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78 CLASSICAL GALLERY Classical Record Auction No. 17 Closing Date: Monday, August 30, 2021 CLASSICAL AUCTION No. 17 AUCTION CLOSING DATE: Monday August 30, 2021 HERE IS ANOTHER OFFERING WHICH SHOULD PROVIDE INTEREST TO MANY COLLECTIONS. This list offers many unusual items, drawn entirely from a wonderful Midwest collection acquired a few months ago. Some exceptional items are listed here, including numerous European issues and test pressings (Victor and HMV). A pleasant summer to all- good luck in your review and bidding! 1. UNPLAYED (ALMOST NEVER USED) 1-2 TOP COPY 2. VERY FINE COPY. A FEW RUBS OR MARKS. NO NEEDLE WEAR. 2-3 SOME RUBS, NON-SOUNDING BLEMISHES, NO NEEDLE WEAR. 3. SOME HEAVIER RUBS, MARKS, NON-SOUNDING BLEMISHES. ie. AN‘AVERAGE’ COPY. 3-4 SOME LIGHT SOUNDING WEAR (GREYING), RUBS. 4. SOUNDING WEAR, RUBS, MARKS 4-5 WEAR, RUBS, MARKS. 5. OBVIOUS SOUNDING WEAR. HEAVY RUBS, MARKS. 5-6 HEAVY WEAR, RUBS MARKS. 6. A COMPLETE WRECK- ONLY LISTED FOR EXTREMELY RARE ITEMS. As you can see here, I have employed Larry Holdridge’s grading scale as it seems to be the most universally accepted and understood system. However, if there are anything to be clarified, please feel free to call or e-mail for more clarification. This is also posted at my website www.78classicalgallery.com. Auction Bidding: While it is easiest to enter your bids online through the website, I am always happy to accept your written bids either by mail or via email. Either are welcome. If you have any questions or concerns, please contact me and your questions will be answered promptly. Good luck in your bidding! David Schmutz AUCTION NO. 17 CLOSING DATE: MONDAY AUGUST 30, 2021 VOCAL 78 rpm RECORDINGS ALL ITEMS $2.00 EXCEPT AS NOTED OTHERWISE. TEN INCH ISSUES ANCONA, MARIO (B) 100. AC RED VICTOR GP LABEL 87006. TRAVIATA- DI PROVENZA IL MAR (VERDI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘3’ RUBS. BEN-SEDIRA, LEILA (S) 101. EL BLUE FRENCH PARLOPHONE 29.557. LAKME- D’OU VIENS-TU?/ C’EST LE DIEU DE LA JEUNESSE (DELIBES). w/ PIERRE FOUCHY (T). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. BETTENDORF, EMMY (S) 102. EL RED GERMAN PARLOPHONE B 12142. MAIENNACHT (BRAHMS)/ EST IST BESTIMMT (MENDELSSOHN). ORCHESTRA ACCOMPANIMENT. CONDITION ‘1-2’. 103. EL PURPLE UK PARLOPHONE R 1736. FAUST- FINALE FROM GARDEN SCENE (GOUNOD) w H.E. GROH (T). IN GERMAN. ORCHESTRA ACCOMPANIMENT. CONDITION ‘1-2’. BLANCHART, RAMON (B) 104. AC WHITE COLUMBIA ‘MUSICAL NOTES’ ‘DISCO DOBLE’ LABEL S-4. CAMPANONE- SALIDA DE CAMPANONE (MAZZA)/ VIDUA ALLEGRE- DUO VALS 3r ACTO (LEHAR) w/ MME. DE LA ROCHE. ORCHESTRA ACCOMAPNIMENT. US RECORDING, ISSUED ONLY IN SOUTH AMERICA. CONDITION ‘2- 3’ LT RUBS, SMALL LABEL TEAR SIDE 1. BONINSEGNA, CELESTINA (S) Catalog #104 105. AC RED PRE-DOG G&T GC 53416. FORZA- LA VERGINE DELL’ ANGELI (VERDI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2-3’ LT. RUBS. BUCKMAN, MRS. H.M. (S) SPECIAL RECORDINGS MADE NOVEMBER 15, 1911 FOR THE COMPOSER A.L. PENNOCK, ACCORDING TO THE VICTOR LEDGERS (ALONG WITH A THIRD SELECTION ‘EVENING LULLABY’- B11238) . NO INFORMATION ON MRS. BUCHMAN AND PIANIST BACHMAN ARE KNOWN. LARRY HOLDRIDGE OFFERED A COPY OF THE FIRST SELECTION IN 2018. FEW COPIES EXIST TODAY. 