DOCSLIB.ORG

Fan Q & a with JIM MARTIN, Formerly of FAITH NO MORE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fan Q & a with JIM MARTIN, Formerly of FAITH NO MORE For Immediate Release November 13, 2012 Fan Q & A with JIM MARTIN, Formerly of FAITH NO MORE After a silence of over a decade, Jim Martin agreed to a Q&A session with fans via a British based fan site. A set of 15 questions were selected by administrators of the fan site from over 500 submissions by fans eager to hear from Jim. What follows is a Q&A session with Jim Martin, former Faith No More guitar player, songwriter, and producer, and fans of Faith No More. Some weeks ago, the FNM “fan club guy” was asking about how to contact me, he wanted to talk to me about the fan page.. After several exchanges via email, he and I decided to do a Q&A thing for the fans. My departure from FNM in 1993 was controversial; I left while the band was still at the peak of its success. I am proud of my contributions to the success and legacy of FNM. I appreciate the time and effort it took to put these questions together. Thank you for the opportunity 1. Nefertiti Malaty Q: What do you consider the highlight of your career? A: Performing with Bo Diddly, Klaus Mein, Metallica, Gary Rossington, Pepper Keenan Sean Kinney Jerry Cantrell John Popper Jason Newstead, singing Misfits songs with Metallica live during our tour with them and GNR. 2. Eric Land Q: You are an influence to many younger guitarists today, but who were your biggest influences and what do you remember about how those people helped to craft your sound and play style? A: My influences to a greater extent were Jimmy Page, Jimi Hendrix, and David Gilmore. Mostly Page. His method of using a pick and his fingers at the same time and his way of squeezing the humanity out of a guitar. It’s funny how influences work. My influences were influenced by old blues men. Those legendary blues men were influenced by their tribal ancestors. The tribal ancestors are the link back to the beginning; they are the keepers of the essence. Through my influences I am connected to the roots of time and the music that elevates the primordial spirit of mankind. We do not truly compose anything genuinely new, the listeners and the presentation are what is new, and it is the perspective that varies. The ability of expression and improvisation, the stuff of creation that fascinates all life. 3. Grant Q: It was great seeing you play again during the Metallica event...also some very great words spoken about Cliff....it was great to see ya! Weird question, Big Jim...and I only just thought of it while scrolling through the last post on FNM Blog: What was the deal with you being the only clothed FNM member in the infamous "FNM underwear poster"? Did you just think the photo idea was dumb, or did you think it'd be better/funnier with one dude dressed to the nines in jeans, leather vest, etc. while everyone else was near nekkid. Thanks for doing this Q&A, man! Excited to see the responses! A: I remember it was one of the first big photo shoots for us set up by London Records. Ross Halfin, “Famous Rock Photographer”, was pretty aggressive, barking orders and abusing band members, particularly Puffy. He ordered everyone to strip down. I said “forget it” (I thought it was dumb). The other guys did, he snapped the picture and at that moment, I understood why he was famous… 4. Anonymous Q: I'm a crazy obsessed fan and have listened to just about all the bootlegs and read all the interviews...Despite "not being into" the music on Angel Dust (so it is written in places), you played flawlessly all of 92-93 and I even caught you banging your head enthusiastically during the Phoenix Festival. Also, while others were bad-mouthing you, you always played it off with a joke and came off as the bigger person (you were hilarious in the Maida Vale interviews!)...somethiing doesn't add up. Were you really that unhappy? If so, how do you keep such a cool head and stay so professional? A: Thank you for the great compliment. My publicized “not being into” Angel Dust was all about the way the whole process went down. There was a lot of weird pressure to follow up The Real Thing, and as a consequence, the album AD was more contrived musically than I thought was necessary. I wanted more of the record to happen in the studio and Bill wanted every last tack nailed down before we went in. I wanted to spend time with it, management and the record company wanted to rush it out the door. There were a bunch of journalists in the studio. We were paying for a bunch of sampling that we could have created. Matt Wallace was calling me on the phone complaining about Mike Patton’s performance. Management and record company were calling me complaining about Mike Patton’s performance and desire for outside projects. The record company president came in the studio and said: “I hope nobody bought houses” All the air got sucked out of the room. That was one of those great moments when reality slaps you in the face. Some of my associates (had) bought houses. The pressure was on, and everyone wanted to be in the studio with me while I recorded, endlessly tinkering and fucking with me and fucking with Matt, and Matt is a really