Contemporary Visual Arts

Total Page:16

File Type:pdf, Size:1020Kb

Contemporary Visual Arts contemporary visual arts PUBLICATIONS Spring 2010 CORNERHOUSE PUBLICATIONS SPRING 2010 INDEX TO FEATURED PUBLISHERS Cornerhouse provides a specialist sales and distribution service for many of the most Arnolfini 1 innovative galleries, museums and publishers working in contemporary visual arts. Art Editions North 1 Our list encompasses all the visual arts including architecture, art theory and education, The Arts Catalyst 1 design, digital media, fashion, film and video, painting, photography, performance and British Council 2 sculpture. For further information about our services, please contact Paul Daniels, The Caravan Gallery 2 Publications Director Centre for Contemporary Arts (CCA) 3 In addition to the new titles featured in this catalogue, our backlist includes over 2,600 Cornerhouse 3 titles that are currently available. If you require further details or if you want to order any The Drawing Room 4 of these titles, please contact us or visit our online bookstore DuMont Buchverlag 4 Engage 11 Cornerhouse Publications Ffotogallery 12 70 Oxford Street, Manchester M1 5NH, England GlobalArtAffairs Publishing 12 Publications Director Paul Daniels Haunch of Venison 13 Hayward Publishing 14 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies Henry Moore Institute 15 trade orders / enquiries +44 (0)161 200 1501 mail order / enquiries +44 (0)161 200 1502 Ikon Gallery 15 general enquiries +44 (0)161 200 1503 Information as Material 17 fax +44 (0)161 200 1504 Institute of International Visual Arts (Iniva) 18 email [email protected] John Hansard Gallery 18 online bookstore: www.cornerhouse.org/books JRP|Ringier* 18 Kerber Verlag** 30 Verlag der Buchhandlung Walther König 34 TRADE TERMS Len Grant Photography 45 Please email orders to [email protected] Manchester Metropolitan University 46 Standard discount 35% Milton Keynes Gallery 46 A small order surcharge of £3.00 will be added to orders of less than £25 invoice value Modern Art Oxford 46 UK orders carriage free. Overseas carriage charged at cost Verlag für moderne Kunst Nürnberg 47 RETURNS The New Art Gallery Walsall 50 Returns by permission only. In case of damage, defect or dispatch error please contact Richter Verlag 51 Cornerhouse Publications at the address above Ridinghouse 52 Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, *JRP|Ringier titles are distributed by Cornerhouse in the UK and Europe 10 Estover Road, Plymouth PL6 7PY, England (excluding Germany, Austria, Switzerland and France) Please note that returns sent to Cornerhouse’s Manchester address will not be accepted **Kerber Verlag titles are distributed by Cornerhouse in the UK, Scandinavia and Eastern Europe PAYMENT Cheques should be made payable to Cornerhouse Publications and drawn on a UK Cornerhouse also distributes titles for the following publishers: bank. Payment can be made directly into our bank account – please contact us for further details. We also accept payment by American Express, Eurocard, Maestro, MasterCard Art and Sacred Places | Artangel | Arts Council England or VISA. All payments must be made in £ sterling Aspex Visual Arts Trust | August Projects | Autograph ABP | Aye-Aye Books BALTIC | Beam | British Council Design | Camerawork | Castlefield Gallery ONLINE BOOKSTORE Centre for Art International Research (CAIR) | Chinese Arts Centre Control Magazine | Coracle | Design Museum | Éditions Revue Noire Full details of all titles distributed by Cornerhouse are available from our online bookstore Firstsite | Forma | Institute of Contemporary Arts (ICA) | Inventory www.cornerhouse.org/books where customers can purchase titles quickly and securely Khadija Productions | Liverpool John Moores University | Lowry Press Manchester Art Gallery | Matt’s Gallery | Mead Gallery Greater Manchester Arts Centre Limited trading as Cornerhouse Publications National Media Museum | National Museums Liverpool New Contemporaries (1988) Ltd | Pharos Publishers | Photoworks Reg no. 1681278 VAT no. GB383410758 Reg Charity no. 514719 Picture This | Public Art Development Trust | Rakennustieto Publishing Research Group for Artists Publications (RGAP) | The Saatchi Gallery Cornerhouse is Greater Manchester’s international centre for contemporary visual arts Sainsbury Centre for Visual