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Cambridge University Press 978-0-521-87392-5 - Never Sang for Hitler: The Life and Times of Lotte Lehmann, 1888-1976 Michael H. Kater Index More information Index 8 [Acht] Uhr-Blatt, Vienna, 56 Auguste Victoria, ex-queen of Portugal, 137 Abessynians, 273 Auguste Viktoria, Empress, 3, 9 Abravanel, Maurice, 207, 259–61, 287, 298 Austrian Honor Cross First Class, 278 Academy Awards, Hollywood, 232, 236 Austrian Republic, 44, 48, 51, 57, 64–66, 77, Adler, Friedrich, 38 85, 94, 97–99, 166, 307–8 Adolph, Paul, 110–11 Austrian State Theaters, 220 Adventures at the Lido, 234 Austrofascism, 94, 166–69, 308 Agfa company, 185 Aida, 266, 276 Bachur, Max, 15, 18–21, 28, 30–31, 33, Albert Hall, London, 117 42–43 Alceste, 269 Baker, Janet, 251 Alda, Frances, 68 Baker, Josephine, 94 Aldrich, Richard, 69 Baklanoff, Georges, 43 Alexander, king of Yugoslavia, 170 Ballin, Albert, 16, 30, 77, 304 Alice in Wonderland, 193 Balogh, Erno,¨ 147–49, 151, 158, 164, Alien Registration Act, 211 180–81 Allen, Fred, 230 Bampton, Rose, 183, 206, 245 Allen, Judith, 253 Banklin oil refinery, Santa Barbara, 212 Althouse, Paul, 174 Barnard College, Columbia University, New Altmeyer, Jeannine, 261 York, 151 Alvin Theater, New York, 204 Barsewisch, Bernhard von, 1, 13, 35, 285, Alwin, Karl, 102, 106–7, 189, 196 298, 302, 319n172, 343n269 American Committee for Christian German Barsewisch, Elisabeth von, nee´ Gans Edle zu Refugees, 211 Putlitz, 13, 82, 285, 295 American Legion, 68 Bartels, Elise, 11, 14 An die ferne Geliebte, 217 Barthou, Louis, 170 Anderson, Bronco Bill, 198 Bartok,´ Bela,´ 147, 151 Anderson, Dame Judith, 262, 284 Basel Opera, 266 Anderson, Marian, 138, 233, 251, 262, 266, Bauer-Schwind, Greta, 189, 216 281 Baum, Vicki, 247 Andrian-Werburg, Baron Leopold von, 43, Bayreuth Festival, 23, 67, 117, 130, 158, 168, 50 173–74, 266, 309 Anfang und Aufstieg, 164 BBC, London, 214, 278 Antheil, George, 247, 260, 309 Becker, Carl, 63 anthroposophy, 282 Beckmann, Max, 17 anti-Semitism, see Jews Beecham Opera Company, London, 24 Apollotheater, Vienna, 94 Beecham, Sir Thomas, 24, 184 Arabella, 98, 103, 108–12, 131, 140, 159, Beer Hall Putsch, 167 175 Beethoven, Ludwig van, 51, 91, 132, 168–69, Ariadne auf Naxos, 14, 22–23, 38–40, 174, 217, 272 43–44, 50, 55, 61, 101, 254, 281, 288 Behrens, Edith, 151, 165, 191, 194 Arianna a Naxos, 251 Bekker, Paul, 56 Armstrong, Louis, 182 Bellezza, Vincenzo, 172 Arnould, Sophie, 5 Bellini, Vincenzo, 13 Arthur Godfrey’s Talent Scouts, 265 Belmont, Eleanor Robson, 149 Astor Hotel, New York, 211, 214 Benny, Jack, 182 381 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87392-5 - Never Sang for Hitler: The Life and Times of Lotte Lehmann, 1888-1976 Michael H. Kater Index More information 382 Index Berend-Corinth, Charlotte, 241, 243, 290 Briand, Aristide, 119 Berg, Alban, 42, 73, 100, 276, 309, 336n51 Bridgit, 235 Berger, Erna, 184 British Empire Salzburg Society, 169 Berlin Philharmonic, 114–15, 159 Broadway, New York, 257 Berlin Secession, 9, 17, 241. See also fin de Brooklyn Academy of Music, New York, siecle` ; modernism; Viennese Secession 157, 181 Berlin Symphony, 114, 257 Brooklyn Eagle, The, New