVEMBER lucien Brasseur; St John Baptist Church. ORGANiST AND ' MASTER , OF THE CHOIRS Quebee City. Quebec 8115 pm 29 NOVEMBER --= '~ ...,.,r" --- - Doug!as l Butler. early American music; Mult nomath County library, Portland, OR 18 NOVEMBER ~~.~!!!!~~~iZl .~l!~ !;' " Thomas Filches; St Pauls Anglican, Toron- 30 NOVEMBER 10. Ontario 12:05 pm .. .' . '!.~. ::. J\'!I.J\.!!!l\ L30305 ~ ..::!;.( . , Wayne Sta te College Mad rigal Singers, .F" .. ; "".__ ,...., ... S.--.- Elizabethan Christmas Dinner; Westminster 19 NOVEMBER • Represented by Arts Image Ltd. , .' _.'r. ~""J:"»""~~~" '. Presbyterian, lincoln, HE 6 t30 p m Jean·Louis Gil; Groce Presbyterian, Col John Rose: h t Presbyterian, Tyler. lX 8 " B~x 670 :S ~ ;; ih - Orange . N.J. 07 079 " gory, Alberta . , - ,'_. pm . 21 NOVEMBER 3 DECEMBER Jean Eudes Beaulieu) St John Baptist Margaret Melvin Richard Morris, organ; Martin Berlnbaum, Church, Quebec City, Quebec 8:15 pm trumpel; Cinema J Northpark, Dallas, lX Jean·Louls Gil; Christ Church Calhedral, 10:30 am Ottowa, Ontorjo DICKINSON John Rose; 1st United Methodist, Corpus Univ.rsity of Loui.ville Christi, lX 8: 15 pm loui.vllle lach Socl.ty David lennox Smith; ht CongregoUonol, 22 NOVEMBER Calvary Eplscopol St. f,..ncfHn. .. ~Id. Epltcopctl Los Angeles, CA 8 pm John Ttrltie, 51 Pauls All9 li can, TOlonlo. Ontario 8 P'" 5 DECEMBER Samuel Porter; Christ Church Cathedral, 23 NOVEMBER MARILYN MASON New Orleans, LA -4 pm Jean·louis Gil; Aeollon Town Hall, lon CHAIRMAN, DEPARTMENT OF ORGAN don, Ontario Donald Sutherland, organ; Phyllis Bryn UNIVERSity OF MICHIGAN Julson, voice; Concordia College, Moorhead, MN -4 pm 25 NOVEMBER ANN ARBOR Howard Rou, 51 Lukes Episcopal, Dolla.s, Catherine Palmer; St Pauls Anglican, T~ "MIt. Malon ploy"" with aunrlty Gncl ,e.. rv.. demo".,,..,'n,, OnllW TX 5 pm rania, Ontario t 2:05 pm h., .xlraordlnary 'acUity ••• M D.. Moines _..,I.t." October 5, J964 John Rose; Rtchard50n Hall, Southwestern College. Winfield. KS 26 NOVEMBER John Fenstermaker; Groce Cathedral, San Jean·louls Gil; Yor"mln$ter Park Baptist, Francisco, CA 5 pm Toronto, Ontario Menolll opera; St Bedes Episcopol, Menlo WA-Ll-RO slIlly sillde wilmer Pork, CA ••••g.o. ch.m. 28 NOVEMBER BOY CHOIR Handel's Meulah, Howard Swan, cond, Jean·Louis Gil; Sf Malhlas Church, West CHURCH OF Garden Grove Community Church, Garden mount, Montreal. Quebec 8130 pm WARREN Co MIUER - DIRECTOR ST. JOHN THE EVANGELIST Grove. CA 3 pm Chrflt Church, Shoker Height. 22, Ohio a.acon Hili lodon 2 DECEMBER 6 DECEMBER John TUHIe; SI Pauls Anglkan, loronto, Joyce Janesl U of Te/(os, KingS'lllle, lX Onla,io 12:05 pm B pm C. GORDON CLARENCE WATTERS 7 DECEMBER " DECEMBER Martin HaselbOclc; SI Michaels Anglkon, RECITALS John Rose, for AGO; Messiah Lutheran. Paris, France 8:30 pm WEDERTZ Oklahoma City, OK Real St Germain; SI Pauls Anglican, To 25S4 West lIBth SL The Chapel, Trinity College ronto, Onlario -4 pm ClUCAGO 606!15 Hartford, Connecticut 12 DECEMBER larry Palmer. 5t Lukes Episcopal, Dallcu, 5 DECEMBER TX 5 pm Advent music for thalrs, bells, organ; ht Music of Distler, Poulene; Douglas A Bul DAVID A. St Andrews United. London, Ontario -4 pm ler, dir; ht Unitarian, Portland, OR am 8erncml Logocl!, ol~80"" Immaculale Can· HARRY ARTHUR WELLS Douglos l Butler, MelSioen La Nalivili; 1st ception Church, Montreal. Quebec 8:30 pm Unitarian, Portland, OR pm Tn.1Iy t.'- Ch_ Menottl's Amahl and the Night Visitors; Washl.... on. Stat. Unlveralty WEHR Garden Grove Community Church, Garden 9 DECEMBER Pullman 99163 &Rem Kentucky UnI.cnlty Grove, CA 6:30, 8 pm Bruce Ubukola; SI Pa uls Anglican, Toronto, R1chmoud, Kentucky Handel's Meuiah, Christmas portion, La Ontario 12tOS pm Jolla Presbyterian, La Jolla, CA 7:30 pm Handel's Meuiah, William C Beck, cond, 11 DECEMBER St Francis Church. Palos Verdes Estates, CA Kerry Beaumont; SI Pauls Anglican, Toronto, HARRY WILKINSON 7,30 pm Ontario -4 pm Charles W. Whittaker Recitals Ph.D•• F..... G.O. ST. MARTlN·tN·THE·fIElDS F.lrfax United Methodist Church ChI.tnut tUU, Philadelphia P.O. Bo. 170 Fairfax Vlralnl. 