106. AC WHITE VICTOR TEST PRESSING B-11236-1 (OVERSIZED). ON THE BANKS OF THE LOXAHATCHIE (A.L. PENNOCK arr. ROSENBERG) PF. ACCOMPANIMENT- FRED BACHMAN. CONDITION ‘2’. MB. $15. 107. AC WHITE VICTOR TEST PRESSING B-11237-1 (OVERSIZED). OVER THE WIDE, WIDE SEA (A.L. PENNOCK arr. ROSENBERG) PF. ACCOMPANIMENT- FRED BACHMAN. MB. $15. Catalog #106 BURZIO, EUGENIA (S) 108. AC PURPLE UK COLUMBIA D 4387. NORMA- DEH NON VOLENTI VITTIME (BELLINI) PART I/ PART II. ORCHESTRA ACCOMPANIMENT. CONDITION ‘2-3’, EDGE FLAKE SIDE 2, NOT TO GROOVES. 109. AC LIGHT BLUE ‘MUSICAL NOTES’ UK COLUMBIA D 8076. AFRICANA- FIGLIA DEL SOL (MEYERBEER)/ AVE MARIA (BACH-GOUNOD). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’ CAMPANARI, GIUSEPPE (B) 110. AC RED VICTOR GP LABEL 81011. CARMEN- TOREADOR SONG (BIZET). PIANO ACCOMPANIMENT- 1903 RECORDING. CONDITION ‘3’ RUBS. CARUSO, ENRICO (T) 111. AC RED VICTOR GP LABEL 81026. RIGOLETTO- LA DONNA E MOBILE (VERDI). PIANO ACCOMPANIMENT- FROM CARUSO’S INITIAL 1904 VICTOR SESSION. CONDITION ‘3’ RUBS. 112. AC RED VICTOR GP LABEL 81027. ELISIR D’AMORE- UNA FURTIVA LAGRIMA (DONIZETTI) PART I. PIANO ACCOMPANIMENT- FROM CARUSO’S INITIAL 1904 VICTOR SESSION. CONDITION ‘3’ RUBS. 113. AC RED VICTOR MONARCH LABEL 81028. TOSCA- E LUCEVAN LE STELLE (PUCCINI). PIANO ACCOMPANIMENT- FROM CARUSO’S INITIAL 1904 VICTOR SESSION. CONDITION ‘3-4’ RUBS, LABEL NR, SMALL EDGE PRESSING FLAW. 114. AC RED VICTOR GP LABEL 81031. MANON- IL SOGNO (MASSENET). PIANO ACCOMPANIMENT- FROM CARUSO’S INITIAL 1904 VICTOR SESSION. CONDITION ‘3’ RUBS. 115. AC RED VICTOR GP LABEL 81032. PAGLIACCI- VESTI LA GIUBBA (LEONCAVALLO). PIANO ACCOMPANIMENT- FROM CARUSO’S INITIAL 1904 VICTOR SESSION. CONDITION ‘3-4’ RUBS, NR ON LABEL. 116. AC RED VICTOR GP ’08 LABEL 81062. CAVALLERIA RUSTICANA- BRINDISI (MASCAGNI). PIANO ACCOMPANIMENT. CONDITION ‘2-3’ LT. RUBS. 117. AC RED VICTROLA PATENTS LABEL ‘08 87017. RIGOLETTO- LA DONNA E MOBILE (VERDI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2-3’ LT. RUBS. 118. AC RED VICTOR BATWING LABEL 87018. RIGOLETTO- QUEST’ O QUELLA (VERDI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’ LT. LABEL NR. CAVALIERI, LINA (S) 119. AC RED ‘MUSICAL NOTES’ UK COLUMBIA A-1434. MATTINATA (TOSTI)/ O SOLE MIO (DI CAPUA). PF. ACCOMPANIMENT. CONDITION ‘2-3’- LT SCRATCH SIDE 1. CHALIA, ROSALIA (S) 120. AC DARK BLUE ‘MUSICAL NOTES’ SO. AMERICAN COLUMBIA C 2695. LA CALESERA (YRADIER)/ TANGO GITANO (CHALIA). ORCHESTRA Catalog #120 ACCOMPANIMENT. CONDITION ‘3’ LT SCRATCH SIDE 1, LABEL SC. SIDE 2. MB $10. CONSTANTINO, FLORENCIO (T) 121. AC RED VICTOR GP LABEL 64072. RIGOLETTO- LA DONNA E MOBILE (VERDI). ORCHESTRA ACCOMPANIMENT. ‘A’ PLATE. CONDITION ‘3’ RUBS. 122. AC RED VICTOR PATENTS LABEL ‘10 64091. ROMEO ET JULIET- AH NE FUIS PAS ENCORE (GOUNOD) w/ ALICE NIELSEN (S). