•E)( P8PI Pasadena

Total Page:16

File Type:pdf, Size:1020Kb

•E)( P8PI Pasadena Moller, skillfully installed in the •e)( P8PI Pasadena. California. Civic Audi­ torium. was dedicated by Tom Ha­ zleton with a concert which included music to appeal to many tastes. The event closed nine months of adapting the bulky instrument to the audi­ torium's hitherto unusued cham­ bers. installing it and coaxing theatre organ sounds from an essentially concert-style instrument. The house was full. including the balcony; the 3000 reserved seat tickets were free. In the audience were three men Reginald Foort at the console of his 5-deck brain­ whose lives were entangled with the child . A new home, hopefully permanent, its fifth. (Stufoto) Moller's destiny: (1) Reginald Foort. who designed it in 1937 as a "por­ were noted departing the area. As we Conducted . by Stu Green table" for use in English music halls. said. it's a giant and its 27 ranks (2) Sandy Fleet. who brought it back have been augmented by a 32' pedal Readers are encouraged to submit in­ to the U.S.A. for a brief life as a grunter. teresting sidelights on the organ hob ­ "pizza" organ, and (3) J. B. Nether­ Of interest to buffs was Tom's by (exclusive of chapter news items) cutt, who purchased it and donated "trip through the organ." wherein he material they believe will be of general it to the City of Pasadena. Each was demonstrated each voice separately. interest about local organ activities introduced and took his bow. Among One of the most effective audience and installations and the people who work at the hobby . We know "there's the unsung and invisible heroes were pleasers was Tom's classical-style VOX POPS in them there chapters" Dave Junchen and Steve Adams; development of the familiar Alka­ and it only requires a 70¢ postcard to they managed all technical aspects Seltzer jingle. He "plop-plop. fizz­ get it to VOX POPS Editor, Box 3564, of the installation. even managed to fizzed" his way through a number of Granada Hills, California 97344. If the make it sound more theatrical. vaguely related "variations." always contributor can afford a 75d stamp , The white console is on a lift and building in volume and intensity. please include a contrasty black and Tom Hazleton came up playing then. when the suspense was over­ white photo which need not be re­ "From This Moment On." For stan­ powering. he pounced on the raw turned. dards Tom offered medleys of Aint basic theme with everything the or­ Misbehavin ' tunes. a Gershwin set. gan had. He had said absolutely Where are this country's remain­ tunes from the Superman score. a nothing musically with this ditty. but ing operational municipal pipe or­ hymn and a grouping of tunes popu­ he had done it beautifully. His huge gans? Minneapolis? Memphis? lar in 1938 when Foort first as­ audience loved it. Pasadena? The ones in Cleveland tounded the British public with his ~ and San Diego are undergoing res­ giant "portativ." toration. Then there's the 60.000- Classical selections included The situation with regard to Shea's pipe. 177-stop Austin in the Port­ Bach's famous "Toccata." DeFalla 's Buffalo Theatre as reported in the land. Maine, City Hall Auditorium. "Ritual Fire Dance" and Moussorg­ February issue seems to have im­ It's been there since 1912. the gift of sky's "Great Gate at Kiev." a thun­ proved. The organization which Cyrus H. Curtis. of publishing fame, derer which figuratively rattled ma­ saved the hou . e from the wrecking and is named the Kotzschmar Me­ sonry on those sitting close to the ball. "Friends of the Buffalo." has morial Organ. It is actually eight Solo Chamber (right); so great was disbanded. However. an organiza­ straight divisions of one organ - the volume. a few sensitive souls tion with a new name. "The Preser­ Great, Swell, Orchestral. Solo. Anti­ vation Guild of Shea's Buffalo." phonal. Echo, Percussion and Pedal. has come to the fore and it includes and the instrument is capable of many of "The Friends." The PG will playing everything from Widor's concern itself solely with restoration; "Toccata" to Joplin's "Sting.'' The another group will take over the organ hasn't been given much publi­ management and booking opera­ city through the years. but an en­ tions at the house. deavor is being made to secure pic­ Meanwhile, efforts are being di­ tures and information for a future rected toward restoring the 4/28 story. Wurlitzer. In addition to Curt Man­ gel. other leaders in the organ's re­ furbishing. which was continued during the upheavals previously April 23rd saw an old friend in a reported. are Gorden Gillette and new and hopefully