Arts | Salon3 | Shisha | Shoreditch Biennale and film. Located in the heart of Manchester, UK, the centre has 3 floors of contemporary Southampton City Art Gallery | Stour Valley Arts | Tramway | Turnpike Gallery art galleries, 3 cinema screens, a bar, café and bookshop. For weekly updates on films, Ümran Projects | Urbis | Velvet Press | Viewpoint Photography Gallery The Wellcome Trust | Witte de With exhibitions, events and the latest news, log on to www.cornerhouse.org While every effort has been made to ensure that the contents of this catalogue are accurate, all details are subject to change at any time and without notice Cover image: Tony Cragg, Out of Sight, Out of Mind, 2003, detail. Wood, 300 x 80 x 60 cm and 240 x 140 x 120 cm. Photograph by Charles Duprat. Courtesy Tony Cragg Bild+Kunst, Bonn 2010 Arnolfini Art Editions North The Arts Catalyst distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Concept Store #2 Gabrielle Wambaugh Brandon Ballengée Possible, Probable and The Power of Losing Control Malamp: The Occurrence of Preferable Futures texts by Joel Fisher, Evence Verdier Deformities in Amphibians artists: Heiremans & Vermeir, Francesc Ruiz, edited by Nicola Triscott, Miranda Pope Graham Gussin, Heman Chong, Tommy Stockel, Marjolijn Dijkman, Neil Cummings The Power of Losing Control retraces & Marysia Lewandowska, Dieter Roelstraate, the work of Gabrielle Wambaugh The environmental artist and Max Gane, Bifo (Franco Beradi), Richard who explores many ideas about the ecological researcher Brandon Grussin, Will Holder, Mark von Schlegell, Laura Oldfield Ford, Liu Ding, Geoff Cox, nature of sculpture in light of the Ballengée possibly comes closest to Nav Haq, Tom Trevor, Metahaven, Kianoosh certainty and uncertainty inherent in an idealised synthesis between art Vahabi, Cher Potter the material of ceramics. The book and science. His artistic practice is texts by Geoff Cox, Nav Haq, Tom Trevor was associated with the following immersed in the study of biodiversity, exhibitions: Manufacture Nationale ecological change and global species Concept Store is a bi-annual journal, de Sèvres; Globe Gallery, Newcastle decline. In particular, Ballengée published by Arnolfini, focusing upon Tyne; Brownstone Foundation, has been working on declining on critical issues of contemporary Paris. and abnormal development of art and their relationship to wider amphibians as a way of visualising cultural, social and political contexts. Art Editions North £12.00 localised environmental degradation. ISBN 978-0-9557478-5-4 While Concept Store reflects upon softback 144 pages His practice incorporates primary ideas explored within Arnolfini’s 36 colour, 72 b&w illustrations biological research and ecological artistic programme as well as future 250 x 198 mm surveys, working with members research projects, it is intended English and French text of the community and scientists, to be a critical platform in its own culminating in art works, exhibitions right, operating as a discursive and published scientific research. space for commissioned texts, This monograph brings together artists’ contributions, interviews and recent research, commissioned by other experimental forms. It aims The Arts Catalyst and Yorkshire to challenge the conventions of the Sculpture Park, into deformities exhibition catalogue and the inter- in English amphibians with relations of artistic production, critical findings from his global studies writing and cultural theory. on amphibian decline. It includes texts on Ballengée’s practice Arnolfini £5.95 from arts, science and ecological ISBN 978-0-907738-96-1 perspectives, and is richly illustrated softback 112 pages two-colour (red & green) print throughout with extraordinary photographs and 285 x 210 mm images from his work. The Arts Catalyst / Yorkshire Sculpture Park £15.95 ISBN 978-0-9534546-7-9 softback 72 pages illustrated in colour 300 x 230 mm 1 SPRING 2010 Queen and Country Centre for Contemporary Jeremy Deller British Council Steve McQueen The Caravan Gallery Cornerhouse Procession distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Arts (CCA) distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide edited by Lesley Young Queen and Country was created by Steve McQueen in response to his Procession, conceived by Turner Nick Danziger 2003 commission by the Imperial Is Britain Great? 