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. DALMORES, CHARLES (T) 123. AC RED VINYL VICTOR SPECIAL PRESSING of 87120 (mat. B-12544-1). JE T’AIME (MASSENET). PF. ACCOMPANIMENT. DIFFICULT SELECTION TO FIND IN ANY FORM. CONDITION ‘2’. MB $10. DE GOGORZA, EMILIO (B) 124. AC RED VICTOR PATENTS LABEL ‘12 64037. THE CLANG OF THE FORGE (VAUGHN-RODNEY). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. Catalog #123 1909 REVORDING. 125. AC RED VICTROLA BATWING LABEL 64045 (mat B-2582-2). LA TEMPTESTAD- MONOLOGO (CHAPI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. DALLA RIZZA, GINA (S) 126. AC US GREEN ‘RING LABEL’ ETHNIC SERIES COLUMBIA E 2459. FORZA- MADRE PIETOSA VERGINE/ LA VERGINE DELL’ ANGELI (VERDI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. DE LUCIA, FERNANDO (T) 127. AC RED VICTROLA BATWING LABEL 66000. BARBIERE- SERENATA (ROSSINI). ORCHESTRA ACCOMPANIMENT. NICE ‘30s ELAINE PRESSING WITH EMBOSSED ‘VICTOR’ REVERSE. CONDITION ‘1-2’. DE LUSSAN, ZELIE (S) 128. AC RED VICTOR MONARCH LABEL 81009. LA PALOMA (YRADIER). PF. ACCOMPANIMENT. CONDITION ‘3-4’. GRAYING, ND, FADED LABEL. EARLY CATALOGUE NUMBER 2301 VISIBLE IN RUN-OUT AREA. DEVRIES, DAVID (T) 129. EL RED FRENCH ODEON 188.505. ROI D’YS- AUBADE (LALO)/ MANON- LE REVE (MASSENET). ORCHESTRA ACCOMPANIMENT. CONDITION ‘1-2’. 130. EL RED FRENCH ODEON 188.526. LA BASOCHE- JE SUIS AIME DE LA PLUS BELLE/ J’IRAI CHEZ LES OISEAUX (MESSAGER). ORCHESTRA ACCOMPANIMENT. CONDITION ‘1-2’. FARRAR, GERALDINE (S) 131. AC RED VICTOR GP LABEL 87004. MME. Catalog #130 BUTTERFLY- ENTRANCE OF CIO-CIO SAN (PUCCINI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘3’ RUBS, LT GREYING. 132. AC RED VICTROLA PATENTS LABEL ‘12 87504. WANDERER’S NACHTLIED (RUBINSTEIN) w/ E. SCHUMANN-HEINK (C). ORCHESTRA ACCOMPANIMENT. CONDITION ‘3’ RUBS. 133. AC RED VICTROLA PATENTS LABEL ‘12 87505. HOW CAN I LEAVE THEE? (FOLK SONG) w/ LOUISE HOMER (C). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. 134. AC WHITE SO VICTROLA BATWING LABEL 87508. DANTE- NOUS ALLONS PARTIR (GODARD) w/ EDMOND CLEMENT (T). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. FERALDY, GERMAINE (S) 135. AC GOLD & YELLOW PATHE NEEDLE- CUT X-22. LAKME- DANS LA FORET PRES DE NOUS (DELIBES)/ LA VIE DE BOHEME- ON M’APPELLE MIMI (PUCCINI). ORCHESTRA ACCOMPANIMENT. EARLY ISSUE BY THIS MAGICAL SOPRANO. CONDITION ‘2’. MB. $10. GADSKI, JOHANNA (S) 136. AC RED VICTOR GP LABEL 81045. AVE MARIA (BACH-GOUNOD). PF. ACCOMPANIMENT, VLN. OBBLIGATO. Catalog # 135 CONDITION ‘3-4’ RUBS, LT GREYING. 137. AC WHITE SO VICTROLA BATWING LABEL 87029. SALOME- JOCHANANN ICH BIN VERLEIBT (R. STRAUSS). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. RARE TITLE. MB $10. GARBIN, EDOARDO (T) 138. AC US GREEN ‘RING LABEL’ ETHNIC SERIES COLUMBIA E 1808. BOHEME- CHE GELIDA MANINA (PUCCINI) PART I/II. ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. Catalog #137 139. AC US GREEN ‘RING LABEL’ ETHNIC SERIES COLUMBIA E 2280. LUCREZIA BORGIA- DI PESCATORE IGNOBILE/ IL SEGRETO (DONIZETTI)/. ORCHESTRA ACCOMPANIMENT. CONDITION ‘3’ SCUFFS. 