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Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
The Real Frank Zappa Book Contents
The Real Frank Zappa Book by Frank Zappa with Peter Occhiogrosso eVersion 3.0 - click for copyright info and scan notes THIS BOOK IS DEDICATED TO GAIL, THE KIDS, STEPHEN HAWKING AND KO-KO. F.Z. August 23, 1988 06:39:37 Contents INTRODUCTION -- Book? What Book? 1 How Weird Am I, Anyway? 2 There Goes the Neighborhood 3 An Alternative to College 4 Are We Having a Good Time Yet? 5 The Log Cabin 6 Send In the Clowns 7 Drool, Britannia 8 All About Music 9 A Chapter for My Dad 10 The One You've Been Waiting For 11 Sticks & Stones 12 America Drinks and Goes Marching 13 All About Schmucks 14 Marriage (as a Dada Concept) 15 "Porn Wars" 16 Church and State 17 Practical Conservatism 18 Failure 19 The Last Word Introduction Book? What Book? I don't want to write a book, but I'm going to do it anyway, because Peter Occhiogrosso is going to help me. He is a writer. He likes books -- he even reads them. I think it is good that books still exist, but they make me sleepy. The way we're going to do it is, Peter will come to California and spend a few weeks recording answers to 'fascinating questions,' then the tapes will be transcribed. Peter will edit them, put them on floppy discs, send them back to me, I will edit them again, and that result will be sent to Ann Patty at Poseidon Press, and she will make it come out to be 'A BOOK.' One of the reasons for doing this is the proliferation of stupid books (in several languages) which purport to be About Me . -
Zappa-Bootlegs
MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968 -
The Turtles Elenore Mp3, Flac, Wma
The Turtles Elenore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Elenore Country: Germany Released: 1968 Style: Pop Rock MP3 version RAR size: 1452 mb FLAC version RAR size: 1104 mb WMA version RAR size: 1841 mb Rating: 4.3 Votes: 339 Other Formats: DXD XM MP2 AC3 VOC RA AA Tracklist A1 The Battle Of The Bands 2:15 A2 The Last Thing I Remember 2:50 A3 Elenore 2:30 A4 Too Much Heartsick Feeling 2:35 A5 Oh, Daddy! 2:45 A6 Buzzsaw 1:53 B1 Surfer Dan 2:40 B2 I'm Chief Kamanawanalea (We're The Royal Macadamia Nuts) 1:30 B3 You Showed Me 3:05 B4 Food 2:34 B5 Chicken Little Was Right 2:43 B6 Earth Anthem (All) 3:53 Credits Arranged By – Chip Douglas, The Turtles Bass – Jim Pons Engineer – Jim Hilton Guitar, Keyboards – Al Nichol Percussion – Johnny Barbata* Producer – Chip Douglas Vocals – Al Nichol, Howard Kaylan, Jim Pons, Johnny Barbata*, Mark Volman Barcode and Other Identifiers Matrix / Runout (Runout A, stamped): K LP-Ste-WW-7118-A X Matrix / Runout (Runout B, stamped): K LP-Ste-WW-7118-B X Matrix / Runout (Runouts A & B, stamped): Manufactured in Germany Other versions Category Artist Title (Format) Label Category Country Year Present The Battle Of The WWS 7118 The Turtles White Whale WWS 7118 US 1968 Bands (LP, Album) London Present The Battle Of The WWS 7118 The Turtles Records, White WWS 7118 Venezuela 1968 Bands (LP, Album) Whale The Turtles Present Battle Of 850-7118 The Turtles White Whale 850-7118 US 1968 The Bands (8-Trk, Album) Present The Battle Of The WWS 7118 The Turtles White Whale WWS 7118 US 1968 Bands (LP, Album, Promo) The Turtles Present The Battle WWS 7118 The Turtles Of The Bands (LP, Album, RP, White Whale WWS 7118 US 1969 Gat) Related Music albums to Elenore by The Turtles The Turtles - You Showed Me / Surfer Dan / Eleonore / The Last Thing I Remember The Turtles - You Showed Me Lasse Berggrensson - Elenore The Turtles - Reflection - Their Million Sellers The Turtles - Present The Battle Of The Bands The Turtles - She's My Girl Frank Zappa 's Mothers - Fire! Various - Radio Rock Revolution - Movie Soundtrack. -
The History of the Turtles Featuring Flo & Eddie
THE HISTORY OF THE TURTLES FEATURING FLO & EDDIE Very few rock performers have remained as vital through the 1960s, ‘70s, ‘80s, ‘90s and the new millennium as have Howard Kaylan and Mark Volman... and as The Turtles, featuring Flo & Eddie, they continue to maintain a vigorous tour schedule. Two guys from Westchester. That's how Mark Volman and Howard Kaylan (aka Flo and Eddie) refer to themselves. Two slightly bewildered kids thrust into the fast lane of rock 'n' roll stardom - hits, fame, national tours, hanging out with the Beatles, joining the Mothers of Invention, acting in the 200 Motels movie, and on and on ... Two guys from Westchester. Howard Kaylan (changed in 1965 from