April 2011 PN Online
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The RTOS Story
The RTOS Story As told by the following brief history, the Rochester Theater Organ Society (RTOS) story is one of inspiration, luck, near failure, community involvement, perseverance and untold hours of dedication and hard work by an unstoppable band of enthusiasts and volunteers, all having the common goal of saving an important piece of Rochester's musical history through the preservation and presentation of a magnificent Wurlitzer theatre pipe organ. RTOS Story - In the Beginning In the beginning there was an organ, a theatre, and an organist. Wurlitzer Opus 1951 was built at the Rudolph Wurlitzer Company factory in North Tonawanda, NY in the summer of 1928. At that time the 2916-seat Keith-Albee Palace Theatre (later renamed RKO Palace) was well on its way to completion on Clinton Avenue North and Mortimer Street in Rochester, NY. A native of Great Britain, Tom Grierson had experience playing organs in St Louis, Brooklyn and Buffalo, and eventually settled in Rochester. Here he had held several church organist positions and played engagements at several local theatres before being retained to play at what would soon become Rochester's most beautiful movie palace. Tom custom designed the organ, a 4-manual, 21-rank, ‘special’ which was probably shipped by rail to Rochester on September 12, 1928. Installation took three months and local lore suggests that due to Tom’s close relationship with Wurlitzer (he recorded many organ player rolls for them) and since Rochester was only a short distance from the factory, that the organ was the recipient of voicing and regulating services not afforded most Wurlitzer installations. -
Pearls and Rarities of the Welte Organ Roll Collection by David Rumsey
Pearls and rarities of the Welte organ roll collection by David Rumsey Hofner, Diebold, Philipp and the world’s earliest recorded organists The earliest-born of all Welte’s organists seem to have been Carl Hofner and Johann Diebold. Judging by the catalogue numbers Franz Philipp, born half a century later, was possibly the first organist ever to record while still a student (see later). The honour of being first might also have been bestowed on one or two other now-obscure identities, e.g. A. Maenner or “Frey”. However, Hofner and Diebold had at least 5 known rolls rolls released by 1912, Philipp only one (Salvator Rosa’s Canzonetta:Nah und fern on W474). Maenner’s only known dated release is 1922 which is also about when Philipp’s main output of rolls started to appear. Some of these early rolls might have been played in Turin at the 1911 exhibition which ran from April to October, since the advertizing expressly stated: “Philharmonie- Orgel mit Künstlerrollen” (Philharmonic Organ with artist-recorded rolls)1. Carl Hofner 19th/early-20thc German organist and composer, also possibly noted for his improvisation. *1842 Jan 23: Inchenhofen/Augsburg (D) - studied for 5 years at the Munich Conservatorium then spent 8 years as “Music-Prefect” at the monastery school at Metten 1868 Oct: teaching position at the Church Music School in Freiburg/Breisgau; regular duties for the 9 a.m. service at the Münster 1871 Jan 1 began officially as organist at Freiburg Münster 1878 taught Joseph Schildknecht (an important Swiss organist) †1912 May 19 Freiburg (D) Hofner’s playing of Bach’s music represents the closest training to Bach’s own era. -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th. -
Reginald Watson: an Appreciation
Reginald Watson: An Appreciation by Reginald Foort When we heard of the untimely death of ATOE member Reginald Watson we At that time, apart from playing audi immediately thought of Reginald Poort,' ences in and out, hundreds of theatre the two had been close friends for more organists all over Britain used co play than 35 years. We contacted Mr. Poort three properly presented organ shows in Chicago and asked the famed organist each day between the movies, which for a few words for the obituary. A few thrilled Reg Watson co the core because days later the story which follows arrived nearly all the theatre organs in America in the mail- a revealing account which had been closed down when the talkies Mr. Poort wants to share with all of us, came in. of the great infiuence Reg Watson exert After the second of my organ ed on the life of his friend. solos, we went out to dinner and re The first time I met Reg Watson was turned to do my last show. Nor Finally I drove Reg back co his hotel while I was practicing for a radio pro mally we should then have been in London in my Bentley racing car - gram at the Regal Theatre, Kingscon-on able to go home but that particular with the cop down - and nearly fright Thames, a suburb of London, in May, night, I had agreed to do a kind of ened him co death because he thought I 1932. About 11 a.m., I heard an unmis experimental broadcast for the drove much coo fast and, as he had no takably American voice behind me, so B.B.C. -
