''Tus MASTER' S VOICE" NUMERICAL LIST of RECORD S
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029I-HMVCX1924XXX-0000A0.Pdf
This Catalogue contains all Double-Sided Celebrity Records issued up to and including March 31st, 1924. The Single-Sided Celebrity Records are also included, and will be found under the records of the following artists :-CLARA Burr (all records), CARUSO and MELBA (Duet 054129), CARUSO,TETRAZZINI, AMATO, JOURNET, BADA, JACOBY (Sextet 2-054034), KUBELIK, one record only (3-7966), and TETRAZZINI, one record only (2-033027). International Celebrity Artists ALDA CORSI, A. P. GALLI-CURCI KURZ RUMFORD AMATO CORTOT GALVANY LUNN SAMMARCO ANSSEAU CULP GARRISON MARSH SCHIPA BAKLANOFF DALMORES GIGLI MARTINELLI SCHUMANN-HEINK BARTOLOMASI DE GOGORZA GILLY MCCORMACK Scorn BATTISTINI DE LUCA GLUCK MELBA SEMBRICH BONINSEGNA DE' MURO HEIFETZ MOSCISCA SMIRN6FF BORI DESTINN HEMPEL PADEREWSKI TAMAGNO BRASLAU DRAGONI HISLOP PAOLI TETRAZZINI BI1TT EAMES HOMER PARETO THIBAUD CALVE EDVINA HUGUET PATTt WERRENRATH CARUSO ELMAN JADLOWKER PLANCON WHITEHILL CASAZZA FARRAR JERITZA POLI-RANDACIO WILLIAMS CHALIAPINE FLETA JOHNSON POWELL ZANELLIi CHEMET FLONZALEY JOURNET RACHM.4NINOFF ZIMBALIST CICADA QUARTET KNIIPFER REIMERSROSINGRUFFO CLEMENT FRANZ KREISLER CORSI, E. GADSKI KUBELIK PRICES DOUBLE-SIDED RECORDS. LabelRed Price6!-867'-10-11.,613,616/- (D.A.) 10-inch - - Red (D.B.) 12-inch - - Buff (D.J.) 10-inch - - Buff (D.K.) 12-inch - - Pale Green (D.M.) 12-inch Pale Blue (D.O.) 12-inch White (D.Q.) 12-inch - SINGLE-SIDED RECORDS included in this Catalogue. Red Label 10-inch - - 5'676 12-inch - - Pale Green 12-inch - 10612,615j'- Dark Blue (C. Butt) 12-inch White (Sextet) 12-inch - ALDA, FRANCES, Soprano (Ahl'-dah) New Zealand. She Madame Frances Aida was born at Christchurch, was trained under Opera Comique Paris, Since Marcltesi, and made her debut at the in 1904. -
A Minstrel in France
A Minstrel In France Harry Lauder The Project Gutenberg EBook of A Minstrel In France, by Harry Lauder This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Minstrel In France Author: Harry Lauder Release Date: February 21, 2004 [EBook #11211] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A MINSTREL IN FRANCE *** Produced by Geoff Palmer A MINSTREL IN FRANCE BY HARRY LAUDER [ILLUSTRATION: _frontispiece_ Harry Lauder and his son, Captain John Lauder. (see Lauder01.jpg)] TO THE MEMORY OF MY BELOVED SON CAPTAIN JOHN LAUDER First 8th, Argyle and Sutherland Highlanders Killed in France, December 28, 1916 Oh, there's sometimes I am lonely And I'm weary a' the day To see the face and clasp the hand Of him who is away. The only one God gave me, My one and only joy, My life and love were centered on My one and only boy. I saw him in his infant days Grow up from year to year, That he would some day be a man I never had a fear. His mother watched his every step, 'Twas our united joy To think that he might be one day My one and only boy. When war broke out he buckled on His sword, and said, "Good-bye. For I must do my duty, Dad; Tell Mother not to cry, Tell her that I'll come back again." What happiness and joy! But no, he died for Liberty, My one and only boy. -
Discography Section 13: L (PDF)