permanent home. Charles Koester. Console work is The famed Reginald Foort 5/27 Tom Hazleton . (Stufoto) being handled by Dave Junchen. JUNE / JULY 1980 THEATRE ORGAN 27 any number of other factors, per­ closed with the 'Warsaw Concerto,' sonal and logistical - and he has to the resounding approval of the ridden the crest. Shea's Buffalo is afficionados nearby. What an or­ alive and well! Love and money are gan!" being pumped into the building by It is gratifying to hear of an in­ state and local governments, and stance where the new owner of an certainly by Curt and his staff." establishment can fathom the value of priceless assets, and restore them rather than remove them. Don Baker, weary of the Houston pizza parlor routine, is now playing a well-amplified Kawai in the Hous­ Tom Delay took time off from ton Astrodome for ball games, re­ getting married to report that the ports tourist Gary Kanas of Davis, Tom Gnaster . (Stufoto) large Tulare Theatre in relatively California. small Tulare, California, finally bit However. the dedication, previously the dust. The house opened in 1926 hoped for in the spring, has been The good word comes to us from with a 2/7 Style E Wurlitzer which delayed. Philadelphia, that the Wanamaker was sold to Bob Baese in 1960. Bob And we can add a report from Grand Court Organ will be alive and installed it superbly in his Cuper­ Tom Gnaster, one of circa 20 musi­ well for a long time. Doc Bebko re­ tino, California, home. In the theatre cians who played at the Buffalo dur­ ports, "The firm which owns the organ was a rare overhead prosceni­ ing the gala premiere on March 20th famed Neiman-Marcus store in Dal­ um installation. Opus 1496 (to keep of Hide in Plain Sight, a feature las, Carter Hawley, purchased Wurlitzer historian Judd Walton film shot entirely in the Buffalo area. Wanamaker's two years ago for a re­ happy). The event found Tom soloing an ported $60 million from the original Allen electronic, and there was a pit heirs, and is determined to re-estab­ orchestra, too. Ceremonies included lish the glory and grandeur of every­ Also from the mid-California area turning over the Keys to the City to thing which the founder created. The comes a report from Salinas that our Curt Mangel, III. who is perhaps Crystal Dining Room, about the size editor, George Thompson's kids the most active worker for the Buf­ of a football field and sporting 16 gave him a brand new Moller Or­ falo Theatre. The presentation was theatre-type chandeliers, has been chestral Oboe rank as a retirement made by Buffalo's Mayor Griffin. restored by a $1 million expenditure. present from his job. This will be Says Tom, "I have known Curt "About the same sum will be ear­ added to his studio Opus 1900 (Hi, Mangel since he was first in Shea's. marked to refurbish the Grand Court Judd!) Style 165 (2/6) Wurli. The He's been faced with seemingly in­ and the organ. When we heard the Oboe has full-length resonators, not surmountable fiscal problems, in­ instrument, the soloist did a half­ the more common Wurli half-length effectual corporations, politics, and hour program of light pops and type. The Oboe chest is being re­ leathered by able Bert Robinson. The console will also be releathered and, for the first time in the Thompson music room, winded to activate the combination action. Thompson sold his French Horn pipes to John Led­ won of Agoura, California, who is collecting parts to restore the 4/24 organ nearly wiped out in a brush fire a few years back. Again from the Salinas, Cali­ fornia, area, we hear that Bert Rob­ inson has purchased the 2/4 Wurli that has seen much service in the First Baptist Church. Bert plans to add a Morton Trumpet and a Wur­ litzer Tibia next time he installs it. Why did the church part with Opus 209? No, not in exchange for a plug­ in. A 3/22 mostly Wurlitzer was do­ nated to the church and 19 ranks are already playing. It's a composite organ which includes Wurli pipe­ The Wanamaker giant . Safe for the foreseeable future . work from the historic Denver Isis 28 THEATRE ORGAN JUNE/JULY 1980 Theatre (see the first issue of this church, classic and theatre organ manual console. about "Style 260" mag, then called The Tibia) namely, tonalities. It will be recalled that the size. the Tuba Mirabilis and Clarinet Hoosier Theatre was equipped with a Bob Montgomery will serve as ranks. circa 3/ 11 composite instrument music director for the new hotel. It is played for services in theatre that played a part in at least one past says the Journal story, and will super­ style by ATOSers Nancy Hoffman ATOS convention, a remembered vise the installation.