140. AC US GREEN ‘MUSICAL NOTES’ ETHNIC SERIES COLUMBIA E 2867. MANON LESCAUT- AH NON V’AVVICINATE (PUCCINI)/ LOPEZ-NUNEZ: MANON LESCAUT- MADRIGALE (PUCCINI). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. GARDEN, MARY (S) 141. EL VICTOR VINYL PRESSING mat. BVE- 40735-4. SOMEWHERE A VOICE IS CALLING (TATE). PF. ACCOMPANIMENT. UNPUBLISHED MATRIX. CONDITION ‘2’. MB. $20. GERVILLE-REACHE, JEANNE (C) 142. AC WHITE SO VICTROLA BATWING LABEL 87027. WERTHER- VA LAISSE COULER MES LARMES (MASSENET). ORCHESTRA Catalog #141 ACCOMPANIMENT. CONDITION ‘2’. RARE TITLE. MB $10 GILIBERT, CHARLES (B) 143. AC WHITE SO VICTROLA BATWING LABEL 81090. MALGRE MOI (PFEIFFER). ORCHESTRA ACCOMPANIMENT. CONDITION ‘2’. RARE TITLE. MB $10 HEMPEL, FREIDA (S) 144. US PURPLE OKeh 70101. TRAVIATA- SEMPRE LIBERA (VERDI). ORCHESTRA Catalog #142 ACCOMPANIMENT- IN GERMAN. ODEON MATRIX. CONDITION ‘3’ RUBS. HOMER, LOUISE (C) 145. AC RED VICTOR GP LABEL 81013. FAUST- AIR DE SIEBEL (GOUNOD). PF. ACCOMPANIMENT. CONDITION ‘2-3’ LT NR ON LABEL. JOURNET, MARCEL (BS) 146. AC RED VICTROLA BATWING LABEL 64013. LOHENGRIN- KONIGS GEBET (WAGNER). ORCHESTRA ACCOMPANIMENT. CONDITION ‘3’ RUBS. 147. AC RED VICTROLA PATENTS ‘08 LABEL 64036.
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    HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote-­ Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be­ zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner­ baron--0 habet acht.
  • Media Release

    Media Release

    Media Release FOR IMMEDIATE RELEASE: July 16, 2019 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2019-2020 Season Opens with Verdi’s masterpiece Aida Verdi specialist Michelle Bradley to make Company debut as Aida Theatrical Concert Opera will use sets, costumes, and lighting with the San Diego Symphony, San Diego Opera Chorus, and principal singers on stage Tenor Carl Tanner makes welcome return as Radames San Diego, CA – Verdi’s beloved opera Aida opens San Diego Opera’s 2019-2020 season in an entirely new theatrical concert performance utilizing set elements, costumes, lighting, and featuring the San Diego Symphony and San Diego Opera chorus onstage, alongside some of the greatest interpreters of Verdi’s music performing today. Aida opens on October 19, 2019 for four performances. Additional performances are October 22, 25, and 27 (matinee), 2019. All evening performances for the 2019-2020 season will begin at 7:30 PM for the convenience of our audiences. The matinee will remain at 2 PM. Assembled for the opening opera of the season is an exciting cast of singers including the Company debut of soprano Michelle Bradley as Aida who is quickly becoming one of the most sought after Verdi sopranos performing today. Making a welcome return to San Diego Opera in the role of Radames is tenor Carl Tanner who was last heard in San Diego Opera’s 2018 production of Turandot as Calaf. Also making house debuts are mezzo-soprano Olesya Petrova as Amneris and baritone Nelson Martinez as Amonasro. Bass Mikhail Svetlov returns to sing the King of Egypt, having last been heard as Ambimelech in 2013’s Samson and Delilah.
