1988 Cos Theatre Organ Workshop

Total Page:16

File Type:pdf, Size:1020Kb

1988 Cos Theatre Organ Workshop This year's Workshop was the third to David Redfern, Peter Holt and Martin be organized by the COS, and the unani­ Harris, at the Quentin Maclean-designed mous opinion is that it was the best yet! 4/16 Wurlitzer. It was an event which Run by COS Musical Advisor John Norris fitted in very well with the aims of the and publicity man David Lowe, it at­ COS Workshop. tracted some 60 people, aged between After Clayhall came a chance to sam­ The 10 and 70. A number of young organists ple some classical organ music at the attended, with the very welcome support historic Southwark Cathedral, alongside of their parents who , in some cases, London Bridge. The four-manual Lewis 1988 cos were able to come along, too! organ, installed in the Cathedral in 1897 The event centered around the soci­ and recently restored to its original con­ ety's very own magnificent 4/23, South dition, was in the capable hands of a Bank Wurlitzer organ. This instrument good friend of the COS, Harry Bramma, Theatre started life in the famous 3,500-seat the cathedral's Director of Music. Mr. Trocadero Cinema, Elephant and Castle, Bramma demonstrated the organ, gave in south London. It was installed in 1930 a short recital, and then - much to Organ and made famous by the legendary everyone's delight - declared open Quentin Maclean . Alas, the cinema console! closed in 1963 and was demolished to Then came another musical change make way for a far less attractive office (no one can complain about lack of vari­ Workshop block, but fortunately the COS was able ety at a COS event!). The evening meal by Roger Hedley to save the organ. was taken at the Lee Valley Ice Centre, The Wurlitzer is now installed in the where David Lowe is the Musical Direc­ Edric Hall of the South Bank Polytechnic, tor, playing a "four-manual " Hammond­ a college of higher education only a few plus-additions. On this occasion , how­ Like ATOS, the British hundred yards from the site of the Tro­ ever, we were entertained by another Cinema Organ Society (COS} cadero. The organ has been enlarged young organist , Paul Sheffield, who slightly, from 21 ranks to 23, but this has plays regularly at the ice rink to accom­ is keen to do all it can do pro­ all been done in such a way that it does pany the skating sessions. mote the theatre organ, to give not detract from the historical signifi­ And so, after the first busy day, on to cance of the instrument. Thanks to the overnight accommodation at Gold­ help and advice to organists, modern technology, the organ could be smiths' College in southeast London. and in particular to encourage restored to its earlier specification in a But, more " organ-ising" was to come! matter of an hour or so should this be Our London District Secretary , John youngpeople to play the theatre needed. A number of top American or­ Leeming, had arranged a "Twenty Ques­ organ and keep it alive for fu­ ganists have been very welcome recent tions" quiz based around organs and ture generations to enjoy. There guest artists at Friday night concert s: organists, and the college itself also has Tom Hazleton, Bill Vlasak, Dan Bellomy, an organ, a large four-manual Rushworth is a wealth of expertise both in Lance Luce. Lew Williams, current ATOS and Dreaper concert organ, which has Britain and America when it Theatre Organist of the Year, was the recently been restored to health by the special guest at this year's Workshop. COS technical team. comes to theatre organ perf or­ The Workshop was officially opened After an early (for some, too early!) mance. Hence, the idea of a on Sunday afternoon , August 21, with a start on Monday, a morning of talks and concert at St. John Vianney Roman seminars took place at the South Bank Theatre Organ Workshop was Catholic Church at Clayhall in northeast Polytechnic. Lew Williams provided an born, to try to bring together London. This spacious modern church opening " Fanfare" on the Wurlitzer , fol­ those with knowledge and houses a 3/6 Compton organ plus Melo­ lowing which official welcoming speeches tone unit, formerly in the Ritz Cinema, were given by the Mayor of the London expertise and those seeking it, Nuneaton, and moved to the church in Borough of Southwark and by the Direc­ and all in just four days of 1968. To those used to 30 + ranks of tor of the Polytechnic. Wurlitzer, a 3/6 Compton, even with its The first session consisted of an hilar­ almost non-stop activity! electronic Melotone division, may seem ious hour with Robin Richmond talking very small. However, the position of the about the theatre organ world and remin­ organ and the acoustics of the church iscing about his own career. David Wil­ combine to produce a really