2 Kate Davis Jacob Cartwright & Prize winning artist Jeremy Deller, Between Heaven and Earth: War Museum’s Art Commissions artists: Jan Williams, Chris Teasdale Role Forward Nick Jordan was a public event that took place in Committee to create a work in Manchester in July 2009. It included A Journey Through Christian text by Caoimhin Mac Giolla Leith The Audubon Trilogy: response to the war in Iraq. Inspired processional stalwarts, such as Ethiopia Following on from their bestselling Delineations of American by the dedication and selflessness brass bands and rose queens, text by Philip Marsden book Is Britain Great? Williams and of the servicemen and women he Role Forward is the first monograph Scenery and Manners representations of historical and Teasdale
Recommended publications
  • C O L L E C T I O N B O
    THYSSEN-BORNEMISZA ART CONTEMPORARY T HE COLLECTION BOOK y �� THYSSEN-BORNEMISZA ART CONTEMPORARY ��THE T H E COLLECTIONCOllECtIoN BOOK y BOOK VERLAG DER BUCHHANDLUNG WALTHER KÖNIG, KÖLN 4 5 CONTENTS 6 Acknowledgments by FRANCESCA VON HABSBURG 01 02 03 04 t t t t 10 WAYS BEYOND 72 DIE OR PERFORM 280 T H E A L E P H 354 PRESERVATION OBJECTS by ANDREAS SCHLAEGEL P O T E N T I A L AND REANIMATION FRANCESCA VON HABSBURG by ELKE KRASNY THROUGH in conversation with 88 MONICA BONVICINI CONTEMPORARY ART HANS ULRICH OBRIST 92 CANDICE BREITZ 288 PARADOXES OF AND ARCHITECTURE 97 JANET CARDIFF COLLECTING 22 AI WEIWEI 107 MAURIZIO CATTELAN FRANCESCA VON HABSBURG 361 MONUMENTAL 28 DOUG AITKEN 110 CHEN QUILIN in conversation with by MARK WIGLEY 34 DARREN ALMOND 116 ANETTA MONA CHISA & PETER PAKESCH 40 KUTLUĞ ATAMAN LUCIA TKÁČOVÁ 366 JULIAN ROSEFELDT 52 FIONA BANNER 120 CYBERMOHOLLA HUB 292 RIVANE NEUENSCHWANDER 376 THOMAS RUFF 56 JOHN BOCK 125 EMANUEL DANESCH & 298 JUN NGUYEN-HATSUSHIBA 378 RITU SARIN & DAVID RYCH 302 CARSTEN NICOLAI TENZING SONAM 129 DON’T TRUST ANYONE 308 OLAF NICOLAI 383 HANS SCHABUS OVER THIRTY 314 PAUL PFEIFFER 390 CHRISTOPH SCHLINGENSIEF 138 OLAFUR ELIASSON 320 WALID RAAD / 398 GREGOR SCHNEIDER 152 ELMGREEN & DRAGSET THE ATLAS GROUP 406 ALLAN SEKULA 160 MARIO GARCÍA TORRES 330 RAQS MEDIA COLLECTIVE 414 NEDKO SOLAKOV 164 ISA GENZKEN 336 JASON RHOADES 419 MONIKA SOSNOWSKA 168 DOUGLAS GORDON 340 PIPILOTTI RIST 422 THOMAS STRUTH 172 FLORIAN HECKER 344 MATTHEW RITCHIE 426 DO HO SUH 176 CARSTEN HÖLLER 430 CATHERINE SULLIVAN 181 TERESA
    [Show full text]
  • Fundraiser Catalogue As a Pdf Click Here
    RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to
    [Show full text]
  • Quarters Kathryn Tully Compare How the Artists’ Areas in the Two Cities Have Changed Over Time
    4 ART AND THE CITY ART TIMES ART DISTRICTS London and New York are the two powerhouses of the international art world, Artist’s supporting galleries, auction houses, museums and, of course, artists. The areas where the latter congregate quickly gain a reputation for style, innovation and creativity – prompting the arrival of dealers and property developers. Based in London and New York respectively, Ben Luke and quarters Kathryn Tully compare how the artists’ areas in the two cities have changed over time LONDON (YBAs), and gathered in a then un- that the character of the place and the It is astonishing that until 2000, when likely crucible for cultural renaissance It is important to try to strike a things that made it successful as an area Tate Modern opened, London lacked – the East End districts of Shoreditch of regeneration can remain in some a national museum of modern art. and Hoxton. balance between ensuring that form, but without stultifying it and Instead, 20th-century art was housed In Lucky Kunst, his memoir of the trying to keep it as a museum.” alongside British art in the Tate Gallery, YBA era, Gregor Muir, now director of the character of the place and the Mirza is particularly focused on now Tate Britain, on Millbank. When it the contemporary gallery Hauser and the area around the 2012 Olympic arrived, Tate Modern shone as a beacon Wirth, remembers arriving as a pen- things that made it successful as an Park. “Hackney Wick has the largest for London’s newfound conviction in niless critic in a Shoreditch suffering concentration of artists anywhere in the kind of art that had long been the from the economic inequalities of the area of regeneration can remain in Europe.
