DOCSLIB.ORG

I Y Tea Dance Hosts Frosh, New Students, and Girls

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Y Tea Dance Hosts Frosh, New Students, and Girls HELLO BEAT AGAIN C'lllfJRNI' TECH WHITTIER CtlliffJrnitl Institlltl fJf TeclJnfJlfJlY Volume LI. ___~ ________________Thursday, October 6, 1949_____________________ _ No.1 FUTURE CE-ME BUILDING I Y Tea Dance Hosts Frosh, New Students, and Girls ----------------------0 "Music," Skit, and Beauty Contes---- t' Rally Slated Given as Entertainment For Mixer This year's Y-sponsored New Student Tea Dance was held Sunday, in Dabney Lounge. Girls were imported from Oxy, For Tomorrow MUIr, P.c.c. and South Pasadena Hi gh. Varsity Coach Bert La Bruch­ The dance slarteci off slowly due to reluctance on t he part of erie and "HusUi n' Hal" Mussel· the fresh to plunge into the seething mob of beautiful females. man are slated to be gU€.:>ts of 'When the new s tudents saw the upper class competition moving in honor at t he pep ra lly this ~""' ri­ t hey got clown La brass tacks with theil' new sLeps a nd olel lines. day. Rally Commissioner Bert \ fol'king Staff Snider a nd Head Yell Leader CO llsh-uction of a n ew Enginceri.ng Labol'atOl'Y on the Cnltech campus was l ' e(~ e nU y begun. Everyone on the Y s taff "Mert" Merten ha"'le scheduled Journalists ••• Cost of the building whc lI equilJl'ed will be 31)IH"Oximately $(;25,000. The building will house all worked for the dance in some the year's first rally for 11:00 i\ course in .J ournalis m is CIvil Engillcel'ing labs and offices as well as oth er enginel'l'iug facilities_ way or another, but Leo Bagger­ _ o'clock tomorrow n the pit be­ IIOW open to all intel'cst.cd. ly was the man who coordinated hind the optics lab. w lu:thcl' stafl' m om bm's 0 1' not. the effort. He and his three as­ Tanham Steps Merten and hi s two assistants, Fol' inJol'matio ll, S()C PI'Of. s istants , John Boppart, who took Chuck Miller and Leo Baggerly, I Mactninn, Humanit ies I)c pt. charge of receiving the guests, To will be there to lead the school eE's, ME's Phil Ol'ville, who handled the va­ Into New Post songs and yells, and, incidental- I FI·lm Classl·cs rious atTangements for the The appointment of George K. ly, to'teach the student body a dance. and Frank Ludwig, who few new ones. The rejuvenated En;oy New Lab Tanham to Mas ter of Student planned the enLertainme n t, initi­ Houses, ta'king over the duties Calteell Band, managed by Bill Begin Sunday ated work 011 the dance last Construction of the new Engineering Laboratory adjacent to Sampson, will also be on hand to of the late Colonel E. C. Golds- spring. the present Mechanical Engineering Building has been under way provide music between the yells. An interesling series of films Intermiss ion Pl'ogr a m since July with its completion .expected in about ten months. worthy, was announced by Presi­ dent DuBridge at Commence­ Confer e nce PI'OSp cCts chosen from the sea of old-timers Fl'a nk Ludwig was M. C. at The new, earthquake l'esistant,~ ment last June. Mr. Tanham, Coach LaBrucherie is expected promises to be the solution of the program held during the in­ r einfor~ed concrete structure Debate well-known to freshman students to give out the lowdown on what to do with Sunday and tennission of the dance. Much will have two basements and Team of European history and former-' Tech's conference prospects, so Monday nights fol' Techmen. of the talent for t his presenta­ three float's above ground, pro­ Iy American history students, everyone will know what to This is the chance to iJoth la ughs tion was from the frosh class. viding 34,000 square feet of space has been a n instructor in the watch for at the Whittier game, and culture the easy way. Chuck Benjamin, Ken Lunan, for the Institute's extensive En­ Prepares For history departmen t here since Saturday night. Last year the The series includes Anna and Mike Sellen played a num­ gineering section. 1947. In addition to his new du- Beavel's and Whittier fought .to Cristie, Thc Navigatol' and Ab. ber on two ukeleles and a violin. Rcsctll'ch Facilities ties, he will continue in his usual a 7-6 score in the first three pe- s'.I'actions, I van the ~ r e .... ible, Burger, Sentner, and Hyde made Besides housing the depart· post. I' iods, but the Poets went wild in The FOIlI' HOI'se mcn of the Apoc­ up a trombone trio. An accor­ Fall Contests the last quarter to win the game, a l .l,,.