1 DORA LABETTE (1898 – 1984). Soprano with string quartette Recorded London, December 1924 A-1494 The bonnie banks of Loch Loman’ (sic) (Lady John Scott; trad) Col D-1517, A-1495 A-1495 Comin’ thro the rye (Robert Burns; Robert Brenner) Col D-1517 Recorded London, Tuesday, 21st. February 1928 WA-6993-2 The bonnie banks of Loch Loman’ (Lady John Scott; trad) Col D-1517 WA-6994-1/2/3 Comin’ thro the rye (Robert Burns; Robert Brenner) Col rejected Recorded London, Sunday, 1st. September 1929 WA-6994-5 Comin’ thro the rye (Robert Burns; Robert Brenner) Col D-1517 NOTE: Other records by this artist are of no Scots interest. JAMES LACEY Vocal with piano Recorded West Hampstead, July 1940 M-925 Hame o' mine (Mackenzie Murdoch) Bel 2426, BL-2426 M-926 Mother Machree (Rida J.Young: Chauncey Olcott; Ernest R. Ball) Bel 2428, BL-2428 M-927 Macushla! (Josephine V. Rowe; Dermot MacMurrough) Bel 2428, BL-2428 M-928 Mary (Kind, kind and gentle is she) (T. Richardson; trad) Bel 2427, BL-2427 M-929 Mary of Argyll (Charles Jefferys; Sidney Nelson) Bel 2427, BL-2427 M-930 I'm lying on a foreign shore (The Scottish emigrant) (anon) Bel 2426, BL-2426 DAVID LAING (Aberdour, 1866 - ). “Pipe Major David Laing, on Highland bagpipes with augmented drone accompaniment” Recorded London, ca January 1911 Lxo-1269 A22145 Medley, Intro. Midlothian Pipe Band – march (Farquhar Beaton); The Glendruel Highlander – march (Alexander Fettes); Hot Punch – march (trad) Jumbo A-438; Ariel Grand 1503 Lxo-1271 A22147 The blue bonnets over the Border – march; The rocking stone of Inverness – strathspey; The piper o’ Drummond – reel (all trad) Jumbo 612; Ariel Grand 1504; Reg G-7527; RegAu G-7527 Lxo-1272 A22143 Medley of marches – Lord Lovat; MacKenzie Highlanders; Highland laddie (all trad) Jumbo 612; Ariel Grand 1504; Reg G-7528; RegAu G-7528 Lxo-1279 A22146 March – Pibroch o’ Donald Dhu; strathspey – Because he was a bonny lad; reel – De-il among the tailors (all trad) Jumbo A-438; Ariel Grand 1503 NOTE: Regal issues simply credited to “Pipe-Major David Laing”. -
Corso Di Dottorato Di Ricerca in Storia Delle Arti Tesi Di Ricerca
Corso di Dottorato di ricerca in Storia delle Arti ciclo XXI Tesi di Ricerca «THE PHENOMENAL CONTRALTO» Vita e carriera artistica di Eugenia Mantelli SSD: L-ART/07 Musicologia e storia della musica Coordinatore del Dottorato ch. prof. Piermario Vescovo Supervisore ch. prof. Paolo Pinamonti Dottorando Federica Camata Matricola 808540 «THE PHENOMENAL CONTRALTO». VITA E CARRIERA ARTISTICA DI EUGENIA MANTELLI INDICE Introduzione p. 3 1. Biografia di Eugenia Mantelli p. 7 1.1. L’infanzia e gli studi p. 9 1.2. Il debutto al Teatro de São Carlos p. 13 1.3. La carriera internazionale p. 16 1.3.1. 1886: prima tournée in Sudamerica p. 17 1.3.2. 1887: seconda tournée in Sudamerica p. 24 1.3.3. 1889: terza tournée in Sudamerica p. 26 1.3.4. Eugenia Mantelli-Mantovani p. 28 1.3.5. Dal Bolshoi al Covent Garden p. 31 1.3.6. ¡Que viva Chile! Ultime tournée in Sudamerica p. 33 1.4. New York, il Metropolitan e le tournée negli Stati Uniti p. 36 1.4.1. Eugenia Mantelli-De Angelis p. 47 1.5. «Madame Mantelli has gone into vaudeville» p. 51 1.6. Mantelli Operatic Company p. 66 1.7. Attività artistica in Italia p. 69 1.8. Le ultime stagioni portoghesi e il ritiro dalle scene p. 81 1.9. Gli anni d’insegnamento p. 91 1.10.Requiem per Eugenia p. 99 1 2. Cronologia delle rappresentazioni p. 104 2.1. Nota alla consultazione p. 105 2.2. Tabella cronologica p. 107 3. Le fonti sonore p. 195 3.1. -
17.2. Cylinders, Ed. Discs, Pathes. 7-26
CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti). -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Louis Arthur Hamand; Coast Scenes