fucking wound up guy already. Prior to AD, I would work alone with Matt and his assistant engineer period. I had to kick everyone out and even though it was not a new concept it really pissed everyone off. Live performances were always very strong. From my perspective, we came across a lot heavier than the records. Over time, the chord progressions and the arrangements would morph in subtle ways that would make the set heavier than the studio version. As far as the bullshit in the press, yeah, there was a lot of negativity, and I tried to avoid being part of it to the point of refusing interviews. Of course I was unhappy; individuals were making decisions which would prove to be damaging to FNM. However, despite these distractions, real people paid to see a show and we were able to deliver thanks to the support of a great crew and a great sound man, Greg Bess, who was used to working with the heavy bands. I actually really enjoyed those shows. 5. Anonymous Q: If you could collaborate for a single cover song with any musician, dead or alive, who would that be and what would the song be? A: I sure miss Cliff. Cliff Burton. We could do any song and twist it up horribly. I think if there were an opportunity to collaborate, we would write something new. Put Dave (Donato – Agents of Misfortune) in there on the drum kit and create something Cliff’s mother would call “Fucked Up Weirdos”. 6. Matt Slavsky A: I'll get this one out...what is your relationship like now with the members of Faith No more? Q: To be honest Matt, that is an emotional subject. There has been much negative rhetoric in the press, and it was my choice to either play their game, fight with them and let the press spin it, or leave them to play with themselves and allow you to make a decision based on the work I left behind. In an effort to avoid the negativity, I chose the latter. However, there are some points that I would like to address. I read a couple of interviews Matt Wallace did, and his simplified explanations can lead one to believe that I hate homosexuals, I did not contribute to Angel Dust, and I did not play guitar on the record. Ouch. Something else is a little more accurate. The guitar parts are mine; that’s me playing guitar on all the tracks. I contributed much to the songwriting and arrangements. Bill added some fluff to “Midlife Crisis” and “Midnite Cowboy” and wrote everything for his song “Small Victory”, Mike wrote everything for “Malpractice”, I wrote everything and created the samples for “Jizzlobber” ; Bill contributed the keyboard outro. Mike wrote all of the lyrics for the album except Roddy wrote lyrics for “Be Aggressive”. Matt’s commentary about Roddy seemed a little weird; we (band members) all knew Roddy was gay long before he “came out” and it was not an issue for anyone. Matt also forgot to mention that he and I spent a lot of time together on the production of TRT and AD improving the recording method and sonic profile in the studio. I insisted on the co-producer credit for FNM on those 2 records because of that work. Notice The Real Thing and Angel Dust are the only two FNM records co-produced by Matt Wallace and Faith No More. I saw something in Wiki where someone pulled a comment out of an old bucket: Jim Martin said “I don’t know why It’s called Angel Dust, I had nothing to do with it” While that is true, it is not complete. The idea was Roddy’s, and nobody else had anything to do with it either. He came in with a basic concept of a bird front, meat locker back, and Angel Dust for the title. The question was: “How do we get it (Roddy’s idea) to the record cover?” We lost control of the sleeve art on the last 2 releases.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • OPEN SUNDAY a T Fil£Uwt)4 Manrhfhtrr Congress Misses
    24 - MANCHESTER HERALD. Fri., Dec, 17, 1982 Even Santa Claus |25 years a Santa Dristan recalled Town joins and still at it |fn tampering scare IfesY law foes would be offended '■■"Y ...page 3 ... page 11 ...page 4 The "pornography of s u m Though a stiff recession has put nearly 12 million excesses” — which include h Americans out of work — the likes of a $150 gold < 1 ; I the highest jobless rate in toothpick with retractable SALE 31 years — it’s holiday gift­ Dan Dorfman point — is something most giving as usual by the of us laugh about. But rather, it may be nouveau riche, the Syndicated tasteless and the show-offs something to be concerned Increasing clouds Manchester, Conn. about. It defines even (the folks who have it and (Columnist Saturday, Dec. 18, 1982 want to flaunt it). In fact, more, as DeVoe points out, star* SKCUL Sunday afternoon the rapidly growing, line judging from the slew of — See page 2 Single copy 25cp newspaper ads and between the haves and thr M a n r h fH tr r catalogs geared to the lofty have-nots . and that's Free 5 yr. picture tube income bracket, retailing's what class frictions are all pitch to those with a yen • Your own personal cost in '81. about. Warranty on ALL for the ostentatious — or home computer consultant BY THE WAY, if you mo.e aptly called the who will not only teach you haven't made your New Color Televi$ioR • '•tl obscene — is as great as it how to become the com- Year’s Eve plans yet, has ever been.