22030 WEST CHESTER STATE COLLEGE, P.... LAWRENCE Vemon de Tllr FA.G.O., Mu._ D.c., S.M.D. ROBINSON Church of the Ascension DONALD WILLING Fifth Avenur m Tenth Strut DONALD W. WILLIAMS N.w YC.lt. N.Y. 10011 faculty D.M.A. YIRGINIA COMMONWEALTH UNIYEItSItY The Junllard School North T.xa, Stot. U.'vtmlty ZioD Lutheran Church llCHWONO. VllGINIA • Recital. D...... Organ and Choral Workshops Ann Arbor, MI JOHN TUTTLE, FAGO George Norman Tucker Gary Zwicky Saint Paul's Anglican Church MOL Bach. RONALD WYATT DIM FAGO 227 B100r Street East ST. LUKE'S CHORISTERS TriDlty allum Toronto. Ontorlct Kalamazoo lEaste," IIIlnor. Untvenfty MAW ICB Gall'CItoD recital. Instruction BOY CHOIRS Cha_ NOVEMBER, 1976 25 Classified advertising tat ••: p.r word, $.20; minimum charae, $2.50; box number, additional $1 .00. CLASSIFIED ADVERTISEMENTS .epli•• ta box number. should b •••nt c/o Th. Diapason, 434 5. Wabash Avenue, Chicago, la. 60605. !'OSlrIONS AVAIlAllf MlSCfUANEOUS HAIII'SICHOIIDS FOR SALE - PIPE ORGANS ORGAHIUllDER. SAN fRANCISCO. UTAI THE NEW 7-OCTAVE pEfERSOH CHROMA· HAMt'SICHURDS AND CLAVICHORDS IY J. "Mf2.'R WUIlITlER OklGINAL :I CHA .... EIl Ijs!led, financial., sound. proleniol\OUy man· tic Tuner model no, is now available from C. Neupert (Germany), Sobethil nd Scm (CoD' 1m factory installation unchanljJed, good condi· 119ed linn with highed quality stondot'Ck seau stock, ConlinVOUlly varioble Vellliar control 01· ade)· and I:ih by ZUckelmOl1n. Showroom open tion and now playing. Std. COl1wle w/c:ombons, person of int~rity and intelligence, "peri lows you to compensate fot temperat"re or by eppoi ntment. For brochures pleosa writo suitob!e bass, ObI. Tch. Ranh inc. l2' Bdl'l, and anced end mechonically skilled in building tunll celede ronh with eue. For more detoils: or cali John W _ Allen, 500 Glenwoy Avenue, 9 I& 's. C" rys. and Chimes only percul. AV6i1able lind maintenance. Electric-pneumatic and m~ Peterwn Electro·MuS·(;4 1 Pfod uch, Dept. lt, Bristol, Virginia 24201. Telephone (703) 669·8396, immediately for buyer 'emovol, Will not divide. chllnical. Feetcry training desirable. Send fit Worth, III. 604B2. Minimum bid $"0.000. Serious inquiries contact FLEMISH HAIPSICHORDS t+ANDCRAFTED sume in confidence to l.t, THE DIAPASON. Delawllre Organ Company, Inc" Tonawenda, bV Donold Rogers. H1stwicol copies of instru· ORGAN SERVICEMEN: WE WILL RECOVER New Yorl: 141SO. ORGANBUILDER, PERIrwtANENT. GOOD EX Casavant and Skinn.r pouchboards, primllry ments mode by the RllckerJ family, Continuo perience. Must lune: famlliat with building. re and offset adLons. Write Burneu AssociotltS, model with walnut cose ond hand-painted florol 2/9 THEATRE-ROMANtiC ORGAN WitH building. trecker actio", Apply Cllvalier Orglln 1901 5u,qulhonna Rd., Abington, Po. 19001. soundboatd from $1250. Rogen Horpsichord., 28 many percuS$ions and toys, For in'ormation call Builders, Inc" 352 Amherst St., Buffalo, N.Y. PorI: Ave., Amityville, N,Y. 11701. Theodore C. Wood. RD 2, S.lem, N.Y. 11861j. 14201. QUALITY ALL ELECTRIC CHESTS MADE TO (SIB) S54·3189. order, good delivery, Aiken Auociates, Box 141. HARPSICHORDS, CLAVICHORDS, MOZART Pianos by Neupert, lale or rental. Financin; Brooklyn, PA IBBIl, AEOLIAN OUOART PLAYER RESIDENCE available. Write or cllli Wally Polloe, 1955 Wed !'OsmONS WANTED pipe organ, I I ranks and percussions. 