York, 172 Berliner, Milton (“Tio”), 188, 190–91 Brown, Anne, 204, 206, 244–45, 275 Berlioz, Hector, 52 Brown, Kathy H., 369n33 Bernac, Pierre, 266 Brown, Paola, 275 Bernstein, Eugene, 151 Bruckner, Anton, 53, 93 Biancolli, Louis, 310 Bruder Lustig, 18–19 Bie, Oscar, 56 Brunig,¨ Elisabeth, 6 Bienenfeld, Elsa, 66 Brunton, Paul, 282 Big-City Jews, 83 Brusilov offensive, 38 Big City, The, 235–37 Budapest People’s Opera, 119 Bing, Rudolf, 78, 113, 115, 120–21, 139, Budapest Royal Opera, 119 159, 219–20, 251, 266, 279–81, 283, 287, Bulow,¨ Hans von, 18 291, 301, 339n149 Burgertheater,¨ Vienna, 94 Birkenstrom,¨ Annemarie, 31 Buers, Wilhelm, 26 Bismarck, Otto von, 1, 8, 158 Bumbry, Grace, 255, 262, 264–72, 275, Bittner, Julius, 51–52 278–80, 286–87, 303, 307, 309, 376n240 Bittong, Franz, 18 Burgtheater, Vienna, 50, 80, 83–84, 93, Bizet, Georges, 25, 270 198 Blacher, Boris, 276 Busch, Adolf, 213 blacks, 144, 204, 272–74 Busch, Fritz, 52, 56, 106, 109–10 Blech, Leo, 73, 116, 157 Busch, Grete, 109 Bloch, Ernest, 247 Buys, Jan Brandts, 51 Block, Else, 201 Block, Walter, 201 Cadillac Hour, The,(Cadillac Concert), New Blois, Eustace, 61 York, 132, 150 Blue Angel, The, 146 Cadman, Charles Wakefield, 180 Bobbs-Merrill publishers, Indianapolis, Caedmon record company, 278 239 Cage, John, 242 Boccaccio, 83 Cal Tech (California Institute of Bockelmann, Rudolf, 285–86 Technology), Pasadena, 258 Bodanzky, Artur, 68, 138, 140, 150, 171, Callas, Maria, 70, 263, 269 173, 175–76 Calve,´ Emma, 295 Boden-Credit-Anstalt, Vienna, 97 Camp Roberts, Paso Robles, California, Bohm,¨ Karl, 110, 276, 287 214–15 Boers, 7 Campo di Maggio, 168 Bogan, Louise, 194 Cardus, Sir Neville, 61, 117 Bohnen, Michael, 24, 51, 74, 142 Carl Lindstrom¨ Aktiengesellschaft, Berlin, 74 Bokor, Margit, 100 Carl-Theater, Vienna, 83 Bollinger, Anne (“Betty”), 207, 245, 258, 291 Carmel Beach Festival, 259 Bonelli, Richard, 247 Carmen, 23, 25, 51, 74, 207, 270 Boosey and Hawkes publishers, New York, Carnegie Hall, New York, 132, 147, 149, 240 227, 229, 232, 266 Boston University, 265 Carnegie, Andrew, 198 Boxer Rebellion, 7 Caruso, Enrico, 18, 35, 43, 45, 67, 69, 193, Brahms, Johannes, 17, 25, 51–52, 133, 169, 294 196, 221, 223, 235, 249, 251, 255, Casa, Lisa della, 251, 338n113 263–64, 275, 303 Cassidy, Claudia, 222, 240, 249, 262, 287 Braille Musician, The, 251 Castelnuovo-Tedesco, Mario, 260 Brailovsky, Alexander, 118 Castle, Terry, 294 Braunfels, Walter, 52 Castle-Westervelt, Caroline, 135 Brecher, Gustav, 18–19, 21, 26, 28, 31–33, Castor et Pollux, 5 56, 59, 111, 123, 294, 308 Cate School for Boys, Carpinteria, Breitner Verlag, Vienna, 238 California, 247 Bremen, 127, 145, 239, 289 CBE, 283 Brentano, Antonie, 217 CBS, New York, 265, 292 Breslau Opera, 100 Central Opera Service, New York, 251 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87392-5 - Never Sang for Hitler: The Life and Times of Lotte Lehmann, 1888-1976 Michael H. Kater Index More information Index 383 Chaliapin, Fyodor, 69, 119, 149, 183 Dante Alighieri, 2 Challis, Bennett, 26 Das Heimchen am Herd, 27 Charpentier, Gustave, 60 Das Rheingold, 19, 96, 102 Chase, Pearl, 246 Das Wunder der Heliane, 91–92, 95, 124, Chevalley, Heinrich, 19, 28, 