~e, S unrise and :\bsh'actions ment of Civil Engineering, the A native of Te nafly, N.J., Mr. dion number was then played by 27-6. in Syn t h etic Sound. new building will contain metal­ Cal tech scholars need not be Tanham graduated from Prince· Bill Smith. Vern Edwards, his tongue-tied scienLists if they get way to take advantage of lurgy faci lities such as Iabora­ ton in the class of '43. Immedi­ This year's 'l'echstel's will need The guitar and zombies, the zombies into the forensic program now th Is opportunity is to ::.how up LOries fol' powder metallurgy, ately thereafter, he began three your support to get their re· being Mike Sellen, Fred Wood, at Culbertson Hal! with a ticket. meiallography, x-ray metallogra­ sel up under the direction of years of d u ty in the Army, serv­ venge. and Bruce H edrick, gave a rendi­ C.oach LesLe r McCrery. Debate, Monday tickets are all sold out phy, spectrographic analysis, ing as an officer in the 7th AI'­ tion of " \Vhiskey and Wild, Wild a nci aboLlt 50 Sunday tickets are metals prepar'ations, and study oratory, discussion, impromptu mOl'eel Division's a rtillery, and Women." Another part of the Jeft. Cost to underg rads will be of ma terials thl'Ough radioactive and extempore speaking are all as a forward observer. He saw pl'Ogram was devoteel to a beau­ Alumni Talks 90c for this term only. The films isotopes. included. action with General Patton's ty contest, the winner of which will be shown on alternate week­ Facilities also are planned for This year the program sched­ Army t.hroughout FI'once, Bel­ was Joa nne Peterson from Muir e nds beginning this week-end. research in thermodynamics, in uled for Caltech students in­ gium, H oll and, Luxembourg and Scheduled J.e. The main parl of the pro­ Tickets are avai lable fl'om Miss gram was devoted to a skit which strength of materials, and in culdes trips to Stanford Univer· Germany. After gradu ation, then what? Pond in 119 Throop. was a parody on a radio pro­ earthquake and vibration investi­ sity, College of the Pacific, Santa What kind of a job to choose? After leaving the army, he gl'am. The Skit, "Cas ie's Cozy gations. There w ill be s pace for Barbara State Co ll ege, Univer­ Whether to go into large or smai! went to Stanford, where, in 1947, Cotlins" used the histrionic tal­ a pplied mechanics research , as sity of California at Los Angeles, indus tl'ies? How to get a job in he received an M.A. in h istory. e nts of Frank Ludwig, Bruce well as offices and classrooms . Peppel'dine College and Los An­ the field you're interested in? At present he is working toward ACS Honors Hedrick, Freel "Vooel, and Don Need ed Space geles City College. Also, Caltech How to choose a graduate school? a Ph.D. from Stanford. Ste\v<-lI'L After the frosh officers It is expected that the new will be host again this year to His fi e ld is "'£he Belgian Re- These and many more ques· were introduced, Manuel Silva building will not only consolidate an intercoll egiate debate tour­ Tech Chemists j sistance Movement, 1940-1944," tions that seniors and other un­ presicle;1t of the freshman class, the Civil and Mechanical Engi­ nament given to colleges in the Mr. Tanham, his charming wife dergl'arluates will fa ce when they Dr. Arie J a n Haagen-SmiL, pro­ gave a bl'ief s peech to the guests. neering facilities in one struc- western league. Throughout th e and their 17-month-old son now leave Caltech will be answered fesso]' of bio-organic chemistry "ture, but a lso provide needed year audience debates and ora­ reside in Arde n House. by the Alumni Placement Lec- in the biology division, and Dr. space for the institute's present torical events will also be sched­ Another new arrival to the tt' res, wh ich w ill begin October Verner F. H. Schoma ker, associ- research program. • uled. Student Houses is Harry ElLis, 11. ate professor of chetnistry, re- Y Session Will Mal-s h a H Plan Ricketts R.A. A nalive of Van. 'l'opics . I ceived ou tstanding honors at the Map '49 Policies According to McCrery, two couver , B.C.. , H a rry graduated TopICS for the Lectures, wh Ich I recent meeting of the American particularly vital a nd interesting from the University of British I a re to be g iven at as yet-unspeci- Chemical SOciety in Atlantic T hi s Sunday the Caltech Prof. Gilbert debate topics are offered this Col umbia in 1945 spent a short fied places and by a number ot City.