    [Show full text]
  • Francesco Vezzoli: a True Hollywood Story’ We May Well Ask Who Exactly Is Francesco Vezzoli
    In the shadow of style: The invention of Francesco Vezzoli Gregory Burke Given the exhibition title ‘Francesco Vezzoli: A True Hollywood Story’ we may well ask who exactly is Francesco Vezzoli. Despite its explicit assertion to the contrary this very title immediately disrupts expectations of veracity in terms of a survey of the life and work of a contemporary artist. Rather, the appropriation of the E! True Hollywood Story moniker promises a no holes barred expose replete with revealed secrets and salacious reenactments. In short the title sets Vezzoli up as the potential victim of gossip, with its dependence on innuendo, misinformation and scandal. It raises the question as to who is telling the story with the presumption, given the contemporary art context and the artist’s oeuvre, that Vezzoli himself is at least complicit with its fabrication. While Vezzoli has included his artistic persona as a subject in much of his work, ‘Francesco Vezzoli: A True Hollywood Story’ suggests an autobiographic treatment to bring his persona centre stage. Nevertheless it also begs the question as to what Hollywood has to do with the contemporary Italian artist and what if anything can we expect to be true in the story that is to be told. The nucleus of the exhibition and the work that inspired the exhibition’s title, is the film installation ‘Marlene Redux: A True Hollywood Story!’, 2006. Vezzoli himself is the subject of the film through the tracking of his art career. Establishing his birthplace in Italy the film narrates his sojourn in London as a young art student at St Martins School of Art in the early 1990s, positioning his work in embroidery and needlepoint as a reaction to the largesse of the new wave of young British artists who were then invigorating the contemporary art scene in London.
    [Show full text]
  • Art Books Spring 2020 Millbank London Sw1p 4Rg
    TATE PUBLISHING TATE ENTERPRISES LTD ART BOOKS SPRING 2020 MILLBANK LONDON SW1P 4RG 020 7887 8870 TATE.ORG.UK/PUBLISHING TWITTER: @TATE_PUBLISHING INSTAGRAM: @TATEPUBLISHING CONTENTS NEW TITLES 3 ANDY WARHOL 7 STEVE MCQUEEN 9 BRITISH BAROQUE: POWER AND ILLUSION 11 AUBREY BEARDSLEY 13 A BOOK OF FIFTY DRAWINGS BY AUBREY BEARDSLEY 15 ZANELE MUHOLI 17 LYNETTE YIADOM-BOAKYE 19 MAGDALENA ABAKANOWICZ 21 BRITAIN AND PHOTOGRAPHY: 1945–79 23 HUGUETTE CALAND 25 VENICE WITH TURNER 27 SPRING 29 SUMMER 30 QUENTIN BLAKE: PENS INK & PLACES 31 HOW TO PAINT LIKE TURNER 32 RECENT HIGHLIGHTS 34 BACKLIST TITLES 41 J.M.W. TURNER 42 BARBARA HEPWORTH 43 QUENTIN BLAKE 44 HYUNDAI COMMISSION 45 TATE INTRODUCTIONS 46 MODERN ARTIST SERIES 47 BRITISH ARTIST SERIES 48 REPRESENTATIVES AND AGENTS All profits go to supporting Tate. Please note that all prices, scheduled publication dates and specifications are subject to alteration. Owing to market restrictions some titles are not available in certain markets. For more information on sales and rights contacts see page 48. ANDY WARHOL EDITED BY GREGOR MUIR AND YILMAZ DZIEWIOR NEW TITLES NEW EXHIBITIONS A FASCINATING ‘RE-VISIONING’ OF WARHOL AND Tate Modern HIS UNIQUE VIEW OF AMERICAN CULTURE 12 Mar – 6 Sept 2020 As an underground art star, Andy Warhol (1928–87) Museum Ludwig, was the antidote to the prevalent abstract expressionist Cologne, 10 Oct 2020 style of 1950s America. Looking at his background as – 21 Feb 2021 a child of an immigrant family, his ideas about death and religion, as well as his queer perspective, this Art Gallery of book explores Warhol‘s limitless ambition to push the Ontario, Toronto traditional boundaries of painting, sculpture, film and 27 Mar – 13 Jun 2021 music.