  • Otello Otello Con El Apoyo De: El Apoyo Con Otello - Giuseppe Verdi

    Otello Otello Con El Apoyo De: El Apoyo Con Otello - Giuseppe Verdi

    Otello GIUSEPPE VERDI Temporada 2020-2021 Temporada Con el apoyo de: Otello - Giuseppe Verdi Volver al índice Patronato de la Fundación del Gran Teatre del Liceu Comisión ejecutiva de la Fundación del Gran Teatre del Liceu Presidente de honor Presidente President de la Generalitat de Catalunya Salvador Alemany Mas Presidente del patronato Vocales representantes de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocales representantes del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidente segundo Vocales representantes del Ayuntamiento de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresidente tercero Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta cuarta Vocales representantes de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocales representantes de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo Lluis Baulenas Cases, Irene Rigau Oliver, Rosa Tubau LLorià, Luis Herrero Borque, Elisa Durán Montolío Angels Barbara Fondevila Secretario Vocales representantes del Ministerio de Cultura y Deporte Joaquim Badia Armengol Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Director General Marco Conchillo, Santiago de Torres Sanahuja Valentí Oviedo Cornejo Vocales representantes del Ayuntamiento de Barcelona Marta Clari Padrós, Josep Maria
  • JOS-075-1-2018-007 Child Prodigy

    JOS-075-1-2018-007 Child Prodigy

    From the Bel Canto Stage to Reality TV: A Musicological View of Opera’s Child Prodigy Problem Peter Mondelli very few months, a young singer, usually a young woman, takes the stage in front of network TV cameras and sings. Sometimes she sings Puccini, sometimes Rossini, rarely Verdi or Wagner. She receives praise from some well meaning but uninformed adult Ejudge, and then the social media frenzy begins. Aunts and uncles start sharing videos, leaving comments about how talented this young woman is. A torrent of blog posts and articles follow shortly thereafter. The most optimistic say that we in the opera world should use this publicity as a means to an end, to show the world at large what real opera is—without ever explaining how. Peter Mondelli The sentiment that seems to prevail, though, is that this performance does not count. This is not real opera. Opera was never meant to be sung by such a voice, at such an age, and under such conditions. Two years ago, Laura Bretan’s performance of Puccini’s “Nessun dorma” on America’s Got Talent evoked the usual responses.1 Claudia Friedlander responded admirably, explaining that there are basic physiological facts that keep operatic child prodigies at a distance from vocally mature singers.2 More common, however, are poorly researched posts like the one on the “Prosporo” blog run by The Economist.3 Dubious claims abound—Jenny Lind, for exam- ple, hardly retired from singing as the post claims at age twenty-nine, the year before P. T. Barnum invited her to tour North America.