big sound, liams, one of the society 's younger and who better to exploit it than Lew organists, then took over to talk about Williams together with "the old organ " Registering and Arranging , American­ grinder himself" Robin Richmond. Robin style,'' which is one of his particular in­ founded the long-running BBC radio show terests and something he has studied "The Organist Entertains," and after over many years. David was followed by many years absence has now made a John Mann, whose topic was " Entertain­ welcome return to the British concert ing the public." John hails from the south scene. coast seaside resort of Brighton and On that Sunday morning, the COS was spends all his time entertaining people, pleased to be able to support a concert touring with his Eminent 2000 theatre being run by London and South of Eng­ organ. land Chapter at the Top Rank Club, Kil­ After lunch, John Barlow (a former burn. We had the pleasure of hearing ATOS London Chapter Young Theatre four young organists, Rachael Ward, Organist of the Year) gave some very 18 • JANUARY/FEBRUARY THEATRE ORGAN good advice on "Arranging a Song for famous by Reginald Foort and those well­ the Theatre Organ,'' proving that it is known sisters Ena Baga and Florence possible to play modern tunes on the deJong), the little 2/5 Compton in the for­ theatre organ in an appealing and musi­ mer Cameo-Poly Cinema, also in Regent cal way. Street (and now part of the Central Lon­ Buses then took everyone to Alexan­ don Polytechnic), the even smaller 2/4 dra Palace in north London. This famous "straight" Compton "Miniatura" organ north London landmark, surrounded by in the Central London Polytechnic itself an extensive park, is not a royal palace (but what a big sound!), and the fine 3/12 but a "people 's palace ," built in 1873 as Christie in the Granada Cinema, Walt­ a place of entertainmen t and recreation hamstow (installed in 1930 and still for the people. In the Great Hall was in­ going strong). stalled a four-manual, 87 speaking stops, It was to these venues, plus Clayhall "Father Willis" concert organ, which was (and of course the South Bank Polytech­ badly damaged during World War II and nic) that group visits were made on both rendered unplayable. For reasons which Tuesday and Wednesday mornings. Each are still unexplained, the Great Hall was small group was accompanied by at least gutted by fire in 1980. Fortunately, how­ one experienced theatre organist for a ever, most of the organ had already been morning of personal tuition, advice and removed for renovation and so was practice. The visits were arranged by saved. The huge Great Hall has now Musical Advisor and top organ teacher been rebuilt and the organ is being rein­ John Norris. Both the 1987 and 1988 stalled, albeit in a smaller form than be­ ATOS London Chapter Young Theatre fore the fire. We had the honour of being Organist of the Year competitions were shown round the instrument by Henry won by students taught by John Norris Willis IV, the present head of the Henry - in 1987, Benjamin Vine and in 1988, Willis Organ Co., who are carrying out Christopher Bannister. the reinstallation work. Although the work Tuesday afternoon was spent back at has not yet been comp leted and only the the South Bank Polytechnic, and opened flue pipes were operational there was with a talk by top BBC orchestral com­ enough of it working to allow Lew Wil­ poser, arranger and conductor David liams to give an impromptu recital! Francis. With the help of Lew Williams Simon Gledhill leading a seminar at the South Bank Polytechnic. Finally, we moved on to an evening of at the Wurlitzer, David was able to illus­ food, drink, theatre organ music and re­ trate just how aptly the description "Unit laxation - · at the Plough Inn, Great Orchestra " can be applied to a theatre Munden. The Plough is a splendid British organ and how orchestral music can be country " pub," in the depths of the Hert­ adapted for the organ. He had composed fordshire countryside and accessible only a special piece of music for the occasion through some very narrow country lanes, and presented it to the society. Called which taxed the skills of our bus drivers "South Bank Showtime," it's just right to the full! The food was good, the beer as a signature tune for the organ, and excellent, and the ex-Gaumont Cinema, everyone received a copy to take away! North Finchley, 3/1O Compton organ Simon Gledhill, Britain's most outstand­ (plus grand piano, Melotone and Solo ing young theatre organist, then took Cello!) was in the capable hands of Ro­ over to give some excellent advice on bert Wolfe, who demonstrated his special "Arranging a Medley," something that style of playing and answered questions alas appears to cause many organists from the audience .