16 (,0,1,101'1 REED ORGAN TUNING AND REPAIRING. John Beets Road, Stevensville, Michi;8A "9171. rolls with c.'alOljJues from 19I5 to 1947, one ORGANIST.CHOIRMASTER REQUIRES FULL Edgar A. Rodeau, 401 Albany Ave., Westmont, lest roll with informotion sheeh, trader·l:oa, NJ OOIDS, "THE HARPSICHORD," INtERNATIONAL or part.time larqe Episcopal church appoint Quarterly for loven of early keyboard instru· drawings, blueprints of original installation. ment. Anglo.Catholic tradition detirable though QUALITY REED ORGAN REPAIRING. RE· ments lind mus'c. Articles, interviews, photo aHochment fat connection 10 piono. Pipes not essential. Good pipe otqan, choir potan build ing ond tun·n9. Dev:d McCoiA. 1529 Well grophs and iIIultrations by todoy's foremost c rated elcept for larger baSles. E.ccllent t .. tial and private music teaching opportunity a Touhy, Chic&90, III. rom,. (312) 7&4-6708, arlish. Per onnum: $10 (dome:slic). $It (non starable condition. Ma.es nice Christmos pres distinct requirement. Immedi.lely available. Do· US). " The Herps:Chord," 80l 4323 O. Denver. ent, $8.COJ.oo FOB. Robert Kiernan, 9SJ9 Ab toils to Edwin Gitlus, 5 lyme Vtew CICHe, Tor MUSIC STAND MADE OF SOLID CHERRY Colo .. B0204. bobford Rd" Pica Rivera, Cal. W660. quay TQI 3Ul, Devon, EnQland. • •• Elegantly "ylcd and fully adlustable. $98 ppd. Early MUlic 5tond" P.O. Sol 211, Polo HARPSICHORD OWNEIlS: A fULL UNE OF ESTEY MtNumE GRAND PIPE ORGAN, ORGANIST/CHOIRMASTEl SEEKS FULL-TIME Built ebout 1930, has 231 pipes, and ;5 sha;:Nt.:l Alto, CA 94102. audio and viual Chromotic: tunan is I'OIit position liturgicol or lIon.liturglcal chul'Ch. 21 avoilable to help you with your tunin; ,equire. like large grand piano. Pneumalics good, b~t yeerJ elperienca. Dedicated end el'lergetic, For monts. For more infwmation write PoteflOn needs lOme minor repair. Very unuluol inlfru resume write Wimom Alley, 1414 Orchard St" Eleclto-Musical Products,. Dept. 20, Worth. III, ment. For more informotion write: Terry iil+' Belleville, III. 62221. (1.18) 234-5479. PUllICATlONS 601". ienl, Route I, Sabelho. Kon,- 66514. (913) SPECIAL COLLECTOR'S ISSUE OF "THE 2&-4·2436. 1m GRADUATE, a.5, ELECTRICAL ENGl· Trader" maga,in•• 200 pages; a" x II" 50ft· HARPSICHORDS, CLAVICHORDS BY NEU. neering, seriously interested in organ b"iidin;. bound; 25 euthorJ including E. Power Big9S, pert. RECORDERS by Moed;, Adler, end others. 2M/12R ORGAN, SPECIFICATIONS UPON Seeb opprenticeshlp or polition with pip'! or Jo,eph Blanton, Maarien Vante. Rare articles Also historic instrllments. Writo or coli Gor· request. May be seen and played 01 The t:lrst electronic On;Jen builder/lirm. Inquire John concerning all phose, of the history of American d on Wildmen, 222l E. 7460 5., SoU lal:e City, Presbyterian Church, Pennington, N.J. OBSH. Foell, Route #3, Potsdem, N.Y. 13676. organbuildin;, Limited Bicentennial illue: $10.00 Utclh 84121. 1001) 942-4751. postpaid. Or9an Historicol Society. P.O. Bolt 2M/IiR WITH CASAVANT CHESTS, ORGAN 209·b, Wilmington, Ohio 45111. HARPSICHORDS, CLAVICHORDS. AND VIR· reconditioned ond installed by organ builder WANTED - MISCELLANEOUS g ina., ...... uthentic classical desi;ns 10, home in 1970 with new Swiss blower. Dismantled and ORGAN WORLD'S NEWSLmER The king's construction by the amateur builde', Write for ready for pic.,.up. Ins loll h.-lion could be oIr· WANTED TO PURCHASE: A TAPE AND Letter, free advisory service. free ads for free brochure. Zuckermann Herpsichords Inc., ranged, M. Kinter, 202 Hi9h 51., MerJhall, musk for Jila Suile on MilSs Teds by Paul posilion openings. $2S for subscribers' olrticles, 15 Williams St., P.O. Ball t21, Stonin~ton. Cotln. Mich. 49D611. (bl6) 7SI·3466. Horn, composed by lolo Schillin, ContaCot Music How·to-arlicles for on;Janisll, choir dirac.tors, 06JiB. 5-STOP POSITIV, IDEAL FOR CONTINUO Director, Church of the Good Shepherd, 400 pastors, builders, mUlic committees, etc. Satis' work, 49·note key compass. Gedackt B', Pr;ncl· W. Duarle Rd .