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Ausstellungs- Magazin 2019/2 Frequently Asked Questions AUSSTELLUNGS- MAGAZIN 2019/2 ARTISTS & AGENTS Ion Grigorescu Orange Alternative Tina Bara & Alba D’Urbano Jiří Kovanda VoluspaAusstellungs- Jarpa Sanja Iveković Korpys/Löffler plan / ARTISTS Gabriele Stötzer & Performance Art and Secret Services Performancekunst und Geheimdienste Kurt Buchwald Clara Mosch Józef Robakowski György Galántai / Artpool Daniel Knorr BulldozerausstellungExhibition Tamás St.Turba Nedko Solakov (NETRAF-agent) / Map Gábor Altorjay Alexandru (Sándor) Antik AGENTS Ion Grigorescu Orange Alternative Tina Bara & Alba D’Urbano Jiří Kovanda Voluspa Jarpa Sanja Iveković Cornelia Schleime Arwed Messmer Jens Klein Korpys/Löffler Gabriele Stötzer Peng! Collective Csilla Könczei Kurt Buchwald Clara Mosch Józef Robakowski György Galántai / Artpool Jill Magid Daniel Knorr Simon Menner Bulldozerausstellung Károly Elekes / Árpád Nagy / Gruppe MAMŰ Tamás St.Turba Nedko Solakov (NETRAF-agent) / Lászlo Algol / Informant ,,Pécsi Zoltán” Gábor Altorjay Alexandru (Sándor) Antik Ausstellungsansicht: Artists & Agents – Performancekunst und Geheimdienste, HMKV 2019 008 Artists & Agents Inhalt / Content Einleitung / Introduction 011–030 Kata Krasznahorkai, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Überwachen und „Zersetzen“ Surveillance and “Disruption” – Eine Einleitung —An Introduction 031–056 Inke Arns, Kata Krasznahorkai, Inke Arns, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Frequently Asked Questions Frequently Asked Questions (FAQs) (FAQs) 057–068 Inke Arns, Kata Krasznahorkai, Inke Arns, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Zur Struktur der Ausstellung On the exhibition structure (Story T Tina Bara & Alba D’Urbano, Covergirl: Wespen Bara & Alba D’Urbano, Covergirl: Tina Akten / Files ales) (2008/2009) Bild © VG 070–071 Politische Polizei, Schweiz: Political Police, Switzerland: Erhebungen über bolsche­ Survey of Bolshevik Activities wistische Umtriebe der of the Dadaist Group in Zurich Dadaist*innengruppe in Zürich 072–073 Ministerium für Staatssicherheit Ministerium für Staatssicher­ (MfS), DDR: „Aber diese heit (MfS), GDR: “But this kind ­ Kunst, Bonn 2019 Kunst, Form der Aktionskunst ist mir of action art is a little foreign ein bisschen fremd“ – Eine to me”—A Discussion ­ Aussprache Akte 074–075 Komitet gosudarstvennoj Komitet gosudarstvennoy bezopasnosti (KGB), UdSSR: bezopasnosti (KGB), USSR: Private Aufzeichnungen Private Notes 010 Artists & Agents 076–077 Belügyminisztérium (BM), Belügyminisztérium (BM), 106–109 Bulldozerausstellung: The Bulldozer Exhibition: Ungarische Volksrepublik: Hungarian People’s Republic: Rekonstruktion Reconstruction of Zusammenfassender Bericht Summary Report and Measure einer KGB­Performance a KGB Performance und Maßnahmenplan Plan for Operation “Schwitters” Vorgang „Schwitters“ 11 0 – 113 Károly Elekes / Árpád Nagy / Károly Elekes / Árpád Nagy / Gruppe MAMŰ: MAMŰ Group: 078–079 Służba Bezpieczeństwa (SB), Służba Bezpieczeństwa (SB), Multimedia Birthday Action Multimedia Birthday Action Volksrepublik Polen: Polish People’s Republic: Kryptonym „Medium“ Cryptonym “Medium” Akte Securitate, Sozialistische File