Leadership and Demands of the Imperial Guard
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PROLOGUE Josephine Beheaded
PROLOGUE Josephine Beheaded Marble like Greece, like Faulkner’s South in stone Deciduous beauty prospered and is gone . —Derek Walcott, “Ruins of a Great House,” Collected Poems There is a spectacle in Martinique’s gracious Savane park that is hard to miss. The statue honoring one of the island’s most famous citizens, Josephine Tascher, the white creole woman who was to become Napoleon’s lover, wife, and empress, is defaced in the most curious and creative of ways. Her head is missing; she has been decapitated. But this is no ordinary defacement: the marble head has been cleanly sawed off—an effort that could not have been executed without the help of machinery and more than one pair of willing hands—and red paint has been dripped from her neck and her gown. The defacement is a beheading, a reenactment of the most visible of revolutionary France’s punitive and socially purifying acts—death by guillotine. The biographical record shows Josephine born of a slaveholding family of declining fortunes, married into the ranks of France’s minor aristocracy, and surviving the social chaos of the French Revolution, which sentenced countless members of the ancien régime to the guillotine. In the form of this statue, she received her comeuppance in twentieth-century Martinique, where she met the fate that she narrowly missed a century earlier. Scratched on the pedestal are the words—painted in red and penned in creole— “Respe ba Matinik. Respe ba 22 Me” [Respect Martinique. Respect May 22]. The date inscribed here of the anniversary of the 1848 slave rebellion that led to the abolition of slavery on Martinique is itself an act of postcolonial reinscription, one that challenges the of‹cial French-authored abolition proclamation of March 31, 1848, and 2 CULTURAL CONUNDRUMS Statue of Josephine in Fort-de-France, Martinique, today. -
Rien Ne Va Plus 2 Dieser Vierte Band Über Das Leben Des Generals Lazare Hoche (1768-97) Befasst Sich Mit Den Beiden Jahren 1796 Und 1797
1 Gott schenkte Adam den Frieden, die Freiheit und das Paradies. Die Men- schen nahmen sich die Freiheit und wählten die Früchte vom Baum der Erkenntnis. Denn Wissen ist Macht. Die Macht, die sie sogleich miss- brauchten und fortwährend missbrauchen. Lazare Hoche (1768 -1797)1 Rien ne va plus 2 Dieser vierte Band über das Leben des Generals Lazare Hoche (1768-97) befasst sich mit den beiden Jahren 1796 und 1797. Gekürzte Quellenangaben bedeuten: „Rousselin 2“: A. Rousselin, „Vie de Lazare Hoche, Géné- ral des armées de la République“, tome second, 1797/8; Briefkopiensammlung der Mme Hoche „Vendéens et Chouans“: "Collection des mémoires rela- tifs à la Révolution française – Guerre des Vendéens et des Chouans contre la République Française ou Annales des départements de l’Ouest”, Paris 1825, "par un officier supé- rieur des armées de la République". Sammlung von Akten aus dieser Zeit. „Des Elends Sohn“, 2007, Hoche 1773-1793 „Quatrevingt-quatorze“: 2008, Hoche 1794 „Politiker und Soldaten“: 2009, Hoche 1795 Wer den vielen Links nachgehen möchte, schreibt in das Adressfeld seines Explorers: http://pclavadetscher.magix.net/website/ oder http://db.peterclavadetscher.ch/ Dort findet man den Text meines Buches und kann die Links direkt anklicken. Wollen wir hoffen, die Inhalte seien zwi- schenzeitlich gleich geblieben! Anmerkungen und Glossen zum Text sind in Fussnoten, bio- graphische Notizen (und lange Anfügungen) aber in Endno- ten am Schluss des 7. Kapitels festgehalten (S.368). Alle geographischen Namen, die mit einer Tiefzahl zwischen 56 und 62 versehen sind, finden sich in einer der auf Seite 56 – 62 eingefügten Karten wieder. Auch dieses Jahr sind meine unbedarften Einwürfe kursiv geschrieben. -
Jean-Marie-Victor Viel