Recommended publications
  • Theatre Organ Bombarde (Title Registered U
    TheatreOrgan Bombarde JOURNALof the AMERICAN THEATREORGAN ENTHUSIASTS ~ June 7967 YOUR FUNI IN THEMOTOR CITY THE1967 IN NATIONAL ATOE CONVENTION '67 DETROIT MICHIGAN ♦ •• • . -- ~ ~ ., ".. .,.,.~ Anl~di8~-'i11111111e, Valafion Yo111/Re111e111be, Fo,e~e~i Ro~GEk~•· A~Etl·· HA/f\N\GND•• S4LPM/itl•· 1'iMBAI!-.. THE - __ ---<'_,,,.-- - - - ......~ -- - - -~ ~ ✓-- ,, :f R.e.§ -w.a!.e.o,,t 0 !Uf an."'6.-l6.. an-tii , H.a.E..en.<J-' 6.. 9{.e.6..o.,,J, arn.a.n 'J- .tR.e. - - / - - - _. p, (,M6.. Oe f aK.e.e-0-Un½, eaft.eottr\A.Cl WRITE FOR BROCHUR . H.O.F ., 3291 GUIDO ST O E . ., AKLAND, CALIF. 94602 A'MERICANTHEATRE ORGAN SOCIETY ARCHIVESLIBRARY TheatreOrgan Volume 9, No. 3 Boffibarde Volume 4, No. 3 A.T.0.1:.. National Membership is $6.00 per year, which includes a sub scription to Thea1re Organ 8 0111- barde, the off icia l publication of the A merica n T he­ a tre Organ l:.nthusiasts. M ake check or money ord er payab le to A.T. 0 .1:.. and mai l to P.O . lfox 7404 ~ 7"£/'.1F/7C Bitt er Lake St ation. Seattle, Washington 98133. L/ ~_,,,_;TS ,9;- ALL MATERIAL FOR PUBLICATIONS rLOR/S.7.J /},i.,L. /N TE/Z-!-'Ec,,;c,,;v.S Te;! : G ~ ,,7,,:-,;,,./ SHOULD BE SENT TO THIS ADDRESS . ,Dc?L/ t/cR v' e~--.o 6. * * * A.T.O.E. Officers The best route to take to get to the Pick-Fort Shelby Hotel is the southbound Lodge Freeway (l- Dick Schrum President 696) south from the eastbound Ford Freeway (l-94).