• Al'Cadia. Ca. 91006. foction guaranteed Of money refunded. Send SAIATHIL HARPSICHORDS, ,EDAl HAR'· pal 4', Rohrflote 4', Flote 2', Regal 8'. Walnut $15 for a yeor', subscription (12 issues) Ot sichords end Clavichords; most reliable and HANDIELl.S--PAY CASH FOa useD HAND ca,eworl:. Easily poriab!e. Ronald Wahl, Or9an send for deteils and a free sample. Ire beautifully sounding from $1,19s.m. BrOGh!!r. bell set. Dutch or bglish pref'd. ORelay, 65JS $1.00. Stereo LP l5 from Depl. D, 10&4 Homer, Suikler, RR 2, Broadway Drive, Appleton, WI Seaview NW, Se,ttle, W.sh. 98117. KING'S LETIER, RFD #1. Dept, 011. \Vinsted, SHII. Conn. 0601B. Vancouve" II.C., Can ado. I' TRUMPET. I' O'EN DIAPASOH, .... 4" MOLLEI PIPE ORGAN; <4 RANkS; 2 MAN· DO·IT-YOURSELF PIPE ORGAN IEPAllS: HARPSICHORD AND FORlEPIANO KIlS. AU· wind; dWtil megnets. R. Seymour, '11 Covenlr, ~Is : \10. and chimes: Opus 95)8. Fine condition. T~lIing: Adjustmant •• Scuels "om former ooild. thentic repHcos 01 ~lIsto,ical iMI'umaAlS ill tit lane, Slate College, P•• 16801. BerKh incl. Allen A. Roedel, 804 North 21th St., et, tec.hnician. Send $5 for Guide. ISatiriolc fcmn IDr construction by Hut omoleur Clallsman. Cllmden, N.J. 08105. MUSIC ROLLS FOR AEOLIAN.DUO·ART, tion guu.nteod.) Pipe Organ Spocialtie&, Bo" IIludr.ted brochure. Fronk Hubbard Harpsi. Welte, and Skinner Automelic Pipe Organ 14 DO, Colebrool:, Conn, 06021. chords, Inc.. IB5A·D Lyman Street. Waltham, Maslachusetts 02154. PAUL OTT POSITIV ORGAN, lV, RANKS, PlayerJ, J. V. Macartney, 406 Haverford Ave., pull.down peda". Elhibiled ot AGO 1I0sion NII , beth. Penno. 19072. HARPSICHORD FOR SALE, SPERRHAKE l Convention. Richard Minnich. Rep" 10 Ellis PIANOFORrES PI lice, Ossinin9, N.Y. 10562. (914) 941..0c66. USED PIPE ORGAN FOR CHURCH IH manual 16, B' 4' sels of slrin9" keglsrrollion Flil'lt, Michi9an. 2·1 manuell, 30-40 ra nh, prefer CHtCKERING "REPRODUCER" Slto\ND by loot pedols. Confoct: John Russell, ColIlIQ. Sl:inner, Moeller or equal. Cell (lI3) 7"l·nI7 Player' piano S'B". 1928, Ampico-A. Or.;;r.ol of Wooster, Wooder, Ohio 446'1. 121&) 264-12l', 1 PARTIAL RANK AEOLIAN ORGAN, DIS mechanism intact, but needs work. (BI5) 459· Ed. 585, 479. mantled, including conlole, chelts, shad. !ond evenin9s• 5124. Crystol Lal:e, III. motor_ Woodan pipes in 900d condition, metal .URTON HAR'SICHORDS AND SPINETS - pipes in poor condition; $SOD.OO. Conta.:1 SeJ USED S'OmD METAL AND OLD SPOTTED Professional instruments in kil form. P.lanted ford Baptist Church, Bedford, Va. 24S23. (703) metal pipes. 90 cenh per pound. Contact Trivo Burton Jocks. $19S·$9OO. Write Burton Horpsi. 586-9564. Company Incorporated, Manufaduren of Qual. FORTEPIANOS chords, n7 "R" Street, BOl B0222D. lincoln, ity Reed PiP'll, 1I01t 101, Hagerstown, Maryland FORTEPIANOS - THOMAS McCO ••, lID7 Nebraska 68501, for brochure. 21740. HOOK AND HASTINGS 2·MANUAL ORGAN. South Division Avenue, Grand Rapid., Michi. eompletely rebuilt, new contacts, reh:alhered. gon 49507. TELEMANN MODEl, NEUPERT HARPS!· USED 'IPE ORGANS. TRACKER, TUIIULAR chord. One manual. four fOOl, eght foot, lule Idul for medium sile c hou rch. May be SHII and pneumatic, eledric pneumatic, direct eledric. stop, A sturdy instrument ift elceUent condi pla),ed. Conrad O. Olson, 221 Adams St., C411: Franlr: G. Kietan, Pipe Otgan Builder, Wallh41m, Mass. 02154. tion. $2,'1IXI.00. Wat.ins, lao 8e~co n St •• 80S' (617) 872·1'1IXI. HAIII'SICHOIIDS ton, M.n, 02116. (6171 26b-0979, USED MUSIC mewRITER, CARlI ON RIIION JEREMY ADAMS ,HARPSICHORD IUILDER. 