Jean-Marie-Victor Viel Jean-Marie-Victor Viel. Jean-Marie-Victor Viel 1796â“1863 was a French architect who designed the Palais de l'Industrie Palace of Industry an exhibition hall located between the Seine River and the Champs-Élysées which was erected for the Paris World Fair in 1855. Notes. ^ "The Foreign Soul & The Angelus" de Maupassant,G trans: Wilson, J Notes p94 Lambeth, Duchy of Lambeth 2008 ISBN 978--0-9558525-1-0. Jean Victor Marie Moreau (14 February 1763 â“ 2 September 1813) was a French general who helped Napoleon Bonaparte to power, but later became a rival and was banished to the United States. Moreau was born at Morlaix in Brittany. His father was a successful lawyer, and instead of allowing Moreau to en Jean-Marie-Victor Viel was a French architect who designed the Palais de l'Industrie an exhibition hall located between the Seine River and the Champs-Élysées which was erected for the Paris World Fair in 1855.[1]. For faster navigation, this Iframe is preloading the Wikiwand page for Jean- Marie-Victor Viel. Home. News. Random Article. Install Wikiwand. Follow Us. Send a suggestion. Add. Jean-Marie-Victor Viel. + . Read more. Full Wikipedia Article. Jean-Marie-Victor Viel. Architect. 50% (1/1). + . Read more. Architect. American Institute of Architects Architectural firm Architectural technologist. Exposition Universelle (1855). Jean Victor Marie Moreau. Marshal of France. Wikipedia. Date of birth. 14 February 1763 Morlaix. Date of death. 2 September 1813 Louny. Jean-Victor Moreau.jpg 808 × 858; 153 KB. -
Le 13 Vendémiaire, Sacre Républicain De Bonaparte
MÉMOIRE POUR AUJOURD’HUI Le 13 Vendémiaire, sacre républicain de Bonaparte L’année 2021 marquera le bicentenaire de la mort de Napoléon. Le géné- ral Michel Franceschi nous fait découvrir ici et partager dans les prochains numéros quelques unes des innombrables facettes, souvent méconnues, parfois dénigrées, de ces 20 ans d’histoire de France. En complément, nous évoquerons, dans la rubrique Culture de cette revue, certains des ouvrages que l’auteur a déjà édités à l’occasion de cet anniversaire. Souhaitons que la repentance ne conduise pas nos autorités et nos médias à altérer voire à effacer cette incomparable page grandiose de notre histoire. En cet automne 1795, le jeune général Napoléon Bonaparte se trouve à Paris en attente d’un hypothétique départ en mission à Constantinople, faute du commandement militaire impor- tant qu’aurait dû valoir au « capitaine canon » sa bril- lante victoire à Toulon sur les Anglais en décembre 1793. Son refus d’un comman- dement en Vendée contre les Chouans (« Jamais mon épée contre le peuple ») l’a même rendu suspect au pouvoir politique. Battant le pavé, découragé et famé- lique, il se morfond à Paris, désespérant de son avenir. Dans le pays, l’inquiétude La journée du 13 Vendémiaire (5 octobre 1795). Le général Bonaparte commande au plus près des combats ses pièces d’artillerie est générale. Ayant succédé à l’Assemblée législative le 21 septembre 1792, la Convention nationale est en situation poli- tique précaire, menacée sur ses deux ailes. À gauche, les derniers partisans jacobins de Robespierre, surnommés les « Sans-culottes », ne se résignent pas à leur perte du pouvoir et entretiennent une sanglante agitation dans tout le pays. -
Il Guascone Di Fougères: Il Marchese De La Rouërie, Eroe Dei Due Mondi
Peter Altenberg (Richard Engländer) e la poesia del frammento Peter Altenberg (Richard Engländer) e la poesia del frammentodi Giuseppe Baiocchi del 30-08-2021 Per chi si reca nel famoso Cafe Central di Vienna, vicino all’ingresso, scorgerà una tipica statua che i viennesi – i pochi che si recano ancora al caffè turistico per eccellenza – conosco oramai bene, anche se mal fatta. Ebbene l’opera rappresenta un personaggio, che spesso sconfina nella leggenda: il poeta Peter Altenberg. Analizzando più approfonditamente Richard Engländer, siamo davanti ad uno scrittore molto particolare, che raramente si ha il piacere di leggere. Calvo, dai