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The atre in Queens, New York in 1931. -
From Mud to Magnificence
A MusicalMetamorJJhosis from Mud to Magnificence by Tom B'hend All photos courtesy of B'hend/Kaufmann Archives It's surprising what can happen to an object when subjected to a va Foort masterfully maneuvered the Moller most musically. How riety of divergent ideas. And those who attend LA's The Place, 32nd ever, in its Jubilee Chapel home, despite the fact that it was played by Annual ATOS National Convention, June 20 through 27, will experi leading British theatre organists, the big box of whistles acquired a rep ence the ultimate in divergence with the new sound produced by one of utation of being lacklustre and tiresome to listen to for any length of the most traveled organs in the world - the five-manual Moller now in time. Not much has been said of its musical quality while installed in Pasadena Civic Auditorium. Holland. At the Pacific Beach location, it was generally conceded that Built on order of famed British theatre organist Reginald Foort by the organ was inclined to sound "muddy," although when Foort him M. P. Moller Organ Company of Hagerstown, Maryland, and self played it on opening night, the Moller sounded fine. In its perma shipped to Great Britain so he could roam the English countryside with nent home in Pasadena Civic Auditorium, the instrument has changed it, the big instrument has experienced a checkered career, both in its musically and is regarded as one of the finest theatre organs to be heard meandering and its musicality. anywhere. Foort's provincial hedge-hopping days were short-lived because of How it arrived in Pasadena and what transpired to create its musical the onset of WWII. -
•E)( P8PI Pasadena
Moller, skillfully installed in the •e)( P8PI Pasadena. California. Civic Audi torium. was dedicated by Tom Ha zleton with a concert which included music to appeal to many tastes. The event closed nine months of adapting the bulky instrument to the audi torium's hitherto unusued cham bers. installing it and coaxing theatre organ sounds from an essentially concert-style instrument. The house was full. including the balcony; the 3000 reserved seat tickets were free. In the audience were three men Reginald Foort at the console of his 5-deck brain whose lives were entangled with the child . A new home, hopefully permanent, its fifth. (Stufoto) Moller's destiny: (1) Reginald Foort. who designed it in 1937 as a "por were noted departing the area. As we Conducted . by Stu Green table" for use in English music halls. said. it's a giant and its 27 ranks (2) Sandy Fleet. who brought it back have been augmented by a 32' pedal Readers are encouraged to submit in to the U.S.A. for a brief life as a grunter. teresting sidelights on the organ hob "pizza" organ, and (3) J. B. Nether Of interest to buffs was Tom's by (exclusive of chapter news items) cutt, who purchased it and donated "trip through the organ." wherein he material they believe will be of general it to the City of Pasadena. Each was demonstrated each voice separately. interest about local organ activities introduced and took his bow. Among One of the most effective audience and installations and the people who work at the hobby . -
The Musical Ministry of Lilian Frost, Pitt Street Congregational Church Organist, 1895-1949