Recommended publications
  • Stockport Town Hall Contact the Editor for Further Details 11-00A.M
    Vox Lancastria Fantastic C.D. SALE Buy One £5.00 Buy 3 for * £13.00 Buy 6 for £24.00 Post & Packing FREE ! Available from Alan Crossland. Telephone 0161-865-4601 or Order on Line www.theatreorganmusic.co.uk Also available * 2 CD Pack. Would count as Another Opening, Opposite Ranks, Pack up Your Troubles 2 CDs for muliple purchase Vox Lancastria July 2008 Edition - 26 Patron LANCASTRIA Vacant VOX www.voxlancastria.org.uk Trustees Don Hyde David Alldred Journal of The Lancastrian Theatre Organ Trust Colin Smith M.I.C.M. Bill McNally Registered Charity 261487 Peter Ratcliffe Ron Whalley C.Eng. M.I.E.E. M.I.E.I.E. Michael Dawson. A.C.M.A. Contents Eric Halsall. C.Eng. M.I.E.E. Sales Cover Honorary President From The Chair 2 Frank D Read The Secretary's Report 2 Your Letters 3 Honorary Vice Presidents A Big Thank You 4 Joyce Alldred L.L.C.M. Doreen Chadwick Minutes of the 37th Annual General Meeting 11 Nigel Ogden New Members 16 Len Rawle Your Observations from the Questionnaire 18 Honorary Committee Poem for Doreen, by Sylvia James. 25 Chairman Don Hyde Vice Chairman Walter Baker Features Hon. Secretary Michael Dawson A.C.M.A. Treasurer Colin Smith M.I.C.M. The World Around Hope Jones (Concluded) 5 The Silent Choir Organ (Additional) 9 House Manager Ron Whalley C.Eng., M.I.E.E., M.I.E.I.E News From the Heritage Centre 10 Heritage Centre Building Centenary 17 The End of an Era (The Blue Coat School) 21 Committee Members Alan Crossland.
    [Show full text]
  • The RTOS Story
    The RTOS Story As told by the following brief history, the Rochester Theater Organ Society (RTOS) story is one of inspiration, luck, near failure, community involvement, perseverance and untold hours of dedication and hard work by an unstoppable band of enthusiasts and volunteers, all having the common goal of saving an important piece of Rochester's musical history through the preservation and presentation of a magnificent Wurlitzer theatre pipe organ. RTOS Story - In the Beginning In the beginning there was an organ, a theatre, and an organist. Wurlitzer Opus 1951 was built at the Rudolph Wurlitzer Company factory in North Tonawanda, NY in the summer of 1928. At that time the 2916-seat Keith-Albee Palace Theatre (later renamed RKO Palace) was well on its way to completion on Clinton Avenue North and Mortimer Street in Rochester, NY. A native of Great Britain, Tom Grierson had experience playing organs in St Louis, Brooklyn and Buffalo, and eventually settled in Rochester. Here he had held several church organist positions and played engagements at several local theatres before being retained to play at what would soon become Rochester's most beautiful movie palace. Tom custom designed the organ, a 4-manual, 21-rank, ‘special’ which was probably shipped by rail to Rochester on September 12, 1928. Installation took three months and local lore suggests that due to Tom’s close relationship with Wurlitzer (he recorded many organ player rolls for them) and since Rochester was only a short distance from the factory, that the organ was the recipient of voicing and regulating services not afforded most Wurlitzer installations.