baffi spioventi alla slava, si presentava leggermente trasandato e possedeva molte amicizie discutibili: dai letterati ai camerieri, fino alle prostitute. Peter Altenberg nella cittadina di Gmunden nell’Alta Austria. Dall’inizio degli anni 1880, la famiglia Engländer si reca per le vacanze estive nel Salzkammergut, principalmente a Ischl, che divenne Bad Ischl solo nel 1907. Il figlio maggiore Richard, che poi si fa chiamare Peter Altenberg come scrittore, rimane fedele al Salzkammergut per tutta la vita – il suo posto preferito è Gmunden. Molti dei suoi schizzi e scene poetiche trattano esplicitamente o implicitamente esperienze e osservazioni in questo paesaggio e contengono tutte le sfaccettature dell’opera di Altenberg: la densità poetica con cui sa dipingere le persone come paesaggi in piccole istantanee, la tendenza all'”idealizzazione kitsch” o il pathos vuoto con cui getta i suoi giudizi sul calpestio dei segni di punteggiatura selvaggi, e la sua dubbia tendenza alla pedofilia. Di contro, se il lettore dovesse pensare ad un individuo burbero e rissoso, rischierebbe di commettere un macroscopico errore: Richard era una di quelle persone dalla calma frizzante, parsimonioso, buongustaio e scrupoloso come ogni vero viennese. -
Political Conspiracy in Napoleonic France: the Malet Affair Kelly Diane Whittaker Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Political conspiracy in Napoleonic France: the Malet affair Kelly Diane Whittaker Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Whittaker, Kelly Diane, "Political conspiracy in Napoleonic France: the Malet affair" (2007). LSU Master's Theses. 1437. https://digitalcommons.lsu.edu/gradschool_theses/1437 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. POLITICAL CONSPIRACY IN NAPOLEONIC FRANCE: THE MALET AFFAIR A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The Department of History by Kelly Diane Whittaker B.A., Virginia Polytechnic Institute and State University, 2002 December, 2007 TABLE OF CONTENTS Abstract . iii Introduction . .1 Chapter One General Malet: A Biography . 8 Two Hopes and Disappointments in Napoleonic France . 46 Three General Malet’s Final Attempt, 22 October 1812 . 73 Conclusion . 95 Notes . .100 Bibliography . .112 Vita . 115 ii ABSTRACT The French Revolution ushered in a period of political unrest in France which appeared never-ending, even when a seemingly stable government rose to power. After a series of failed Republican governments, Napoleon Bonaparte seized control on 18 Brumaire VIII, promising to uphold the revolutionary ideals that had permeated the nation. -
Napoleonic Scholarship
Napoleonic Scholarship The Journal of the International Napoleonic Society No. 8 December 2017 J. David Markham Wayne Hanley President Editor-in-Chief Napoleonic Scholarship: The Journal of the International Napoleonic Society December 2017 Illustrations Front Cover: Very rare First Empire cameo snuffbox in burl wood and tortoise shell showing Napoleon as Caesar. Artist unknown. Napoleon was often depicted as Caesar, a comparison he no doubt approved! The cameo was used as the logo for the INS Congress in Trier in 2017. Back Cover: Bronze cliché (one sided) medal showing Napoleon as First Consul surrounded by flags and weapons over a scene of the Battle of Marengo. The artist is Bertrand Andrieu (1761-1822), who was commissioned to do a very large number of medallions and other work of art in metal. It is dated the year X (1802), two years after the battle (1800). Both pieces are from the David Markham Collection. Article Illustrations: Images without captions are from the David Markham Collection. The others were provided by the authors. 2 Napoleonic Scholarship: The Journal of the International Napoleonic Society December 2017 Napoleonic Scholarship THE JOURNAL OF THE INTERNATIONAL NAPOLEONIC SOCIETY J. DAVID MARKHAM, PRESIDENT WAYNE HANLEY, EDITOR-IN-CHIEF EDNA MARKHAM, PRODUCTION EDITOR Editorial Review Committee Rafe Blaufarb Director, Institute on Napoleon and the French Revolution at Florida State University John G. Gallaher Professor Emeritus, Southern Illinois University at Edwardsville, Chevalier dans l'Ordre des Palmes Académiques Alex Grab Professor of History, University of Maine Romain Buclon Université Pierre Mendès-France Maureen C. MacLeod Assistant Professor of History, Mercy College Wayne Hanley Editor-in-Chief and Professor of History, West Chester University J. -
