Gonzo Weekly #170
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VIPNEWSPREMIUM > VOLUME 187
9 8 VIPNEWS PREMIUM > VOLUME 187 > FEBRUARY 2016 7 13 16 4 11 2 VIPNEWS > FEBRUARY 2016 McGowan’s Musings Sad to say the News again leads off with off the road at a canal bridge causing the this is a good one, apparently Tom Jones more bad news. We have had to report a lot deaths of all five people. This was obviously fans are furious about not being allowed of deaths of late, and this edition continues a huge shock to everyone. All at VIP send to take picnics to sustain them during the this highly unwelcome trend. As you will our heartfelt commiserations to the family great man’s performance at Tatton Park in see from the report below we attended and friends of all of these young men. Cheshire! Shock horror! You can’t say we the second edition of Where’s the Music in don’t cover the gamut of human emotion Norrköping in Sweden, on the Saturday we There was a positive follow up to another in the Musings… heard the terrible news about the accident recent tragedy when the US band Eagles in which the car carrying all four members of Death Metal played a concert in Paris But you can always count on a metal band and the manager of the UK band Viola at The Olympia on February 16th - three to put things into proportion by taking us Beach who had played at the Festival went months after Islamic extremists massacred back to the grand excess that was once 89 of their fans at the Bataclan theatre. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Now Thats What I Call Love Songs 2013
Now thats what i call love songs 2013 Released three weeks prior to Valentine's Day , Now That's What I Call Love Songs compiles 18 contemporary hits dating back to. Now That's What I Call Love Songs (). TCRYA; 39 . Katy Perry - The One That Got Away (Official) Emeli Sandé - My Kind of Love. Tracklist with lyrics of the album NOW THAT'S WHAT I CALL LOVE SONGS [] from the compilation series Now That's What I Call Music! [] (compilation. This item:Now That's What I Call Love by Various Artists Audio CD £ In stock. Sold by Side . the rest of the year. Includes songs from Rihanna, Katy Perry, Cheryl Cole and Kylie among others. Byklordon 12 June Format: Audio. Jason DeruloSecret Love Song; Miley CyrusThe Climb; Nelly FurtadoI'm Like A Bird; BirdyWings; KeaneSomewhere Only We Know; Lady AntebellumNeed You. Now That's What I Call Love or Now Love is a double-disc compilation album released in the United Kingdom on 30 January Now Love features eleven songs which reached number one on the UK. Now That's What I Call Love features 20 tracks including songs from Colbie Caillat, Maroon 5, . Published on August 14, by Marion the Librarian. Various Artists - Now Love Songs - Music. $ Prime. NOW That's What I Call Love · Now Music . Published on July 17, by Amazon Fan. NOW Thats What I Call Love Songs! is a CD compilation that features some of the hottest pop artists CD Review - Reviewed by Kidzworld on Jan 29, VA – NOW That's What I Call Love Songs () [Deluxe Edition] 39 Love You Like a Love 3 · 40 Bleeding 3 · NOW That's. -
Songs in the Key of Z: the Curious Universe of Outsider Music Free
FREE SONGS IN THE KEY OF Z: THE CURIOUS UNIVERSE OF OUTSIDER MUSIC PDF Irwin Chusid | 272 pages | 01 Apr 2000 | A Cappella Books | 9781556523724 | English | Los Angeles, CA, United States Songs in the Key of Z | Chicago Review Press If VH1's Behind the Music were as interesting as Chusid's first, and reportedly last, book, this reviewer would never leave his apartment. A record producer, music historian, and host of WFMU's Irwin Chusid. Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Songs in the Key of Z: The Curious Universe of Outsider Music Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available. Syd Barrett 21 Snapshots in Sound. The Shaggs 12 Eilert Pilarm. "Songs in the Key of Z" by Irwin Chusid | The Curious Universe of Outsider Music Presidents' Day. Veterans Day. Shopping Cart Checkout. Follow Us. Audio Downloads. Activity Kit. Songs in the Key of Z. Overview Reviews Author Biography Overview Outsider musicians can be the product Songs in the Key of Z: The Curious Universe of Outsider Music damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Groupies and Other Electric Ladies Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Groupies and Other Electric Ladies The original 1969 Rolling Stone photographs by Baron Wolman Baron Wolman ISBN 9781851497942 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 192 Pages Illustrations 200 b&w Price £40.00 For the first time in book form, these are the photographs taken by the legendary Baron Wolman for the February 1969 'Special Super-Duper Neat Issue' of Rolling Stone Key images from a time of explosive revolution in music and culture - featuring Pamela des Barres, Catherine James, Sally Mann, Cynthia Plaster Caster and many more The original chronicle of the women who became deeply influential style icons, integral to the worlds of musicians like Frank Zappa, The Doors, Led Zeppelin, The Rolling Stones, Captain Beefheart, Alice Cooper, The Who and Gram Parsons "Mr. Wolman's view of the women as style icons comes into sharp focus thanks to a new coffee-table book, Groupies and Other Electric Ladies. It collects his published portraits along with outtakes, contact sheets, the original articles from the issue and new essays that put the subjects into a modern context. The thick paper stock and oversize format emphasizes Mr. Wolman's view of the groupies as pioneers in hippie frippery." New York Times Style section "...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them... I discovered what I believed was a subculture of chic and I thought it merited a story." Baron Wolman The 1960s witnessed a huge cultural revolution. -
Gonzo Weekly
2 I have been the editor of magazines on tropical fish, exotic pets, UFOs, cryptozoology, and – of course – music, and there is something that I have noticed. Over the years various publishers have tried to get me to publish “thematic” issues, and this is something that I am loathe to do. For example, in a music magazine like this one, if I were to do a themed “punk” issue, it would immediately alienate all the people who like progressive rock. That is one thing that I am particularly proud of in this magazine; we cover anything, and everything, from anarchopunk to prog, and from folk to experimental jazz rock. In this specific issue there is everything from an interview with Barbara Dickson to articles about Rick Wakeman and Hugh Hopper. But, it is one of the more peculiarly Fortean aspects of magazine publishing that no matter how hard one tries, the vagaries of the space time continuum and Dear Friends, the very nature of the universe itself mean that no matter how hard you try to avoid doing themed Welcome to another edition of the Gonzo Weekly. issues, these appear of their own volition and the I have worked in publishing, on and off, since I first universe decides to present you with a theme, come edited my school newspaper at the age of 10, and what may. whilst I do not wish to claim that I am some sort of Citizen Kane-type publishing mogul, I have had a Once again, look at this issue. It was enough of a fair amount of disparate experience over the past 45 shock when earlier in the week, the legendary artist years. -
Gonzo Weekly #169
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 is euphemistically known as 'The Festive Season', and there was one week we didn't come out because British Telecom had managed to screw up our internet coverage, but apart from those, we have come out every week now for the past 169 weeks, and that truly does blow my mind somewhat when I think about it. I have always vaguely been a Dr Who fan, and although I don't think that stylistically or emotionally it has reached the heights that it did with Jon Pertwee, and even Patrick Troughton back in the day, I have followed much of the series since it came back in 2005. I lost interest half way through David Tennant's tenure in the driving seat of the TARDIS and only came back on board half way through whatshisface's seasons, but I have been massively impressed by Dear Friends, Peter Capaldi, who has brought back the curmudgeonly element that I feel has been Welcome to another issue of the magazine, which missing from the role in recent years. each issue I reiterate that I am not just proud to be the editor of, but that it never ceases to amaze me I lost interest in Dr Who for some years mainly that it has been going for so many weeks without because I had a lodger who was so irritating about a break.