Load more

Recommended publications
  • 029I-HMVCX1924XXX-0000A0.Pdf
    This Catalogue contains all Double-Sided Celebrity Records issued up to and including March 31st, 1924. The Single-Sided Celebrity Records are also included, and will be found under the records of the following artists :-CLARA Burr (all records), CARUSO and MELBA (Duet 054129), CARUSO,TETRAZZINI, AMATO, JOURNET, BADA, JACOBY (Sextet 2-054034), KUBELIK, one record only (3-7966), and TETRAZZINI, one record only (2-033027). International Celebrity Artists ALDA CORSI, A. P. GALLI-CURCI KURZ RUMFORD AMATO CORTOT GALVANY LUNN SAMMARCO ANSSEAU CULP GARRISON MARSH SCHIPA BAKLANOFF DALMORES GIGLI MARTINELLI SCHUMANN-HEINK BARTOLOMASI DE GOGORZA GILLY MCCORMACK Scorn BATTISTINI DE LUCA GLUCK MELBA SEMBRICH BONINSEGNA DE' MURO HEIFETZ MOSCISCA SMIRN6FF BORI DESTINN HEMPEL PADEREWSKI TAMAGNO BRASLAU DRAGONI HISLOP PAOLI TETRAZZINI BI1TT EAMES HOMER PARETO THIBAUD CALVE EDVINA HUGUET PATTt WERRENRATH CARUSO ELMAN JADLOWKER PLANCON WHITEHILL CASAZZA FARRAR JERITZA POLI-RANDACIO WILLIAMS CHALIAPINE FLETA JOHNSON POWELL ZANELLIi CHEMET FLONZALEY JOURNET RACHM.4NINOFF ZIMBALIST CICADA QUARTET KNIIPFER REIMERSROSINGRUFFO CLEMENT FRANZ KREISLER CORSI, E. GADSKI KUBELIK PRICES DOUBLE-SIDED RECORDS. LabelRed Price6!-867'-10-11.,613,616/- (D.A.) 10-inch - - Red (D.B.) 12-inch - - Buff (D.J.) 10-inch - - Buff (D.K.) 12-inch - - Pale Green (D.M.) 12-inch Pale Blue (D.O.) 12-inch White (D.Q.) 12-inch - SINGLE-SIDED RECORDS included in this Catalogue. Red Label 10-inch - - 5'676 12-inch - - Pale Green 12-inch - 10612,615j'- Dark Blue (C. Butt) 12-inch White (Sextet) 12-inch - ALDA, FRANCES, Soprano (Ahl'-dah) New Zealand. She Madame Frances Aida was born at Christchurch, was trained under Opera Comique Paris, Since Marcltesi, and made her debut at the in 1904.
