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Frequently Asked Questions AUSSTELLUNGS- MAGAZIN 2019/2 ARTISTS & AGENTS Ion Grigorescu Orange Alternative Tina Bara & Alba D’Urbano Jiří Kovanda VoluspaAusstellungs- Jarpa Sanja Iveković Korpys/Löffler plan / ARTISTS Gabriele Stötzer & Performance Art and Secret Services Performancekunst und Geheimdienste Kurt Buchwald Clara Mosch Józef Robakowski György Galántai / Artpool Daniel Knorr BulldozerausstellungExhibition Tamás St.Turba Nedko Solakov (NETRAF-agent) / Map Gábor Altorjay Alexandru (Sándor) Antik AGENTS Ion Grigorescu Orange Alternative Tina Bara & Alba D’Urbano Jiří Kovanda Voluspa Jarpa Sanja Iveković Cornelia Schleime Arwed Messmer Jens Klein Korpys/Löffler Gabriele Stötzer Peng! Collective Csilla Könczei Kurt Buchwald Clara Mosch Józef Robakowski György Galántai / Artpool Jill Magid Daniel Knorr Simon Menner Bulldozerausstellung Károly Elekes / Árpád Nagy / Gruppe MAMŰ Tamás St.Turba Nedko Solakov (NETRAF-agent) / Lászlo Algol / Informant ,,Pécsi Zoltán” Gábor Altorjay Alexandru (Sándor) Antik Ausstellungsansicht: Artists & Agents – Performancekunst und Geheimdienste, HMKV 2019 008 Artists & Agents Inhalt / Content Einleitung / Introduction 011–030 Kata Krasznahorkai, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Überwachen und „Zersetzen“ Surveillance and “Disruption” – Eine Einleitung —An Introduction 031–056 Inke Arns, Kata Krasznahorkai, Inke Arns, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Frequently Asked Questions Frequently Asked Questions (FAQs) (FAQs) 057–068 Inke Arns, Kata Krasznahorkai, Inke Arns, Kata Krasznahorkai, Sylvia Sasse: Sylvia Sasse: Zur Struktur der Ausstellung On the exhibition structure (Story T Tina Bara & Alba D’Urbano, Covergirl: Wespen Bara & Alba D’Urbano, Covergirl: Tina Akten / Files ales) (2008/2009) Bild © VG 070–071 Politische Polizei, Schweiz: Political Police, Switzerland: Erhebungen über bolsche­ Survey of Bolshevik Activities wistische Umtriebe der of the Dadaist Group in Zurich Dadaist*innengruppe in Zürich 072–073 Ministerium für Staatssicherheit Ministerium für Staatssicher­ (MfS), DDR: „Aber diese heit (MfS), GDR: “But this kind ­ Kunst, Bonn 2019 Kunst, Form der Aktionskunst ist mir of action art is a little foreign ein bisschen fremd“ – Eine to me”—A Discussion ­ Aussprache Akte 074–075 Komitet gosudarstvennoj Komitet gosudarstvennoy bezopasnosti (KGB), UdSSR: bezopasnosti (KGB), USSR: Private Aufzeichnungen Private Notes 010 Artists & Agents 076–077 Belügyminisztérium (BM), Belügyminisztérium (BM), 106–109 Bulldozerausstellung: The Bulldozer Exhibition: Ungarische Volksrepublik: Hungarian People’s Republic: Rekonstruktion Reconstruction of Zusammenfassender Bericht Summary Report and Measure einer KGB­Performance a KGB Performance und Maßnahmenplan Plan for Operation “Schwitters” Vorgang „Schwitters“ 11 0 – 113 Károly Elekes / Árpád Nagy / Károly Elekes / Árpád Nagy / Gruppe MAMŰ: MAMŰ Group: 078–079 Służba Bezpieczeństwa (SB), Służba Bezpieczeństwa (SB), Multimedia Birthday Action Multimedia Birthday Action Volksrepublik Polen: Polish People’s Republic: Kryptonym „Medium“ Cryptonym “Medium” Akte Securitate, Sozialistische File Securitate, Socialist Republik Rumänien: Republic of Romania: 080–081 Ministerium für Staatssicherheit Ministerium für Staatssicher­ Beobachtungsfotos Surveillance Photos (MfS), DDR: Operativplan heit (MfS), GDR: Operative Plan „OV Arkade“ “Operation Arkade” 114 – 117 György Galántai: György Galántai: Privatgelände – Private Property—Friendly 082–083 Ministerium für Staatssicherheit Ministerium für Staats­ Freundliche Behandlung Treatment (MfS), DDR: Konzeption zur sicherheit (MfS), GDR: Plan for Differenzierung und Zer­ the Differentiation and Akte Belügyminisztérium (BM), File Belügyminisztérium (BM), schlagung des Schwerpunktes Elimination of Focus Area Ungarische Volksrepublik: Hungarian People’s „Avantgardistischer Kreis“ “Avant ­Garde Circle” Gegenaktion zu Privatgelände – Republic: Counteraction to Freundliche Behandlung Private Property—Friendly 084–085 Štátní bezpečnost (ŠB), ČSSR: Štátní bezpečnost (ŠB), ČSSR: Treatment „Objekt Větrník“, “Subject Větrník,” „Objekt Aktual“ “Subject Aktual” 118–121 Ion Grigorescu: Ion Grigorescu: Electoral Meeting Electoral Meeting 122–125 Sanja Iveković: Sanja Iveković: Triangle Triangle Künstlerische Positionen / Artistic positions 126–129 Voluspa Jarpa: Voluspa Jarpa: 090–093 László Algol / László Algol / • Minimal Secret Condor • Minimal Secret Condor Informant „Pécsi Zoltán“: Informer “Pécsi Zoltán”: Operation Operation Der Chemiker und der Bau­ The Chemistry Engineer and • Translation Lessons • Translation Lessons leiter. Die Personae der the Construction Manager. Drei faltigkeit (Approximations­ The Person(ality) of the Three 130–133 Jens Klein: Jens Klein: übung) (An Approximation Exercise) • Ballons • Balloons • Ballons Protokolle • Balloons Protocols 094–097 Alexandru (Sándor) Antik: Alexandru (Sándor) Antik: The Dream Has Not Died The Dream Has Not Died 134–135 Daniel Knorr: Daniel Knorr: State of Mind State of Mind Akte Securitate, Sozialistische File Securitate, Socialist Republik Rumänien: Republic of Romania: 13 6 – 13 9 Csilla Könczei: Csilla Könczei: Bericht „Alexandra“ “Alexandra” Report An Abstract Knowledge An Abstract Knowledge (Ein abstraktes Wissen / (Ein abstraktes Wissen / 098–101 Tina Bara & Alba D’Urbano: Tina Bara & Alba D’Urbano: Egy elvont ismeret) Egy elvont ismeret) Covergirl: Wespen­Akte Cover Girl: Wasp File (Story Tales) (Story Tales) 140–143 Korpys/Löffler: Korpys/Löffler: Amerika­Filme America Films 102–105 Kurt Buchwald: Kurt Buchwald: • World Trade Center • World Trade Center Das Scheigen von Clara Mosch The Sience of Clara Mosch is • United Nations • United Nations wird unterbewertet Underrated • Pentagon • Pentagon Akte Ministerium für Staats­ File Ministerium für Staats­ 144–147 Jiří Kovanda: Jiří Kovanda: sicherheit (MfS), DDR: sicherheit (MfS), GDR: Photo • Kontakt • Contact Bilddokumentation über Das Documentation of The Sience • Theater • Theatre Scheigen von Clara Mosch wird of Clara Mosch is Underrated • Versuchte • Attempted unterbewertet Bekanntschaft Acquaintance 0 12 Artists & Agents 148–151 Jill Magid: Jill Magid: Akte Ministerium für File Ministerium für • Kosinski Quotes • Kosinski Quotes Staatssicherheit (MfS), DDR / Staatssicherheit (MfS), GDR / • The Shepherds • The Shepherds IMB „Konrad“: Fangfotos IMB “Konrad”: Fangfotos • Vetting Box • Vetting Box 192–197 Tamás St. Turba (NETRAF­ Tamás St. Turba (NETRAF­ 152–155 Simon Menner: Simon Menner: agent) / Gábor Altorjay: agent) / Gábor Altorjay: • Aus einem Verkleidungs­ • From a Disguise Seminar The Lunch (In Memoriam The Lunch (In Memoriam