May the Best Man Win': SA Election Race
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
E Il Quadri C'e' Sempre!
SOMMARIO anno secondo — numero terzo Ma se io avessi previsto tutto questo.. Pag.3 La caduta di Varsavia ... Pag.4 Antigone, tragedia immortale Pag.7 L’uomo, la bestia e la virtù”: realtà o apparenza Pag.9 Cento motivi x non ritirarsi dal Quadri Pag.10 IL peso dello zaino Pag.12 E meglio vivere o morire? Pag.13 I francobolli Pag.14 L’era glaciale Pag.15 Gin e Fizz, appuntamento noir Pag.16 Poesie Pag.17 Millencolin forever Pag.18 Tutti insieme appassionatamente Pag.20 Allarme HOAX Pag.21 Videogiochi & musica Pag.22 Orientamento lento Pag.24 Profémon Pag.26 171 Nomi Pag.28 Ritorna la pagella Pag.30 Direttore: Marco Azzalini 5^CI - [email protected] Il Giudizio Universale Vicedirettore: Arianna Frigo 4^AI - [email protected] Copertina di: SUPERVISORE ( NONCHé anima del giornalino ): Giuliano Guzzo 4^AI Giuliano Guzzo 4^AI - [email protected] Uomo obiettivo: Prof. Giuliano Cisco - [email protected] Impaginatori: Janusz Trevisan 4^AI - [email protected], Alessandro Venturini 5^CI [email protected], Cristian Pozza 3^AST, Gennaro Di Napoli 5^LG - [email protected], Gianluca Bonanno 5^LG, Gregorio Dal Sasso 2^BI - [email protected], Paolo Albanese 3^AST REDAZIONE: Giovanni Monarca 4^AST - [email protected], Andrea Pezzato 4^AST, Paola Bertozzi 3^BI, Trivisonno Andrea 1^AI, Paolo Zoccante 2^BI - [email protected], Mariasole Cavallarin 2^LG, Elisa Borrelli 5^CI, Stefano Tapparo 4^AST, Elisa Dalla Libera 2^LG, Valentina Accietto 3^BST, Guzzo Alberto 1^AI, Barbolan Cristina 1^BI, David Tosin 3^LG, Michele D’Alessandro 3^ATL, MariaGiulia Rigon 3^ATL Michael Walker “Texas Ranger” 4^AST Un ringraziamento particolare va rivolto al Comitato Genitori per il sostegno finanziario a questa pubblicazione Marco Azzalini 5^CI Vabbé, lo ammetto: cinque anni sono volati. -
Jason Newsted, Art and Loud
Jason Newsted: Art Out Loud By Juan Sagarbarria ! JUPITER, FL October 30, 2017 An energetic and highly amplified electronic rock music having a hard beat, that is how Merriam-Webster defines heavy metal. If there was a viable channel in which to personify this description, then Jason Newsted would surely be one of its embodiments. A six-time Grammy winner, Rock and Roll Hall of Fame artist, Newsted—also known as “Jasonic”—is the former bassist of the band that arguably bred the metal genre—Metallica. From 1986 to 2001, Newsted forged his name in the annals of rock history with his beefy, fast-paced, and at times, nostalgic bass lines, as Metallica took the world by storm. Eternal staples like “Enter Sandman,” “The Unforgiven,” “Nothing Else Matters,” “One,” and “Fuel,” are but a brief sampling of the songs that were hatched during Newsted’s tenure. By singing lead on a few songs during the band’s live performances and astounding countless audiences with his remarkable bass solos, Newsted stamped his musical footprint. He even took over lead vocals for a whole show at the Kentucky Speedway during the 1999 Summer Sanitarium Tour, while frontman James Hetfield recovered from injury—and fiercely delivered. “I got to join my favorite band,” Newsted remarks. “I got real, real f***** lucky and got to travel around the world five times. Just imagine being in a dreamlike state for 15 years—that is the only way I could sum up what the experience entailed. Suffice it to say, I had too much fun.” Upon meeting Newsted, my impression of him was that, although he did not have his characteristic long hair that flailed aggressively during his early days with Metallica, he is still as spirited as ever; a character’s character. -
OPEN SUNDAY a T Fil£Uwt)4 Manrhfhtrr Congress Misses
24 - MANCHESTER HERALD. Fri., Dec, 17, 1982 Even Santa Claus |25 years a Santa Dristan recalled Town joins and still at it |fn tampering scare IfesY law foes would be offended '■■"Y ...page 3 ... page 11 ...page 4 The "pornography of s u m Though a stiff recession has put nearly 12 million excesses” — which include h Americans out of work — the likes of a $150 gold < 1 ; I the highest jobless rate in toothpick with retractable SALE 31 years — it’s holiday gift Dan Dorfman point — is something most giving as usual by the of us laugh about. But rather, it may be nouveau riche, the Syndicated tasteless and the show-offs something to be concerned Increasing clouds Manchester, Conn. about. It defines even (the folks who have it and (Columnist Saturday, Dec. 18, 1982 want to flaunt it). In fact, more, as DeVoe points out, star* SKCUL Sunday afternoon the rapidly growing, line judging from the slew of — See page 2 Single copy 25cp newspaper ads and between the haves and thr M a n r h fH tr r catalogs geared to the lofty have-nots . and that's Free 5 yr. picture tube income bracket, retailing's what class frictions are all pitch to those with a yen • Your own personal cost in '81. about. Warranty on ALL for the ostentatious — or home computer consultant BY THE WAY, if you mo.e aptly called the who will not only teach you haven't made your New Color Televi$ioR • '•tl obscene — is as great as it how to become the com- Year’s Eve plans yet, has ever been. -