    [Show full text]
  • Corso Di Dottorato Di Ricerca in Storia Delle Arti Tesi Di Ricerca
    Corso di Dottorato di ricerca in Storia delle Arti ciclo XXI Tesi di Ricerca «THE PHENOMENAL CONTRALTO» Vita e carriera artistica di Eugenia Mantelli SSD: L-ART/07 Musicologia e storia della musica Coordinatore del Dottorato ch. prof. Piermario Vescovo Supervisore ch. prof. Paolo Pinamonti Dottorando Federica Camata Matricola 808540 «THE PHENOMENAL CONTRALTO». VITA E CARRIERA ARTISTICA DI EUGENIA MANTELLI INDICE Introduzione p. 3 1. Biografia di Eugenia Mantelli p. 7 1.1. L’infanzia e gli studi p. 9 1.2. Il debutto al Teatro de São Carlos p. 13 1.3. La carriera internazionale p. 16 1.3.1. 1886: prima tournée in Sudamerica p. 17 1.3.2. 1887: seconda tournée in Sudamerica p. 24 1.3.3. 1889: terza tournée in Sudamerica p. 26 1.3.4. Eugenia Mantelli-Mantovani p. 28 1.3.5. Dal Bolshoi al Covent Garden p. 31 1.3.6. ¡Que viva Chile! Ultime tournée in Sudamerica p. 33 1.4. New York, il Metropolitan e le tournée negli Stati Uniti p. 36 1.4.1. Eugenia Mantelli-De Angelis p. 47 1.5. «Madame Mantelli has gone into vaudeville» p. 51 1.6. Mantelli Operatic Company p. 66 1.7. Attività artistica in Italia p. 69 1.8. Le ultime stagioni portoghesi e il ritiro dalle scene p. 81 1.9. Gli anni d’insegnamento p. 91 1.10.Requiem per Eugenia p. 99 1 2. Cronologia delle rappresentazioni p. 104 2.1. Nota alla consultazione p. 105 2.2. Tabella cronologica p. 107 3. Le fonti sonore p. 195 3.1.
    [Show full text]
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26
    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
    [Show full text]
  • JOS-075-1-2018-007 Child Prodigy
    From the Bel Canto Stage to Reality TV: A Musicological View of Opera’s Child Prodigy Problem Peter Mondelli very few months, a young singer, usually a young woman, takes the stage in front of network TV cameras and sings. Sometimes she sings Puccini, sometimes Rossini, rarely Verdi or Wagner. She receives praise from some well meaning but uninformed adult Ejudge, and then the social media frenzy begins. Aunts and uncles start sharing videos, leaving comments about how talented this young woman is. A torrent of blog posts and articles follow shortly thereafter. The most optimistic say that we in the opera world should use this publicity as a means to an end, to show the world at large what real opera is—without ever explaining how. Peter Mondelli The sentiment that seems to prevail, though, is that this performance does not count. This is not real opera. Opera was never meant to be sung by such a voice, at such an age, and under such conditions. Two years ago, Laura Bretan’s performance of Puccini’s “Nessun dorma” on America’s Got Talent evoked the usual responses.1 Claudia Friedlander responded admirably, explaining that there are basic physiological facts that keep operatic child prodigies at a distance from vocally mature singers.2 More common, however, are poorly researched posts like the one on the “Prosporo” blog run by The Economist.3 Dubious claims abound—Jenny Lind, for exam- ple, hardly retired from singing as the post claims at age twenty-nine, the year before P. T. Barnum invited her to tour North America.