Cultivating the Arts Page 263 CHAPTER 6 - THE MUSICAL MINISTRY OF LILIAN FROST, PITT STREET CONGREGATIONAL CHURCH ORGANIST, 1895-1949 Lilian Frost, Pitt Street Congregational Church organist from 1895 to 1949, died on 22 December 1953. Just over a year later, the Congregational Union of New South Wales pointed to the difficulty in acquiring quality organists to conduct 'public worship'. It discussed the importance of the role of the organist describing, in non-conformist manner, such instrumentalists as 'Ministers] of the Gospel'. During the latter half of Lilian Frost's outstanding musical service to the Church repeated references were made to her musical ministry. Both within and without the walls of the church she attracted a following. Conversely, she devoted much time and energy to the respective causes of both the secular and religious musical communities. Simultaneously seeking recognition as both a performer and minister, moving between the sacred and secular, from quiet Edwardian 'lady' to determined professional Lilian Frost's actions reveal a responsiveness to the forces of change that tie her story to those of other female cultural agents. The work of a variety of writers concerned with religious history, music history, cultural history and general Australian history reveal that a connection existed between women, music and conservative values. An Australian tendency to cling to nineteenth century British views of '[mjusic's social role', implied that through the promotion of 'high-art music' Australian women could act as guardians of both cultural values and national morality. Alternately, because music was linked to notions of cultivation and civilisation, religious observance, and conservative values, it was respectable and consequently suitable as a womanly occupation. -
MARCH, 2008 St. Ann's Roman Catholic Church Nyack, New York Cover Feature on Pages 34–35
THE DIAPASON MARCH, 2008 St. Ann’s Roman Catholic Church Nyack, New York Cover feature on pages 34–35 Mar 08 Cover.indd 1 2/11/08 10:19:43 AM WWW.TOWERHILL-RECORDINGS.COM LATEST RELEASE NORTH AMERICAN Christopher Houlihan SOURCE FOR CDS BY Louis Vierne, Second Symphony for Organ ensemble amarcord also includes Vierne: Carillon de Westminster Widor: Allegro from Sixth Symphony in G minor, op. 42, no. 2 Andante sostenuto from Gothic Symphony in c minor, op. 70 And so it goes Rel#: RK ap 10102 Introducing Christopher Houlihan, a young American organist on his way to becoming an important talent who will make a significant contribution to the organ performance scene in this Rel#: TH-72018 The Book of Madrigals country. Rel#: RK ap 10106 ORGAN CDS FROM TOWERHILL French Symphonic Organ Works Stewart Wayne Foster Pierre de la Rue - Incessament at First (Scots) Presbyterian Church Rel#: RK ap 10105 Charleston, South Carolina Rel#: TH-71988 The French Romantics John Rose at Cathedral of St. Joseph Hartford, Connecticut Rel#: TH-900101 Nun Komm der Heiden Heiland Rel#: RK ap 10205 Festive and Fun Stephen Z. Cook at Williamsburg Presbyterian Church Williamsburg, Virginia Rel#: TH-72012 Star Wars John Rose In Adventu Domini at Cathedral of St. Joseph Rel#: RK ap 10101 Hartford, Connecticut Rel#: TH-1008 also available: This Son So Young Hear the Voice Rel#: apc 10201 John Rose, Organ Liesl Odenweller, Soprano Primavera Rebecca Flannery, Harp Bach, Grieg, Elgar, Poulenc et al. Rel#: TH-71986 Rel#: AMP 5114-2 WWW.TOWERHILL-RECORDINGS.COM For those who may not be aware of the some justifi able pride on the church’s source, this fl owery description is ex- website (www.fi shchurch.org), which THE DIAPASON cerpted from a much longer article that however makes no mention of what went A Scranton Gillette Publication Dr. -
VOX Lancastria Journal of the Lancastrian Theatre Organ Trust
# VOX Lancastria Journal of The Lancastrian Theatre Organ Trust Winter 2019 - 2020 1 Vox Lancastria VOX Lancastria Edition 48 Journal of the Lancastrian Theatre Organ Trust Registered Charity 261487 Patron Vacant Contents Trustees Editorial 3 Walter Baker Chairman Ron Whalley C.Eng. F.I.E.T. MRISE. Secretary Unwanted Christmas Surprise 3 David Alldred Vic Matthews Chairman’s Message 4 Gary Trinder M.I.E.T. Charles Brown MAO Visit 5 Frank Thornton John Loud (Co-opted) 2019 AGM Minutes 6 Honorary President Interest in Denmark 8 Frank Read Organists - Gaumont, Manchester 10 Honorary Vice Presidents LTOT’s Historic Collection 13 Joyce Alldred L.L.C.M. Nigel Ogden The BBC Theatre Organ 15 Len Rawle MBE Eric Halsall C.Eng. MIET. T.O. Tech Page 18 Membership Secretary (interim) Heritage Centre Diary 23 John Loud Scott Brothers Duo Concert Back Editor - Vox Lancastria 4 Green Meadows Drive, Marple. SK6 6QE Past Chairmen Les Barlee 1968-1973 Frank D. Read 1973-1996 Don Hyde 1996-2010 Web Site Secretary’s address www.ltot.org.uk 94 Wellington Road, Bollington Cheshire - SK10 5HT E-Mail Addresses [email protected] Chairman [email