The Ithacan, 1999-11-04
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Construction of Hong-Dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics
Universität Bielefeld Fakultät für Soziologie Construction of Hong-dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics Dissertation Zur Erlangung eines Doktorgrades der Philosophie an der Fakultät für Soziologie der Universität Bielefeld Mihye Cho 1. Gutachterin: Prof. Dr. Joanna Pfaff-Czarnecka 2. Gutachter: Prof. Dr. Jörg Bergmann Bielefeld Juli 2007 ii Contents Chapter 1 Introduction 1 1.1 Research Questions 4 1.2 Theoretical and Analytical Concepts of Research 9 1.3 Research Strategies 13 1.3.1 Research Phase 13 1.3.2 Data Collection Methods 14 1.3.3 Data Analysis 19 1.4 Structure of Research 22 Chapter 2 ‘Hong-dae Culture’ and Ambiguous Meanings of ‘the Cultural’ 23 2.1 Hong-dae Scene as Hong-dae Culture 25 2.2 Top 5 Sites as Representation of Hong-dae Culture 36 2.2.1 Site 1: Dance Clubs 37 2.2.2 Site 2: Live Clubs 47 2.2.3 Site 3: Street Hawkers 52 2.2.4 Site 4: Streets of Style 57 2.2.5 Site 5: Cafés and Restaurants 61 2.2.6 Creation of Hong-dae Culture through Discourse and Performance 65 2.3 Dualistic Approach of Authorities towards Hong-dae Culture 67 2.4 Concluding Remarks 75 Chapter 3 ‘Cultural District’ as a Transitional Cultural Policy in Paradigm Shift 76 3.1 Dispute over Cultural District in Hong-dae area 77 3.2 A Paradigm Shift in Korean Cultural Policy: from Preserving Culture to 79 Creating ‘the Cultural’ 3.3 Cultural District as a Transitional Cultural Policy 88 3.3.1 Terms and Objectives of Cultural District 88 3.3.2 Problematic Issues of Cultural District 93 3.4 Concluding Remarks 96 Chapter -
OPEN SUNDAY a T Fil£Uwt)4 Manrhfhtrr Congress Misses
24 - MANCHESTER HERALD. Fri., Dec, 17, 1982 Even Santa Claus |25 years a Santa Dristan recalled Town joins and still at it |fn tampering scare IfesY law foes would be offended '■■"Y ...page 3 ... page 11 ...page 4 The "pornography of s u m Though a stiff recession has put nearly 12 million excesses” — which include h Americans out of work — the likes of a $150 gold < 1 ; I the highest jobless rate in toothpick with retractable SALE 31 years — it’s holiday gift Dan Dorfman point — is something most giving as usual by the of us laugh about. But rather, it may be nouveau riche, the Syndicated tasteless and the show-offs something to be concerned Increasing clouds Manchester, Conn. about. It defines even (the folks who have it and (Columnist Saturday, Dec. 18, 1982 want to flaunt it). In fact, more, as DeVoe points out, star* SKCUL Sunday afternoon the rapidly growing, line judging from the slew of — See page 2 Single copy 25cp newspaper ads and between the haves and thr M a n r h fH tr r catalogs geared to the lofty have-nots . and that's Free 5 yr. picture tube income bracket, retailing's what class frictions are all pitch to those with a yen • Your own personal cost in '81. about. Warranty on ALL for the ostentatious — or home computer consultant BY THE WAY, if you mo.e aptly called the who will not only teach you haven't made your New Color Televi$ioR • '•tl obscene — is as great as it how to become the com- Year’s Eve plans yet, has ever been. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Watershed 2009 Baker University Literary Arts Journal
2009 Watershed Watershed 2009 Baker University Literary Arts Journal Production Managing Editor Katie Adams Selection Committee Rose Garrison Cat McGowan Justine Greve Jamie Ingram Tonia Karpowicz Chansi Long Stephen Webb Andrew Woodworth Faculty Advisor Tracy Floreani With special thanks to Baker University Language and Literature Department for the use of its resources Copyright 2009 All rights reserved Congratulations to Brianna Lichtenauer and Ashley Sims for placing in the top three of the Sigma Tau Delta Poetry Contest with their poetry collections. Index of Images cover Fall Paths...Dana Hacker 3 Jayhawk in Abstract...Vandi Marie Crisswell Henricks 5 ...Briana Bever 9 An Important Day...Caitlin Seals Schwanke 11 ...Erin Ford 12 Workbench...Brianna Lichtenauer 14 ...Erin Ford 18 October in Paris...Katie Adams 19 Wilderness Penthouse...Dana Hacker 21 ...Erin Ford 23 Cradled Droplet...Caitlin