    [Show full text]
  • Various Мастера Bel Canto Mp3, Flac, Wma
    Various Мастера Bel Canto mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Мастера Bel Canto Country: USSR MP3 version RAR size: 1454 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1275 mb Rating: 4.2 Votes: 280 Other Formats: WMA FLAC AUD APE DXD VOC MIDI Tracklist Hide Credits Кавантина Нормы A1 –Adelina Patti Composed By – Vincenzo Bellini Серенада A2 –Adelina Patti Composed By – Francesco Paolo Tosti Поцелуй A3 –Adelina Patti Composed By – Luigi Arditi Гимн A4 –Francesco Tamagno Composed By – Giacomo Meyerbeer Сцена И Смерть Отелло A5 –Francesco Tamagno Composed By – Giuseppe Verdi Колыбельная Лотарио B1 –Francesco Navarrini Composed By – Ambroise Thomas Песня Плюмкета B2 –Francesco Navarrini Composed By – Friedrich von Flotow Песня Азучены B3 –Louise Kirkby-Lunn Composed By – Giuseppe Verdi Стретта Манрико B4 –Antonio Paoli Composed By – Giuseppe Verdi Ария B5 –Fernando De Lucia Composed By – Alessandro Stradella Ария Генриха C1 –Mattia Battistini Composed By – Gaetano Donizetti Ария Вертера C2 –Mattia Battistini Composed By – Jules Massenet Ария Вильгельма C3 –Mattia Battistini Composed By – Gioacchino Rossini Ария Макбета И Дуэт Джильды И Риголетто C4 –Mattia Battistini Composed By – Giuseppe Verdi Сцена Лючии D1 –Marcella Sembrich Composed By – Gaetano Donizetti Дуэт Джидьи И Риголетто D2 –Marcella Sembrich Composed By – Giuseppe Verdi Ария Яго И Ария Риголетто D3 –Giuseppe Mario Sammarco Composed By – Giuseppe Verdi Монолог Риголетто E1 –Antonio Magini-Coletti Composed By – Giuseppe Verdi Дуэт Малатесты
    [Show full text]
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The further we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated Columbia pressings (1923- 1940) offer particularly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-‘14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or similarly related comments. VERTICALLY CUT RECORDS. There were basically two systems, the “needle-cut” method employed by Edison, which was also used by Aeolian-Vocalion and Lyric and the “sapphire ball” system of Pathé, also used by Rex. and vertical Okeh.
    [Show full text]
  • Moreda Rodriguez, E. (2020) Reconstructing Zarzuela Performance Practices Ca. 1900: Wax Cylinder and Gramophone Disc Recordings of Gigantes Y Cabezudos
    Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/235174/ Deposited on: 3 March 2021 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos Eva Moreda Rodríguez University of Glasgow When the first commercial recordings were made in Madrid in late 1896, teatro por horas (‘heatre by the hour) dominated the city’s musical-theatrical life. Teatro por horas first appeared in the early 1880s, with theatres putting on four different plays every evening in consecutive one-hour slots. The new business format lowered ticket prices, attracted new theatre-goers from a variety of social backgrounds, and, more importantly, replaced mid- nineteenth century’s zarzuela grande with a new, shorter zarzuela subgenre: género chico. To facilitate rapid learning in a fast-paced industry where unsuccessful works were quickly replaced, género chico was often less ambitious musically than its predecessor, privileged lighter, contemporary subjects, and relied heavily on standardization of plot lines, characters and music.1 Unsurprisingly, género chico quickly found its way into the recordings made at the time in Spain at the hands of local companies called gabinetes fonográficos, becoming the most recorded genre in Spain after opera and wind band music.
    [Show full text]
  • Creating a Culture of In-Home Use for The
    CREATING A HOME CULTURE FOR THE PHONOGRAPH: WOMEN AND THE RISE OF SOUND RECORDINGS IN THE UNITED STATES, 1877-1913 by Nathan David Bowers BS, Bmusic, Philadelphia College of Bible, 1997 MA, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Music in partial fulfillment Of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH _______ FACULTY OF ARTS AND SCIENCES This dissertation was presented by __________Nathan David Bowers__________ It was defended on _________February 9, 2007___________ and was approved by Dr. Deane Root, Professor of Music, Department Chair Dr. Don Franklin, Professor of Music Dr. Mary L. Lewis , Professor of Music Dr. Michael Broyles, Professor of Music Dr. Deane Root, Professor of Music Committee Chairperson ii Copyright © by Nathan David Bowers 2007 iii CREATING A HOME CULTURE FOR THE PHONOGRAPH: WOMEN AND THE RISE OF SOUND RECORDINGS IN THE UNITED STATES, 1877-1913 Nathan David Bowers, Doctor of Philosophy University of Pittsburgh, 2007 This dissertation explains processes of change and adaptation undergone by the early phonographs and talking machines, documenting social and musical forces through which consumers and businessmen shaped an in-home culture for sound recordings during the late nineteenth and early twentieth centuries. As a force for change in music in the home, the early phonograph embraced middle-class ideologies exemplified in the parlor of the late nineteenth- and early twentieth-centuries in order to create a domestic market. Early phonograph companies realized that women maintained and managed the affairs of the parlor, deciding what items were purchased for display and what activities were morally acceptable.
