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Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De La Psicodelia Al Genoveva Li
RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De la Psicodelia al Punk en el contexto anglosajón, 1965-1979 TESIS DOCTORAL Directores: Genoveva Linaza Vivanco Santiago Javier Ortega Mediavilla Doctorando Javier Fernández Páiz (c)2017 JAVIER FERNANDEZ PAIZ Relaciones entre arte y rock. Aspectos relevantes de la cultura rock con incidencia en lo visual. De la Psicodelia al Punk en el contexto anglosajón, 1965 - 1979 INDICE 1- INTRODUCCIÓN 1-1 Motivaciones y experiencia personal previa Pág. 5 1-2 Objetivos Pág. 6 1-3 Contenidos Pág. 8 2- CARACTERÍSTICAS ESTILÍSTICAS, TENDENCIAS Y BANDAS FUNDAMENTALES 2-1 ORÍGENES DEL ROCK 2-1-1 Características fundaMentales del rock priMitivo Pág. 11 2-1-2 La iMagen del rock priMitivo Pág. 15 2-1-2-1 El priMer look del Rock 2-1-2-2 El caudal de iMágenes del priMer Rock y el color 2-1-3 PriMeros iconos del Rock Pág. 17 2-2 BRITISH INVASION Pág. 22 2-3 MODS 2-3-1 Características principales Pág. 26 2-3-2 El carácter visual de la cultura Mod Pág. 29 2-4 PSICODELIA Y HIPPISMO 2-4-1 Características principales Pág. 32 2-4-2 El carácter visual de la Psicodelia y el Arte Psicodélico Pág. 42 2-5 GLAM 2-5-1 Características principales Pág. 55 2-5-2 El carácter visual del GlaM Pág. 59 2-6 ROCK PROGRESIVO 2-6-1 Características principales Pág. 65 2-6-2 El carácter visual del Rock Progresivo Pág. 66 2-7 PUNK 2-7-1Características principales Pág. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
A Spasso Con Frank
Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide..... -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Gonzo Weekly #155
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of this singular periodical. I know that I say it every week, but it never ceases to amaze me how such a tiny band of brothers and sisters, the vast majority of whom are unpaid, manages to put out a full length magazine of such like to once again publicly thank my editorial quality every single week of the year. Before team particularly Doug, John, Corinna and I continue with this week’s musings I would Jessica, although it really goes against the 4 grain to single anyone out of such a hard who read this magazine. Some of you will, working and productive team. no doubt, be shocked by this revelation. DeMille is a fairly gung ho Republican One of my favourite authors is an American whose ethos would seem to be quite far thriller writer called Nelson DeMille who removed from the anarchist ethos of what I may not be familiar to many of the people write for this magazine, and indeed, how I live my life. But he does write cracking stories! Probably my favourite of his books is one called Word of Honour which tells a very interesting and morally intriguing tale. The main protagonist is a wealthy businessman who, at some time during the late 1980s, is on his way to work. -
{PDF EPUB} Shell Shocked My Life with the Turtles Flo & Eddie And
Read Ebook {PDF EPUB} Shell Shocked My Life with the Turtles Flo & Eddie and Frank Zappa Etc. by Howard Kaylan HOWARD KAYLAN SHELL SHOCKED PDF. Howard Kaylan’s “Shell Shocked”. likes. Howard Kaylan’s life has been a dangerous ride that he is only too happy to report on shocking tales of. Howard Kaylan recalls his days as part of a hit-making band, a friend to a musical giant, and his tenacious grasp on his dream. —And Gives The Final Word On Six Legendary Rock ‘N Roll Myths! Words and Photos By Anne M. Raso. Howard Kaylan’s autobiography Shell Shocked. Author: Goktilar Nimi Country: New Zealand Language: English (Spanish) Genre: Career Published (Last): 16 October 2018 Pages: 443 PDF File Size: 14.82 Mb ePub File Size: 2.36 Mb ISBN: 961-6-34365-374-7 Downloads: 79134 Price: Free* [ *Free Regsitration Required ] Uploader: Jugar. He stopped—as far as I know, he stopped when the show moved to California. Shell Shocked: My Life with the Turtles, Flo & Eddie, and Frank Zappa, Etc. by Howard Kaylan. I went looking for things like photos from our tour bus. That had bizarre and long lasting implications. The 80 Best Books of His commentary while describing it is evidence, thank God, that he, unlike most of the biographies of 60s artists I’ve read, has grown up enough to realize just how badly he screwed things up for himself and his loved ones over the course of a few decades. Shockev clowns are still out on the road trying to replace him with lead singers of all different races and religions and stuff…trying to find the guy to be the next Jim. -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.