59 305 Chicago Opera, 71, 137–39, 142–46, 177, Davenport, Marcia, 88, 135, 155, 190–92, 180, 233–34, 269 195 Chocolate Soldier, The, 232 Davenport, Russell, 191, 195 Chotzinoff, Samuel, 190 David Mannes Music School, New York,205 Christian Social Party, 48, 166, 168 Davos sanatorium, 184–85 Christie, John, 159 Deak,´ Istvan,´ 83 Christmas Fairy, The, 5 Debussy, Claude, 253 Chronis, Olga, 252 Decsey, Ernst, 124 City Bar, Vienna, 49 Dehmel, Richard, 17, 237, 316n97 Civic Music Academy, Pasadena, 258 Delafield, Harriet, 244 Cochran, Virginia, 259 Delaware, Lackawanna and Western Cochran, William, 258 Railroad Company, New York, 192–93 Colonial Office, Berlin, 273 Deman, Rudolf, 173 Columbia College, Columbia University, Demuth, Leopold, 18 New York, 193 Denton, Grace, 246–47, 252 Columbia record company, New York, 182, Denzler, Robert, 113 223–24 Der Barenh¨ auter¨ , 18 Columbia School of Architecture, New York, Der Barbier von Bagdad, 27, 98 193 Der Blaue Reiter, Munich, 17 Columbia University, New York, 150, 194 Der Evangelimann, 22, 27 communism, communists, 213, 285, 307 Der Freischuetz¨ , 12–13, 20, 24, 44, 74 Concert Artists Guild of New York, 251 Der Kuhreigen, 52 Concertgebouw Orchestra, Amsterdam, 120 Der Mohr von Venedig, 276 Constance Hope Associates, New York, 151 Der Morgen, Vienna, 52 Constitution Hall, Washington, D.C., 213 Der Musikant, 51 Continental Hotel, Berlin, 125 Der Ring des Nibelungen, 31, 61, 97, 130, Cook, Jean, 258 247 Coppicus, Francis, 143, 146, 149–51, Der Ring des Polykrates, 43 164–65, 181–82, 188, 222, 225–26, 232 Der Rosenkavalier, 20, 24–25, 30–31, 33, 43, Corinth, Lovis, 9, 17, 241 45, 56, 58, 61, 101, 140–41, 172, 185, Cornelius, Peter, 27, 98, 180, 250 224–25, 242, 254, 262, 276, 278–80, Corot, Camille, 241 287–88, 301 Corregidor, 19 Der Schatzgraber¨ , 73 Cosı` fan tutte, 22, 232 Der Tag, Berlin, 10, 14, 303 Courtauld, Samuel, 61 Der Waffenschmied, 5 Coveney, John, 150, 287 Der Widerspenstigen Zahmung¨ , 91 Covent Garden, London, 12, 24, 32, 61–62, Der Zigeunerbaron, 80 70, 96, 117, 124, 131, 135, 140, 158, 170, Dessauer, Adolf, 83 184, 256, 266, 270 Dessauer, Wilhelm, 83, 90, 294, 305 Coventgarden, Hamburg, 25 Destinn, Emmy, 10, 46 Craig, Edward Gordon, 100 Destry Rides Again, 235 Cravath, Paul, 149 Deutsch, Friedrich, 116 Creditanstalt fur¨ Handel und Gewerbe, Deutsche Grammophon Aktiengesellschaft, Vienna, 97, 128 Berlin, 74–75 Crespin, Regine,´ 280 Deutscher Buhnenverein,¨ 95, 157 Crosby, Bing, 182–83, 187, 226, 229–30, Deutsches Schauspielhaus, Hamburg, 17 232, 259, 287 Deutsches Theater, Berlin, 9 Culp, Julia, 9, 56 Dichterliebe, 223, 256 Cumash Indians, 198 Die Abreise, 18 Curiel, Hans, 74 Die agyptische¨ Helena, 101–2, 104–7, Curtis Institute of Music, Philadelphia, 206, 124 227, 245–46, 248, 261 Die Bakchantinnen, 102 Die Brucke,¨ Dresden, 17 D’Albert, Eugen, 18, 25, 28, 31, 51, 59, 116, Die Fackel, Vienna, 49, 85 173 Die Fledermaus, 25, 46, 66, 254 Dachau concentration camp, 220 Die Frau ohne Schatten, 51, 55–56, 65, 70, Dahn, Felix, 14 103, 106, 108, 118, 276, 288 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87392-5 - Never Sang for Hitler: The Life and Times of Lotte Lehmann, 1888-1976 Michael H.