    [Show full text]
  • AULIKKI RAUTAWAARA [S] ANTENORE
    VOCAL 78 rpm Discs AULIKKI RAUTAWAARA [s] 1580. 12” Blue Telefunken E1795 [020549/020550]. PEER GYNT: Solvejgs Wiegenlied/ PEER GYNT: Solvejgs Lied (Grieg). Orch. dir. Hans Schmidt-Isserstedt. Few rubs, 2. $8.00. ANTENORE REALI [b] 1824. 12” Green Cetra 25130 [2-70930/2-70968]. ARLESIANA: Come due tizzi ardenti (Cilèa)/ ZAZÀ: Zazà, piccolo zingara (Leoncavallo). Orch. dir. Arturo Basile. Just about 1-2. $12.00. GEORGES RÉGIS [t] 2946. 10” Blue Pats. Victor 45025 [14122u/6013h]. ILLUSION- SÉRÉNADE (Barbirolli)/ PARAIS À TA FENÊTRE-SÉRÉNADE (Gregh). IMs. Minor rubs, 2-3. $10.00. HEINRICH REHKEMPER [b]. Schwerte, 1894- Munich, 1949. After working for a period as a machinist, Rehkemper studied singing in Hagen, Düsseldorf and finally Munich. His debut was in Colberg, 1919, and then he sang as a leading baritone at Stuttgart. From 1925 he was with the Munich Staatsoper where he achieved great popularity and musical success. He was equally at home on the con- cert stage and was considered as one of the great lieder interpreters of his era. During World War II, in addition HEINRICH REHKEMPER to singing, Rehkemper taught at the Mozarteum in Salzburg. 2694. 10” PW Green elec. Polydor 23148 [1689BH/1690½BH]. NICHT MEHR ZU DIR ZU GEHEN, Op. 32, No. 2/DIE BOTSCHAFT, Op. 47, No. 1 (both Brahms). Piano acc. Michael Raucheisen. IMs. Just about 1-2. $15.00. 2395. 10” PW Green elec. Polydor 23150 [1686BH/1687BH]. ZUR JOHANNISNACHT, Op. 60, No. 5 (Grieg)/IM KAHNE (Grieg). Piano acc. Michael Raucheisen. Just about 1-2. $15.00. HANS REINMAR [b] 3700.
    [Show full text]
  • Melodic Ornamentation from Muffat to Telemann
    MELODIC ORNAMENTATION FROM MUFFAT TO TELEMANN BY MEGAN WARD A thesis submitted to Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Music (Performance) New Zealand School of Music 2014 Abstract Writers on 18th-century musical ornamentation have traditionally focused on the execution of notated ornaments, and on certain disputes arising from ambiguous and contradictory primary sources. Less attention has been given to the addition of ornaments where not prescribed by the composer. Such ornaments can be short, defined, patterns such as trills, turns, and mordents, or larger measured or unmeasured additions known as diminutions, divisions, or passaggi. Additions of this nature are only in the rarest of cases compulsory. However, the practice of more or less spontaneous embellishment by the performer was so integral to pre-19th-century musical culture that this must have had a significant effect on composition. The scope of this thesis is loosely defined by its titular composers, covering the period between Georg Muffat‟s later publications in the last years of the 17th century and G.P. Telemann‟s death in 1767. Both lived and worked in the German states, a region which had traditionally looked to Italian models of composition and performance. This period saw a flowering of German composition into its own unique and diverse genre which integrated aspects of various styles, most prominently Italian and French music. This thesis centres on stringed instruments, but is directly relevant to woodwind players. Many aspects are also transferrable to the keyboard and to vocal music; however, these musicians will find a large volume of more targeted research elsewhere.