  • 1 CRONOLOGIA LICEISTA S'inclou Una Llista Amb Les Representaciones

    1 CRONOLOGIA LICEISTA S'inclou Una Llista Amb Les Representaciones

    CRONOLOGIA LICEISTA S’inclou una llista amb les representaciones de Rigoletto de Verdi en la història del Gran Teatre del Liceu. Estrena absoluta: 11 de març de 1851 al teatre La Fenice de Venècia Estrena a Barcelona i al Liceu: 3 de desembre de 1853 Última representació: 5 de gener del 2005 Total de representacions: 362 TEMPORADA 1853-1854 3-XII-1853 RIGOLETTO Llibret de Francesco Maria Piave. Música de Giuseppe Verdi. Nombre de representacions: 25 Núm. històric: de l’1 al 25. Dates: 3, 4, 8, 11, 15, 22, 23, 25, 26 desembre 1853; 5, 6, 12, 15, 19, 31 gener; 7, 12, 26 febrer; 1, 11, 23 març; 6, 17 abril; 16 maig; 2 juny 1854. Duca di Mantova: Ettore Irfré Rigoletto: Antonio Superchi Gilda: Amalia Corbari Sparafucile: Agustí Rodas Maddalena: Antònia Aguiló-Donatutti Giovanna: Josefa Rodés Conte di Monterone: José Aznar / Luigi Venturi (17 abril) Marullo: Josep Obiols Borsa: Luigi Devezzi Conte di Ceprano: Francesc Sánchez Contessa di Ceprano: Cristina Arrau Usciere: Francesc Nicola Paggio: Josefa Garriche Director: Eusebi Dalmau TEMPORADA 1854-1855 Nombre de representacions: 8 Número històric al Liceu: 26, 27, 28, 29, 30, 31, 32, 33 Dates: 7, 10, 18 febrer; 13 març; 17 abril; 17, 27 maig; 7 juny 1855. Nota: Felice Varesi havia estat el primer Rigoletto a l'estrena mundial a la Fenice de Venècia l'11 de març de 1851. Duca di Mantova: Giacomo Galvani Rigoletto: Felice Varesi Gilda: Virginia Tilli Sparafucile: Agustí Rodas Maddalena: Matilde Cavalletti / Antònia Aguiló-Donatutti (7 de juny) Giovanna: Sra. Sotillo Conte di Monterone: Achille Rossi 1 Marullo: Josep Obiols Borsa: Josep Grau Contessa di Ceprano: Antònia Aguiló-Donatutti Director: Gabriel Balart TEMPORADA 1855-1856 L'òpera és anunciada com "Il Rigoletto".
  • Aida-Dossier-Pedagogique-.Pdf

    Aida-Dossier-Pedagogique-.Pdf

    AIDA GIUSEPPE VERDI © Christian-DRESSE DOSSIER PÉDAGOGIQUE 2016-2017 CONTACTS ACTION CULTURELLE Marjorie Piquette / 01 69 53 62 16 / [email protected] Eugénie Boivin / 01 69 53 62 26 / [email protected] RETROUVEZ NOTRE ACTUALITÉ SUR NOTRE BLOG : BLOG.OPERA-MASSY.COM 2 Vendredi 4 novembre | 20h Dimanche 6 novembre | 16h Durée : 3h15 (avec entracte) Aïda Direction musicale Paolo Olmi Mise en scène Charles Roubaud Assisté de Jean-Christophe Mast Chorégraphie Julien Lestel Décors Emmanuelle Favre Costumes Katia Duflot Eclairages Philippe Grosperrin Chef de Chant Hélène Blanic Opéra de massy Aïda Cécile Perrin Amneris Sylvie Brunet-Grupposo La grande prêtresse Ludivine Gombert Radamès Carl Tanner 2016-2017 Amonasro Tito You Ramphis Wojtek Smilek Le roi d’Égypte Jérôme Varnier Un messager Rémy Mathieu Orchestre National d’Île-de-France Chœur de l’Opéra Grand Avignon et de l’Opéra de Massy L’Opéra de massy est subventionné par: et remercie ses partenaires : Le service d’Action Culturelle de l’Opéra de Massy est membre du Réseau Européen pour la Sensibilisation à l’Opéra 3 SOMMAIRE 4 – COMPOSITEUR 6 – ANTONIO GHISLANZONI, LE LIBRETTISTE 6 – AUGUSTE MARIETTE, LA SOURCE LITTÉRAIRE. 7 – RÉSUMÉ Aïda 10 – PISTES D'ÉCOUTE 14 – CONTEXTE HISTORIQUE 15 – QUE S'EST-IL PASSÉ EN 1871 16 – PRODUCTION 17 – EN SAVOIR PLUS...SUR LA VOIX Opéra de massy 18 – LES INSTRUMENTS DE L'ORCHESTRE 21 – LES INGRÉDIENTS DE L'ORCHESTRE 2016-2017 © Christian-DRESSE 4 LE COMPOSITEUR GIUSEPPE VERDI (1813 - 1901) D’origine modeste, d’abord formé par l’organiste du village, Baistrocchi, il suit des études à Busseto avec le chef de fanfare Provesi.