    [Show full text]
  • St. Louis Fox by Terry Clark,J~
    THE CAVERNOUS ST. LOUIS FOX BY TERRY CLARK,J~ The Fox Theatre circuit, perhaps the Thus, a great movie palace, conceived most prodigious builder of cinema pal­ and partially constructed in the silent aces in an era of extravagant motion pic­ era, opened in a new age - an age its ture theatre construction, poured its re­ builders had not foreseen, even with the sources into five great Fox Theatres at ominour forebodings of "sound". Detroit (September 1928), Saint Louis During the eight months preceding the (January 1929), San Francisco (February opening of the house, work went forward 1929), and Philadelphia, and Newark on the $75,000 4/36 Wurlitzer, one of the (September 1929). four great Crawford Specials built during The Saint Louis Fox, a midwestern the last days of the theatre organ con­ theatre landmark, was lavishly decorated struction. So much of rather conflicting under the personal supervision of Mrs. nature has been written concerning these William Fox. A Moorish motif was instruments, that this writing shall be carried out through the use of expensive confined to the physical aspects of the objects d'art imported from the Far instrument. That the Paramount Wur­ East. The vast majority of motion pic­ litzer was the "mother" instrument and Drawing of the facade from the original ture theatres of that era could have been that similar, if not identical instruments souvenir program (Courtesy of George housed comfortably in the grand Lobby went into Detroit, San Francisco, and Swett). and Foyer of the Saint Louis Fox. Saint Louis, cannot be argued. On January 31, 1929, the theatre opened In the Saint Louis Fox, the blower and with Frank Borzage's "Street Angel", relay rooms and the seven chambers starring Janet Gaynor and Charles Far­ cover a vertical height equal to a five­ rell.
    [Show full text]
  • The RTOS Story
    The RTOS Story As told by the following brief history, the Rochester Theater Organ Society (RTOS) story is one of inspiration, luck, near failure, community involvement, perseverance and untold hours of dedication and hard work by an unstoppable band of enthusiasts and volunteers, all having the common goal of saving an important piece of Rochester's musical history through the preservation and presentation of a magnificent Wurlitzer theatre pipe organ. RTOS Story - In the Beginning In the beginning there was an organ, a theatre, and an organist. Wurlitzer Opus 1951 was built at the Rudolph Wurlitzer Company factory in North Tonawanda, NY in the summer of 1928. At that time the 2916-seat Keith-Albee Palace Theatre (later renamed RKO Palace) was well on its way to completion on Clinton Avenue North and Mortimer Street in Rochester, NY. A native of Great Britain, Tom Grierson had experience playing organs in St Louis, Brooklyn and Buffalo, and eventually settled in Rochester. Here he had held several church organist positions and played engagements at several local theatres before being retained to play at what would soon become Rochester's most beautiful movie palace. Tom custom designed the organ, a 4-manual, 21-rank, ‘special’ which was probably shipped by rail to Rochester on September 12, 1928. Installation took three months and local lore suggests that due to Tom’s close relationship with Wurlitzer (he recorded many organ player rolls for them) and since Rochester was only a short distance from the factory, that the organ was the recipient of voicing and regulating services not afforded most Wurlitzer installations.
    [Show full text]
  • Fox Theater Ticket Office
    Fox Theater Ticket Office alienatingUngauged uncomplaisantly. Cyril estopped high-handedly. Ridgiest or analog, Ambulacral Kerry neverWolf traduced returns any some cure! causelessness after extractable Kory The broadway and theater box, fox theater foundation announced Can indeed purchase tickets in person? There was minor problem posting your comment, homophobia, whether or not eligible are eventually killed. Fox hunting also relies on terriers to chase foxes underground. The bind sequence of study help a practical, replicated, or Will hold Please obey: The XFINITY Box Office but Little Caesars Arena is go open. Plaza Dorchester, during and remove the bypass and agree meet the internal Terms on Use. Greek Theatre in Berkeley, the credit card playing was used to downtown the tickets, must wire a ticket. Find award seat location, where your ID may be requested. How certainly I get warm the Fabulous Fox Theatre? Find fox theater! The Huntington Beach Police attorney said leaving a statement that feat had received information about other threat remove the one Theater in response without the frequent of the DC film. The return was installed in the Paramount Theatre and the other moment in the Fox Theatres in St. While most shows at the Fox Theater system all ages, Georgia. Train To Busan, president of Atlanta Landmarks, Et Cetera. Reproduction of our ticket or voucher is not permitted, Et Cetera, and Korean. Please enter the mighty morton theatre box offices will remain in fox theater ticket office receipts. Get Ticket Alerts for this artist. How about I purchase accessible seats for example person using a wheelchair? Sensory bags, but we will first give you tips to prevent all mold growth.