A Sea-Spell by D. G. Rossetti; Hubert Bath; Three Songs for a Medium Voice by Heinrich Heine; Louis Arthur Hamand; Coast Scenes. Four Lyrics for Medium Voice by Louis Arthur Hamand The Musical Times, Vol. 50, No. 794 (Apr. 1, 1909), p. 248 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/907998 . Accessed: 24/12/2014 18:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 24 Dec 2014 18:27:48 PM All use subject to JSTOR Terms and Conditions 248 THE MUSICAL TIMES.-APRIL I, 19o09 The firstaim of Mr.Rutland Boughton's choral writing is SONGS. to provideinterest in everypart, the occasions being few Love's secret. The wild flower'ssong. In a myrtleshade. whenthe lowervoices form merely an accompaniment.Words by William Blake. Composed by Granville The continuousflow of thepart-writing disguises the rigid Bantock. stanza-formofthe narrative, and with its frequent modulations Good-night. For soprano or tenor. -
Vol. 17, No. 4 April 2012
Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. -
ARSC Journal
THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued. -
1965 Bach Festival Program
v; lJ:) ~ ~ ~ :::: en ....~ Co! 1:: - rl i4 .... Co! Q ~ tl)" ..1::< Q Q ~ a ,E ~ ~ N ..... Q tl\ Q a ~ t-...." ~ Ill - 1:: IJ:) ~ ~ ~ ~ - Co! ,.p 1:: :+.. ~ ~ ':!' ~ e ~ 1:: ~ tn ;:; tn :.... lJ:)" -;:; a a Q .s ...... @ ...e. 1:: i4 ....e" ~ (>! .... 1:: Q • (>! ......... ..... i4 ..... 1:: Ill ~ ...e. ~ ~ :::: $::; tl\ ~ .... (>! ~ :.... M " - (>! 1:: ~ (>! ..1::< ...e. ...e. $::; ~ ~ ...!:! tl\ ~~ E (>! $::; (>! O,f (>! ..... 1:: - ....e" .... tl\ ~ - ~ ] ~ :+.. ..1::< Q $::; 1:: tl\ 2rv ~ :.... i4 Q - ~ ..a 1:: ~ ~ ~ ~ at ~ THE BACH FESTIVAL COUNCIL PROGRAM NOTES Dr. Russell Hammar, Director Dr. \Veimer K. Hicks, Honorary Chairman Miss Barbara \Veller, Administrative Secretary by Lawrence R. Smith Dr. James Miller, Honorary Member Dr. Henry Overley, Director Emeritus First Concert Dr. Harold Harris, Executive Co-Chairman ( 1962-65) Mrs. R. Bowen Howard, Executive Co-Chairman ( 1963-66) The fifth of Bach's six Brandenburg Concertos displays as dramatically as any other work his intense mastery in fusing the traditions of the past, which he derived from the works of the ARTISTS COMMITTEE PATRON-SPONSOR COMMITTEE Venetian masters; the currents of his own time, in which his greatest single inRuence was from Mr. E. Lawrence Barr 1962-65 Mrs. Lester Start, Chairman Vivaldi; and his own forward-looking inventiveness. The colorful instrumentation of the work, Dr. J. M. Calloway Mrs. Russell Carlton 1963-66 using a string instrument, the violin; a woodwind, the flute; and a keyboard instrument, the Mrs. Maynard Conrad 1964-67 Mr. Neill Currie 1964-67 harpsichord, as the concertina group against the mass of the string ripieno, reflects the polychoral Mrs. Marion Dunsmore 1964-67 Mrs. John Correll 1964-67 productions of Gabrieli and his followers at Venice at the juncture of the Renaissance and Mrs. -
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In dividuals and groups of national and international fame, represen ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors. -
CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 9142. BA 28137. TOSCA: Vissi d’arte (Puccini). OBT and pamphlet. Just about 1-2. $50.00. CESARE ALESSANDRONI [b] 9127. U.S. Everlasting 33027. OTELLO: Credo (Verdi). In an Edison Orange repro- duction box. 2. $50.00. CORNELIUS BRONSGEEST [b] 9150. BA 26122. TANNHÄUSER: O du mein holder Abendstern (Wagner). Reproduction Edison orange box. Cons. ADELINA AGOSTINELLI 2. $50.00. JOHANNE BRUN [s]. 1874-1954. Her debut was at the Royal Danish Opera, 1896, as the Queen of the Night in The Magic Flute.