Securitate, Socialist Republik Rumänien: Republic of Romania: 080–081 Ministerium für Staatssicherheit Ministerium für Staatssicher­ Beobachtungsfotos Surveillance Photos (MfS), DDR: Operativplan heit (MfS), GDR: Operative Plan „OV Arkade“ “Operation Arkade” 114 – 117 György Galántai: György Galántai: Privatgelände – Private Property—Friendly 082–083 Ministerium für Staatssicherheit Ministerium für Staats­ Freundliche Behandlung Treatment (MfS), DDR: Konzeption zur sicherheit (MfS), GDR: Plan for Differenzierung und Zer­ the Differentiation and Akte Belügyminisztérium (BM), File Belügyminisztérium (BM), schlagung des Schwerpunktes Elimination of Focus Area Ungarische Volksrepublik: Hungarian People’s „Avantgardistischer Kreis“ “Avant ­Garde Circle” Gegenaktion zu Privatgelände – Republic: Counteraction to Freundliche Behandlung Private Property—Friendly 084–085 Štátní bezpečnost (ŠB), ČSSR: Štátní bezpečnost (ŠB), ČSSR: Treatment „Objekt Větrník“, “Subject Větrník,” „Objekt Aktual“ “Subject Aktual” 118–121 Ion Grigorescu: Ion Grigorescu: Electoral Meeting Electoral Meeting 122–125 Sanja Iveković: Sanja Iveković: Triangle Triangle Künstlerische Positionen / Artistic positions 126–129 Voluspa Jarpa: Voluspa Jarpa: 090–093 László Algol / László Algol / • Minimal Secret Condor • Minimal Secret Condor Informant „Pécsi Zoltán“: Informer “Pécsi Zoltán”: Operation Operation Der Chemiker und der Bau­ The Chemistry Engineer and • Translation Lessons • Translation Lessons leiter. Die Personae der the Construction Manager. Drei faltigkeit (Approximations­ The Person(ality) of the Three 130–133 Jens Klein: Jens Klein: übung) (An Approximation Exercise) • Ballons • Balloons • Ballons Protokolle • Balloons Protocols 094–097 Alexandru (Sándor) Antik: Alexandru (Sándor) Antik: The Dream Has Not Died The Dream Has Not Died 134–135 Daniel Knorr: Daniel Knorr: State of Mind State of Mind Akte Securitate, Sozialistische File Securitate, Socialist Republik Rumänien: Republic of Romania: 13 6 – 13 9 Csilla Könczei: Csilla Könczei: Bericht „Alexandra“ “Alexandra” Report An Abstract Knowledge An Abstract Knowledge (Ein abstraktes Wissen / (Ein abstraktes Wissen / 098–101 Tina Bara & Alba D’Urbano: Tina Bara & Alba D’Urbano: Egy elvont ismeret) Egy elvont ismeret) Covergirl: Wespen­Akte Cover Girl: Wasp File (Story Tales) (Story Tales) 140–143 Korpys/Löffler: Korpys/Löffler: Amerika­Filme America Films 102–105 Kurt Buchwald: Kurt Buchwald: • World Trade Center • World Trade Center Das Scheigen von Clara Mosch The Sience of Clara Mosch is • United Nations • United Nations wird unterbewertet Underrated • Pentagon • Pentagon Akte Ministerium für Staats­ File Ministerium für Staats­ 144–147 Jiří Kovanda: Jiří Kovanda: sicherheit (MfS), DDR: sicherheit (MfS), GDR: Photo • Kontakt • Contact Bilddokumentation über Das Documentation of The Sience • Theater • Theatre Scheigen von Clara Mosch wird of Clara Mosch is Underrated • Versuchte • Attempted unterbewertet Bekanntschaft Acquaintance 0 12 Artists & Agents 148–151 Jill Magid: Jill Magid: Akte Ministerium für File Ministerium für • Kosinski Quotes • Kosinski Quotes Staatssicherheit (MfS), DDR / Staatssicherheit (MfS), GDR / • The Shepherds • The Shepherds IMB „Konrad“: Fangfotos