2·MANUAL, '-RANK WICKS HOUSE ORGAN. HAIPSICHORDS IY DOUGLAS E. IILDT, HIS· preferr~d b"t any considered. Graphics, Bolt Ant;q1Hl construction. uncompromising quality, Fils S' ceiling. Movirtg, must be sold. Grolphicl, fork design .Itd CO"slrvclion, quality c:,ottsman· ll414. Wa.hington, D.C. 1!:af1, solid wood pointed USU, pear.wood jacks, BOl 32414, Washington, D.C. 2tXX)7. handmode keyboards. Brochure ovailable. Writo ship. Single end double manuol. Dou;l .. E. lIild', 4210 POIl:view Dr .. Omaho, Nebr. 681]4. J eremy Adam" 1A Putn.m Court, Danvers, 10 RANK, 50 YEAR-OLD KILGEN ORGAN. MISCElLANEOUS Mass., 01923. DOUBlE MANUAL HAR,SICHORD IY SA· Good playing (.ondition. &est oHer. Ou, Sav· ior'l, ISOD Jackson, Bloomer, W;,consin 54n4. NOEL MANDER OFFERS - FAITHFUL COpy HARPSICHORDS, CLAVICHORDS BY NEU· batft;l. Concerto II model wilh 4' on lollter of Haase (1684) Regal Oroan B, 4, 2. Porlable pert, world's finest, oldest maker. Cotol09S Oft manuol. Excellel1' condilion. $4,000.. (201) 2J6.. full com Poll" tracker (in kit form B, 4, 2.) request. Mognomul'c, Sharon, Conn. 0b069. 33B7. AEOLIAN PLAYER PIPE ORGAN NO, 1617 Medieval Portative £500. Period Chamber Or· with 39 rolfs. Console with two keyboerds, 13 oan, beautiful inst,ument, superbly restored, J. MORLEY CLAVICHORD. CoD FOUR oc SPERRHAKE HARPSICHORDS AND CLAVI· "Opl. Best offer. Terry Wllnen. (bl7) nl·6IJf1. chords. Excellent, dependable, beoutilul. Robert £12,000. St. Paul', Cathedral, new Ed of book· to~'e, two semi·tone keyboard, double lIrung, let on rebuild. For detail, please send two rosewood finished cabinot. Tltr .. yean old, in S. Taylor, B710 Garfield 5t" Bethesda, Mary. lar:d 20034, dollars. Noel Mander, St. Peter', Organ Works, perfect condition, almod never played, De. fOR SALE ELECTRONIC ORGANS London, E2, Enoland. tochable legl, quilted canvas carrying case. HARPSICHORDS, PEDAL HARPSICHORDS, Asl:ing price $1,100.00. L. Meeker, BOl B, 100 CONN 1650 ORGAN. FULL PEDAL80AltD, IVORY, ROSEWOOD, EIIONY ETC. DRAW· Clavichords custom made. Jan H. Alberda, 14 3 man ... ls, with four amplifier pipe un ih ..n. Mile House, B.C., Canode, VOK 2EO. (604) Princess Street, Elora, Ont., Canada NOB ISO. stops ond cOnlole fillin9' made to any pattern. 395·2323. ver) $6,000.00 complete. Coli 1616) 683·t5~9 or [Jistin9 work faithfully copied, hand engrav. write Steve Britton, 104 E. Norlhview, Niles, ing in all dylel. the most careful and personal HARPSICHORDS AND VIRGINALS, CHOOSE CLAVICHORD FOR SALE-DOUILE mUNG; Mich. 49120. service in the World. Thol. Harrison and Sons from lil instrumenh by Zucl:ermann. Kih or GG.f'" (5 octeves); cherry case w/stond: (Established IB3O), St. Peter's Clole, London, 1'l7S; $87S.00. (Sll) nl·BI7J en.r 6 PM. compleled to specification. Guaranteed profes. SURPLUSED: THOUSANDS OF ELECTRONIC El, England. sionol work by elperienced craftsmen. Cor! organ parts; Rodgen style oscillator inductors, ""'iller, Scribner Place, Crofton, Md. 21113. 25Q octavesl Solh divider end individual oscil· TWO, THREE AND FOUR.MANUAl AUSTIN FOR SALE - PIPE ORGANS conioles bouqht end sold. Factory trained tech· HARPSICHOItDS AND CLAVfCHORDS SIHCE lator t,ansistoriled PCB's; card sodels; aU n'claM for your alterations. AloK h rt<.hl ss Se,...;c., 1950, 10 ( uncnt types. Nur Indiana Turnpil:e. M. P. MOLLER PIPE ORGAH, <4 RANKS AND component ports; drawings 01100 circuits; gen. Mitbfook, N.Y. 12545. (914) "n-SOOt. E. O. Witt, RI. 3, Thlee Riven, "'i(htgan 49091. chimes. Conwtt' has new "lime board and new uotor rads; portial and complelely assembled I"") 244-5121. wiring 10 chest. Pouch" new 5 ~an e;o. Moy generator sels; 3M console; etc. $1.00 for HEAR ALLEN ARTHUR, ORGANIST AND be inspected and played, $6,000.00 installed cle.ar·out priced inventory lilt. J, R. Reid, B98 composer, perform his Ot;an Symphony- "Joy" HARPSICHOItDS IIY KNIGHT VERNON. AU. wi/hin tOO mile radius 01 Philadelphia. Maft;am Savory Dr., Sunnyv.le, Col. 94087, -pla'fed on lar;e Skinner pipe Droan of the thentic reilficas 01 historic instruments, c,ue· Organ Co., Inc., 215 Fairmount