    [Show full text]
  • April 2011 PN Online
    www.tcago.org April 2011 Volume 16, Issue 7 Upcoming Election Notice lection time is right around the corner once again. Your nominating committee (Roger Burg, Charles E Hackman, Joe Henry, Dianne Jelle, Jane Nienaber) has presented the following list of qualified candidates to the Executive Board, and they were approved on 2/28/11. The candidates are as follows: Dean: James Callahan; Sub-Dean: Sharon Kleckner; Secretary: John Salveson; Treasurer: David Geslin. The board member candidates for the Class of 2014 are: Kim Crisler, Laura Edman, An- drew Hackett, Mary Newton, Philip Radtke, Brian Singletary and Kirsten Uhlenberg. According to the Operating Procedures of our chapter, TCAGO members may submit additional nominations by written petition, signed by five (5) chapter voting members in good standing. Signed petitions must be received by John Salveson, the current secretary, prior to April 15, 2011. Information on the candidates and the ballot will be mailed to each chapter voting member in early May. TWINTWIN CITIES CITIES CHAPTER CHAPTER TWINTWIN CITIES CITIES CHAPTER CHAPTER — — — — Organ Recital at Carleton An organ recital, “Music of Three Baroque and Three Con- temporary Composers: Program II,” will be performed by Lawrence Archbold on the Holtkamp organ in the Concert Hall of Carleton College, Northfield, on Sunday, April 3, 2011 , at 3:00 pm . This concert is the fourth in a second series of “Exploring Organ Music” recitals. This “Organ Adventures” program features music by Buxtehude, Pachelbel, J. S. Bach, Pärt, Krenek and Kohn. AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS Lawrence Archbold is Professor of Music and Enid and Henry Woodward College Organist at Carleton College.
    [Show full text]
  • Journal of the American Theatre Organ Society
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th.
    [Show full text]
  • Reginald Watson: an Appreciation
    Reginald Watson: An Appreciation by Reginald Foort When we heard of the untimely death of ATOE member Reginald Watson we At that time, apart from playing audi­ immediately thought of Reginald Poort,' ences in and out, hundreds of theatre the two had been close friends for more organists all over Britain used co play than 35 years. We contacted Mr. Poort three properly presented organ shows in Chicago and asked the famed organist each day between the movies, which for a few words for the obituary. A few thrilled Reg Watson co the core because days later the story which follows arrived nearly all the theatre organs in America in the mail- a revealing account which had been closed down when the talkies Mr. Poort wants to share with all of us, came in. of the great infiuence Reg Watson exert­ After the second of my organ ed on the life of his friend. solos, we went out to dinner and re­ The first time I met Reg Watson was turned to do my last show. Nor­ Finally I drove Reg back co his hotel while I was practicing for a radio pro­ mally we should then have been in London in my Bentley racing car - gram at the Regal Theatre, Kingscon-on­ able to go home but that particular with the cop down - and nearly fright­ Thames, a suburb of London, in May, night, I had agreed to do a kind of ened him co death because he thought I 1932. About 11 a.m., I heard an unmis­ experimental broadcast for the drove much coo fast and, as he had no takably American voice behind me, so B.B.C.
    [Show full text]
  • JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The­ atre in Queens, New York in 1931.
    [Show full text]
  • Vannucci Plays Oakland
    Hints From Hugh Jury-RiggedJet JogsAction A mini-bellows turns out to be a handy gadget in restoring the ancient actions of vintage percussions. A few gentle squeezes can reveal perforated primar­ ies, punctured puffs, and puny pallets. Technically, it is known as an ear syringe. The round metal utility pan (the kind (It also provides a neat way for adding for draining the crankcase when you water to your car battery!) . used to change your own car oil) is the boiler and a coffee can is the glue pot. Enthusiast Makes Goo Sheet-metal screws hold a metal strip The most unthinkable thought I think across the rim for supporting an electri­ I've ever thunk is that the three regula­ cal switch box. This box mounts a sub­ tors of my 1936 transplant might need mersible electric heating element. (Bar­ anything more than having windlines gain elements are offered by H & R Corp., attached to them. I had noted Allen Mil­ 401 E. Erie Ave., Philadelphia, PA 19134- ler's instructive article on releathering 1187 .) Well, this lash-up did fine after a these boxes (THEATRE ORGAN SHOP bracket was added to keep the (glue/ NOTES, p. 108) - but with only a mild coffee) pot from floating around. And it interest, since I knew I'd never face that also provides lots of real hot water for problem. Well, when the winding was cloths used to smooth the leather and finished, I turned on the blower. It blew. for wiping up. Uoyd Wold helps guide 16' Diapason pipe through So did all the regulators! I'd like for you to believe that this de­ front of Organ Grinder.