    [Show full text]
  • April 2011 PN Online
    www.tcago.org April 2011 Volume 16, Issue 7 Upcoming Election Notice lection time is right around the corner once again. Your nominating committee (Roger Burg, Charles E Hackman, Joe Henry, Dianne Jelle, Jane Nienaber) has presented the following list of qualified candidates to the Executive Board, and they were approved on 2/28/11. The candidates are as follows: Dean: James Callahan; Sub-Dean: Sharon Kleckner; Secretary: John Salveson; Treasurer: David Geslin. The board member candidates for the Class of 2014 are: Kim Crisler, Laura Edman, An- drew Hackett, Mary Newton, Philip Radtke, Brian Singletary and Kirsten Uhlenberg. According to the Operating Procedures of our chapter, TCAGO members may submit additional nominations by written petition, signed by five (5) chapter voting members in good standing. Signed petitions must be received by John Salveson, the current secretary, prior to April 15, 2011. Information on the candidates and the ballot will be mailed to each chapter voting member in early May. TWINTWIN CITIES CITIES CHAPTER CHAPTER TWINTWIN CITIES CITIES CHAPTER CHAPTER — — — — Organ Recital at Carleton An organ recital, “Music of Three Baroque and Three Con- temporary Composers: Program II,” will be performed by Lawrence Archbold on the Holtkamp organ in the Concert Hall of Carleton College, Northfield, on Sunday, April 3, 2011 , at 3:00 pm . This concert is the fourth in a second series of “Exploring Organ Music” recitals. This “Organ Adventures” program features music by Buxtehude, Pachelbel, J. S. Bach, Pärt, Krenek and Kohn. AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS Lawrence Archbold is Professor of Music and Enid and Henry Woodward College Organist at Carleton College.
    [Show full text]
  • Journal of the American Theatre Organ Society
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th.
    [Show full text]
  • Reginald Watson: an Appreciation
    Reginald Watson: An Appreciation by Reginald Foort When we heard of the untimely death of ATOE member Reginald Watson we At that time, apart from playing audi­ immediately thought of Reginald Poort,' ences in and out, hundreds of theatre the two had been close friends for more organists all over Britain used co play than 35 years. We contacted Mr. Poort three properly presented organ shows in Chicago and asked the famed organist each day between the movies, which for a few words for the obituary. A few thrilled Reg Watson co the core because days later the story which follows arrived nearly all the theatre organs in America in the mail- a revealing account which had been closed down when the talkies Mr. Poort wants to share with all of us, came in. of the great infiuence Reg Watson exert­ After the second of my organ ed on the life of his friend. solos, we went out to dinner and re­ The first time I met Reg Watson was turned to do my last show. Nor­ Finally I drove Reg back co his hotel while I was practicing for a radio pro­ mally we should then have been in London in my Bentley racing car - gram at the Regal Theatre, Kingscon-on­ able to go home but that particular with the cop down - and nearly fright­ Thames, a suburb of London, in May, night, I had agreed to do a kind of ened him co death because he thought I 1932. About 11 a.m., I heard an unmis­ experimental broadcast for the drove much coo fast and, as he had no takably American voice behind me, so B.B.C.
    [Show full text]
  • JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The­ atre in Queens, New York in 1931.
    [Show full text]
  • Your Visit to the
    Your Visit to the ... D--l:£T 1140 IT by Harold Bellamy When you arrive in downtown De­ tance north of the river, east of Star, Casino and Cinex are still iden­ troit, you are immediately aware that Woodward Avenue at Monroe. The tifiable in the facades of the "Mon­ its street pattern is different than district included Detroit's first movie roe Block,'' a historical frontage. most cities. Rather than streets run­ theatre, the Casino, which opened The Columbia also existed in the ning at right angles to each other on March 3, 1906. Others to follow Monroe Block but was demolished forming square blocks, there is a ra­ were the Cinex, Star, Columbia and and replaced in 1956 by a two-story dial system of streets interconnecting National, to name just a few of the commercial building. The Columbia a series of circular parks. Detroit's dozen nickelodeon and movie houses is noteworthy because it was the first theatre district was formed which concentrated in this area. most formidable of the movie houses around one of these parks named Only the National remains intact as a in the district. Designed by C. How­ Campus Martius, just a short dis- reminder of that era. Less intact, the ard Crane, it had seating for over 1,000 people and had facilities for Lobby Grand Staircase . The windows on the upper level afford patrons a view of the Grand Lobby from the second balcony level. (AlfredJ. ButtlerPhoto) full stage presentations. Moreover, it featured a symphony orchestra to ac­ company silent films and presented Professor Anton Dailey at Detroit's first theatre organ, two years before New York had a similar instrument.