The History French Revolution
THE HISTORY OP TRB FRENCH REVOLUTION THEHISTOItt OF THE ~1ToLUTrON OF THE FRENCH REVOLUTTaN 1789-1800 BY LOUIS ADOLPHE THIERS TRANSLATIID, WITH NOTES AND ILLUSTRATIONS, FROM THB MOST AUTHRNTIO SOURCES, BY FREDERICK SHOBERL NEW A'DITION, WITH UPWARDS OF FORTY ILLUSTRATIONS ON STEEL ENGRA YED BY WILLlAM GREATBATOR IN FIVE VOLUMES VOL, III. LONDON RICHARD BENTLEY AND SON lIIubIisbns in @rlJinaT!,! to ~et' ~ajtllt! t!Je 'aueen 1895 [All .-ightl rmrved] 'v r:;~ :511/·,L:J C~-· 3 2-Ucg ILLUSTRATIONS VOLUME III. AsSASSINATION OF MARAT I to face Title PORTRAIT OF CHARLOTTE CORDAY • ." 46 PORTRAIT OF CAMILLE-DESMOU,LINS ." 60 CONDEMNATION' QF MARIE ANTOINETTE. " ;10 PORTRAIT OF BAILLY (MAYOR OF PARIS) " 224 TR!AL OF DANTON, CAMILLE-DESMOULINS, 2 &C. " 35 • PORTRAiT OF DANTON 60 " 3 PORTRAIT OF MADAME ELIZABETH 0 " 45 CARRIER AT NANTES " 454 PORTRAIT OF ROBESPIERRE ". 490 APPENDICES. APPENDICES. A. [Page 27.] BERTHIER. .. Louis Alexandre Berthier, Prince of Neufchatel and Wagram, mar shal, vice-constable of France, was born in Paris in 1753. He was the son of a distinguished officer, and was, while yet young, employed in the general staff, and fought with Lafayette for the liberty of the United States. In 1791 he was appointed chief of the general staff in Luckner's army, marched against La Vendee in 1793, and joined the army of. Italy in 1796. In the year 1798 he received the chief command of the army of Italy, and afterwards went to Egypt with Bonaparte, to whom he was much attached, and who, on his return to Paris, appointed him minister of war. -
The Art of Humbling Tyrants: Irish Revolutionary Internationalism During the French Revolutionary and Napoleonic Era, 1789-1815 Nicholas Stark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 The Art of Humbling Tyrants: Irish Revolutionary Internationalism during the French Revolutionary and Napoleonic Era, 1789-1815 Nicholas Stark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE ART OF HUMBLING TYRANTS: IRISH REVOLUTIONARY INTERNATIONALISM DURING THE FRENCH REVOLUTIONARY AND NAPOLEONIC ERA, 1789-1815 By NICHOLAS STARK A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2014 © 2014 Nicholas Stark Nicholas Stark defended this thesis on March 27, 2014. The members of the supervisory committee were: Rafe Blaufarb Professor Directing Thesis Darrin M. McMahon Committee Member Jonathan Grant Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank my adviser, Rafe Blaufarb, for all of his help in guiding me through the process of my thesis and degree, in addition to the teaching he has provided. Serving with him as his research assistant has also been very enlightening and rewarding. In addition, I wish to express my gratitude to the Institute on Napoleon and the French Revolution at Florida State University (FSU) for providing excellent resources and materials for my education and research. The staff in Special Collections, Strozier Library at FSU has also been most helpful. Outside of the university, the archivists in Manuscripts at Trinity College Dublin and the National Library of Ireland deserve special note. -
La Chartreuse Rue Pierre Allio in Brec’H
