Gonzo Weekly #169
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2
Sea of Tranquility - Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2 Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) The Ian Gillan DVD's keep coming, this one being a 34 minute concert clip from a 1977 appearance at the Rainbow, featuring the Ian Gillan Band. These days many people tend to forget this early band of Gillan's, most remember the harder rocking Gillan that toured extensively and released a handful of powerful albums in the late 70's and early 80's. The IGB were more of a mix of jazz fusion and rock, as opposed to the heavy rock sounds of Gillan, clearly heard on this five song set featuring guitarist Ray Fenwick, keyboard player Colin Towns, bassist John Gustafson, and drummer Mark Nauseef. It's a shame that not more of the band's original material is presented here, as they had a unique sound which paired stunning jazzy arrangements with Gillan's vocal shrieks, which can be heard in full force on "Clear Air Turbulence" and "Money Lender". However, this fusion based sound does not work well at all on Deep Purple classics like "Child In Time", "Smoke on the Water" , and "Woman From Tokyo", especially with Fenwick, who is a fine guitar player in his own right but not very adept at playing songs with heavy riffs. It would have been nice to see and hear him on some other IGB original material rather than the Purple songs, but perhaps this was the only footage that survived from this show. -
Brand X Moroccan Roll Mp3, Flac, Wma
Brand X Moroccan Roll mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Moroccan Roll Country: New Zealand Released: 1977 Style: Leftfield, Space-Age, Jazz-Rock MP3 version RAR size: 1770 mb FLAC version RAR size: 1783 mb WMA version RAR size: 1786 mb Rating: 4.4 Votes: 276 Other Formats: WMA AC3 AUD ADX MPC MIDI RA Tracklist A1 Sun In The Night 4:25 A2 Why Should I Lend You Mine (When You've Broken Yours Off Already) 11:16 A3 Into Maybe I'll Lend You Mine After All 2:10 A4 Hate Zone 4:41 A5 Collapsar 1:33 B1 Disco Suicide 7:55 B2 Orbits 1:38 B3 Malaga Virgen 8:28 B4 Macrocosm 7:24 Companies, etc. Phonographic Copyright (p) – Charisma Records Ltd. Recorded At – Trident Studios Mixed At – Morgan Studios Marketed By – Phonogram Limited Credits Artwork – George Hardie Artwork, Photography By – Hipgnosis Bass, Percussion – Percy Jones Engineer – Perdurabo Stephen W. Tayler* Engineer [Tape Op] – Chris Tsangarides, Geoff Leach, John Brand, Neil Ross, Steve Short Mastered By – Ray Staff Other [Photo Model, Uncredited] – Peter Christopherson Percussion – Morris Pert Photography By [Group] – Rob Brimson Producer – Dennis Mackay Producer [Associate] – Brand X Vocals, Drums, Piano – Phil Collins Vocals, Guitar, Percussion – John Goodsall Vocals, Keyboards – Robin Lumley Written-By – Goodsall* (tracks: A1, A4, B4), Jones* (tracks: B2, B3), Collins* (tracks: A2, A3), Lumley* (tracks: A5, B1) Barcode and Other Identifiers Matrix / Runout (Runout Side A, engraved): 9124010 A 2086-700 JAM Matrix / Runout (Runout Side B): 9124010 -
GILLAN, IAN BAND Titolo Album: DVD - Live at the Rainbow 1977 Nazionalità: Inghilterra Etichetta: Angel Air Waves Anno Di Pubblicazione: 2006
Page 1 of 1 Autore: GILLAN, IAN BAND Titolo album: DVD - Live At The Rainbow 1977 Nazionalità: Inghilterra Etichetta: Angel Air Waves Anno di pubblicazione: 2006 Voto medio: 8 Recensito da Daniele Cutali Gli anni dell'interregno per l'urlatore porpora... Ian Gillan lasciò i Deep Purple nel 1973 proprio dopo la pubblicazione dell'acclamato album “Who Do We Think We Are?”, a causa di forti contrasti interni con il chitarrista Ritchie Blackmore. Il grande cantante urlatore formò una band tutta sua e quindi dopo tre anni pubblicò, nel 1976, il suo primo disco solista con essa. Quell'album adesso introvabile era “Child In Time” e contiene una splendida