    [Show full text]
  • Kenneth Goldsmith
    6799 Kenneth Goldsmith zingmagazine 2000 for Clark Coolidge 45 John Cage 42 Frank Zappa / Mothers 30 Charles Ives 28 Miles Davis 26 James Brown 25 Erik Satie 24 Igor Stravinsky 23 Olivier Messiaen 23 Neil Young 23 Kurt Weill 21 Darius Milhaud 21 Bob Dylan 20 Rolling Stones 19 John Coltrane 18 Terry Riley 18 Morton Feldman 16 Rod McKuen 15 Thelonious Monk 15 Ray Charles 15 Mauricio Kagel 13 Duke Ellington 3 A Kombi Music to Drive By, A Tribe Called Quest M i d n i g h t Madness, A Tribe Called Quest People’s Instinctive Travels and the Paths of Rhythm, A Tribe Called Quest The Low End Theory, Abba G reatest Hits, Peter Abelard Monastic Song, Absinthe Radio Trio Absinthe Radio Tr i o, AC DC Back in Black, AC DC Dirty Deeds Done Dirt Cheap, AC DC Flick of the Switch, AC DC For Those About to Rock, AC DC Highway to Hell, AC DC Let There Be R o c k, Johnny Ace Again... Johnny Sings, Daniel Adams C a g e d Heat 3000, John Adams Harmonium, John Adams Shaker Loops / Phrygian Gates, John Luther Adams Luther Clouds of Forgetting, Clouds of Unknowing, King Ade Sunny Juju Music, Admiral Bailey Ram Up You Party, Adventures in Negro History, Aerosmith Toys in the Attic, After Dinner E d i t i o n s, Spiro T. Agnew S p e a k s O u t, Spiro T. Agnew The Great Comedy Album, Faiza Ahmed B e s a r a h a, Mahmoud Ahmed E re Mela Mela, Akita Azuma Haswell & Sakaibara Ich Schnitt Mich In Den Finger, Masami Akita & Zbigniew Karkowski Sound Pressure Level, Isaac Albéniz I b e r i a, Isaac Albéniz Piano Music Volume II, Willy Alberti Marina, Dennis Alcapone Forever Version, Alive Alive!, Lee Allen Walkin’ with Mr.
    [Show full text]
  • Norbeck, Peters & Ford
    Auction #151 • - - AUCTION Closing Date: Tuesday, 26 November, 2019 Norbeck, Peters & Ford Regarding AUCTION #151 (Closing Date: Tuesday, 26 November, 2019), The Minimum Bid ("MB") is a guide . in cases of extreme rarity, the actual realized price may far exceed the Minimum Bid, while in other cases an item may realize a price very close to the Minimum Bid, and, occasionally, the Minimum Bid itself. Please bid in accordance with whatever a given item means to you . HOW TO PLACE BIDS We are pleased to receive bids via PHONE: [(802) 524-7673]. TELEPHONE HOURS are 10:00 am - 5:00 PM, EST - Monday – Friday, when PETER FORD is available to take bids and answer any questions - or FAX [1 888 819 4831], or E-MAIL ([email protected]), 24 hours a day, 7 days a week. When placing your bids, please list the ITEM NUMBER (in the left column of catalogue) and a brief description of the item. Include your phone & e-mail address and shipping address to which your parcel will be sent on all orders. TABLE OF CONTENTS: VOCAL N0101 - N1077 VICTOR‘GEMS’ N1078 - N1139 LIGHTOPERA N1141 - N1156 GILBERT & SULLIVAN N1157 - N1166 SPOKEN WORD N1167 - N1202, plus N0988 N0101. ALEKSANDR VERTINSKY: Tango 'Magnolia' / Chanson d’amour (both Sung by the ‘Composer’). 10” dark-blue PW Eng. Col. DC 28 (WL 2158/57), POM-1926. A to M-A, excellent copy has faintest rubs, inaud. MB 45 "At the beginning of 1916, Aleksandr Vertinsky came up with an original stage idea – he began to play the powdered-face character Pierrot.
    [Show full text]