    [Show full text]
  • Sink Or Swim? Maine’S Fishing Industry and Environmentalists Look to the Future by Deirdre Fulton | P 8
    it’s time to vote! register your suPPort at thePhoenix. com/best february 22–28, 2013 | Portland’s news + arts + entertainment authority | free February Feast: Groundfish sink or swim? Maine’s fishing industry and environmentalists look to the future _by Deirdre Fulton | p 8 defending the earth always on audio eco-radical Quick, decisive action: it’s time | p 4 !WFNX.com streams 24/7 tHE PortLaNd PHoENIX | FEBruarY 22, 2013 3 THEY MIGHT BE GIANTS with VANDAVEER FRIDAY 2/22 • 8PM EL GRANDE w/ PUSHING THE CLOCK AND FouSINCENd 1966Ed IN 1999 DANNY PEASE AND THE REGULATORS February 22, 2013 | Vol XV, No 8 SATURDAY 2/23 • 7PM LYLE DIVINSKY and TURKUAZ ON THe cOVer F photo illustration by janet smith taylor UPCOMING SHOWS MON 2/25 - FUNKY MONDAYS THE PLAYERS BALL p 14 TUES 2/26 - COVER TO COVER - BUILDER OF THE HOUSE BRIGHT EYES/LIFTED, OR THE STORY IS IN THE SOIL, FEBRUARY 27 KEEP YOUR EAR TO THE GROUND presented by statetheatreportland.com p 16 UPCOMING EVENTS MAINE ROLLER DERBY PRESENTS Fri. THE PUBCRAWLERS Mar 1 W/ THE MURDER WEAPON, 04 tHIS JuSt IN MEANTONE & DJ PJ / 21+ 06 PoLItICS + otHEr MIStaKES Sat. HINDER & _BY AL DIAMON Mar 2 NONPOINT 18+ 06 HooPLEVILLE _BY DAVID KISH 06 oNE CENt’S wortH _BY MArc MewSHAw Sat. DEAN FORD 08 SINK or SwIM? _BY De IrDre FULTON Mar 9 W/ THE OTHER BONES & SEA LEVEL / 21+ 12 8 daYS a wEEK _BY NIc HOLAS Sc HrOeDer 14 art _BY KeN greeNLe AF Sun. SOULFLY FEAT. 16 tHEatEr _BY MegAN grUMBLINg Mar 10 MAX CAVALERA W/ INCITE, LODY KONG, 18 roCK _BY NIcHOLAS ScHrOeDer EMPIRE & DEAD SEASON / 18+ 575 CONGRESS WWW.PORTLANDEMPIRE.COM 879-8988 20 LoCaL MuSIC _BY SAM PFe IFLe 22 LIStINGS WPOR PRESENTS WED CLASH OF THE TITANS Fri.
    [Show full text]
  • May the Best Man Win': SA Election Race
    OPEN EVERY DAY MIDNIGHT RECYCLE News Entertainment youn MoVIE DVDs Complete Ds, VHS & GAMES TOO VdINGE Buggley BUY — SELL — TRADE — RENT SA eyes at CHOOgE6REIER election NOFX coverage show RECYCLE DVDs Page 3 Page 10 DVDs, VHS s GAMES TOO The Red River College's newspaper 113 e r April 8, 2002 May the best man win': SA election race By Natalie Pona andshaking, debates and free bubble gum — Hit must be time for Red River College's student body to elect the new executive officers of the Students' Association. The campaigning officially kicked off midnight on March 25, with two candidates in the race to become the new SA president, David Lyman and Daniel Kreutzer. "As president, you're not speak- ing as one person," says Lyman, who is currently the vice-presi- dent of finance and administra- tion, "you're speaking on behalf of 5,500 people." Lyman is running against Kreutzer, a second-year Business Administration student. "May the best man win," Kreutzer says, the atmosphere rife with the formality and prudence of politick as both men consider every word spoken in front of a Projector reporter. Three hopefuls are vying for the position of Vice-President of Student Affairs: Shubert Beaubrun, Ethan Stock and Jonathan Menec. The final posi- tion of Vice-President of Financial and Support Services has only one nominee, Lars Vik. Daniel Kreutzer (left) and David Lyman are vying for your vote in the Students' Association presidential race. Candidates were given a list of important RRC issues, including being subject to penalty points, or about the vandalism.