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    Claudia Maurer Zenck Publikationsliste A: Bücher Verfolgungsgrund: „Zigeuner“. Unbekannte Musiker und ihr Schicksal im „Dritten Reich“ (= Antifaschistische Literatur und Exilliteratur – Studien und Texte, Bd. 25, hg. v. Verein zur Förderung und Erforschung der antifaschistischen Literatur), Wien: Verlag der Theodor Kramer Gesellschaft, 2016 Mozarts Così fan tutte: dramma giocoso und deutsches Singspiel. Frühe Abschriften und frühe Aufführungen, Schliengen: edition argus, 2007 Vom Takt. Untersuchungen zur Theorie und kompositorischen Praxis im ausgehenden 18. und beginnenden 19. Jahrhundert, Wien / Köln / Weimar: Böhlau, 2001 Ernst Krenek – ein Komponist im Exil, Wien: Lafite, 1980 Versuch über die wahre Art, Debussy zu analysieren (= Berliner musikwissenschaftliche Arbeiten 8), München / Salzburg: Katzbichler, 1974 B: Editionen Ernst Krenek. Frühe Lieder für Gesang und Klavier, 3 Hefte, Wien: Universal Edition, 2015 (mit Einleitung, Textteil, Kritischem Bericht) Ernst Krenek - Briefwechsel mit der Universal Edition (1921-1941), 2 Teile, Köln / Weimar / Wien: Böhlau, 2010 „'...la di Ella inaudita finezza'. Zur Entstehung der Varianti. Briefwechsel Luigi Nono – Rudolf Kolisch 1954–1957/58“, in: Schönberg & Nono. A Birthday Offering to Nuria on May 7, 2002, hg. v. Anna Maria Morazzoni, Florenz: Olschki, 2002, S. 267–315 Ernst Krenek: Die amerikanischen Tagebücher 1937–1942. Dokumente aus dem Exil (Hg. u. Übers.), Wien / Köln / Weimar: Böhlau, 1992 Der hoffnungslose Radikalismus der Mitte. Briefwechsel Ernst Krenek – Friedrich T. Gubler 1928–1939 (Hg.), Wien / Köln: Böhlau, 1989 C: Herausgabe Younghi Pagh-Paan. Auf dem Weg zur musikalischen Symbiose, Mainz: Schott, 2020 (wird im Mai/Juni 2020 erscheinen) (zus. mit Gernot Gruber u. Matthias Schmidt:) Ernst Krenek – nicht nur Komponist (= Ernst Krenek Studien 7), Schliengen: edition argus, 2018 Musik, Bühne und Publikum.
  • Toccata Classics TOCC0154-55 Notes

    Toccata Classics TOCC0154-55 Notes

    Peggy Glanville-Hicks and Lawrence Durrell discuss Sappho, play through the inished piano score Greece, 1963 Comprehensive information on Sappho and foreign-language translations of this booklet can be found at www.sappho.com.au. 2 Cast Sappho Deborah Polaski, soprano Phaon Martin Homrich, tenor Pittakos Scott MacAllister, tenor Diomedes Roman Trekel, baritone Minos Wolfgang Koch, bass-baritone Kreon John Tomlinson, bass Chloe/Priestess Jacquelyn Wagner, soprano Joy Bettina Jensen, soprano Doris Maria Markina, mezzo soprano Alexandrian Laurence Meikle, baritone Orquestra Gulbenkian Coro Gulbenkian Jennifer Condon, conductor Musical Preparation Moshe Landsberg English-Language Coach Eilene Hannan Music Librarian Paul Castles Chorus-Master Jorge Matta 3 CD1 Act 1 1 Overture 3:43 Scene 1 2 ‘Hurry, Joy, hurry!’... ‘Is your lady up? Chloe, Joy, Doris, Diomedes, Minos 4:14 3 ‘Now, at last you are here’ Minos, Sappho 6:13 4 Aria – Sappho: ‘My sleep is fragile like an eggshell is’ Sappho, Minos 4:17 5 ‘Minos!’ Kreon, Minos, Sappho 5:14 6 ‘So, Phaon’s back’ Minos, Sappho, Phaon 3:19 7 Aria – Phaon: ‘It must have seemed like that to them’ Phaon, Minos, Sappho 4:33 8 ‘Phaon, how is it Kreon did not ask you to stay’ Sappho, Phaon, Minos 2:24 Scene 2 – ‘he Symposium’ 9 Introduction... ‘Phaon has become much thinner’... Song with Chorus: he Nymph in the Fountain Minos, Sappho, Chorus 6:22 10 ‘Boy! Bring us the laurel!’... ‘What are the fortunes of the world we live in?’ Diomedes, Sappho, Minos, Kreon, Phaon, Alexandrian, Chorus 4:59 11 ‘Wait, hear me irst!’... he Epigram Contest Minos, Diomedes, Sappho, Chorus 2:55 12 ‘Sappho! Sappho!’..