cover della famosa canzone dei Purple, meno hard rock, meno nervosa e drammatica, con un'inclinazione più sognante e malinconica eseguita con molti sapori progressivi. Esso segnò l'ascesa della prima formazione della Ian Gillan Band, rimarcata ancora nel 1977 dalla pubblicazione degli ottimi “Clear Air Turbulence” e “Scarabus”, entrambi nello stesso anno ed entrambi con un particolare mood jazzato, un groove alieno a ciò che Gillan ci aveva abituati nella sua band porpora, e con straordinarie parti sperimentali sottolineate da interventi di flauto e sax. Tutto ciò, appunto, era abbastanza fuori dalla norma per un cantante che proveniva direttamente dall'hard rock milieu, ma Gillan desiderava fortemente cambiare aria dal ruvido sound purpleiano così approdò all'esplorazione di spiagge quasi progressive. Poi nel 1978 cambiò di nuovo tutto facendo retromarcia e tornando verso i sicuri e redditizi lidi dell'hard rock inglese, cavalcando con arguzia ed esperienza il crescente successo della New Wave of British Metal costituita da Judas Priest, Saxon e Iron Maiden su tutti. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
Songs in the Key of Z: the Curious Universe of Outsider Music Free
FREE SONGS IN THE KEY OF Z: THE CURIOUS UNIVERSE OF OUTSIDER MUSIC PDF Irwin Chusid | 272 pages | 01 Apr 2000 | A Cappella Books | 9781556523724 | English | Los Angeles, CA, United States Songs in the Key of Z | Chicago Review Press If VH1's Behind the Music were as interesting as Chusid's first, and reportedly last, book, this reviewer would never leave his apartment. A record producer, music historian, and host of WFMU's Irwin Chusid. Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Songs in the Key of Z: The Curious Universe of Outsider Music Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available. Syd Barrett 21 Snapshots in Sound. The Shaggs 12 Eilert Pilarm. "Songs in the Key of Z" by Irwin Chusid | The Curious Universe of Outsider Music Presidents' Day. Veterans Day. Shopping Cart Checkout. Follow Us. Audio Downloads. Activity Kit. Songs in the Key of Z. Overview Reviews Author Biography Overview Outsider musicians can be the product Songs in the Key of Z: The Curious Universe of Outsider Music damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Groupies and Other Electric Ladies Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Groupies and Other Electric Ladies The original 1969 Rolling Stone photographs by Baron Wolman Baron Wolman ISBN 9781851497942 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 192 Pages Illustrations 200 b&w Price £40.00 For the first time in book form, these are the photographs taken by the legendary Baron Wolman for the February 1969 'Special Super-Duper Neat Issue' of Rolling Stone Key images from a time of explosive revolution in music and culture - featuring Pamela des Barres, Catherine James, Sally Mann, Cynthia Plaster Caster and many more The original chronicle of the women who became deeply influential style icons, integral to the worlds of musicians like Frank Zappa, The Doors, Led Zeppelin, The Rolling Stones, Captain Beefheart, Alice Cooper, The Who and Gram Parsons "Mr. Wolman's view of the women as style icons comes into sharp focus thanks to a new coffee-table book, Groupies and Other Electric Ladies. It collects his published portraits along with outtakes, contact sheets, the original articles from the issue and new essays that put the subjects into a modern context. The thick paper stock and oversize format emphasizes Mr. Wolman's view of the groupies as pioneers in hippie frippery." New York Times Style section "...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them... I discovered what I believed was a subculture of chic and I thought it merited a story." Baron Wolman The 1960s witnessed a huge cultural revolution. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.