La Chartreuse Rue Pierre Allio in Brec’h Built in the classical style, the Chartreuse of Auray is the only example of carthusian architecture (built by Carthusian monks) that remains in Western France. It is commonly known as the Chartreuse d’Auray although it is situated in Brec’h. QUICK FACTS • Built between the XVI and XIX centuries • Classical style • The cloister is a listed historic monument since 1928 • The chapel, refectory and mausoleum were listed Historic monuments in 1943 • The chasuble is the only listed object. Rue Pierre Allio in Brec’h - 1km from Auray train station • lat.47.683 - long. -3.003 Mausoleum Entrance The chapel or Church of the Carthusians Alley of the Princes Former large cloister The little cloister The site of the Chartreuse is quite extensive. The various buildings of the estate are from different periods. Nowadays, it is still a place of residence, only a small area is open to the public. The coloured areas are the ones that can be visited unaccompanied. The grey areas are still in use and cannot be visited. La Chartreuse Brec’h La Chartreuse Brec’h The war of Succession and the Battle of Auray In 1341, John III Duke of Brittany died without a heir nor an order of succession. He had two potential heirs. One was Joanne of Penthièvre, daughter of John III Guy of Penthièvre John of Montfort Joanne of Flandres his brother Guy of Penthièvre. She was married to (1286-1341) (1287-1331) (1294-1345) (1295-1374) Charles of Blois, nephew of Philip VI, king of France. -
Land Enclosure and Bavarian State Centralization (1779-1835)
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 7-1-2020 Reshaping an Earthly Paradise: Land Enclosure and Bavarian State Centralization (1779-1835) Gregory DeVoe Tomlinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the European History Commons, and the Social History Commons Recommended Citation Tomlinson, Gregory DeVoe, "Reshaping an Earthly Paradise: Land Enclosure and Bavarian State Centralization (1779-1835)" (2020). LSU Doctoral Dissertations. 5308. https://digitalcommons.lsu.edu/gradschool_dissertations/5308 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RESHAPING AN EARTHLY PARADISE: LAND ENCLOSURE AND BAVARIAN STATE CENTRALIZATION (1779-1835) A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Gregory DeVoe Tomlinson B.A., San José State University, 2009 M.A., San José State University, 2012 August 2020 Acknowledgments The Central European History Society (CEHS) funded a visit to the Bayerisches Haupstaatsarchiv and Staatsarchiv München in the summer of 2016. Further support came from the LSU history department and the generous contributions of members of the LSU Osher Lifelong Learning Institute (OLLI) for a subsequent visit in the summer of 2018. The staffs of the Bayerisches Haupstaatsarchiv and Staatsarchiv München are extremely dedicated, professional, and were more than helpful with their assistance. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Noir / Blanc : : Representations of Colonialism and Cosmopolitanism in Eighteenth Century Painting Permalink https://escholarship.org/uc/item/5df0z40f Author Jarvis, Matthew W. Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Noir / Blanc: Representations of Colonialism and Cosmopolitanism in Eighteenth Century Painting A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Matthew W. Jarvis Committee in charge: Professor Norman Bryson, Chair Professor Rachel Klein Professor Kuiyi Shen Professor Lesley Stern Professor Cynthia Truant 2013 Copyright Matthew W. Jarvis, 2013 All Rights Reserved. The Dissertation of Matthew W. Jarvis is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2013 iii DEDICATION For Robert and Vernal Kehm who were always there for me. iv TABLE OF CONTENTS Signature Page................................................................................. iii Dedication........................................................................................ iv Table of Contents............................................................................. v Vita .................................................................................................