Ave., Philadel. Blessed Sacrament Church, Worcester, Mau. fili lly mode ond eleganlly decOl' ated, 525 White phia, Poll. 19123. NEW $22,000.00 ALLEN '·MANUAL COMPU· Available on reel to reel and cassettes, also Pigeon Sireet, Constanline. Michigan "9041. ter organ $1,600.00, aha Allen POlitiv, Allon and B Irack. For informal ion, write: Boutwelle Con· AEOLIAN 2M 12R PLUS HAl', PIANO PRO. Conn church orgal1s. Vidor's, 300 N.W. 54th certs, " Seven Acrel," Auburn, Mlns. 01501. HARPSICHORD-LG, 2_MANUAL, hi, b4, Street, Miami, Flo, 31127. (lOS) 751·7502. buff slop. Ok. mah Ol;1 any lini'h with papereiJ vided for. Circa t92". Duo·Art in conlole with ISO rolls. Unusually _II preH;l'Ved. Escellent CUSTOM MADE SLIDER CHESTS, MECHANI· interior. Drawered apron stend wilh li.l cu~· col console choJuis, bellows, wood pipes, wood tom-turned le9' and motching bench. 13,. playing cond' tron in ori9ina' home, Chicago ALLEN MODEL 602·D COMPUTER ORGAN squares, case·work. Quality materials, workman· 000.00 or best offer. T. N. Todd, 10m J::trddn area. Seriou, offers conlidered. Phone after. with 4 Model HC·IO Ipeaker cabinelf. h,rec ship. B.G, RFD I, Deerfield, N.H. 03037. (601) Rood, Saline, Mich. "BI76. (111) 429-4417. noons (312) 8ll·S5tS or wtite: leon Berry, BOO cOl1dition. 1615) 376·639". George Kelley, Rt, 463-7407. Norlh Goodwin Drive. Pork Ridge, III. 60068. I, Box 20. Kingston, Tenn. Jn61. FLOWER YOUR HARPSICHORD SOUND· SUPPLIES FOR THE HOBBYIST, MANY IN board with authentic Rude" birds, bees, flow. 2/3 VERlINDEN PRACtiCE ORGAN IN EX. SCHOBER RECITAL, FULL AGO PEDAL· kit form, somo uled. Write for free Organ ers. full·sile layout, in,t n.-etio n man"al. $35. cellent condition, 2 consolel availoble. $5,000.00. board, combination.action, Reverbatopo. $3" Specialties CotaTo;. KluO & Schumacher, 2714 ':;h irley Mathewl, P.O. BOl 162G4, Baltimore, Md. Century Pipe Organ Co., 31B Anderson 8lvd., 200.00. J. Hylend, 76 Bayview Ave., Amityyille. Indudriol Park Drive, Lokeland, FI. 13801_ 21210. Geneva, 111.60134. (l12) 232·7291. N.Y. 11701. (516) 264-0122 • . THE DIAPASON cl.ssm_ aelverti,ing ,a'.': p.r word, $.20; minimum char,., $2.50; box numb.r, additional $l.GG . CLASSIFIED ADVERTISEMENTS R.pli•• t. bcue numbers .hould b. lent c/o Th. Diapason, 434 S. Wab.'" Annu., Chkago,lIl. 60605. FOR SAlE - MISC. FOR SAlE - MIse. 'OR SAlE - MIse. FOR SAlE - MISC. NEW ORGAN CAIlE·C;ROUP'ED AND PAIUD GARAGE SALE: WE ARE TIlYING iO RE M,CANUAL AUSTIN CONSOLE 1m. 21 WAREHOUSE CLEARANCE SALE: "'OLLEtt conduc:lo r...... -each conductor color coded. S'"e»· dloce Ollr i'lvenlory of used organ .Jear. Yo" slop tabs original. , additional, B pistOl'll, can· 3M·2O rank, $2,500.00. Large inventory of pipes ped prep"ir tOO conductor /'Sf:, 50 conductor na'TIe it, we probably have it. Blowe •• , r."~sts, cel bars, from .rank Ul'jjt. Works ... ell, $'100.00. and .... rious other componenh. some new, scme SOl. 2<4 ga. copper. Chlllc!.: with order or COO. pipewo-k, res. Items. action partl, cor-scles. 2·manual Reisner conSCII~. 8 slops, 10 couplers, old. V.riaus makes. Send SASE for list. W. j . White Orglll Co., 2S4O Wf'!hsler Road, llltli percuu lons, etc. Nothing quoted over · I,e ~e ... eral pilto'l5, clln add, werh ....11. beauli· ~oehtidl , '"' Grove St •• Westfield, N.J. 070'90. inq. Mith. 48917. (517) 372·1519. phone. Call feu appointment. All Item, ce~ ful blond finish , $lIJ).DO. "" weed open. '~'I "I .nd cerry. Meny Item.-neme your own pr ~ ce. 3. $200.00. N. A. Andre, 12 Pine Rd ...... In.iia. 3.MANUAl, 1"7 WICKS LOWLtNE CON· 2-),fANUAl ElEeTaIFIED REED ORSAN Century Pipe Orvan Company. 318 AnJersol'j N.Y. 10595. (914) "28·7292. sule, with "oating Antiphonal, g dra ... knobs. with blower dnd full ped"lbollrd. Built by Blvd., Geneve. III. 6013-4. (312) 232·1291, 28 couplers. 