Kaplan, because that's how it always looked when he wrote his name) was born June 22, 1947 in the Bronx, and spent his first eight years in Manhattan before his father took a job with General Electric in Utica, New York. After the family moved there for a year or so, they moved to the Los Angeles area, settling in Westchester. Mark Volman was born April 19, 1947. After a brief period living in Redondo Beach, his family moved nearby to Westchester. Little did they know it at the time, but both Mark's and Howard's musical direction was forged by a crusty, old Mr. Ferguson who gave clarinet lessons in a drafty cubicle above the Westchester Music Store. Mark went to Orville Wright Jr. High, while Howard went to Airport Jr. High. They didn't know each other, but they both pursed their lips around clarinet reeds for Mr. -
[PDF] Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc
[PDF] Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Howard Kaylan, Jeff Tamarkin - pdf download free book Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Download PDF, Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. by Howard Kaylan, Jeff Tamarkin Download, I Was So Mad Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Howard Kaylan, Jeff Tamarkin Ebook Download, Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Free Read Online, online pdf Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., pdf download Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., Download Online Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Book, Download PDF Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. Free Online, read online free Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., by Howard Kaylan, Jeff Tamarkin Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., book pdf Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., by Howard Kaylan, Jeff Tamarkin pdf Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., Howard Kaylan, Jeff Tamarkin epub Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., pdf Howard Kaylan, Jeff Tamarkin Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., the book Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc., Read Best Book Shell Shocked: My Life With The Turtles, Flo And Eddie, And Frank Zappa, Etc. -
Women in Rock OLLI Berkeley Course Material
Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US. -
PLANNER PROJECT 2016... the 70S!
1 PLANNER PROJECT 2016... THE 70s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting the years 1971 and 1976 in Planner Project 2016! 1971! 1971 / FEATURED AREA MUSIC VENUES FROM 1971 / (58) / [(-) NO. OF TIMES LISTED] 5th International Cleveland Rod & Custom Auto-Rama (at Public Hall) / Adelbert Gym (Blanket & Beachers concerts) / Admiral Bimbo’s / Cleveland Agora / Allen Theatre (2) / Cleveland Arena / Ashland College / The Barracks (E. 20th & Chester) / Bay Way / The Basement [opening night – ($1.50 / beer & pizza 40¢ each)] / Blossom Music Center / Cain Park / Carnegie Hall / CWRU’s Emerson Gym / Chesterland Hullabaloo / Columbus 1700 (formerly D’Poo’s) / Corral / Cyrus Erie West / Déjà Vu / the Den [(opening debut) - ($2-w/drink ticket)] / Edgewater Park / Eastlake North High School / The Factory / Fagan’s (2) / Farragher’s / Fat Glenn’s (50¢-free w/CSU ID) / Harbor Inn / Hire’s Lounge / The Jug / John Carroll (journalism beer mixer) / King Richard’s / the Lantern / Mad Hatter [opening night] / Maple Hts. High School (Homecoming Dance - appropriate dress required) / Mentor Rock Shop / Mrs. Minniver’s Back Room / Musicarnival / Normandy High School / Otto-Sight / Padua High School / Painesville Armory (2) / Pickle Bill’s (free popcorn) (2) / Pirate’s Cove (2) / The Plato (E. 22nd) / Public Hall / The Ramp [opening night -1398 E. 21st] / Saints & Sinners / Shan-Gra- La (30322 Euclid) / Smiling Dog Saloon, 3447 W. 25th [opening night] / Socrate’s Cave / St. Charles Monahan (shirt/tie boys, pantsuits girls) / St. Joseph High School / South High School / Surrealistic, Ink / Theatrical Restaurant / Tom Jones Back Room / Tommy’s / Union Jack / Utopia / Walsh Jesuit High / The Warehouse / WHK Auditorium (5000 Euclid Ave.) AKRON / CANTON / KENT AREA VENUES / (5) The Exit / J.B.’s Niteclub, 244 N. -
Philosophy, Allusion, and Structure in Frank Zappa's Music