Acepta Haber Agredido a Su Mamá En Pelea
JUEVES 16 Nogales, www.eldiariodesonora.com.mx DE JULIO DE 2020 Sonora, México Sección B Tom Holland presume cuerpazo ›› El actor ha compartido una foto en Instagram en la que luce su nueva musculatura, dándole los créditos de la transformación a su compañero Wahlberg esPECIAL Cristian Castro Acepta haber agredido a su mamá en pelea ›› Hace unos días Yolanda Andrade reveló que Verónica Castro terminó en el hospital tras unos golpes que recibió por parte de su hijo Cristian Lana Del Rey anuncia CDMX.-Hace unos días Yo- ja y que era cosa entre él su madre. entre la opinión pública, landa Andrade reveló que y ‘la vero’, minimizando el Fue por esta razón que pues ahora que se sabe que Verónica Castro terminó asunto. el cantante admitió, de pro- el cantante tiene un tempe- su primer libro con en el hospital tras unos gol- Sin embargo, Cristian pia voz, que sí hubo jalone- ramento difícil y conductas pes que recibió por parte de nuevamente habló del te- os con su mamá y destacó un tanto extrañas, el escán- su hijo Cristian. ma, ya que según él la cua- que, pese a todo, su madre dalo de Valeria Liberman más de 30 poemas Luego de las acusa- rentena le ha servido mu- ha podido perdonarlo. ha vuelto a resurgir, siendo ciones, el cantante, de 45 cho para reflexionar sobre No obstante la declara- esta vez ella, la posible víc- CDMX the Grass’ acompañada de años, contestó que ese plei- sus relaciones familiares, ción de Cristian Castro ha tima de Castro. -
Oshkosh Waterfest in August
TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine. -
Metallica by DEBORAH FROST
PERFORMERS Metallica BY DEBORAH FROST appy families, Leo Tolstoy noted, are all From the moment a diminutive Danish motormouth alike; every unhappy family is unhappy who’d been around the world a handful of times before in its own way. That goes double, if not kindergarten fast-talked his way onto ah indie compila quadruple, for bands, particularly those tion though he’d barely assembled a trap kit, never mind who achieve greatness. The picture has a band, Metallica has always marched to its own drum Hnever been painted so graphically as in Some Kind of mer. The son of a bohemian tennis pro who dabbled in Monster, the 2004 documentary that chronicled the arts criticism and the godson of jaZZ saxophonist Dexter previous three years and crack-up of Metallic®, at the Gordon, Lars Ulrich could not fit into a mold — much very pinnacle of its fortune and fame. less that of a typical heavy-metal fan or musician - if you Of course, few bands hold on to the wild ride of the paid him. By the time his family relocated from Copen bitch success for twenty minutes — never mind twenty hagen to L.A. in 1980 so the sixteen-year-old could make years. Perhaps not since Who’s Afraid ofVirginia Woolf? the leap from the junior circuit to follow in the old man’s or Ingmar Bergman’s equally vituperative and excruciat sneakers, he’d been seduced by European punk and the ing Scenes From a Marriage has Monster’s load of dirty new wave of British metal that emulated its DIY philos laundry and uberdomestic drama been dumped on any ophy and breakneck tempos. -
Written by James Hetfield/Lars Ulrich/Cliff Burton Transcribed by Stuart Clayton Performance Notes
orion Written by James Hetfield/Lars Ulrich/Cliff Burton Transcribed by Stuart Clayton performance notes ‘Orion’, the classic Metallica track that features bassist Cliff Burton in a lead role, was an obvious choice for this month’s transcription. To this day - nearly thirty years after it was recorded - it’s a track that is studied and dissected by metal-loving bass players all over the world. The recent release of the isolated bass part from this and other Metallica songs has given us all the chance to hear Cliff Burton’s original parts without the distractions of the other instruments, and in many cases this has proved to be a revelation: what were previously thought to be synth parts or guitar solos in fact turned out to be Cliff, using effects and guitar-like techniques such as upper-register soloing and tapping to take the bass player’s role to new heights. ‘Orion’ opens with a series of sustained bass chords from Cliff. These are heavily effected with distortion, and each needs to be allowed to ring fully throughout the bar - try to avoid large gaps as you switch between the chords - the transitions need to be fluid. At letter A Cliff begins playing a simple eighth note groove based on octaves and chord tones. This four bar line is played three times, then begins to develop, with extra sixteenth notes added to the rhythm. This section leads into letter B, a distorted lead bass section in which Cliff plays an upper egisterr line that sets up the heavy riff that arrives at letter C. -
Society of Children's Book Writers and Illustrators Official Reading List Summer 2016
SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST SUMMER 2016 All books are grouped by geographical region of the author or illustrator. They are listed in alphabetical order by title and divided into grade levels. TABLE OF CONTENTS ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) . 3 AUSTRALIA / NEW ZEALAND (May - December 2016) . 15 CALIFORNIA / HAWAII . 21 CANADA . 37 INTERNATIONAL / OTHER . 43 MID-SOUTH (Kansas / Louisiana / Arkansas / Tennessee / Kentucky / Missouri / Mississippi) . 45 MIDDLE EAST / INDIA / ASIA . 51 MIDWEST (Minnesota / Iowa / Nebraska / Wisconsin / Illinois / Michigan / Indiana / Ohio) . 53 NEW ENGLAND (Maine / Vermont / New Hampshire / Connecticut / Massachusetts / Rhode Island) . 69 NEW YORK . 81 SOUTHEAST (Florida / Georgia / South Carolina / North Carolina / Alabama) . 89 SOUTHWEST (Nevada / Arizona / Utah / Colorado / Wyoming / New Mexico) . 99 TEXAS / OKLAHOMA . 107 UK / IRELAND . 113 WEST (Washington / Oregon / Alaska / Idaho / Montana / North Dakota / South Dakota) . 117 SPANISH / BILINGUAL . 127 SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST — SUMMER 2016 ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) GRADES K-2: garten beginning readers. Author’s Residence: Reading, Pennsylvania Apple Days: A Rosh Hashanah Story Publisher: Reading Reading Books by Allison Sarnoff Soffer, illustrated by Bob McMahon Picture Book The Boy Who Said Nonsense Description: A touching story about a child’s beloved apple-picking by Felicia Sanzari Chernesky, illustrated by Nicola Anderson tradition, disappointment, and the power of community. Apple- Picture Book sauce recipe included. Description: Tate can count just by looking at things! All this count- Author’s Residence: Washington, D.C. ing makes everyone think Tate talks nonsense—until his brother Publisher: Kar-Ben Publishing sees everything from Tate’s perspective. -
BC's Music Sector
BC’s Music Sector FROM ADVERSITY TO OPPORTUNITY www.MusicCanada.com /MusicCanada @Music_Canada BC’S MUSIC SECTOR: FROM ADVERSITY TO OPPORTUNITY A roadmap to reclaim BC’s proud music heritage and ignite its potential as a cultural and economic driver. FORWARD | MICHAEL BUBLÉ It’s never been easy for artists to get a start in We all have a role to play. Record labels and music. But it’s probably never been tougher other music businesses need to do a better than it is right now. job. Consumers have to rethink how they consume. Governments at all levels have to My story began like so many other kids recalibrate their involvement with music. And with a dream. I was inspired by some of successful artists have to speak up. the greatest singers – Ella Fitzgerald, Tony Bennett and Frank Sinatra – listening to my We all have to pull together and take action. grandfather’s record collection while growing up in Burnaby. I progressed from talent I am proud of the fact that BC gave me a competitions, to regular shows at local music start in a career that has given me more venues, to a wedding gig that would put me than I could have ever imagined. After in the right room with the right people – the touring around the world, I am always right BC people. grateful to come home to BC where I am raising my family. I want young artists to When I look back, I realize how lucky I was. have the same opportunities I had without There was a thriving music ecosystem in BC having to move elsewhere. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
For Immediate Release / August 28, 2020 Metallica
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / AUGUST 28, 2020 METALLICA AND SAN FRANCISCO SYMPHONY: S&M2 OUT NOW Live album and video captured September 6 & 8, 2019 at San Francisco’s Chase Center Available now via metallica.com/sm2 SAN FRANCISCO, CA—The San Francisco Symphony and Metallica’s S&M2 live album and video, captured at concerts on September 6 & 8, 2019 at San Francisco’s Chase Center is out now, available in a variety of formats including vinyl, CD, DVD, and Blu-ray via metallica.com/sm2. The concerts were historic on multiple levels, serving as the grand opening of San Francisco’s Chase Center, reuniting the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featuring the first-ever symphonic renditions of songs written and released since those original S&M shows. “S&M2 offers an inspired and eye-opening view into not just the shared heritage of classical music and heavy metal, but into the spirit of innovation and to endless vistas awaiting exploration.” - Louder “And it’s also of little surprise, especially for anyone who attended those increasingly legendary shows at Chase last year, that this new album is another major winner. What a great memento of such a monumental night in Bay Area live music history.” - The Mercury News “This collaboration between Metallica and the San Francisco Symphony brings to life the fusion of heavy metal and classical music. As it was in 1999, S&M2 is a grand celebration of the energy and magic that these forms of music convey.” – Metal Wani S&M2 is a landmark release in the Metallica catalogue, both sonically and visually.