    [Show full text]
  • Krist Novoselic
    OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • Read Ebook {PDF EPUB} When the Real Thing Comes Along
    Read Ebook {PDF EPUB} When the Real Thing Comes Along by Faith Simone The Real Thing (album) The Real Thing is the third Studio Album released by Faith No More, and the first Studio Album where Chuck Mosley was replaced by Mike Patton on vocals. Background & Production [ edit | edit source ] We Care a Lot , a previous record produced by Mordam Records, went through several line-up changes. We Care a Lot being their first album (back when Chuck Mosley was the lead singer), relationships with Mordam Records dissolved. Faith No More soon signed up with Slash records, re-recording We Care a Lot and producing Introduce Yourself before Chuck was kicked out of the band, later replaced by Mike Patton. Within a year, they had recorded The Real Thing and released it on June 20th, 1989. Faith Thigpen. Dancer who found fame as a cast member on the third season of the Lifetime dance reality series Bring It! On the show, she is a member of the Dancing Dolls dance team, who have won more than a dozen Grand Champion titles. Before Fame. She attended a performing arts school named APAC. Trivia. Her Instagram account has more than 190,000 followers. Family Life. Her mother Dana has also appeared on Bring It! She has two brothers and a sister. Gospel singer Dathan Thigpen is her uncle. Faith No More The Real Thing. Faith no More� who hasn�t heard AT LEAST one song from them (Epic)? Until recently, I knew Faith no More only from their single Epic that rocked the early 1990s and brought FNM to an incredibly successful high.
    [Show full text]
  • The E Tight Bro's from Way Back Whe
    Nº4 - Priimavera-Verano 2002 - Gratuííto a Nuestro Pesar 0022 2200 ss.. RRAA gg TT ppáá EEXX 00 1155 TThhee TTiigghhtt BBrroo’’ss FFrroomm WWaayy BBaacckk WWhheenn EEddiittoorriiaall Sumariio ¿ACTITUD? REPORTAJES (004) "Sex & Drugs & Rock´n´Roll", trimembración formulada por el gran (004) Alcohol Jazz Ian Dury (cuya obra reivindicamos, junto a la de su mano derecha (006) Alasdair Fraser Chaz Jankel) y que alude por otro lado al supuesto estilo de vida (010) Dean Brown del Rock´n´Roll oculta el sabor dogmático y a la postre reacionario (012) Dictators que es inherente a todos los lemas. (015) Fito y Fitipaldis Porque seamos sinceros, la utilización del sexo y las drogas (pien- (018) Gacela Thompson (022) Hardcore Superstar so en Lou Reed en el escenario haciéndo como que se picaba) como (025) Kepa Junkera motivos musicales y extramusicales de provocación y/o exaltación (029) Koma dentro de la música popular del siglo XX, no es nada novedosa con (031) La Cabra Mecánica respecto a las artes de todos los siglos. Pensemos en el poemario (033) Ladybug Transistor báquico del bardo arábigo-español Ib al Zaq-qac (siglo XI) o en los (036) La Polla hedonistas textos de la poesía goliardesca que Carl Orff recuperó en (039) Madera de Blues su versión de los Carmina Burana, por no hablar de toda la poesía (042) Nuevo Catecismo Católico (oral, es decir, cantada) anacreóntica y sáfica griega o del erotismo (046) Negraloca del Cantar de los Cantares, único libro de corte psicalíptico incluido (049) Sex Museum en la Biblia. Por eso resulta chocante e incluso retrógrado que, por (053) The Tight Bro’s From Way Back When (056) Ultracuerpos poner un ejemplo, la cantante tejana dé, a dos palmos del especta- (059) Zen Guerrilla dor, fálico uso a una banana (provocación que nunca saldrá de las (062) Zodiacs tablas) para llamar la atención sobre su puesta en escena y su músi- BREVES (066) ca cuando desde luego no le hace falta por tener méritos musicales INFORMES (080) suficientes.