    [Show full text]
  • 1970-Pages.Pdf
    the basis of the early returns they will be able to predict the BBC outcome for each of the results to come. And from that, they can Election 70 calculate how many seats each party is likely to have in the new Parliament. With the most com- The kind of humour the plicated election situation for biggest- years, the official result may not be known for certain until well that chills you as ever news into Friday. BBC Election 70 will pay special attention to the 100 Key operation Seats - the marginals whose re- you laugh The BBC is mounting its biggest- sults will decide who wins the Where was Spring?: Sunday 11.25 BBC2 Colour ever news-gathering operation to Election; 30 Target Seats where bring you the results of the 1970 the other parties could gain Somewhere in the rule book to 6.0 pm. For the last series they General Election. For the first ground on Labour; and 100 Top it says that satirists and managed 35 sketches in the space time, BBCtv and Radio and the Politicians' contests. Together makers of brittle, sophisti- of three weeks. Press Association are pooling they make up a total of 230 Seats cated comedy do not live They work in what seems, de- their resources to report all 630 To Watch. in castles. Country cottages in spite the diligent office hours, a declarations. In Election Studio The girls in Election Studio Essex is stretching it some, flats curious manner. John keeps a One at the BBCtv Centre Cliff One will be wearing a special in Chelsea are OK, and just maybe notebook in which ideas for Michelmore heads a 57-strong Election 70 dress designed by the a house up the Thames Valley - sketches are written down.
    [Show full text]
  • "Watch Out, Arthur Fiedler!"
    WINTER SUNSET. Nigel Ogden at the "Amparito Roca," "When Day is Done," St. John Vianney Church (Clayhiij) 3/6 and a set called London Pride consisting (plus Melotone) Compton. Available from of "Down the Mall, Lambeth Walk, Un­ Goe££Day, COS Sales, 105 Highview, Vigo derneath the Arches, and Limehouse Village, Meopham, Kent, England, DA13 Blues." 0TQ. $13.00 postpaid. Checks payable to The recording of the organ is spacious Cinema Organ Society. but not overly cavernous. When Mr. I can't believe it's only six ranks! That Wolfe slows down a bit, the ambience is just goes to show what can happen when perfect. When he gets in gear to play as an organ that is tonally finished in a su­ many notes as possible in a measure, it perb manner is played by an organist who is a little difficult for the ear to sort it all thoroughly understands the acoustical out. There is a school of thought that it's setting, in this case a very reverberant really all right to play a melodic interval church. As soon as you hear the open­ without playing every note between them, ing chords, you know you are going to up, down, and continuously. Robert has hear something special. This organ has a yet to learn this, but perhaps his youthful Tromba rank that thousands of church exuberance will eventually give way to a organists in this country would kill for. maturity yet to come. Mr. Ogden is a master at bringing out Despite the slap-dash, the razzle­ every possibility the limited resources dazzle, and the occasional ability to de­ offer.
    [Show full text]
  • From Mud to Magnificence
    A MusicalMetamorJJhosis from Mud to Magnificence by Tom B'hend All photos courtesy of B'hend/Kaufmann Archives It's surprising what can happen to an object when subjected to a va­ Foort masterfully maneuvered the Moller most musically. How­ riety of divergent ideas. And those who attend LA's The Place, 32nd ever, in its Jubilee Chapel home, despite the fact that it was played by Annual ATOS National Convention, June 20 through 27, will experi­ leading British theatre organists, the big box of whistles acquired a rep­ ence the ultimate in divergence with the new sound produced by one of utation of being lacklustre and tiresome to listen to for any length of the most traveled organs in the world - the five-manual Moller now in time. Not much has been said of its musical quality while installed in Pasadena Civic Auditorium. Holland. At the Pacific Beach location, it was generally conceded that Built on order of famed British theatre organist Reginald Foort by the organ was inclined to sound "muddy," although when Foort him­ M. P. Moller Organ Company of Hagerstown, Maryland, and self played it on opening night, the Moller sounded fine. In its perma­ shipped to Great Britain so he could roam the English countryside with nent home in Pasadena Civic Auditorium, the instrument has changed it, the big instrument has experienced a checkered career, both in its musically and is regarded as one of the finest theatre organs to be heard meandering and its musicality. anywhere. Foort's provincial hedge-hopping days were short-lived because of How it arrived in Pasadena and what transpired to create its musical the onset of WWII.