protected] Secretary [email protected] Membership [email protected] L.T.O.T. Theatre Organ Heritage Centre Treasurer Address HC Manager [email protected] 2a Alexandra Road, Peel Green, Eccles. HC Group Bookings M30 7HJ. [email protected] 0161– 317- 9469 Cover Photo Vox Editor David Alldred [email protected] Heritage Centre 3/11 Compton Vox Compiled by D. Alldred 2 Vox Lancastria Editorial An Unwanted Christmas David Alldred Surprise Sunday the 1st December 2019, saw the As we welcome in the New Year we find Trust receive an unwanted Christmas ourselves at the end of a hectic 3 years of surprise, that on moving the Wurlitzer at installing the enlarged Ex. -
JACK PAYNE Artist's Portrait KITTY MASTERS
ADIO PiCrOWAL, February 8. '935.No. 58 JACK PAYNE Artist'sPortrait KITTY MASTERS AT HOME liONTINENTAL PROGRAMMES FOR ENGLISH LISTENERS Registered at the G.P.O. u a Newspaper. RADIO PICTORIAL February 8,1935 This is the ACTUALsize of RADIO PICTORIAL POSTCARDS 03per dozen This hobby of collecting photographs of the favourite radio stars is becoming quite a craze. "Radio Pictorial" is the only source from whence these postcard - sized portraits can be obtained. On the left you see a reproduction of the portrait of Les. Allen.This is exactly the same size as the postcards sup- plied.These photographs are supplied with a semi -matt finish, and can be obtained *price 1/3 per dozen post free. Just select any twelve from the list below, write them on a sheet of paper, together with your name and address, fix the coupon cut from the bottom left-hand corner of page 38 of this issue and send together with a Postal Order for 1/3 to : " RADIO STARS," RADIO PICTORIAL, 58-61 FETTER LANE, LONDON, E.C.4. If more than a dozen required increase amount of P.O. byI /3 per dozen.(Please note that a COMPLETE dozen or dozens only supplied.) OVER 160 to choose from JAMES AGATE DORA GREGORY SYDNEY PHASEY LES. ALLEN GERSHOM PARKINGTON MARIO DE PIETRO NORMAN ALLIN GARDA HALL [QUINTET EUGENE PINI GEORGE ALLISON HENRY HALL JACK PLANT JOHN ARMSTRONG TOMMY HANDLEY EDDIE POLA YVONNE ARNAUD LILIAN HARRISON LOU PREAGER FELIX AYLMER FRED HARTLEY ARTHUR PRINCE LES. ALLEN ALEXANDER AND MOSE CHARLES HAYES REGINALD PURDELL NORMAN AUSTIN PERCY HEMING HAROLD RAMSAY ISOBEL BAILLIE HARRY HEMSLEY HELEN RAYMOND GEORGE BAKER ROY HENDERSON WYN RICHMOND ETHEL BARTLE rT LEONARD HENRY DON RICO VERNON BARTLETT STANLEY HOLLOWAY PHILIP RIDGEWAY This Album FREE! SYDNEY BAYNES LESLIE HOLMES RAE ROBERTSON EVE BECKE CLAUDE HULBERT THE ROOSTERS To all the readers of "Radio Pictorial" who purchase twelve sets of these beautiful BILLY BENNETT LESLIE HUTCHINSON CONCERT PARTY photographs we will send themagnificent blue art -leather album illustrated below on HARRY BENTLEY WALFORD HYDEN PHYLLIS ROBINS receipt of 6d. -
Hall of Fame
HALL OF FAME Lowell C. Ayars Francis "Gus" Farney Ambrose Larsen Edna S. Sellers Donald H. Baker Frederick Feibel Ann Leaf Preston H. Sellers, Jr. Stuart Barrie Mildred M. Fitzpatrick Richard W. Leibert Gerald Shaw Dessa Byrd Reginald Foort Leonard MacClain Raymond G. Shelley Paul Carson Paul H. Forster Quentin Maclean Arsene Siegel Gaylord B. Carter Dean L. Fossler Roderick H. "Sandy" Macpherson Milton Slosser Milton Charles John Gart Albert Hay Malotte Kathleen 0. Stokes Edwin L. "Buddy" Cole Betty Gould Dr. Melchiore Mauro-Cottone Firmin Swinnen Bernie Cowham Thomas Grierson Alfred M. Melgard Sidney Torch Helen A. Crawford Arthur Gutow F. Donald Miller Emil Velazco Jesse J. Crawford John F. Hammond Charles Sharpe Minor Deszo Von D'Antalffy Francis H. Cronin Elwell "Eddie" Hanson John T. Muri G. Oliver Wallace William R. Dalton W. "Tiny" James Henry B. Murtagh Jack Ward Lloyd G. del Castillo Henri A. Keates Dr. Milton Page Edward J. Weaver Reginald Dixon Frederick Kinsley Henry Francis Parks Lew White Edward J. Dunstedter Sigmund Krumgold Dr. C. A. J. Parmentier Jean Wiener Lee 0. Erwin, Jr. Edith Lang Alexander D. Richardson George Wright Theatre Organist of the Year New Members - Hall of Fame REX KOURY W. "Tiny" James is one of the founders of ATOS Our "Theatre Organist of the Year" was born in London, (then called ATOE), and was its third president. England, but moved with his family to Cranford, New Jersey, Although he was officially an auditor for Alameda where he attended school. In 1926 he began playing a theatre County, California, he played the organ professionally pipe organ in the Cranford Theatre.