    [Show full text]
  • Looking Back at 2018, Page 2 Ventura Music Festival 25Th Season Expands
    Looking back at 2018, page 2 Vol. Vol. 3, 12, No. No. 11 7 Published Every Other Published Wednesday Every Other Established Wednesday 2007 January 3 – January March 15, 102019 - 23, 2010 Newly appointed Mayor Matt LaVere spoke during the event, recalled watching the devastation and wondering how the city could ever recover from the catastrophic event that leveled over 500 homes in Ventura. LaVere said, “But we sat down that next week and we were talking about the idea of Ventura strong and the amazing strength and resiliency of this community. We said our number one priority in 2018 has to get homes rebuilt and back into their homes. And here we are one year later, celebrating the first two homeowners who have rebuilt and are moving back into their homes and I think that is a momentous occasion.” Ribbon cutting for first two homes Ed Fuller is an avid singer and was at a rehearsal for his barbershop quartet in Camarillo when news of the spreading Helen always remained glamorous. rebuilt after the Thomas Fire Thomas Fire reached him. Fuller raced by Richard Lieberman back to his Ventura home, but like 500 VCF receives Ed and Sandy Fuller celebrated the Ventura city officials was held in front other Ventura families, his home would completion of their home rebuild after of the new home and another across the be destroyed. donation from the Thomas fire devastated their neigh- street at the newly completed residence On the morning of the ribbon borhood and reduced their beloved home of Michael and Sandra Gustafson who cutting ceremony, Ed and his barber Helen Yunker to ashes.
    [Show full text]
  • The Ithacan, 1999-11-04
    Ithaca College Digital Commons @ IC The thI acan, 1999-2000 The thI acan: 1990/91 to 1999/2000 11-4-1999 The thI acan, 1999-11-04 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1999-2000 Recommended Citation Ithaca College, "The thI acan, 1999-11-04" (1999). The Ithacan, 1999-2000. 11. http://digitalcommons.ithaca.edu/ithacan_1999-2000/11 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1999-2000 by an authorized administrator of Digital Commons @ IC. ,,; Sports 19 Go for the Jug The biggest game in Division III football reaches its 40th year. ~:K~~: ~... VOL 67, No. 11 THURSDAY, NOVEMBER 4, 1999 24 PAGES, FREE Reported assault unnerves campus ' ~~if~t/{r_;·1.:.· ·~·. <\: ~ <-:>-:·~.> l: ,. ·:mfi'·/\':_:.,t':f:;~:.;.,tf· ~,/' . ii--'' ..• ,.,>..;, :;", ,,., .,, < " •• '<):;', -~-~ ~ ~- · .f ' · _:- -':-, .· ,v, : J( , , s ~ ~~,:·. f - <,A\t~ \f; /!/(JnknbWn cis_$dilant !., ·_ .la_,'gez,:l<.:.;;· -~.'Y as sedrch tur'ns up feW leC1ds ,.. 1 ·j ,, : . '· " ::·:~. BY JASON SUBIK patched to assist her. · ;:,,,' Staff Writer _- /' ~:_., -- The Campus Safety investigation ·. ,·:'.._:_.. ,_:_.t!,.:··-·· .. C_ampufs safety'sk~ontinuingdinvcs- hWhall dheclined to comment a,; i.~o ,. · . ·-ttgat1on o 1ast wee s rcportc ear1 y · , w et er t ere are any suspects at hus ··, . ' morning assault on an Ithaca College fc- time. The perpetrator is still considered ,. \< _·-- male freshman has turned up few to be at large. Campus Safety does not~ · TJ..~t-. · 'leads. know if he is armed.
    [Show full text]
  • Download and Print It Yourself
    TeRRoR #1 2010 Arma Bitter/Terg Bizarre Uproar Brethren Clew of Theseus Clo Goelach Coma Detox Gas Chamber Haare Hum of the Druid Knurl McKaras Molester Mourmansk 150 Wertham reviews and more REVIEWS EDITORIAL After huge delays and so on finally the first forces, but we'll see when the time comes. Of issue of terror is out. Since the first thought course if somebody is willing to contribute somewhere around 2007-2008 something some art, especially written stuff, I'll gladly has changed and will of course change in the consider that. There were plans for this issue future. At first there were plans to make online to have a separate corner for some writings + paper issue of the zine so though these remained that the information would plans. Perhaps for the fu- circulate online, but also ture. I'm also very happy sooner or later it would be that since these years of si- put into paper. Anyways, lence (or at least that since that's good for re- seemed to me) some views, interviews are not printed zines appeared. that cup of tea and so after Misanthropy, Special Inter- publishing bigger part of this ests and so on. It seems issue's interviews online, I fi- that we're not moving to 0 nally decided to make things and 1 yet with full bodies a little different. From now and that's great. Without on interviews will go online any more twaddling I'd like (with the agreement of the to say huge thanks to interviewees) just after the everyone who had shared next issue is published.
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]