    [Show full text]
  • 2018 INDEX of ARTICLES Published in the TIBIA, the BOMBARDE
    1955 - 2018 INDEX of ARTICLES published in THE TIBIA, THE BOMBARDE, and THEATRE ORGAN [2019 Edition] by Jack Moelmann 1955-2018 INDEX OF ACTICLES PUBLISHED IN THE TIBIA, THE BOMBARDE, and THEATRE ORGAN by Jack Moelmann This is an index of major items which appeared in THE TIBIA, 1955-1958; THE BOMBARDE, 1964- 1966; and THEATRE ORGAN, 1959-2018. No attempt has been made to list the many smaller items such as Chapter News/Notes, Concert News, Nuggets, etc. In addition, other items routinely published are also not included, e.g., committees, Directors/Staff/Editors, classified ads, advertisements, the President’s Message, Letters to the Editor/Members’ Forum, meeting notices, advertising rates, items from the ATOS International News newsletter, some items from the Pipes and Personalities section, election announcements, Annual Membership Meeting announcements, Special Services/ATOS Marketplace items available, scholarship and competition program announcements, and other items of that nature. Since THEATRE ORGAN is issued bi-monthly, issues are identified by the first month of their issue. Abbreviations used in this index include: C=Classical; CA=Audio Cassette Tape; CD=Compact Disc; E=Electronic Instrument; P=Pipe Organ; M=Mechanical Instrument; VC=Video Cassette Tape; Spr=Spring Issue; Win=Winter Issue; Sum=Summer Issue; Supp=Supplemental publication. Corrections/comments/additions should be sent to Jack Moelmann; 1015 Matthew Drive, O’Fallon, Illinois 62269; Phone: (618) 632-8455; Fax: (618) 632-8456; E-mail: [email protected] Copyright - none TABLE OF CONTENTS Page 1. ATOS ARCHIVE & LIBRARY and SPECIAL/MEMBER SERVICES ............................................... 3 2. ATOS CHAPTER OPERATIONS .................................................................................................... 3 3. ATOS COMMITTEE REPORTS and NOTES ................................................................................
    [Show full text]
  • For the Records
    GOLD DUST: 1/28 JEAN WEINER over Atlantic City's Network; RICHARD LEIBERT, New 9/35 England's REGINALD DIXON over WPG; JOHANNA GROSS, Cincinnati's York 's WEAF; GORDON JOHNSON, GSB, GSD, GSI; FRANCIS J. CRONIN WLW; F. ARTHUR HENKEL, Nashville's Buffalo's WBEN; JESSE CRAWFORD, over WORC, Worchester, on the Yankee WSM ... 11/29 GEORGE LATCH, Loew's New York's WJZ; EDDIE DUNSTEDTER Network; CARL COLEMAN, WGR in Rochester ... 1/30 EDWARD C. MAY, teams with Ransom Sherman on St. Buffalo. Rochester's WHEC ... 12/34 WILLIAM Louis' KMOX "Laugh Clinic"; SQUIRE That should do it for this time. MEEDER, New York's WJZ; RAY BERRY, HASKIN, Rochester 's WHAM; STAN­ Solong,sourdoughs! Rochester's WHAM; LEW WHITE, NBC LEIGH MALOTTE, New York 's WJZ ... Jason & the Old Prospector world would be better off if we could get SWEET AND more recordings from this artist. The LOVELY. Gerry selections are; "I'm Beginning to See the Gregorius at the 3/18 Light," "A Nightingale Sang in Berkeley Wurlitzer in Uncle Square," "Satin Doll," "The Nearness Milt's Pipe Organ of You," the immortal George Gerswin; Pizza Co. restaur­ "S' Wonderful," "Strike Up the Band," ant. Available from "Our Love is Here to Stay," "I Got Rhy­ Terry Robson, P.O. thm," "They Can't Take That Away From Box 06796, Port­ Me," "A Foggy Day," "The Man I Love," land, OR 97206. "Rhapsody in Blue." High bias Cr0 2 dolby ca~tte only. $9.00 The instrument is another excellent postpaid. Overseas $10.00 postpaid in example of what's happening in England.
    [Show full text]