    [Show full text]
  • Interview: Francesco Vezzoli
    Financial Times: 'Antidotes to Absurdity', by Rachel Spence, August 28th 2015 Interview: Francesco Vezzoli The Italian artist and film-maker on his ‘obsession’ with truth and the connection between sexuality, art and capitalism Generally, videos are a cross that art-lovers have to bear. Most are too long and pretentious, made by practitioners who would never have survived were they obliged to use a less generous medium such as paint or marble. So it was with a heavy heart that I pushed open the curtain that shielded Francesco Vezzoli’s film at the 2005 Venice Biennale. Six minutes later, I was reeling. For “Trailer for a Remake of Gore Vidal’s ‘Caligula’ ” was a hilarious riff on Bob Guccione’s 1979 movie Caligula. Disavowed by Vidal, the original screenwriter, Caligula had been panned by critics as a piece of hard-porn kitsch masquerading as a feature film. Vezzoli had made a trailer for a movie that didn’t exist inspired by one that was never what it pretended to be. Furthermore, he had scooped up Hollywood stars, including Helen Mirren — who had also appeared in Guccione’s film — Milla Jovovich and Benicio del Toro. Vidal himself intoned the introduction. Courtney Love popped up in a cameo as Caligula. Not only was it far more engaging than most artists’ films, the logistics were baffling. How did Vezzoli persuade his all-star cast to participate? Mirren is a busy woman. Vidal was no pushover. “Sincerity and flowers!” Vezzoli replies when I ask him, 10 years later, how he had convinced such legends to work with him.
    [Show full text]
  • Ground Floor
    1 TICKETS/SHOP 1868– AN ILLUSTRATED HISTORY OF SCHLOSS BIESDORF RAUMLABORBERLIN JOACHIM RICHAU ALEXANDER JANETZKO READING ROOM GROUND FLOOR CAFÉ CAFÉ CAFÉ SVEN GATTER MANFRED PAUL TOBIAS ZIELONY THOMAS WOLF JÜRGEN REHRMANN LEGENDS ENTRANCE EXHIBITION ARTIST TOILETTE ANDREAS GEFELLER MERIT PIETZKER LUDWIG RAUCH MONIKA LAWRENZ ANNE HEINLEIN PIERRE-JEAN GILOUX LAURENZ BERGES ULRICH WÜST ARNO FISCHER TOBIAS ZIELONY STEPHANIE STEINKOPF LUDWIG RAUCH KATJA EYDEL SEIICHI FURUYA FIRST FLOOR CLEMENS VON WEDEMEYER GÖRAN GNAUDSCHUN INGEBORG ULLRICH LEGENDS ENTRANCE EXHIBITION ARTIST CONTENT SHIFTING PERSPECTIVES 9 JOACHIM RICHAU 11 ALEXANDER JANETZKO 13 MANFRED PAUL 15 TOBIAS ZIELONY 17 THOMAS WOLF 19 SVEN GATTER 21 JÜRGEN REHRMANN 23 RAUMLABORBERLIN 25 IDENTITY AND PUBLIC SPACE 27 LAURENZ BERGES 29 PIERRE-JEAN GILOUX 31 LUDWIG RAUCH 33 MONIKA LAWRENZ 35 ARNO FISCHER 37 KATJA EYDEL 39 SEIICHI FURUYA 41 ULRICH WÜST 43 PHOTOGRAPHY AND MEMORY 45 STEPHANIE STEINKOPF 47 INGEBORG ULLRICH 49 GÖRAN GNAUDSCHUN 51 CLEMENS VON WEDEMEYER 53 MERIT PIETZKER 55 ANDREAS GEFELLER 57 ANNE HEINLEIN 59 PHOTO CREDITS 61 IMPRINT 63 SHIFTING PERSPECTIVES Using works from the collection of the Brandenburg State Museum for Modern Art Cottbus/Frankfurt (Oder) as a starting point, the exhibition Shifting Perspectives presents photographic and cinematic surveys of the changing lands- capes and urban, economic and social structures in East Germany since the late 1980s. The works by the 22 featured artists are pictorial reflections on shifts in socio-economic conditions and their formative influence on public space. While the more recent works mainly address the status quo and the remnants of change, the exhibits from around 1990 often testify to the impending transformations of the period following the reunification of East and West Germany.