5 general pistons, 4 pistons per Hinneu. Pekin, III. In e.eollen! condition. Bed NEW SILENT HIGH EFFICIENCY ILOWEk$; division. oak case. Good condition with remote offer accepted. Contect Ft. Plilmer, IlIi"ols WURLl12ER VOX ON KIL6EN C HEST, $too.oo. -5 vear warranty, ]450 R.P.M .• I H.P., sinqle control machine. Av"ilable late August. Benedictine College, lisle. II. 60532. (112) Pilc her vo. humana and darinet. 5 HP argoble, phale, 110-230 volt, 1% natic. Inlet and outlet $5,000,(1). Write The Rev. Canon C. William W08·n1O, ed. 320. :vc HP Z"phyr blower. 3 HP 1 PH molor. mufflers elieninate wind noise aro integrel pa t Ziegenfuss . Christ Church Cathedral, 29 19 St. !hutteu and Reuter individllli enqinel, trem· of design. Eleclronic fan and molor balClince Charles A... enue , New OrtuM. louisiana 70115. fOR SALE OR Will tUDE FOR IH. 0101. reservoir. Pilcher menu.1 chells. • SA£ for vibration free operation. OperatlH 20 slops (504) !J95.6lo02 or (504) 891 ·2G97. Spenter hp blower Mort & Colton VOl hu envelope del.ils. Levton On;ens. Inc., PO on lYa" wind . Fvll specifications 0" request. mene, B' Wurliher concert flute, no ",h:$tles Bo. 207, Florence. Colo. 81226. FOB lansing $595.00. White Orq,," Co., 2S4O MOillER CO"'PONENTS: 2· ... ANUAL CON. or feet. Wanted 3 HP Spencer I HP blo.. r . Webder Road, lansing. Mich. "8917. (517) In· sole and combination ad ion $200.00, 5 point C. F. Evans, 510 Brexton Ave., Wiggins, Miu. MARR AND COLTON DOUILE i'LAYER 1529. pedal relay $20.00. 97-nole bourdon l2SO.OJ. ,.,571. cabinet. "Recordo" roll, plav 2 mCilnuals end ". large bourdan $US.OO, 16' open d iaPo/lsc n pedal, Itops. and shlldes. $4SO.m. Jerry D5w 2· MANUAL AND PEOA:" ESTEY REED all. $]00.00, derabella SI50.00, c;J tOu flute $150m, ARRIYED RECENTLY: A NUMla OF lllAND sen, 3660 Belleview, KanSIlS City, Mo. Mill. c;JlIR. solid oak with blowor. Good c.ondition. swell shades $-40.00, 5 HP I· PH 6" kinetic blow. new in stoclt quiet imported blowers ift 1/10, 'h, $700.00. Te,ry lamon. 121 19th Ave. So., er $120.00. Wurlltte, chimes SI'IO.03, Pi:c.het I.V" 2 and ) h.p. both in three and \i"""3 mEY lEED OlGAN-Z.MANUAL AND HopkiM, Mn. 55341. 8' oboe S225.oo. 1590 Shomroc!t Trail, Smyrne. phase . Wkh Org an Compeny. Dept. AL. .,iVh. pedal-II rank. II spea\'inq stops, QOud ~cndi. Go. 3008Q. (404) 4l2·l852. land. Ill inois 622"9. ('18) &05-4·2191. tion. Price $6OCI.oo. Write 10 Fi"ld, RFD I, 80x WURLITZEl: 2-3/t RELAYS, I WITH 75 l:ri. Auburn. N.H. 03032. switches and 2nd toudl, I with 67 switches; PILCHER I ' TUIA MIRAlllIS. , .. DIAMml WURLITZER '" METAL DIAPHONE $5W..». l·renlt chest (clarinet, diapason, vox): 'lJ7 con· at CC. harm. at mid Ft, 10" WP, 61 pipe, eJ' E. M. Skinn er French horn, $400.00. Barion piuj· RELAY fOR 10URDON 1'-f...401·2JJ.2 VOX .. sole and relay. m' nt condition I conlol. pro cellenl condition. $350.00. Bud Taylor. 76 Leu.-c:1 calo relay, $300.00. Borlon (Dennison ) obOe and harp. Open Dia pason S', 2 rank ventil chest. vided for 9 rh by faclory) : offsets: Ire'.'s Drive, Allanta, Ga. 30342. (404) 237-4761. ho rn, 10 ' wind, S275.1Xl. Morton violin ct:cst, l2.note pedal chen in two PCllris. Must sell Ma ller relay, 67 twitchel: chests. Other pipe&. 61 notM, SI20.oo. j . nchen.Collins Orgen Cot· all. Ahon. Ohio (216) M~IG40 . parl~rite tor lid. Heaston Pipe O'9an Co .. NEW ORGAN PIPES. EXCELLENT WORK. potal'on. 741 McHenry Ave., Woodsto:a, III. RR 2. Box BS FA, Brcwnsburg. Ind. 460 112. 1317) manshi p and el pertly voiced. Formerly super• ...... ESTEY ElEC. tEED OlGAN Int, FIYE QC.. 635·7300 • ... isor of Aeo lian· S~ i nner pfpelhop. Ha ns Rother, taves, sideen stops, ".y, leis of reeds one oc· Germon Organ Pipecrefl . 34 Standa rd St .