WHAT TO LISTEN FOR IN ZAPPA: PHILOSOPHY, ALLUSION, AND STRUCTURE IN FRANK ZAPPA'S MUSIC by MATTHEW E. FERRANDINO A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2015 THESIS APPROVAL PAGE Student: Matthew E. Ferrandino Title: What to Listen for in Zappa: Philosophy, Allusion, and Structure in Frank Zappa's Music This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Stephen Rodgers Chairperson Jack F. Boss Member Loren Kajikawa Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2015 ii © 2015 Matthew E. Ferrandino This work is licensed under a Creative Commons Attribution (United States) License. iii THESIS ABSTRACT Matthew E. Ferrandino Master of Arts School of Music and Dance June 2015 Title: What to Listen for in Zappa: Philosophy, Allusion, and Structure in Frank Zappa's Music In this thesis I explore how music-text relations in Frank Zappa’s music work together to express a central narrative, with a particular focus on his use of musical allusion. First, I frame Zappa’s creative perspective from a Dadaist philosophy, illuminating an underlying critique of American culture through the use of musical and lyrical devices such as allusion. I explore how Zappa uses allusion as a narrative device and how these allusions affect a listener’s interpretation of a track. -
Le Webzine Des Musiques Sombres Et Expérimentales : Rock, Jazz, Progressif, Metal, Electro, Hardcore
Guts Of Darkness Le webzine des musiques sombres et expérimentales : rock, jazz, progressif, metal, electro, hardcore... avril 2002 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2016 Un sommaire de ce document est disponible à la fin. Page 2/212 Les interviews Page 3/212 SCARVE - (interview réalisée par Nicko) 1/ Pourriez-vous rappeler brièvement le parcours du groupe depuis sa création ? Le groupe : La formation s'est formée fin 93 - début 94. On a rapidement enregistré une première démo, puis a suivi un premier album autoproduit 6 titres en 96. On a eu pas mal de changements de line-up, encore ces derniers temps. On a fait 2 albums depuis, produits et distribués, le premier chez Furtive Records en 2000, "Translucence", et puis il y a un mois, "Luminiferous", le nouvel album, est sorti chez Listenable Records. 2/ Ce soir, il s'agit du dernier concert de la tournée, comment s'est-elle justement passée ? Le groupe : Super cool, supers rencontres, que ce soit au niveau du public ou au niveau des groupes. On a pu aussi constater que pas mal de personnes qui étaient venues nous voir connaissaient déjà le dernier album, c'était assez sympa. On est content ! Sinon on a bien picolé, on a bien fait la fête ! Et on est complètement mort ! Mais on en redemande, on est prêt à repartir le plus tôt possible. On s'est trop éclaté. 3/ Vous sortez votre deuxième "vrai" album, "Luminiferous", est-ce que vous pouvez nous en parler, et nous énoncer les différences que l'on peut rencontrer par rapport au précédent album ? Le groupe : "Translucence" avait été composé sur une période beaucoup plus longue, donc il y avait plus de différences entre les morceaux, alors que là, "Luminiferous" est plus compact. -
"The Phlorescent Leech and Eddie" to Be Presented in Concert
"The Phlorescent Leech and Eddie" to be presented in concert January 19, 1973 "The Phlorescent Leech and Eddie," the imaginative rock band formerly known as "The Turtles," will be presented in concert at 8:30 p.m., Saturday, January 27, at the University of California, San Diego Gymnasium. Mark Volman, "The Phlorescent Leech," and Howard Kaylan, or "Eddie," will be accompanied by Aynsley Dunbar, drums; Don Preston, organ and keyboard; Gary Rowles, lead guitar; and Jim Pons, bass. Special guest star for the night will be Murray Roman, stand-up comedian and storyteller and Emmy-Award winner for his work on the Smothers Brothers Comedy Hour. Presale admission prices are $1.50 for UCSD students with I.D. and $2 for all others. All tickets will be $2.50 at the door the night of the concert. Tickets are on sale at the Urey Hall Box Office on Revelle College at UCSD or at the Aztec Center at California State University, San Diego. The concert is sponsored by the UCSD Campus Programming Board. With an unusual start as choir boys and saxaphonists in high school, Volman and Kaylan formed their own group in the early 1960's called the "Crossfires." The group eventually became "The Turtles." Songs "Happy Together" and "You Baby" made the group's name well known in 1965. A slump in the late sixties forced the two to join with Frank Zappa and the "Mothers of Invention" as back-up vocalists. At that time they took on the name "Phlorescent Leech and Eddie." Southern Californians may have seen them with the "Mothers" at the Pauley Pavilion in Los Angeles.