    [Show full text]
  • PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX to FEATURED PUBLISHERS
    PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX TO FEATURED PUBLISHERS Welcome to our new catalogue featuring 156 titles from many of the most innovative Arnolfini 1 galleries, museums and publishers working in contemporary visual arts. We are Art Editions North 1 particularly pleased to have been appointed distributor for Blain|Southern, Lisson Gallery, Blain|Southern 1 Parasol unit, and Tatton Park Biennial, and new titles from these publishers are featured. Cornerhouse 2 Our list encompasses all the visual arts including architecture, art theory and education, Drawing Room 3 design, digital media, fashion, film and video, painting, photography, performance and DuMont Buchverlag 3 sculpture. We have over 2,700 titles currently available. If you require further details or if Ffotogallery 4 you want to order any of these titles, please contact us or visit our online bookstore. Firstsite 5 GlobalArtAffairs Publishing 5 For further information about our services, please contact Paul Daniels, Publications Haunch of Venison 5 Director. Hayward Publishing 7 Cornerhouse Publications Information as Material 9 JRP|Ringier* 10 70 Oxford Street, Manchester M1 5NH, England Kerber Verlag** 19 Publications Director Paul Daniels Verlag der Buchhandlung Walther König 25 Lisson Gallery 39 Arnolfini Art Editions North Blain|Southern orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide trade orders
    [Show full text]
  • Frieze London Announces Galleries, Curators & Pioneering New Section
    Frieze Press Release 27 June 2016 Frieze London Announces Galleries, Curators & Pioneering New Section for the 2016 Fair The 14th edition of Frieze London will take place a week earlier this year, open- ing 6–9 October with a Preview Day on Wednesday 5 October. This year’s fair brings together more than 160 of the world’s leading galleries, showcasing today’s most significant artists across its main and curated sections, alongside the fair’s celebrated non-profit programme of ambitious new artist commis- sions and talks. In 2016 the fair will debut a new gallery section, The Nineties, recreating seminal exhibitions from the decade, alongside the return of sections Focus and Live, the definitive platforms for emerging galleries and performance art respectively. Frieze London coincides with Frieze Masters and the Frieze Sculpture Park, convening art of the highest quality from a spectrum of periods and countries and offering collectors, scholars and art enthusiasts an unparal- leled cultural experience. Frieze London is supported by main sponsor Deutsche Bank for the 13th con- secutive year, continuing a shared commitment to discovery and artistic excel- lence. Building on Frieze’s enduring relationship with collecting institutions, this year, the fair partners with two acquisition funds for national museums, including the the Frieze Tate Fund, now supported by WME | IMG; and the launch of the Contemporary Art Society’s Collections Fund at Frieze, supporting a regional museum in the UK. Victoria Siddall, Director, Frieze Fairs said, ‘Frieze has become known for its strong curated sections and this year I am particularly excited to see Nicolas Trembley’s selection of artists who changed the conversation in the 1990s.
    [Show full text]
  • Polanskimay Soon Be Permitted Back Into the U.S., but He's Made Some of His Most Compelling Films While in Exile from the Holl
    RomanMAY SOON BE PERMITTED POLANSKI BACK INTO THE U.S., BUT HE’S MADE SOME OF HIS MOST COMPELLING FILMS WHILE IN EXILE FROM THE HOLLYWOOD MACHINE. AS HE COLLABORATES WITH ARTIST FRANCESCO VEZZOLI ON A COMMERCIAL FOR A FICTIONAL PERFUME STARRING NATALIE PORTMAN AND MICHELLE WILLIAMS, THE DIRECTOR TALKS ABOUT THE PERILS OF THE MOVIE WORLD AND THE PLEASURES OF SKIING DRUNK AT NIGHT By FRANCESCO VEZZOLI and CHRISTOPHER BOLLEN Portrait PAOLO ROVERSI OPPOSITE: ROMAN POLANSKI, PHOTOGRAPHED IN PARIS ON NOVEMBER 25, 2008. YOU KNOW WHAT I like TO SEE AGAIN and AGAIN? SNOW WHITE. I DON’T THINK they MAKE ABOVE AND OPPOSITE: PHOTOS FROM THE SET OF GREED, THE NEW FRAGRANCE BY FRANCESCO VEZZOLI (2008), DIRECTED BY ROMAN POLANSKI ANYTHING better. IT’S so NAÏVELY BEAUTIFUL. AND STARRING MICHELLE WILLIAMS AND NATALIE PORTMAN. COSTUMES DESIGNED BY MIUCCIA PRADA. “ ” When Italian artist Francesco Vezzoli went look- Not like in America. [pauses] You know, I did an in- RP: No, I didn’t. But you have to take it into consid- ing for a director to help him make his latest art- terview for Interview with Andy back in 1973. eration, nevertheless. work, he went straight for the biggest. Vezzoli’s CB: I think, in fact, you did two with him. Do you FV: I’m sure you know the movie by [François] productions have always served up larger-than-life remember the questions he asked you? Truffaut called The Man Who Loved Women [1977]. spectacles studded with Hollywood mythos and RP: Not at all. He didn’t care.