seminar • How to Give Secret Signals Batu Khan) Batu Khan) • Geheimsignale übermitteln • Costume Party • Kostümparty • The 14 Least Important Akte Belügyminisztérium (BM), File Belügyminisztérium (BM), • Die 14 unbedeutendsten Images from the History Ungarische Volksrepublik: Hungarian People’s Republic: Bilder aus der Geschichte of the Bundesnachrichten­ Berichte „Mészáros“, „László“, The “Mészáros,” “László,” des BND dienst „Hajdu“ über The Lunch and “Hajdu” Reports about (In Memoriam Batu Khan) The Lunch (In Memoriam 156–159 Arwed Messmer: Arwed Messmer: Batu Khan) Reenactment MfS Reenactment MfS 160–165 Clara Mosch: Clara Mosch: Mehl­Art 80 Mehl­Art 80 • Der Spruch • Slogan Glossar / Glossary • Die Steinbrote • Stone Breads • Gruppenbild • Group Portrait 19 9 – 219 Abschöpfen Adjutant … … Akte Ministerium für File Ministerium für Zersetzungsgruppen, Who­knows­who schema Staatssicherheit (MfS), DDR: Staatssicherheit (MfS), GDR: operative (WKW schema, Beobachtungsbericht Surveillance Report Who’s­Who Report) 16 6 – 16 9 Orange Alternative: Orange Alternative: Tag des Geheimdienstlers Secret Agent’s Day (Dzień Tajniaka) (Dzień Tajniaka) 170 – 173 Peng! Collective: Peng! Collective: Intelexit Intelexit 174 – 17 7 Józef Robakowski: Józef Robakowski: From My Window From My Window 1978–1999 1978–1999 (Z mojego okna) (Z mojego okna) 178–181 Cornelia Schleime: Cornelia Schleime: Bis auf weitere Looking Forward to gute Zusammenarbeit, Further Collaboration, Nr. 7284/85 No. 7284/85 182–185 Nedko Solakov: Nedko Solakov: Top Secret Top Secret 186–191 Gabriele Stötzer: Gabriele Stötzer: • Trans sitzend • Trans sitting • Trans im Rollenspiel • Trans in role play • Trans unter­ und überziehend • Trans wearing and slipping on • Trans vor­ und zurückdrehend • Trans in forward and • Trans in Licht und Schatten backward rotation • Trans o. T. • Trans in light and shadow • Trans without title 015 —020 SYLVIA SASSE SYLVIA „Zersetzen“ KATA KRASZNAHORKAI KATA Überwachen und – Eine Einleitung Jens Klein, Ballons (2013) © VG Bild­Kunst, Bonn 2019 014 Simon Menner, Geheimsignale übermitteln (2010–2014) 016 Überwachen und „Zersetzen“ ubversion gehört niemandem. Sie kann von Künstler*innen dienstliche (Ausland) Arbeit verschaffen. Dies führt unweigerlich ausgehen, die den Staat überlisten, oder von Geheimdiens­ zu einem Ungleichgewicht des Wissens über Geheimdienstprak­ ten, die mit staatlichem Auftrag die Kunstszene unterwan­ tiken in Diktaturen gegenüber denen in Demokratien. Osteuropa dern. Doch was passiert, wenn beide Seiten aufeinandertref­ dient uns hier deshalb vor allem als Ort der Forschung, nicht aus­ fen? Die dabei entstehenden Kollisionen sind Thema dieser schließlich als Gegenstand. Anhand der Materialien aus den Ge­ Ausstellung. Wir wissen historisch viel über Subversion und heimdienstarchiven in Osteuropa lässt sich erahnen, welche Kritik in den Künsten,