Seals Schwanke centerfold left Mount Vernon...Dana Hacker centerfold right Sunflower on Fire...Vandi Marie Crisswell Henricks 25 BU Ice...Shawnee Barron 26 ...Jasmine Heinson 27 ...Erin Ford 29 The Duel...Caitlin Seals Schwanke 30 Toes...Shawnee Barron 32 Cranes in a Field...Caitlin Seals Schwanke 35 ...Brianna Lichtenauer 39 ...Erick Shields 42 Mountains of Molehills...Caitlin Seals Schwanke 43 Monument by Moonlight...Dana Hacker 44 Kiss...Shawnee Barron 48 Squirrel...Shawnee Barron back cover Lily Pond...Brianna Lichtenauer 3 Doubt Brianna Lichtenauer The mind’s tracks are worn from the to and fro pacing of maybe, what if, and but, those anxious sisters who never sleep, who rub the fine skin of your wrist raw with their twisting. They chatter in trees, jewel-colored parrots taught by sailors to swear. -
May the Best Man Win': SA Election Race
OPEN EVERY DAY MIDNIGHT RECYCLE News Entertainment youn MoVIE DVDs Complete Ds, VHS & GAMES TOO VdINGE Buggley BUY — SELL — TRADE — RENT SA eyes at CHOOgE6REIER election NOFX coverage show RECYCLE DVDs Page 3 Page 10 DVDs, VHS s GAMES TOO The Red River College's newspaper 113 e r April 8, 2002 May the best man win': SA election race By Natalie Pona andshaking, debates and free bubble gum — Hit must be time for Red River College's student body to elect the new executive officers of the Students' Association. The campaigning officially kicked off midnight on March 25, with two candidates in the race to become the new SA president, David Lyman and Daniel Kreutzer. "As president, you're not speak- ing as one person," says Lyman, who is currently the vice-presi- dent of finance and administra- tion, "you're speaking on behalf of 5,500 people." Lyman is running against Kreutzer, a second-year Business Administration student. "May the best man win," Kreutzer says, the atmosphere rife with the formality and prudence of politick as both men consider every word spoken in front of a Projector reporter. Three hopefuls are vying for the position of Vice-President of Student Affairs: Shubert Beaubrun, Ethan Stock and Jonathan Menec. The final posi- tion of Vice-President of Financial and Support Services has only one nominee, Lars Vik. Daniel Kreutzer (left) and David Lyman are vying for your vote in the Students' Association presidential race. Candidates were given a list of important RRC issues, including being subject to penalty points, or about the vandalism. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
SANTOS, Carlos Arthur. Underground Heavy Metal Em Campina Gr
UNIVERSIDADE ESTADUAL DA PARAÍBA EDVALDO SOUSA DO Ó – CAMPUS I CENTRO DE EDUCAÇÃO CURSO DE LICENCIATURA PLENA EM HISTÓRIA CARLOS ARTHUR DA SILVA SANTOS UNDERGROUND HEAVY METAL EM CAMPINA GRANDE: 1985-1995 CAMPINA GRANDE - PB 2016 CARLOS ARTHUR DA SILVA SANTOS UNDERGROUND HEAVY METAL EM CAMPINA GRANDE: 1985-1995 Trabalho de Conclusão de Curso apresentado ao Curso de Licenciatura Plena em História da Universidade Estadual da Paraíba como requisito parcial para a obtenção do título de Licenciada em História. Orientadora: Profª Dr ª. Patrícia Cristina de Aragão Araujo. CAMPINA GRANDE 2016 A mim mesmo. “Visita Interiorem Terrae, Rectificandoque, Invenies Occultum Lapidem ”. 218 AGRADECIMENTOS A minha família pelo suporte todos esses anos de curso principalmente na figura do meu pai Carlos Alberto da Silva Santos, da minha mãe Maria Eliete da Silva Santo e da minha irmã Edcarla da Silva Santos. A meus amigos leais e guerreiros que me dão suporte financeiro e etílico quando preciso e por compartilharem os momentos de ressaca e as noites infernais ao longo dos eventos por esse Nordeste dia bólico. Hail’s 666. As legiões infernais que nos guiam nas batalhas do dia a dia. Ave o caminho da mão esquerda. Ao underground e as bandas que fazem parte deste meio por manterem o Metal vivo e respirando arrastando ainda mais legiões de guerreiros leais. A Charlie Curcio que possibilitou o acesso a maioria das fontes presentes neste trabalho. Kedma Villar por possibilitar a minha entrada no grupo no Facebook Metal Forces, onde pude obter importantes fontes, e a Pablo Ramires por possibilitar as fontes sobre o Ostia podre. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of