    [Show full text]
  • WHITNEY BIENNIAL 2006: DAY for NIGHT to OPEN Signature Survey Measuring the Mood of Contemporary American Art, March 2-May 28, 2006
    Press Release Contact: Jan Rothschild, Stephen Soba, Meghan Bullock (212) 570-3633 or [email protected] www.whitney.org/press February 2006 WHITNEY BIENNIAL 2006: DAY FOR NIGHT TO OPEN Signature survey measuring the mood of contemporary American art, March 2-May 28, 2006 Peter Doig, Day for Night, 2005. Private Collection; courtesy Contemporary Fine Arts, Berlin. The curators have announced their selection of artists for the 2006 Whitney Biennial, which opens to the public on March 2, and remains on view at the Whitney Museum of American Art through May 28, 2006. The list of participating artists appears at the end of this release. Whitney Biennial 2006: Day for Night is curated by Chrissie Iles, the Whitney’s Anne & Joel Ehrenkranz Curator, and Philippe Vergne, the Deputy Director and Chief Curator of the Walker Art Center in Minneapolis. The Biennial’s lead sponsor is Altria. "Altria Group, Inc. is proud to continue its forty year relationship with the Whitney Museum of American Art by sponsoring the 2006 Biennial exhibition," remarked Jennifer P. Goodale, Vice President, Contributions, Altria Corporate Services, Inc. "This signature exhibition of some of the most bold and inspired work coming from artists' studios reflects our company's philosophy of supporting innovation, creativity and diversity in the arts." Whitney Biennial 2006: Day for Night takes its title from the 1973 François Truffaut film, whose original French name, La Nuit américaine, denotes the cinematic technique of shooting night scenes artificially during the day, using a special filter. This is the first Whitney Biennial to have a title attached to it.
    [Show full text]
  • Jonathan Meese ACROSS the UNIVERSE (DR
    Jonathan Meese ACROSS THE UNIVERSE (DR. SPACE-ANIMALISM ,,E.A.G.L.E.”: FLY LIKE AN EAGLE) New Paintings, Sculptures and Works on Paper February 4 - March 27, 2021 David Nolan Gallery is pleased to present ACROSS THE UNIVERSE (DR. SPACE-ANIMALISM ,,E.A.G.L.E.”: FLY LIKE AN EAGLE), a selection of new paintings, sculptures and works on paper by Jonathan Meese. The exhibition marks the artist’s second collaboration with the gallery and his first show in New York in five years. These works were produced in the last 12 months in the midst of the global quarantine, apart from the social interactions of daily life. Greeted with isolation, the artist delves into a vocabulary both real and imaginary, armed with a rich arsenal of cultural references and a penchant for the fantastical. Meese invites the viewer, without prejudice or preconceived notion, into his dynamic, spectacular universe. Jonathan Meese was born in Tokyo in 1970 to a German mother and Welsh father. Together with his siblings and mother, Jonathan relocated shortly thereafter to Hamburg. He spent his childhood escaping into alternate worlds, surrounded by toys, comics, Star Trek, and mesmerized by cinema. His mother nurtured his artistic sensibility by buying his first sketchpad and pastel set and encouraged him to study at the renowned Hochschule für bildende Künste Hamburg, where he studied under Franz Erhard Walther, a pioneer of participatory art. Walther’s philosophy favors improvisational installation that are activated by the viewer’s imagination; he conceived corporeal sculptures that could be arranged in multiple ways or display solutions imbued with a humanism that would profoundly affect Meese’s practice.
    [Show full text]