• USED PARTS, PIPES, C HmS, AEOLIAN, H. IS MaLLEI CONSOLE. .Q drawkMbs, 15 Mattepan, Mass. 02126. & H.. etc. Low pre ssu re, Aeolian Harp. l0- tave sub·base reeds: 281 reeds. $500.00. SASE Sears, 152 High St., Milford. Ct. 06460. (203) lilt· tabs, all standard couplers, 35 pittons, 17 cated in California. Send SASE for list. Ad· toe pistons ... balanced pedals. AU AGO. Ex· SET OF GlADE A DEAGAN CHIMES, 41 7 dre .. G.2, THE DIAPASON . 87"·0469. eollenl condition. Dalivery .nd install.tion pilch, elcellent condition. $600.00 firm priee. availlilble. $3000 firm. Serious inqui,i". 10 Oyer, Kno .... ille. TeM. (615) 54lt-2S31. USED CHEST MAG NEtS, LATCH CA. AHD PIPE ORGAN 'AITS, '" WOOD DIAPASON. 101 489, JetlellOn City, Tenn. ln60. KreW cap, other organ parts, Fw info w,' le consolel. u,,'1 c~ esls . olhet chests. reech, USED PIPES AND MISC. EQUIPMENT. WRITE F. R. Whilehead. 7720 80ftolnza, lewrence. Ken· slrings. shudders, etc. Send SASE to j·6, THE PEDAL BOURDON tt24 AUSTIN, $IOo.cO OR for specific needs. 80. 20&1, Knoxville, TN lal 66M4 or call (91l J 842·5598 DIAPASON. tr.d. for "" Octave. (SOl) &5-4-1182. 37901 . fOR SALE: Used orlan parts. Mo_, .f MULLER PIPE ORGAN CO. antiq .... valu• • Send $1.00 for compJe'e Felix Schoenstein 136S So. Detroit Ay• • 't... r pertOfNll whit.. n,., Pipe Organ Builders .,. hi good ".MI_ Wick. 0'10" Compony & Sons T... do, Ohio 43614 Highland, IIUn_ 6224' SAN fl{ANCISCO, CALIF. 41'-312-6761 fLI ~ SIIn .... IiISl (611) 6S402191 ~n pipe Malten I .V. 1101,."" Sherwood Organ Company Inc. WALTERS ORGAN CO., INC. 85 Longdale Avenue 2027 Palmridp Way Or)and.!'1.F1a. 32809 I_I 857·1481 White Plains, New York 10607 Custom Built (914) 946-7990 (212) 582-4240 PITMAN and UNIT CHESTS Service Mechanic.1 and Tonal Rebuilding New Organs Slider ,ealo for slider chesh. RANDALL S. DYER JULIAN E. BULLEY DO IT YOURSELF PIPE ORGAN KITS New Organs - Rebuilding Custom IPeclflc.lt1oM for dlurct. ... Venchueren B.V. Pipe Organs and Organ Service fesid_nc.. complete or p.m., full 1ft· Service "!'\Ietlont b, e.tolllbll&hed .t9'" bvlllh,.. Pipe Organ Builde .. Box -'89 SINCE 1906 1376 HD"ard Blvd.-Dayton. Ohio .f5.t06 COO(IT MFG. CO. P.O. lOX 112 Heythuysen (L.) Jefferson City, Tennessee 3776IJ SI3·276-2'81 HUer St.tlOft. 'uH.lo. N.Y. lqn The Netherland, DEVTRONIX QUAlITY PIPE ORGAN CANNARSA Since 1780 W ALCKER it ORGAN PRODUCTS ORGANS 5872 AmapoJa Drive, Son J ose, Calli. RESERVOIRS 95129 Walckcl· O,·galls INC. 1365 50. Detroit Ave. • 32'.. 16' EI.e.rDnic P.dal. for Pipe. NEW SelECTIVE • Electronic Orean Kit. Toledo, Ohio 43614 ORGANS REBUILDING • aeplica "WurUta.'" CensDle, 0·7157 l\fUlThardt P.O. BOX 238 Above doKribed '1'1 ovr 419-3B2-6761 . Hollidaysburg. Pa. 1664B • Organ auild.,', Guicl. $3.00 .. 914-695·1613 ~ - (p._rd, ,ofundobl. with ."""-' Builders of Fine Tracker and Electro-Pneumatic Pipe Organs Inquiries are Cordioily Invited McMANIS ORGANS Incorporaled W. ZiIllIller & Sons lOth & G.r(eld NCORPORATED Member APOBA KANSAS CITY, KANSAS Mailing Address: P. O. Box 520. Pineville. N. C. 28134 6610+ NATIONS FORD ROAD' CHARLOTTE, N. C. ORGAN LEATHERS BERKSHIRE ORGAN COMPANY INC. WHITE, SON COMPANY 68 SO. BOULEVARD, WEST SPRINGFIELD, MASSACBUSETrS Member: Inlemolional Society of Ora-an Builden 592 Ea.. FIn< Str NOVEMBER, 1976 27 Murtagh -McFarlane BOX 272 CANAAN CONNECTICUT 06018 203-824-7877 ~, .- \ . ' I • '\.)? :' c:: \ - OJ Robert Anderson Robert Baker Charles Benbow David Craighead Ray Ferguson E OJ t)J) Jerald Hamilton Gene Hancock Clyde Halloway Wilma Jensen Joan tippincott c::ctJ ctJ :E Marilyn Mason Donald McDonald James Moeser EUROPEAN ARTISTS AVAILABLE 1976-77 Marie-Claire Alain Guy Bavet Kamlel D'Hooghe Peter Hurford U) David Lumsden • Frederick Swann Donald Sutherland I Rene $oorgln Karel Paukert U) Gillian Weir Heinz Wunderlich • • I McFARLANE t.... CONCERT ARTISTS Gearge Baker John Weaver Williom Whlteheod