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    Frankfurt am Main, 5 November 2018 Media Release Deutsche Börse Photography Foundation Deutsche Börse Photography Foundation Prize 2019 shortlist announced Finalists are Laia Abril, Susan Meiselas, Arwed Messmer and Mark Ruwedel The four artists shortlisted for the Deutsche Börse Photography Foundation Prize 2019 are Laia Abril, Susan Meiselas, Arwed Messmer and Mark Ruwedel. Now in its twenty-second year, this highly regarded annual prize, originated by The Photographers’ Gallery and subsequently awarded in collaboration with the Deutsche Börse Photography Foundation, recognises artists and projects deemed to have made a significant contribution to photography over the previous 12 months in Europe. This year’s nominees survey a vast range of topical issues through the lens and language of photography. Collectively their projects explore state and gender politics, social injustice, human rights and conceptual approaches to image making. An exhibition of the shortlisted projects will be on show at The Photographers’ Gallery from 8 March to 2 June 2019, before touring to Deutsche Börse's headquarters in Eschborn/Frankfurt. The winner of the £30,000 prize will be announced at a special award ceremony held at The Photographers’ Gallery on 16 May 2019. The Shortlisted Artists and Projects: Laia Abril (b. 1986, Spain) has been nominated for the publication On Abortion (Dewi Lewis Publishing, November 2017). On Abortion is a visual research project that draws on the past, present and current history of abortion to highlight the continuing erosion of women’s reproductive rights. For centuries, people have searched for ways to terminate unsafe or unwanted pregnancies. Despite the fact that today safe and efficient means of abortion exist, many women are still forced to resort to ancient, illegal or risky home methods resulting in approximately 47,000 deaths due to failed procedures each year.
  • Featured Releases Fall Highlights 82 Specialty

    Featured Releases Fall Highlights 82 Specialty

    Photograph by Landon Nordeman, from Landon Nordeman: Out of Fashion, published by Damiani. See page 52. FEATURED RELEASES 2 Journals 78 Limited Editions 80 CATALOGUE EDITOR Thomas Evans FALL HIGHLIGHTS 82 ART DIRECTOR Art 84 Stacy Wakefield Writings & Group Exhibitions 114 IMAGE PRODUCTION Photography 120 Kyra Sutton Architecture 140 COPY WRITING Janine DeFeo, Thomas Evans, Annabelle Maroney, Design 150 Kyra Sutton PRINTING SPECIALTY BOOKS 152 Sonic Media Solutions, Inc. Art 154 FRONT COVER IMAGE Group Exhibitions 168 Hilma af Klint, “Altarpiece, No.1, Group X,” 1915. From Hilma af Klint: Photography 171 Painting the Unseen, published by Koenig Books. See page 42. BACK COVER IMAGE Karma Backlist 176 Samuel Friede, “Coney Island Dome,” 1906. From Never Built New York, Reel Art Press Backlist 177 published by Metropolis Books. See page 5. Also from The Coney Island Backlist Highlights 178 Amateur Psychoanalytic Society and Its Circle, published by Christine Burgin. See page 71. Index 183 Robert Rauschenberg ​Edited​with​text​by​Leah​Dickerman,​Achim​Borchardt-Hume.​Text​by​ Yve-Alain​Bois,​Andrianna​Campbell,​Hal​Foster,​Mark​Godfrey,​Hiroko​ Ikegami,​Branden​Joseph,​Ed​Kr ˇcma,​Michelle​Kuo,​Pamela​Lee,​Emily​ Liebert,​Richard​Meyer,​Helen​Molesworth,​Kate​Nesin,​Sarah​Roberts,​ “Painting relates to both Catherine​Wood.​ The early 1950s, when Robert Rauschenberg launched his career, was art and life. Neither can be the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new intermedia made. (I try to act in the forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this gap between the two.)” defining figure, this book offers fresh perspectives on Rauschenberg’s —Robert Rauschenberg widely celebrated Combines (1954–64) and silkscreen paintings (1962–64).