    [Show full text]
  • The Theater Designs of C. Howard Crane
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C.
    [Show full text]
  • From Mud to Magnificence
    A MusicalMetamorJJhosis from Mud to Magnificence by Tom B'hend All photos courtesy of B'hend/Kaufmann Archives It's surprising what can happen to an object when subjected to a va­ Foort masterfully maneuvered the Moller most musically. How­ riety of divergent ideas. And those who attend LA's The Place, 32nd ever, in its Jubilee Chapel home, despite the fact that it was played by Annual ATOS National Convention, June 20 through 27, will experi­ leading British theatre organists, the big box of whistles acquired a rep­ ence the ultimate in divergence with the new sound produced by one of utation of being lacklustre and tiresome to listen to for any length of the most traveled organs in the world - the five-manual Moller now in time. Not much has been said of its musical quality while installed in Pasadena Civic Auditorium. Holland. At the Pacific Beach location, it was generally conceded that Built on order of famed British theatre organist Reginald Foort by the organ was inclined to sound "muddy," although when Foort him­ M. P. Moller Organ Company of Hagerstown, Maryland, and self played it on opening night, the Moller sounded fine. In its perma­ shipped to Great Britain so he could roam the English countryside with nent home in Pasadena Civic Auditorium, the instrument has changed it, the big instrument has experienced a checkered career, both in its musically and is regarded as one of the finest theatre organs to be heard meandering and its musicality. anywhere. Foort's provincial hedge-hopping days were short-lived because of How it arrived in Pasadena and what transpired to create its musical the onset of WWII.
    [Show full text]
  • Exhibitors Herald-World (27 Sep 1930): Visalia Fox Theatre
    I September 27,1930 Exhibitors Herald-World 13 X THE TRE .... Presenting floor plans and HE Fox theatres in the California the balcony, while the balcony of the photographic reproductions cities of Visalia and Hanford invite latter contains 420 seats. The Hanford comparison at a number of points. balcony is constructed of wood on steel of the Fox in Visalia, Cal., Both are typical examples of the mission frame supports, and the roof and interior I and the Fox in Hanford, Cal. style of exterior architecture rather walls of this house are also of wood. The Both of these houses were de­ common (especially in the smaller cities) Visalia theatre is entirely fireproof. in Southern California. And both con­ The interiors of each, which, though signed by Balch & Stanbery tain approximately 1,200 seats. of different inspiration, are similar in In their interiors they are alike in their general character. That is, gay, being atmospheric, though the decorative warm-1hearted luxury is in all appoint­ • motif of the Visalia house is East In- ments, through a plain background dian, while that of the Hanford theatre against which ornament is introduced at is Spanish. The former has 350 seats in salient points. UIT fUR.NACf. MUSICIANS II:OOM ~OOM NAGER.5 flCf.. • - .... • -(). ..J ,L 0 • - ILl • .... • . • t- tJ) 0 uJ u... V) :c . () • Ai 0 ...,-- • • CHOR-US - RoM 0 .... X- I-- • Sl10P- - SHOP- -SHOP- kl • LAYOUT OF THE MAIN FLOOR, FOX THEATRE, VISALIA, CAL. Balch & Stanbery, Architects. • BetteT Theatres S ection S eptem ber 27, 1930 fi:. OOF • · • • • • f- u.l ....
    [Show full text]