IMB “Konrad”: Fangfotos • Vetting Box • Vetting Box 192–197 Tamás St. Turba (NETRAF­ Tamás St. Turba (NETRAF­ 152–155 Simon Menner: Simon Menner: agent) / Gábor Altorjay: agent) / Gábor Altorjay: • Aus einem Verkleidungs­ • From a Disguise Seminar The Lunch (In Memoriam The Lunch (In Memoriam seminar • How to Give Secret Signals Batu Khan) Batu Khan) • Geheimsignale übermitteln • Costume Party • Kostümparty • The 14 Least Important Akte Belügyminisztérium (BM), File Belügyminisztérium (BM), • Die 14 unbedeutendsten Images from the History Ungarische Volksrepublik: Hungarian People’s Republic: Bilder aus der Geschichte of the Bundesnachrichten­ Berichte „Mészáros“, „László“, The “Mészáros,” “László,” des BND dienst „Hajdu“ über The Lunch and “Hajdu” Reports about (In Memoriam Batu Khan) The Lunch (In Memoriam 156–159 Arwed Messmer: Arwed Messmer: Batu Khan) Reenactment MfS Reenactment MfS 160–165 Clara Mosch: Clara Mosch: Mehl­Art 80 Mehl­Art 80 • Der Spruch • Slogan Glossar / Glossary • Die Steinbrote • Stone Breads • Gruppenbild • Group Portrait 19 9 – 219 Abschöpfen Adjutant … … Akte Ministerium für File Ministerium für Zersetzungsgruppen, Who­knows­who schema Staatssicherheit (MfS), DDR: Staatssicherheit (MfS), GDR: operative (WKW schema, Beobachtungsbericht Surveillance Report Who’s­Who Report) 16 6 – 16 9 Orange Alternative: Orange Alternative: Tag des Geheimdienstlers Secret Agent’s Day (Dzień Tajniaka) (Dzień Tajniaka) 170 – 173 Peng! Collective: Peng! Collective: Intelexit Intelexit 174 – 17 7 Józef Robakowski: Józef Robakowski: From My Window From My Window 1978–1999 1978–1999 (Z mojego okna) (Z mojego okna) 178–181 Cornelia Schleime: Cornelia Schleime: Bis auf weitere Looking Forward to gute Zusammenarbeit, Further Collaboration, Nr. 7284/85 No. 7284/85 182–185 Nedko Solakov: Nedko Solakov: Top Secret Top Secret 186–191 Gabriele Stötzer: Gabriele Stötzer: • Trans sitzend • Trans sitting • Trans im Rollenspiel • Trans in role play • Trans unter­ und überziehend • Trans wearing and slipping on • Trans vor­ und zurückdrehend • Trans in forward and • Trans in Licht und Schatten backward rotation • Trans o. T. • Trans in light and shadow • Trans without title 015 —020 SYLVIA SASSE SYLVIA „Zersetzen“ KATA KRASZNAHORKAI KATA Überwachen und – Eine Einleitung Jens Klein, Ballons (2013) © VG Bild­Kunst, Bonn 2019 014 Simon Menner, Geheimsignale übermitteln (2010–2014) 016 Überwachen und „Zersetzen“ ubversion gehört niemandem. Sie kann von Künstler*innen dienstliche (Ausland) Arbeit verschaffen. Dies führt unweigerlich ausgehen, die den Staat überlisten, oder von Geheimdiens­ zu einem Ungleichgewicht des Wissens über Geheimdienstprak­ ten, die mit staatlichem Auftrag die Kunstszene unterwan­ tiken in Diktaturen gegenüber denen in Demokratien. Osteuropa dern. Doch was passiert, wenn beide Seiten aufeinandertref­ dient uns hier deshalb vor allem als Ort der Forschung, nicht aus­ fen? Die dabei entstehenden Kollisionen sind Thema dieser schließlich als Gegenstand. Anhand der Materialien aus den Ge­ Ausstellung. Wir wissen historisch viel über Subversion und heimdienstarchiven in Osteuropa lässt sich erahnen, welche Kritik in den Künsten,
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